May 9, 2012

RhoDeo 1219 Aetix

Hello, Aetix again, out of all the late-'70s punk and post-punk bands, none were longer lived or more prolific than the Fall. Throughout their career, the band underwent a myriad lineup changes, but at the center of it all was vocalist Mark E. Smith. With his snarling, nearly incomprehensible vocals and consuming bitter cynicism, Smith became a cult legend in indie and alternative rock. The group's output is prolific—as of November 2011 they have released 29 studio albums, and more than triple that counting live albums and other releases. They have never achieved widespread public success beyond a handful of minor hit singles in the late 1980s, but have maintained a strong cult following.

Over the course of their career, the Fall went through a number of shifts in musical style, yet the foundation of their sound was a near-cacophonous, amelodic jagged jumble of guitars, sing-speak vocals, and keyboards. During the late '70s and early '80s, the band was at their most abrasive and atonal. In 1984, Smith's American wife, Brix, joined the band as a guitarist, bringing a stronger sense of pop melody to the group. By the mid-'80s, the band's British following was large enough to result in two U.K. Top 40 hits, but in essence, the group has always been a cult band; their music was always too abrasive and dense for the mainstream. Only hardcore fans can differentiate between the Fall's many albums, yet the Fall, like many cult bands, inspired a new generation of underground bands, ranging from waves of sound-alike indie rockers in the U.K. to acts in America and New Zealand, which is only one indication of the size and dedication of their small, devoted fan base.

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Prior to forming the Fall in 1977, Smith worked on the docks in Manchester, where he had auditioned and failed with a number of local heavy metal groups. Smith wasn't inspired by metal in the first place; his tastes ran more toward the experimental rock & roll of the Velvet Underground, as well as the avant-garde art rock of Can. Eventually, he found several similarly inclined musicians -- guitarist Martin Bramah, bassist Tony Friel, keyboardist Una Baines, and drummer Karl Burns -- and formed the Fall, taking the group's name from the Albert Camus novel. The band cut an EP, Bingo-Master's Break-Out!, which was funded by the Buzzcocks' label, New Hormones, but it sat unreleased for nearly a year, simply because the band couldn't find anyone who wanted to sign them. The Fall were outsiders, not fitting in with either the slick new wave and the amateurish, simple chord-bashing of punk rock. Consequently, they had a difficult time landing a record contract . After a while, the group had gained some fans, including Danny Baker, the head of the Adrenaline fanzine, who persuaded Miles Copeland to release the EP on his Step Forward independent label.

During 1978, Smith replaced bassist Friel with Marc Riley (bass, guitar, keyboards) and keyboardist Baines with Yvonne Pawlett because they wanted to make the Fall more accessible. The new lineup recorded the band's first full-length album, Live at the Witch Trials, which was released in 1979. The Fall continued to tour, playing bars and cabaret clubs, and, in the process, began to slowly build a fan base. Radio 1 DJ John Peel had become a fervent fan of the band, letting them record a number of sessions for his show, which provided the group with a great deal of exposure.

Before recording the Fall's second album, Smith changed the band's lineup, firing Pawlett, Bramah, and Burns, while hiring guitarist Craig Scanlon, bassist Steve Hanley, and drummer Mike Leigh; Riley moved to lead guitar from bass during this lineup shift. Scanlon and Hanley would become integral members of the Fall, staying with the band for great part of their career. The new lineup recorded and released Dragnet late in 1979. The following year, the Fall parted with Step Forward and signed with Rough Trade, where they released the live album Totale's Turns (It's Now or Never), the studio Grotesque (After the Gramme), and several acclaimed singles, including "Totally Wired" and "How I Wrote Elastic Man," in the course of 1980. Paul Hanley joined the group as a second drummer before the Grotesque album. Though several Fall recordings appeared in 1981, they were all archival releases with the exception of the Slates EP. After the release of Slates, drummer Karl Burns rejoined the group. In early 1982, the band released the full-length Hex Enduction Hour, which received some of the group's strongest reviews to date. Since the group was having trouble with Rough Trade, the album was released on Kamera Records, as was its follow-up, Room to Live, which also appeared in 1982. Following its release, Riley left the band.

The major turning point in the Fall's career arrived in 1983, when Smith met Brix Smith (born Laura Elise Salinger) in Chicago while the Fall were on tour. The pair married within a few months and Brix, who originally played bass, joined the group as their second guitarist, replacing Riley; her first record with the group was 1983's Perverted by Language. Brix brought a more melodic pop sense to the band, as demonstrated by 1984's The Wonderful and Frightening World of the Fall, their first album for Beggars Banquet. By 1985, the Smiths were collaborating with each other, resulting in more structured, melodic songs like the singles "No Bulbs" and "Cruiser's Creek." Midway through 1985, Steve Hanley had to take a leave of absence and classically trained Simon Rogers joined as the temporary bassist. Once Hanley returned, Rogers moved over to keyboards. The new lineup with Rogers recorded This Nation's Saving Grace, which was released in the fall of 1985 to terrific reviews. Rogers stayed for one more album, 1986's Bend Sinister, yet he remained involved with the Fall for several years.

In 1986, the Fall unexpectedly began to have charting singles, as their cover of the Other Half's "Mr. Pharmacist" became a minor hit in the fall. Over the next few years, the group appeared in the lower reaches of the charts consistently, breaking into the Top 40 with 1987's "Hit the North" and 1988's cover of the Kinks' "Victoria," which signaled how much more accessible the band had become with the addition of Brix's arrangements. After the 1988 release of the Simon Rogers-produced The Frenz Experiment, Brix divorced Smith and she left the Fall in 1989; original guitarist Martin Bramah replaced her. The musical result of the separation was a shift back to the darker, more chaotic sound of their early albums, as shown on the first post-Brix album, 1990's Extricate. Though Extricate was well received, Smith decided to alter the lineup that recorded the album. He fired both Schofield and Bramah while the Fall was touring Australia. Featuring new keyboardist Dave Bush, Shift-Work was released in 1991, followed by Code: Selfish the next year.

In 1993, the Fall signed with Matador Records, which provided them with their first American record label in several years. Their first release for the label, The Infotainment Scam, was recorded with the returning Karl Burns, who provided drums. Neither The Infotainment Scam nor its 1994 follow-up, Middle Class Revolt, sold many records in the U.S., despite good reviews, and the Fall was again left without an American label as of 1995. Not that it mattered; they retained their devoted following in Britain, where both albums performed respectively. Brix rejoined the Fall during the supporting tour for Middle Class Revolt and appeared on 1995's Cerebral Caustic. At the beginning of 1996 keyboardist Julia Nagle had joined the band for the recording of The Light User Syndrome, an album that featured liner notes from longtime supporter and BBC DJ John Peel. The band recorded their 20th BBC session for the DJ in June, followed by the departure of Brix in October and Karl Burns in December.

By this time a steady stream of compilations and live recordings started appearing, the majority of them on the Receiver label, mostly without the band's involvement.  During an April gig in New York City at Brownie's, Smith was in rare form. The band played large parts of the set with Smith off-stage, at one point Smith said something to Karl Burns that made him jump over his drum kit and attack the singer, and Crooks and Smith were at odds the whole show, with Crooks kicking Smith and Smith flicking lit cigarettes at Crooks. Burns, Crooks, and Steve Hanley were out of the band and Smith spent a night in jail on assault charges. A new single, "Touch Sensitive," appeared in February 1999. It ended up as the soundtrack to car commercial, giving it extra exposure in the U.K., setting the stage for the April release of the new album, The Marshall Suite. Nagle was now more involved with songwriting while guitarist Neville Wilding, bassist Adam Halal, and drummer Tom Head rounded out the new Fall.

Released in December 2002, "The Fall vs. 2003" single ushered in the next great era of the band, with Poulou offering a melodic base for Smith's abrasiveness the same way Nagle and Brix had before. Jim Watts discovered he was fired when Smith held a band meeting in a bar in March 2003 and bought everyone a drink but Watts. Bassist Simon "Ding" Archer would take his place for a June-July American tour. An early version of the band's next album was leaked to the Internet, influencing Smith to re-record and add/drop some tracks. The leak was referenced in the album's new title, The Real New Fall LP (Formerly Country on the Click), released in October. A Christmas single, "(We Wish You) A Protein Christmas," appeared in December.

The Sanctuary label reissued two classic albums -- Live at the Witch Trials and Dragnet -- in January of 2004 with much better sound than ever before, and some bonus tracks were added to Dragnet. A tour of America was planned, but on a visit to Newcastle, Smith slipped on some ice, breaking his leg. A bystander came to help him up, but Smith fell again, this time cracking his hip. Despite a metal rod running from his knee to hip, the Fall went ahead with the American tour, with Smith delivering his vocals while seated at a table.  2005 also saw the departure of guitarist Jim Watts, a fantastic box set that collected all the band's sessions for John Peel, and the new album Fall Heads Roll. In the summer the band toured America in support of the new album, but after a few dates, Smith fired all of the members of the band save his wife and keyboardist, Eleni Poulou. The 2007 album Reformation Post T.L.C. featured a hybrid group of U.S. and U.K. members. That same year Smith collaborated with Andi Toma and Jan St. Werner of electronica duo Mouse on Mars on the Von Südenfed project. He published his typically challenging and entertaining autobiography in 2008. In 2010 they signed with the Domino label for the album Your Future Our Clutter.
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The album was recorded less than 8 months after its predecessor, Live at the Witch Trials, establishing at an early stage two key patterns of the group's work; that of high productivity and that of a regular turnover of group members - only Mark E. Smith and Marc Riley remained from the debut album and Riley had changed his role from bass to guitar. Dragnet is most notable for the arrivals of both guitarist Craig Scanlon and bassist Steve Hanley. Both were just 19 when they joined the group and would form The Fall's musical backbone until the mid 90's.

Generally the songs which work the best on Dragnet throw in some amusingly odd curves while still hanging together musically. The full winner is unquestionably "Spectre vs. Rector," an amazing combination of clear lead vocals and buried, heavily echoed music and further rants, before fully exploding halfway through while the rhythm obsessively grinds away. Another odd and wonderful cut is "Muzorewi's Daughter," which starts out sounding like stereotypical Hollywood music for Native American tribes before shifting between that and quicker choruses. "Dice Man," with its rave-up melody and slower vocal- and guitar-only chorus, not to mention the weird muttering elsewhere in the mix, says it all in under two minutes and has fun while doing it. Through it all, Smith rants and raves supreme, spinning out putdowns, cracked vocals, and total bile with all the thrill and energy one could want from a good performer. This edition (remastered for the first time) issued via Castle Music in January 2004 added not just the tracks from the 2 singles recorded on either side of the album but also some previously unheard alternate takes and breakdowns from the session for the "Rowche Rumble" single.

The Fall - Dragnet (Exp Rem) ( flac 463mb)

01 Psykick Dancehall 3:48
02 A Figure Walks 6:08
03 Printhead 3:15
04 Dice Man 1:45
05 Before The Moon Falls 4:31
06 Your Heart Out 3:07
07 Muzorewi's Daughter 3:43
08 Flat Of Angles 4:55
09 Choc-Stock 2:37
10 Spectre Vs Rector 7:56
11 Put Away 3:30
Bonus Tracks
12 Rowche Rumble 4:01
13 In My Area 4:05
14 Fiery Jack 4:43
15 2nd Dark Age 1:59
16 Psykick Dancehall (No. 2) 3:39
17 Rowche Rumble (Take 2) 4:05
18 Rowche Rumble (Take 3) 0:33
19 Rowche Rumble (Take 4) 3:53
20 Rowche Rumble (Take 5) 1:35
21 In My Area (Take 1) 0:48
22 In My Area (Take 2) 5:06

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On Grotesque, the Fall really started hitting its stride, with Marc Riley and Craig Scanlon now a devastatingly effective combination, somehow managing to sound exactly placed between random sloppiness and perfect precision. The sharp rockabilly leads and random art rock racket thrived on both counts, with Smith as always the mad jester ripping into anything and everything while having a great time doing so. The final song of the album was especially fierce -- "The N.W.R.A.," short for "the north will rise again," Smith's own take on the long-standing "soft south/grim north" dichotomy in English society given extremely bitter life. Throughout the record, a slew of really good producers keep an eye on things -- besides the band themselves, there are Grant Showbiz, Geoff Travis, and Mayo Thompson all contributing. The end result is crisp without being polished, rough while packing its own smart punch. Some nice variety starts appearing more and more in the Fall approach as well -- "C'n'C-s Mithering," a brilliant vivisection of California and its record business, and the attendant perception of the Fall themselves, relies on acoustic guitars instead of electric, creating an understated but still great groove. Of course, Smith sends everything over the top, whether it's his rant about governments, dead neighbors, and scandals, the hilarious music scene caricatures on the front cover and wind-up liner notes add just the right level of acidic wit to the proceedings.

The Fall - Grotesque (Exp) ( flac 405mb)

01 Pay Your Rates 2:58
02 English Scheme 2:05
03 New Face In Hell 5:39
04 C 'n' C-S Mithering 7:36
05 The Container Drivers 3:07
06 Impression Of J Temperance 4:17
07 In The Park 1:43
08 WMC-Blob 59 1:19
09 Gramme Friday 3:19
10 The NWRA 9:12
Bonus Tracks
  Rough Trade RT048, July 1980 7" 
11 How I Wrote 'Elastic Man' 4:20
12 City Hobgoblins 3:23
  Rough Trade RT056, September 1980 7" 
13 Totally Wired 3:25
14 Putta Block 4:30
15 Mark E Smith Self-Interview 1980 7:18

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Originally released in a time when "neither an EP nor an LP" was different and not a marketing gimmick, 1981's Slates was issued as a 10", but its six tight songs didn't have that key track to make it as revered as other Fall releases of the time.  Not a bad taster if you're new and want some post-punk, pre-pop Fall -- and 90 percent of this is prime material. For the Fall fan, the bonuses on the 2004 reissue are a mixed blessing. With classic tracks like "Lie Dream of a Casino Soul," "Fantastic Life," and the great "Hip Priest" tacked on, the extras read as if from an early-'80s "greatest-hits" package. Longtime buyers of the band get better sound quality, great liner notes, and the duplication blues once again.

The Fall - Slates (Exp and Rem) (flac 377mb)

01 Middle Mass 3:32
02 An Older Lover Etc. 4:37
03 Prole Art Threat 1:57
04 Fit And Working Again 3:00
05 Slates, Slags, Etc. 6:34
06 Leave The Capitol 4:07
Bonus Tracks 
John Peel Session 31/3/81 
07 Middle Mass 3:56
08 Lie Dream Of A Casino Soul 2:46
09 Hip Priest 9:27
10 C'n'C-Hassle Schmuck 4:14
Kamera ERA001, November 1981 (7") 
11 Lie Dream Of A Casino Soul 3:12
12 Fantastic Life 5:25
13 Medical Acceptance Gate 3:25

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Anonymous said...

Hi Rho,
Anything from The Fall in your list of re-ups will make my day indeed!

Thanks a lot for feeding our musical hunger!
Your blog simply summarizes a selection of music for a lifetime

Anonymous said...

Hi Rho,

and could you also add "Hex Enduction Hour", please?

Anonymous said...

hey Rho, can this Fall post be re-upped please? RIP Mark. Cheers, Sam.

Anonymous said...

thanks for kindly posting the re-up, regards, Sam.