Oct 30, 2013

RhoDeo 1343 Aetix

Hello,  as the storm past through N.W Europe it knocked out powerlines, railconnections, thousands of trees, a dozen lives. Quiet a breeze then, most interesting aspect was that for many a metropolitan dweller nature came calling in a way that rarely happens any more. but then in a few days we'll have forgotten all about it.  In the US the security mob had their godfathers proclaim how their total spying had prevented another 9/11, come again ? They were instrumental in 9/11 and i'm sure they could easily create another. The questioning members of congress showed their complicitness or mindboggling naivity. The US is spying not for security but to keep their multinational gangsters on top be that in industry, computer soft /hardware, the banking sector and Wallstreet and that's why their 'friends' feel shafted big time and if the US didn't have such a ridiculously large militairy industrial complex, these acts would have led to war. I still think a total boycott of the US should be the appropriate respons.

As we continue the females in the eighties, today one more time for the grandma of rock chics , she's just 2 years younger than grandpa Jagger, but she's been touring plenty this last decade (far more than the grandpa) supported by a band that have been close over the decades. She's a good soul in a world of make believe, before the pain struck her band they produced 6 succesful albums  N'joy

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In the early 1970s, Chris Stein moved to New York City and, inspired by the New York Dolls, aimed to join a similar band. He joined The Stilettos in 1973 as their guitarist and formed a romantic relationship with the band's vocalist, Deborah Harry. A former waitress and Playboy Bunny. Stein and Harry formed a new band with drummer Billy O'Connor and bassist Fred Smith. By 1975, Smith and O'Connor had left, and the line-up was Stein and Harry plus drummer Clem Burke, keyboard player Jimmy Destri and bass player Gary Valentine. Originally billed as Angel and the Snake the band renamed themselves Blondie in late 1975. They became regulars at New York's Club 51, Max's Kansas City and CBGB. Blondie got their first record deal with Private Stock Records in the mid-'70s and released their debut album Blondie in 1976

In August 77, Chrysalis Records bought their contract from Private Stock and in October reissued Blondie and released the second album, Plastic Letters. Blondie expanded to a sextet in November with the addition of bassist Nigel Harrison (born in Princes Risborough, Buckinghamshire, England), as Infante switched to guitar.  Plastic Letters was promoted extensively throughout Europe and Asia by Chrysalis Records. The album's first single, "Denis", was a cover version of Randy and the Rainbows' 1963 hit. It reached number two on the British singles charts, while both the album and its second single, "(I'm Always Touched by Your) Presence, Dear", reached the British top ten. That chart success, along with a successful 1978 UK tour, made Blondie one of the first American new wave bands to achieve mainstream success in the United Kingdom.

Parallel Lines, Blondie's third album, was produced by Mike Chapman. Its first two singles were "Picture This" and "Hanging on the Telephone". "Heart of Glass" was their first U.S. hit. It was a reworking of a rock song that the group had performed since its formation, but updated with strong elements of disco music. Clem Burke later said the revamped version was inspired partly by Kraftwerk and partly by the Bee Gee's "Stayin' Alive". Heart of Glass became a popular worldwide success. Selling more than one million copies and garnering major airplay, the single reached number one in many countries including the U.S., where, for the most part, Blondie had previously been considered an "underground" band. The song was accompanied by a music video that showcased Deborah Harry's hard-edged and playfully sexual persona, and she began to attain a celebrity status that set her apart from the other band members, who were largely ignored by the media, and thereby laid the groundwork for Blondie's demise......

Their fourth album, Eat to the Beat, was well received by critics as a suitable follow-up to Parallel Lines, but in the U.S. it failed to achieve the same level of success. In the UK, the single "Atomic" reached number one, "Dreaming" number two, and "Union City Blue" was another top 20 hit, while in the U.S. their singles did not chart as strongly.

Meanwhile, Harry was collaborating with German disco producer Giorgio Moroder on "Call Me," the theme from the movie American Gigolo. It became Blondie's second transatlantic chart-topper. Blondie's fifth album, Autoamerican, was released in November 1980, and its first single was the reggae-cover "The Tide Is High," which went to number one in the U.S. and U.K. The second single was the rap-oriented "Rapture," which topped the U.S. pop charts and went Top Ten in the U.K. But the band's eclectic style reflected a diminished participation by its members -- Infante sued, charging that he wasn't being used on the records, though he settled and stayed in the lineup. But in 1981, the members of Blondie worked on individual projects, notably Harry's gold-selling solo album, KooKoo. The Best of Blondie was released in the fall of the year. The Hunter, Blondie's sixth album, was released in May 1982, preceded by the single "Island of Lost Souls," a Top 40 hit in the U.S. and U.K. "War Child" also became a Top 40 hit in the U.K., but The Hunter was a commercial disappointment.

At the same time, Stein became seriously ill with the genetic disease pemphigus. As a result, Blondie broke up in October 1982, with Deborah Harry launching a part-time solo career while caring for Stein, who eventually recovered.

In the nineties EMI and Chrysalis Records cashed in some more and released several compilations and collections of remixed versions of some of their biggest hits. One of which is Beautiful, a rather ironic title when at the time 95, Debbie was rather volumunous. The remixes on the album which was e- released in a slightly different order and tracklisting are rather inconsistant , Blondie deserved better i think.

 In 1998, the original lineup of Harry, Stein, Destri, and Burke reunited to tour Europe, their first series of dates in 16 years; a new LP, No Exit, followed early the next year. After more touring, this was followed by another album the dissapointing, The Curse of Blondie, in 2003, and a DVD of the Live by Request program from A&E was released in 2004. That year, Jimmy Destri left the group in order to deal with drug addiction, leaving Harry, Stein and Burke as the only members of the original line-up still with the band. Though Destri's stint in rehab was successful, he was not invited back into the band. In 2006, Blondie celebrated their 30th anniversary with induction into the Rock & Roll Hall of Fame and the release of Greatest Hits: Sound & Vision, a best-of collection that contained all their classic videos as well.

October 2009, the band began recording sessions for their ninth studio album with producer Jeff Saltzman in Woodstock, New York. After playing with the band for over a decade, both Leigh Foxx (bass) and Paul Carbonara (guitar) were elevated to official membership status with Blondie; keyboard player Matt Katz-Bohen, who had replaced Destri, was also made on official member, making Blondie a six-piece band. The new album, titled Panic of Girls was finally released May 2011, after  the support "Endangered Species Tour" of 2010 had finished their label Sony clearly lacked faith and or money to push them back into the limelight. The band continued to tour regularly into 2012. A concert in New York City was streamed live on YouTube on October 11, 2012. The same week, the band listed three previously unreleased songs recorded during the Panic of Girls sessions ("Bride of Infinity", "Rock On", and "Dead Air") were made available for free download

In June and July 2013, the band held a Blast Off Tour of Europe, with their tenth album Ghosts of Download to follow in Autumn 2013, accompanied by a US tour, the No Principals Tour. The first single from Ghosts of Download was released June 24 2013 as A Rose by Any Name. It was reported on 28 July 2013 that Blondie were to disband after a 2014 World Tour, due to Debbie Harry's age and health, this was later denied by the band and Debbie Harry. Meanwhile the release of their tenth album Ghosts of Download has been postponed to 2014.

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Just as Blondie's second album, Plastic Letters, was a pale imitation of their self-titled debut, Eat to the Beat, their fourth album, was a secondhand version of their breakthrough third album, Parallel Lines: one step forward, half a step back. There was an attempt, on such songs as "The Hardest Part" and "Atomic," to recreate the rock/disco fusion of the group's one major U.S. hit, "Heart of Glass," without similar success, and, elsewhere, the band just tried to cover too many stylistic bases. "Die Young Stay Pretty," for example, dipped into an island sound complete with modified reggae beat (a foreshadowing of the upcoming hit "The Tide Is High"), and "Sound-a-Sleep" was a lullaby that dragged too much to be a good change of pace. The British, who had long since been converted, made Eat to the Beat another chart-topper, with three major hits, including a number one ranking for "Atomic" and almost the same success for "Dreaming," but in the U.S., which still saw Blondie as a slightly comic one-hit wonder.

Blondie - Eat To The Beat  (flac 401mb)

01 Dreaming 3:06
02 The Hardest Part 3:41
03 Union City Blue 3:21
04 Shayla 3:58
05 Eat To The Beat 2:40
06 Accidents Never Happen 4:13
07 Die Young Stay Pretty 3:34
08 Slow Motion 3:28
09 Atomic 4:39
10 Sound-A-Sleep 4:16
11 Victor 3:17
12 Living In The Real World 2:44
13 Die Young Stay Pretty (Live BBC) 3:25
14 Seven Rooms Of Gloom (Live BBC) 2:46
15 Heroes (Live) 6:16
16 Ring Of Fire (Live) 3:30
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The basic Blondie sextet was augmented, or replaced, by numerous session musicians (including lots of uncredited horn and string players) for the group's fifth album, Autoamerican, on which they continued to expand their stylistic range, with greater success, at least on certain tracks, than they had on Eat to the Beat. A cover of Jamaican group the Paragons' "The Tide Is High," released in advance of the album, became a gold-selling number one single, as did the rap pastiche "Rapture," but, despite their presence, the album stalled in the lower half of the Top Ten and spent fewer weeks in the charts than either of its predecessors. One reason for that, admittedly, was that Chrysalis Records pulled promotion of the disc in favor of pushing lead singer Debbie Harry's debut solo album, KooKoo, not even bothering to release a third single after scoring two chart-topping hits.

Blondie - AutoAmerican  (flac 483mb)

01 Europa 3:31
02 Live It Up 4:08
03 Here's Looking At You 2:58
04 The Tide Is High 4:40
05 Angels On The Balcony 3:47
06 Go Through It 2:40
07 Do The Dark 3:50
08 Rapture 6:29
09 Faces 3:48
10 T-Birds 3:57
11 Walk Like Me 3:45
12 Follow Me 3:01
13 Call Me (Original Long Version) 8:05
14 Suzy & Jeffrey 4:07
15 Rapture (Special Disco Mix) 9:59

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Autoamerican was Blondie's last real album (until their 1999 reunion with No Exit), after which the band collapsed in legal problems and solo aspirations. The Hunter was only made because they still owed Chrysalis an album on their contract, and it sounds like the obligatory record it was. "Island of Lost Souls" (the album's only U.S. singles chart entry and, in fact, the only song released as a single in the U.S.) was a try at remaking "The Tide Is High," while "The Beast" tried to re-create at least the rap section of "Rapture." "War Child," which made the U.K. Top 40, was a dance rock effort in the style of "Call Me," and one of two somewhat autobiographical Debbie Harry lyrics, along with "English Boys." (Harry wrote all the album's words except for those to keyboard player Jimmy Destri's "Danceway" and the cover of the Marvelettes' 1967 hit "The Hunter Gets Captured by the Game," which was written by Smokey Robinson.) "For Your Eyes Only" had been intended as the theme song for the 1981 James Bond film, but rejected (rightly) in favor of a competing entry that went on to become a Top Five hit for Sheena Easton. Blondie was always a band with ideas -- musical, lyrical, and visual -- but The Hunter found them running short conceptually as well practically. It would be the end for the next 17 years.

Blondie - The Hunter  (flac 344mb)

01 Orchid Club 5:45
02 Island Of Lost Souls 4:43
03 Dragonfly 6:01
04 For Your Eyes Only 3:07
05 The Beast 4:54
06 War Child 4:01
07 Little Caesar 3:01
08 Danceway 3:19
09 (Can I) Find The Right Words (To Say) 3:07
10 English Boys 3:49
11 The Hunter Gets Captured By The Game 3:45
12 War Child (Extended Version) 7:59

Blondie - The Hunter (ogg 130mb)

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El Isabelino said...

Thanks for all the Blondie. But I'm having trouble with hugefiles. I get this: can't establish a connection to the server at v14.hugefiles.net:182. Both in Safari and Firefox. Is it just me? Thanks and saludos.

AJ said...

Hello Rho,
Can you re up the Blondie albums please.


Anonymous said...

Can you re up the Blondie-Eat to the beat album please.