Hello,
Today's Artists at the beginning of their career, they were squarely a jazz-funk fusion band, contemporaries of fellow Brit funk groups like Atmosfear, Light of the World, Incognito, and Beggar & Co. By the end of the '80s, however, the band -- whose music was instantly recognizable from Mark King's thumb-slap bass technique and associate member Wally Badarou's synthesizer flourishes -- had crossed over to the point where they were often classified as sophisti-pop and dance-rock, that made polished, upbeat, danceable pop/rock. The band's commercial peak came with 1985's World Machine, but they continued to record and tour sporadically throughout the '90s and 2000s.. . ...... N Joy
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Mark King and the Gould brothers (Phil and Rowland, the latter generally known by his nickname "Boon") were all brought up on the Isle of Wight and played together in various bands during their teenage years. Phil Gould went on to study at London's Guildhall School of Music and Drama, where he met keyboard player Mike Lindup in a percussion course. Both musicians found that they shared musical heroes: Miles Davis, John McLaughlin, Keith Jarrett and Jan Hammer.
By 1979, Phil Gould and Mark King were both based in London and became involved in Robin Scott's pop project M. While working with M, they became acquainted with Afro-French keyboard player Wally Badarou, who played synthesizer on M's US number one single "Pop Muzik". In late 1979, Phil Gould introduced Mark King and Mike Lindup to each other, and all of them began playing together in loose rehearsal sessions, developing their own jazz-funk fusion style. The developing band's original guitarist was Dominic Miller (later to find fame playing with Sting), but he was replaced by Boon Gould on the latter's return from working in the United States.
Initially, instrumental roles were flexible, with Boon Gould also playing bass guitar and saxophone and Lindup doubling on keyboards and drums. Mark King was primarily a drummer (although he also played guitar) but had recently sold his drum kit to pay for transport back to the UK after an ill-fated European venture. With Phil Gould and Boon Gould established (respectively) as the most accomplished drummer and guitarist in the quartet, King opted to learn bass guitar instead. At the time, King was working in a London music store. A notably flexible musician and quick learner, he had observed visiting American funk players demonstrating the thumb-slap bass guitar technique and developed his own take on the style in a matter of weeks.
The developing band (at this point, entirely an instrumental act) took the name Level 42 and settled on a working line-up of King (bass guitar, percussion), Lindup (keyboards, percussion), Boon Gould (guitar, saxophone) and Phil Gould (drums). The name of the band is a reference to the novel The Hitchhiker's Guide to the Galaxy by Douglas Adams, in which "42" is the answer to "the ultimate question of life, the universe, and everything."[5] Having maintained their links with Wally Badarou, Phil Gould and Mark King invited him to work with Level 42. Although he never formally joined the band, Badarou would become a fifth member in all but name: co-writing songs, playing keyboards and synthesisers in the studio and co-producing the records.
After they were seen jamming together, Level 42 were invited to sign to Elite Records (a small independent label) in 1980. They were also encouraged to branch out into vocal music. Having considered recruiting a singer, the band eventually settled on giving King and Lindup the vocal role. The two men developed a complementary style, with Lindup's falsetto frequently used for harmonies and choruses while King's deep tenor led the verses (although Lindup would also sing entire songs on his own). Lyrics were generally written by the Gould brothers while King, Badarou and Lindup concentrated on Level 42's music. The Elite Records single "Love Meeting Love" brought the band to the attention of Polydor Records, with whom they signed their second recording contract. In 1981, they released their first Polydor single, "Love Games", which became a Top 40 hit. They then cut their critically acclaimed self-titled debut album, which was an immediate success throughout Europe.
The band quickly established themselves as concert favourites on the budding British and European jazz-funk scene, taking advantage of the musical expertise and performance skills of all four members.[citation needed] Polydor capitalised on the band's success by releasing a second album, The Early Tapes later in the same year. This was a compilation of material from the Elite Records period (and is also known by an alternate name, Strategy). In 1982, Level 42 released their third album The Pursuit of Accidents. This was a further development of the Level 42 formula, maintaining their instrumental jazz-funk skills and styling but also experimenting further with pop songs. Both of the singles from the album — "Weave Your Spell" and "The Chinese Way" — charted. The latter, in particular, rose high in the charts and gained the band a much wider audience than before.
A fourth album, Standing in the Light, was released in 1983. Produced by Larry Dunn and Verdine White (of Earth, Wind & Fire), this album began a new era for the band, being less experimental and less jazzy than previous releases. It provided them with their first UK Top Ten hit, "The Sun Goes Down (Living It Up)". Notably, the album featured no instrumental tracks, with the band now focusing heavily on songs. (The band would not release another instrumental on an album until 1988's Staring at the Sun). The 1984 album True Colours continued the band's development away from straightforward jazz funk, veering stylistically between funk, power pop, mid-tempo rock and moody ballads. It yielded the singles "The Chant Has Begun" and "Hot Water". The latter was a Top 20 hit in Britain and a Top 5 hit in the Netherlands where the band became popular (the song reached also No. 7 in Belgium). During the same year, Mark King released his first solo album Influences on which he played the majority of the instruments (with a guest appearance by Aswad's Drummie Zeb, and with Lindup guesting on additional keyboards). By this time, Level 42 were known for their power as a live band (as showcased on the 1985 double live album A Physical Presence). For live gigs the band added saxophonist Krys Mach, who toured with the group from 1984 to 1988 and contributed to some album recordings.
By this time, the band were well established in their mainstream pop/R&B sound, as evidenced on their next studio album, World Machine, released later in 1985. King's dextrous bass playing and Lindup and Badarou's chugging keyboards acted as templates for pop songs such as "Something About You" and "Leaving Me Now", which were both UK Top 20 hits (Top 40 hits in the Netherlands). Significantly, "Something About You" was also their first (and only) US Top 10 the following year; also reaching the Top 5 in Canada and the Top 20 in Italy and New Zealand. "Leaving Me Now" was the second hit from this album, peaking at No. 15 in the United Kingdom but proving less successful in Europe. Elements of Level 42's roots could still be found in the funky "Coup d'État" and "Dream Crazy" on the UK version of the album, as well as a long instrumental track named "Hell," which was also recorded during the World Machine sessions
World Machine gained positive reviews from critics, with AllMusic journalist William Cooper, in a retrospective review, describing it as "one of the finest pop albums of the mid-'80s." During the recording of the album, the first major tensions between Phil Gould and Mark King began to surface over musical direction, production and their personal relationship. This clashing led to Gould leaving the band for a week. Allan Holdsworth's drummer Gary Husband was lined up as a potential replacement, but Gould and King's dispute was subsequently patched up and the group went on to enjoy their most successful year to date. Released in early 1986 (and initially recorded to keep up the band's European chart momentum while the band was busy touring the United States), "Lessons in Love" was an international hit and became Level 42's biggest selling single.[citation needed] It gave the band their first number one in Denmark, Germany, Switzerland and South Africa, increasing the band's popularity considerably. It also placed at No. 2 in Italy, the Netherlands and Sweden, No. 3 in the UK and in Ireland, No. 4 in Austria, No. 10 in Norway, No. 12 in the US in 1987, No. 18 in New Zealand and No. 22 in France).
"Lessons in Love" became the lead single on 1987's Running in the Family album, recorded to capitalise on the impact. With the band now at the peak of their success, the album added further gloss to Level 42's polished pop sound (despite adding to Phil Gould's disquiet). Further singles from the album continued and built on the band's existing profile: "To Be With You Again" (No. 6 in the Netherlands and in Ireland), the ballad "It's Over" (No. 3 in Ireland and No. 7 in the Netherlands) and Running In The Family's title track (No. 1 in Denmark, No. 3 in the Netherlands, No. 4 in Ireland, No. 5 in Switzerland, No. 7 in Norway and No. 9 in New Zealand).[8] The album itself was a major international success, reaching the Top 10 in numerous countries.
By now a leading British pop band, Level 42 played at the Prince's Trust concert in June 1987, with Eric Clapton standing in on lead guitar for a performance of "Running in the Family". King and Lindup also performed with artists including Ben E. King on "Stand By Me" and George Harrison and Ringo Starr on "While My Guitar Gently Weeps". Despite the success, Level 42 were on the brink of splitting up. Although Phil Gould was the most visibly dissatisfied member, it was Boon Gould who was the first to leave, departing in late 1987, following a support slot on a Madonna tour. The quietest member of the band, Boon surprised both King and Lindup with his sudden departure. However, he had been suffering from nervous exhaustion and also wanted to leave the lifestyle of a constantly touring musician in order to settle down and spend more time with his wife and children. Boon's relationship with the band remained amicable and, although he would not return to Level 42 as a performing or recording member, he continued to write lyrics for the band following his departure.
In December 1987, midway through the tour, Phil Gould finally left Level 42 permanently. Like his brother, he was suffering from exhaustion, but his relationship with King had broken down once again and they now found it difficult to work together. Phil was also reportedly dissatisfied with the band's direction in terms of their newer "pop" sound, and King and Lindup failed to convince him to stay. To complete the tour dates, the band hired Prefab Sprout drummer Neil Conti to fill in. Following the tour, Level 42 recruited Gary Husband as the band's new full-time drummer. He in turn recommended Steve Topping as a replacement guitarist. However, Topping and King's personalities clashed and Topping eventually left the band in early 1988 after initial writing and rehearsing sessions in Dublin. Most of the next Level 42 album, Staring at the Sun, was recorded without a permanent guitarist. Rhythm guitar on the studio recordings was handled either by the band's old friend Dominic Miller or by an uncredited Mark King. In April 1988, towards the end of the sessions, the band recruited lead guitarist Alan Murphy (a session guitarist who had worked extensively with Kate Bush and had also been a member of Go West).
Staring at the Sun was released in 1988, reaching number 2 in the UK and the top ten in several European charts. It included the hit-single "Heaven in My Hands" (number 12 in the UK and also top twenty in the Netherlands, Norway, Switzerland). Boon Gould had co-written many of the tracks with King, Lindup and Badarou, while Gary Husband was credited with his first co-write with King on "Tracie" (a tribute to King's childhood sweetheart). To promote the album, Level 42 embarked on a four-month European tour, culminating in six sell-out nights at Wembley Arena. These latter dates were recorded for what would become the band's second live album, Live At Wembley (eventually released in 1996).
Although the band seemed to have maintained their momentum and recovered well from the split of the original lineup, they were about to be hit by a serious tragedy. Unknown to the rest of Level 42, guitarist Alan Murphy was suffering from AIDS, something which he himself may have been aware of before joining the band. At the time, his previous band Go West had been stalled by internal disagreements, and one of Murphy's reasons for joining Level 42 was to ensure that he spent his last days playing the music that he loved. During 1989, Murphy contracted pneumonia: weakened by his existing condition, his decline was rapid and he died on 19 October 1989. Devastated, Level 42 took a year off to regroup and rethink. To cover the gap and to fulfil the band's contract with Polydor Records, Level Best (a greatest hits compilation) was released at the end of 1989; also marking a decade since the band's beginnings. During the break, Mike Lindup also recorded and released his debut solo album, Changes (featuring Dominic Miller, Pino Palladino on bass and Manu Katché on drums).
]The band signed a new contract with RCA Records in 1990, for whom they produced their next album, Guaranteed. Although most of the rhythm guitar work was once again handled by Dominic Miller, Gary Husband asked Allan Holdsworth to provide some guitar work (notably on "A Kinder Eye"). As well as drumming, Husband also played keyboards and increased his songwriting role, co-writing many tracks with King, Lindup and Badarou. The album features the only track entirely written by Husband – "If You Were Mine" – which also featured on the "Guaranteed" single release. Mark King also collaborated with lyricists Drew Barfield and George Green to expand the songwriting. Guaranteed was well received by American music critics. However, the album did not get good reviews in the UK (despite reaching No. 3 in the UK charts while the title track reached No. 17 in the singles charts) and was ultimately less commercially successful than previous efforts.
After the recording of Guaranteed and a week-long promotional tour, Level 42 were in need of a permanent guitarist. Mark King assumed (erroneously) that Allan Holdsworth would not be interested in taking the position. Instead the band recruited well-respected art-pop guitarist, session player and sometime solo artist Jakko Jakszyk: the former frontman for 64 Spoons, he'd also collaborated with Tom Robinson, Sam Brown and Stewart/Gaskin among others. Although he did not play on Guaranteed, Jakszyk appeared on the album's cover photo and took part in promotional duties and the tour for the album, as well as playing on two B-sides from this era ("At This Great Distance" and "As Years Go By").Unlike Husband, Jakszyk never became a full legal member of the band (apparently due to "record company politics"). However, following the end of promotion for Guaranteed, the King-Lindup-Husband-Jakszyk line began writing and recording new material together, with at least two songs ("Fire" and "Free Your Soul") completed. Following the next development in the band's history, this work was shelved and remains unreleased.
In early 1993, Gary Husband left Level 42, leading to the return of group founder member Phil Gould as Level 42's drummer (and principal lyricist) for 1994's Forever Now album. Further changes to the band were evident in that Jakko Jakszyk did not play on the album: all guitars were performed by the American session guitarist Danny Blume. Although Forever Now was a critical success, the reunion of Gould and the group was short-lived. When Level 42 began to promote the new album (with Jakszyk returning to the live band for concerts and TV appearances), Gould played only one promotional gig and did not go on the road for the Forever Now tour. He was replaced as live drummer by Jaksyk's friend and frequent collaborator Gavin Harrison (who later played drums for both Porcupine Tree and King Crimson). It was announced halfway through the Forever Now tour, on the day of the Manchester Apollo gig, that the band would be disbanding permanently following their concert commitments. Level 42 played their last gig at the Albert Hall in London on 14 October 1994. According to Jakszk, the band recorded tapes for a live album during the final 1994 shows at the Albert Hall and the Brighton Dome which "sounded fantastic", but the album was never released
In 1996, Mark King signed to Virgin Records and released a solo single "Bitter Moon" (with Lyndon Connah playing keyboards). This was followed up by his second solo album One Man, featuring lyrics by Boon Gould. The album was not a big commercial success. King later toured as a solo act, playing his own new compositions and some Level 42 favourites. In 1999, he played some shows at the Jazz Cafe in London under the name of "The Mark King Group" with a band including Husband, Jakszyk and Jakszyk's fellow former 64 Spoons colleague Lyndon Connah on keyboards. Jakszyk left the band after the Jazz Cafe shows, to be replaced on guitar by Nathan King (Mark King's younger brother). King continued to tour with this band, now renamed "Grupo Mark King", over the next couple of years, augmenting the line-up with saxophone player Sean Freeman.
Although Mark King was by now two albums into a solo career, his previous band's music proved to be persistently popular and he found that he was playing more and more old Level 42 tracks at live shows. In late 2001, King came to a business agreement with Mike Lindup and bought the rights to the name Level 42. Although Lindup agreed to play on future albums, he did not want to tour. King announced the return of Level 42 with a new line-up which also happened to be the musicians from his current live band: himself, Husband, Connah, Freeman and Nathan King. On 12 July 2002, the first official Level 42 concert for six years was played at The Circus Tavern in Purfleet, Essex. While not recording any new material, for the next few years the band settled into a regular pattern of touring and playing old hits.Over the course of the year there was a burst of reissue activity. Two Rockpalast shows from 1983 and 1984 were released on DVD, followed by two CD releases: The River Sessions (a live show from 1983 recorded in Scotland) and a new compilation called The Ultimate Collection II.
In February 2006, after twelve years without releasing a new studio album, Level 42 announced the release of Retroglide. While billed as a band album, it was chiefly recorded and produced by King at his home studio, with Gary Husband, Lyndon Connah, Sean Freeman and Nathan King all contributing. Retroglide also featured input from two previous Level 42 members. Erstwhile guitarist Boon Gould provided the album's lyrics (as well as contributing a guitar solo on "Ship") and the band was effectively expanded to a six-piece via extensive guest performances by Mike Lindup, who added prominent keyboard parts and vocals to many tracks. Although Phil Gould was uncredited on the album, the track "Ship" is the first song since 1986 worked on by all four original members, as Phil originally arranged the track with his brother Boon. However, Retroglide was also the first Level 42 album not to feature any contributions from Wally Badarou. In May 2006, Level 42 announced that Mike Lindup would return full-time to replace Lyndon Connah on keyboards. Retroglide was promoted via a supporting tour throughout the UK, Netherlands, Germany and several other European countries during October 2006. On 26 August 2007, Level 42 played an outdoor gig at the Arundel Festival in West Sussex: the band's only UK show of the year. In 2008, Level 42 played a twenty-date UK tour.
In 2010, Husband stepped down as Level 42's drummer for the second time, due to prior commitments with John McLaughlin. Husband was replaced by Pete Ray Biggin. In 2012, Level 42 toured the UK and mainland Europe, in celebration of the 25th anniversary since the release of Running In The Family, by playing the whole album, with a whole array of other hits. Also included in the shows was an acoustic set, with Mike Lindup playing the accordion. In October 2012, on Mark King's birthday during a gig in Bristol, Boon Gould joined the band on stage.
On 20 and 21 September 2013, Level 42 (joined by an expanded brass section), performed three new songs at London's Indigo O2 Arena - "Where's Yo' Head At", "Too Much Time", and "Sirens". All of these appeared on the band's first new release for seven years, the six-song studio EP "Sirens" (released on 31 October 2013, and the first output from the band's new self-owned label Level 42 Records). Mixed by the American DJ John Morales, the EP also contained "Mind On You", "My Independence Day" and "Build Myself a Rocket" (with King's daughter Marlee providing the backing vocals on the last of these tracks). Musically, it built on the production approach of Retroglide while allying the band with contemporary developments in R&B and dance electronica.
On 3 December 2013, the band announced 'The Sirens Tour' - a 30 date tour, starting in October 2014 and taking in the UK, Netherlands, Germany and Italy. In the summer of 2014, the band performed at a number of festivals across Europe including headline performances at Let's Rock Bristol and Rochester Castle. They also played at Rewind festivals. At a performance in Bournemouth, ex-drummer Gary Husband returned due to Pete Ray Biggin being unavailable. In 2015, the band appeared at a number of UK and European festivals headlining at 'Let's Rock The Moor' and 'Carfest' concerts. They also played two nights at the Indigo2 in London where the band once again featured a larger brass section consisting of Dan Carpenter (trumpet) and Nicol Thomson (trombone) as well as regular saxophonist Sean Freeman. In 2016, Level 42 performed at a number of festivals across the UK and Europe as well as in Curaçao, Chile and Argentina before embarking on a UK, Netherlands and Scandinavian tour in order to promote the "Sirens II" EP.
On 1 May 2019, it was announced that Boon Gould had been found dead at his home in Dorset. He was 64
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Level 42’s fourth album strengthens their pop leanings, especially with a stronger emphasis on keyboards, but without losing their funky sound completely.
The opening “The Chant Has Begun”, with indeed an oft-repeated chanting refrain, sounds more slick than what the band had done before, and sets the tone for the rest, some of which is good, like the lovely "Kansas City Milkman", "Hot Water" and "A Floating Life", where the keyboards really blare out effectively, along with some harmonic singing, although at the expense of Mark King's distinctive bass lines.
An overlooked album it's so much darker than the rest of their material and is full of suprising little turns. "A Floating Life" sounds like it's gonna be a fairly standard ballad but then explodes with energy. Kouyate is a little nerdy but has some wonderful drumming on it and "true Believers" has some georgeous little synth hooks in it the same applies to "Kansas City Milkman". The album yielded the smash hit "hot water" so the group had plenty of success with this release but you can't help feeling that this was a lost opportunity to capitalise on previous success.
Level 42 - True Colours (flac 273mb)
01 The Chant Has Begun 5:23
02 Kansas City Milkman 5:31
03 Seven Days 4:26
04 Hot Water 5:41
05 A Floating Life 5:14
06 True Believers 5:08
07 My Hero 4:15
08 Kouyaté 4:52
09 Hours By The Window 5:10
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A Physical Presence, released in 1985, is the first live album from the British quartet Level 42. Recorded at various small European club venues, A Physical Presence is an impressive document of the band's dynamic live performances, and the live renditions of many of the songs improve on the original studio recordings. Much of the material on A Physical Presence comes from the band's first four studio albums, and several of Level 42's minor British hits ("Hot Water," "The Chinese Way") are included. Physical's highlights, however, are the blistering live takes on lesser-known non-single releases. For example, "Kansas City Milkman," which originally appeared in a somewhat lackluster version on the 1984 release True Colours, is given new life in concert; the version here is slightly faster and more energetic than the original. "Eyes Waterfalling" (originally from the 1982 album The Pursuit of Accidents) is given the same treatment and features Mark King's mind-boggling thumb-slapping bass-playing technique, which is all the more impressive considering his simultaneous role as lead vocalist. King is an amazing musician, but his fellow bandmates are no less capable; vocalist and keyboardist Mike Lindup, drummer Phil Gould, and guitarist Boon Gould give first-rate performances. Level 42's studio efforts (particularly on the early albums) tend to suffer from over-production, barely giving the musicians room to breathe. That certainly isn't the case here; on A Physical Presence, Level 42 truly shines, combining energy, talent, and songcraft to breathtaking effect. Although the sound quality isn't exactly stellar, A Physical Presence is a MUCH better indication of Level 42's capabilities in a live setting, capturing the band at the top of its form.
Level 42 - A Physical Presence (flac 644mb)
01 Almost There 6:47
02 Turn It On 5:47
03 Mr. Pink 6:16
04 Eyes Waterfalling 5:20
05 Kansas City Milkman 7:17
06 Follow Me 5:01
07 Foundation And Empire 8:39
08 The Chant Has Begun 6:12
09 The Chinese Way 4:47
10 The Sun Goes Down (Living It Up) 4:59
11 Hot Waters 6:24
12 Love Games 9:44
13 88 12:54
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Level 42 was one of Britain's most successful bands by the time World Machine was released in 1985, but U.S. success was elusive. But that changed with the engaging single "Something About You," which became a Top Ten hit in America and sent this album soaring into the Top 20. World Machine pushes their newfound radio-friendly sound into the forefront, and the result is one of the finest pop albums of the mid-'80s. "Something About You" exemplifies Level 42's sound at the peak of its success. Bassist Mark King's vocals, while limited in range, are soulful and yearning, while keyboardist Mike Lindup's complimentary falsetto backing vocals add just the right ingredient to the mix. Given the group's original guise as an all-instrumental jazz combo, the musicianship is brilliant, and "Something About You" proves how good a song can sound coming from the radio. Unlike most albums that contain one strong single surrounded by duds, World Machine has more than its share of fine tunes. The jazzy, upbeat title track is one of the band's finest moments, the should've-been-a-hit "Leaving Me Now" is an effective ballad, and the midtempo "Good Man in a Storm" is catchy and thought-provoking. While not perfect -- "Physical Presence" drags, and "It's Not the Same for Us" is a bit too cutesy for its own good -- World Machine is the most successful album in Level 42's career, both in terms of sales and quality.
Level 42 - World Machine (flac 319mb)
01 Something About You 4:24
02 World Machine 5:14
03 Physical Presence 5:27
04 Leaving Me Now 5:00
05 Hot Water 3:38
06 It's Not The Same For Us 4:36
07 Good Man In A Storm 4:36
08 The Chant Has Begun 5:19
09 Lying Still 5:39
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By Running in the Family, Level 42 had almost completely thinned out their early jazz-funk and soul roots in favor of a radio-friendly keyboard pop with a light R&B vibe. The sound lies somewhere between Kool and the Gang and early Tears for Fears. But if early fans might have felt betrayed by the new direction, the band's newfound aptitude for attention-grabbing hooks and airtight instrumental polish attracted more than enough new fans to replace them. Running in the Family included the band's sole number one hit in the U.K. charts, "Lessons in Love." It also featured a handful of other respectable pop nuggets including "Children Say" and "Fashion Fever." The record is a little uneven, faltering especially when the band indulges its taste for sappy ballads like "It's Over." But for the most part, Level 42 was extremely successful in its attempt to create something that would strike a chord with mainstream pop audiences. And they manage to do it without being obnoxiously derivative. Of course, the whole project reeks of 1987. But the solid craftsmanship of the writing as well as the group's ability to adapt to the popular tastes of the time helped them survive the '80s and become one of the more durable bands to have arisen in that era.
Level 42 - Running In The Family (flac 328mb)
01 Lessons In Love 4:05
02 Children Say 4:57
03 Running In The Family 6:14
04 It's Over 6:03
05 To Be With You Again 5:20
06 Two Solitudes 5:39
07 Fashion Fever 4:35
08 The Sleepwalkers 6:03
09 Freedom Someday 6:17
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Level 42 - Running In The Family Bonus 447mb
Remixes
01 Lessons In Love (Shep Pettibone Remix) 7:53
02 Running In The Family (Dave 'O' Remix) 6:37
03 It's Over (Remix) 6:00
Acoustic Re-Interpretations 25 Years On
04 Lessons In Love 4:30
05 Running In The Family 4:44
06 To Be With You Again 4:34a
07 Two Solitudes 4:29a
08 The Sleepwalkers 4:50
09 Freedom Someday 5:24
Live At Wembley - Remastered Audio Taken From The 1987 Live Video
10 Fashion Fever 5:35
11 Children Say 4:55
12 Lessons In Love 5:55
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Today's Artists at the beginning of their career, they were squarely a jazz-funk fusion band, contemporaries of fellow Brit funk groups like Atmosfear, Light of the World, Incognito, and Beggar & Co. By the end of the '80s, however, the band -- whose music was instantly recognizable from Mark King's thumb-slap bass technique and associate member Wally Badarou's synthesizer flourishes -- had crossed over to the point where they were often classified as sophisti-pop and dance-rock, that made polished, upbeat, danceable pop/rock. The band's commercial peak came with 1985's World Machine, but they continued to record and tour sporadically throughout the '90s and 2000s.. . ...... N Joy
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Mark King and the Gould brothers (Phil and Rowland, the latter generally known by his nickname "Boon") were all brought up on the Isle of Wight and played together in various bands during their teenage years. Phil Gould went on to study at London's Guildhall School of Music and Drama, where he met keyboard player Mike Lindup in a percussion course. Both musicians found that they shared musical heroes: Miles Davis, John McLaughlin, Keith Jarrett and Jan Hammer.
By 1979, Phil Gould and Mark King were both based in London and became involved in Robin Scott's pop project M. While working with M, they became acquainted with Afro-French keyboard player Wally Badarou, who played synthesizer on M's US number one single "Pop Muzik". In late 1979, Phil Gould introduced Mark King and Mike Lindup to each other, and all of them began playing together in loose rehearsal sessions, developing their own jazz-funk fusion style. The developing band's original guitarist was Dominic Miller (later to find fame playing with Sting), but he was replaced by Boon Gould on the latter's return from working in the United States.
Initially, instrumental roles were flexible, with Boon Gould also playing bass guitar and saxophone and Lindup doubling on keyboards and drums. Mark King was primarily a drummer (although he also played guitar) but had recently sold his drum kit to pay for transport back to the UK after an ill-fated European venture. With Phil Gould and Boon Gould established (respectively) as the most accomplished drummer and guitarist in the quartet, King opted to learn bass guitar instead. At the time, King was working in a London music store. A notably flexible musician and quick learner, he had observed visiting American funk players demonstrating the thumb-slap bass guitar technique and developed his own take on the style in a matter of weeks.
The developing band (at this point, entirely an instrumental act) took the name Level 42 and settled on a working line-up of King (bass guitar, percussion), Lindup (keyboards, percussion), Boon Gould (guitar, saxophone) and Phil Gould (drums). The name of the band is a reference to the novel The Hitchhiker's Guide to the Galaxy by Douglas Adams, in which "42" is the answer to "the ultimate question of life, the universe, and everything."[5] Having maintained their links with Wally Badarou, Phil Gould and Mark King invited him to work with Level 42. Although he never formally joined the band, Badarou would become a fifth member in all but name: co-writing songs, playing keyboards and synthesisers in the studio and co-producing the records.
After they were seen jamming together, Level 42 were invited to sign to Elite Records (a small independent label) in 1980. They were also encouraged to branch out into vocal music. Having considered recruiting a singer, the band eventually settled on giving King and Lindup the vocal role. The two men developed a complementary style, with Lindup's falsetto frequently used for harmonies and choruses while King's deep tenor led the verses (although Lindup would also sing entire songs on his own). Lyrics were generally written by the Gould brothers while King, Badarou and Lindup concentrated on Level 42's music. The Elite Records single "Love Meeting Love" brought the band to the attention of Polydor Records, with whom they signed their second recording contract. In 1981, they released their first Polydor single, "Love Games", which became a Top 40 hit. They then cut their critically acclaimed self-titled debut album, which was an immediate success throughout Europe.
The band quickly established themselves as concert favourites on the budding British and European jazz-funk scene, taking advantage of the musical expertise and performance skills of all four members.[citation needed] Polydor capitalised on the band's success by releasing a second album, The Early Tapes later in the same year. This was a compilation of material from the Elite Records period (and is also known by an alternate name, Strategy). In 1982, Level 42 released their third album The Pursuit of Accidents. This was a further development of the Level 42 formula, maintaining their instrumental jazz-funk skills and styling but also experimenting further with pop songs. Both of the singles from the album — "Weave Your Spell" and "The Chinese Way" — charted. The latter, in particular, rose high in the charts and gained the band a much wider audience than before.
A fourth album, Standing in the Light, was released in 1983. Produced by Larry Dunn and Verdine White (of Earth, Wind & Fire), this album began a new era for the band, being less experimental and less jazzy than previous releases. It provided them with their first UK Top Ten hit, "The Sun Goes Down (Living It Up)". Notably, the album featured no instrumental tracks, with the band now focusing heavily on songs. (The band would not release another instrumental on an album until 1988's Staring at the Sun). The 1984 album True Colours continued the band's development away from straightforward jazz funk, veering stylistically between funk, power pop, mid-tempo rock and moody ballads. It yielded the singles "The Chant Has Begun" and "Hot Water". The latter was a Top 20 hit in Britain and a Top 5 hit in the Netherlands where the band became popular (the song reached also No. 7 in Belgium). During the same year, Mark King released his first solo album Influences on which he played the majority of the instruments (with a guest appearance by Aswad's Drummie Zeb, and with Lindup guesting on additional keyboards). By this time, Level 42 were known for their power as a live band (as showcased on the 1985 double live album A Physical Presence). For live gigs the band added saxophonist Krys Mach, who toured with the group from 1984 to 1988 and contributed to some album recordings.
By this time, the band were well established in their mainstream pop/R&B sound, as evidenced on their next studio album, World Machine, released later in 1985. King's dextrous bass playing and Lindup and Badarou's chugging keyboards acted as templates for pop songs such as "Something About You" and "Leaving Me Now", which were both UK Top 20 hits (Top 40 hits in the Netherlands). Significantly, "Something About You" was also their first (and only) US Top 10 the following year; also reaching the Top 5 in Canada and the Top 20 in Italy and New Zealand. "Leaving Me Now" was the second hit from this album, peaking at No. 15 in the United Kingdom but proving less successful in Europe. Elements of Level 42's roots could still be found in the funky "Coup d'État" and "Dream Crazy" on the UK version of the album, as well as a long instrumental track named "Hell," which was also recorded during the World Machine sessions
World Machine gained positive reviews from critics, with AllMusic journalist William Cooper, in a retrospective review, describing it as "one of the finest pop albums of the mid-'80s." During the recording of the album, the first major tensions between Phil Gould and Mark King began to surface over musical direction, production and their personal relationship. This clashing led to Gould leaving the band for a week. Allan Holdsworth's drummer Gary Husband was lined up as a potential replacement, but Gould and King's dispute was subsequently patched up and the group went on to enjoy their most successful year to date. Released in early 1986 (and initially recorded to keep up the band's European chart momentum while the band was busy touring the United States), "Lessons in Love" was an international hit and became Level 42's biggest selling single.[citation needed] It gave the band their first number one in Denmark, Germany, Switzerland and South Africa, increasing the band's popularity considerably. It also placed at No. 2 in Italy, the Netherlands and Sweden, No. 3 in the UK and in Ireland, No. 4 in Austria, No. 10 in Norway, No. 12 in the US in 1987, No. 18 in New Zealand and No. 22 in France).
"Lessons in Love" became the lead single on 1987's Running in the Family album, recorded to capitalise on the impact. With the band now at the peak of their success, the album added further gloss to Level 42's polished pop sound (despite adding to Phil Gould's disquiet). Further singles from the album continued and built on the band's existing profile: "To Be With You Again" (No. 6 in the Netherlands and in Ireland), the ballad "It's Over" (No. 3 in Ireland and No. 7 in the Netherlands) and Running In The Family's title track (No. 1 in Denmark, No. 3 in the Netherlands, No. 4 in Ireland, No. 5 in Switzerland, No. 7 in Norway and No. 9 in New Zealand).[8] The album itself was a major international success, reaching the Top 10 in numerous countries.
By now a leading British pop band, Level 42 played at the Prince's Trust concert in June 1987, with Eric Clapton standing in on lead guitar for a performance of "Running in the Family". King and Lindup also performed with artists including Ben E. King on "Stand By Me" and George Harrison and Ringo Starr on "While My Guitar Gently Weeps". Despite the success, Level 42 were on the brink of splitting up. Although Phil Gould was the most visibly dissatisfied member, it was Boon Gould who was the first to leave, departing in late 1987, following a support slot on a Madonna tour. The quietest member of the band, Boon surprised both King and Lindup with his sudden departure. However, he had been suffering from nervous exhaustion and also wanted to leave the lifestyle of a constantly touring musician in order to settle down and spend more time with his wife and children. Boon's relationship with the band remained amicable and, although he would not return to Level 42 as a performing or recording member, he continued to write lyrics for the band following his departure.
In December 1987, midway through the tour, Phil Gould finally left Level 42 permanently. Like his brother, he was suffering from exhaustion, but his relationship with King had broken down once again and they now found it difficult to work together. Phil was also reportedly dissatisfied with the band's direction in terms of their newer "pop" sound, and King and Lindup failed to convince him to stay. To complete the tour dates, the band hired Prefab Sprout drummer Neil Conti to fill in. Following the tour, Level 42 recruited Gary Husband as the band's new full-time drummer. He in turn recommended Steve Topping as a replacement guitarist. However, Topping and King's personalities clashed and Topping eventually left the band in early 1988 after initial writing and rehearsing sessions in Dublin. Most of the next Level 42 album, Staring at the Sun, was recorded without a permanent guitarist. Rhythm guitar on the studio recordings was handled either by the band's old friend Dominic Miller or by an uncredited Mark King. In April 1988, towards the end of the sessions, the band recruited lead guitarist Alan Murphy (a session guitarist who had worked extensively with Kate Bush and had also been a member of Go West).
Staring at the Sun was released in 1988, reaching number 2 in the UK and the top ten in several European charts. It included the hit-single "Heaven in My Hands" (number 12 in the UK and also top twenty in the Netherlands, Norway, Switzerland). Boon Gould had co-written many of the tracks with King, Lindup and Badarou, while Gary Husband was credited with his first co-write with King on "Tracie" (a tribute to King's childhood sweetheart). To promote the album, Level 42 embarked on a four-month European tour, culminating in six sell-out nights at Wembley Arena. These latter dates were recorded for what would become the band's second live album, Live At Wembley (eventually released in 1996).
Although the band seemed to have maintained their momentum and recovered well from the split of the original lineup, they were about to be hit by a serious tragedy. Unknown to the rest of Level 42, guitarist Alan Murphy was suffering from AIDS, something which he himself may have been aware of before joining the band. At the time, his previous band Go West had been stalled by internal disagreements, and one of Murphy's reasons for joining Level 42 was to ensure that he spent his last days playing the music that he loved. During 1989, Murphy contracted pneumonia: weakened by his existing condition, his decline was rapid and he died on 19 October 1989. Devastated, Level 42 took a year off to regroup and rethink. To cover the gap and to fulfil the band's contract with Polydor Records, Level Best (a greatest hits compilation) was released at the end of 1989; also marking a decade since the band's beginnings. During the break, Mike Lindup also recorded and released his debut solo album, Changes (featuring Dominic Miller, Pino Palladino on bass and Manu Katché on drums).
]The band signed a new contract with RCA Records in 1990, for whom they produced their next album, Guaranteed. Although most of the rhythm guitar work was once again handled by Dominic Miller, Gary Husband asked Allan Holdsworth to provide some guitar work (notably on "A Kinder Eye"). As well as drumming, Husband also played keyboards and increased his songwriting role, co-writing many tracks with King, Lindup and Badarou. The album features the only track entirely written by Husband – "If You Were Mine" – which also featured on the "Guaranteed" single release. Mark King also collaborated with lyricists Drew Barfield and George Green to expand the songwriting. Guaranteed was well received by American music critics. However, the album did not get good reviews in the UK (despite reaching No. 3 in the UK charts while the title track reached No. 17 in the singles charts) and was ultimately less commercially successful than previous efforts.
After the recording of Guaranteed and a week-long promotional tour, Level 42 were in need of a permanent guitarist. Mark King assumed (erroneously) that Allan Holdsworth would not be interested in taking the position. Instead the band recruited well-respected art-pop guitarist, session player and sometime solo artist Jakko Jakszyk: the former frontman for 64 Spoons, he'd also collaborated with Tom Robinson, Sam Brown and Stewart/Gaskin among others. Although he did not play on Guaranteed, Jakszyk appeared on the album's cover photo and took part in promotional duties and the tour for the album, as well as playing on two B-sides from this era ("At This Great Distance" and "As Years Go By").Unlike Husband, Jakszyk never became a full legal member of the band (apparently due to "record company politics"). However, following the end of promotion for Guaranteed, the King-Lindup-Husband-Jakszyk line began writing and recording new material together, with at least two songs ("Fire" and "Free Your Soul") completed. Following the next development in the band's history, this work was shelved and remains unreleased.
In early 1993, Gary Husband left Level 42, leading to the return of group founder member Phil Gould as Level 42's drummer (and principal lyricist) for 1994's Forever Now album. Further changes to the band were evident in that Jakko Jakszyk did not play on the album: all guitars were performed by the American session guitarist Danny Blume. Although Forever Now was a critical success, the reunion of Gould and the group was short-lived. When Level 42 began to promote the new album (with Jakszyk returning to the live band for concerts and TV appearances), Gould played only one promotional gig and did not go on the road for the Forever Now tour. He was replaced as live drummer by Jaksyk's friend and frequent collaborator Gavin Harrison (who later played drums for both Porcupine Tree and King Crimson). It was announced halfway through the Forever Now tour, on the day of the Manchester Apollo gig, that the band would be disbanding permanently following their concert commitments. Level 42 played their last gig at the Albert Hall in London on 14 October 1994. According to Jakszk, the band recorded tapes for a live album during the final 1994 shows at the Albert Hall and the Brighton Dome which "sounded fantastic", but the album was never released
In 1996, Mark King signed to Virgin Records and released a solo single "Bitter Moon" (with Lyndon Connah playing keyboards). This was followed up by his second solo album One Man, featuring lyrics by Boon Gould. The album was not a big commercial success. King later toured as a solo act, playing his own new compositions and some Level 42 favourites. In 1999, he played some shows at the Jazz Cafe in London under the name of "The Mark King Group" with a band including Husband, Jakszyk and Jakszyk's fellow former 64 Spoons colleague Lyndon Connah on keyboards. Jakszyk left the band after the Jazz Cafe shows, to be replaced on guitar by Nathan King (Mark King's younger brother). King continued to tour with this band, now renamed "Grupo Mark King", over the next couple of years, augmenting the line-up with saxophone player Sean Freeman.
Although Mark King was by now two albums into a solo career, his previous band's music proved to be persistently popular and he found that he was playing more and more old Level 42 tracks at live shows. In late 2001, King came to a business agreement with Mike Lindup and bought the rights to the name Level 42. Although Lindup agreed to play on future albums, he did not want to tour. King announced the return of Level 42 with a new line-up which also happened to be the musicians from his current live band: himself, Husband, Connah, Freeman and Nathan King. On 12 July 2002, the first official Level 42 concert for six years was played at The Circus Tavern in Purfleet, Essex. While not recording any new material, for the next few years the band settled into a regular pattern of touring and playing old hits.Over the course of the year there was a burst of reissue activity. Two Rockpalast shows from 1983 and 1984 were released on DVD, followed by two CD releases: The River Sessions (a live show from 1983 recorded in Scotland) and a new compilation called The Ultimate Collection II.
In February 2006, after twelve years without releasing a new studio album, Level 42 announced the release of Retroglide. While billed as a band album, it was chiefly recorded and produced by King at his home studio, with Gary Husband, Lyndon Connah, Sean Freeman and Nathan King all contributing. Retroglide also featured input from two previous Level 42 members. Erstwhile guitarist Boon Gould provided the album's lyrics (as well as contributing a guitar solo on "Ship") and the band was effectively expanded to a six-piece via extensive guest performances by Mike Lindup, who added prominent keyboard parts and vocals to many tracks. Although Phil Gould was uncredited on the album, the track "Ship" is the first song since 1986 worked on by all four original members, as Phil originally arranged the track with his brother Boon. However, Retroglide was also the first Level 42 album not to feature any contributions from Wally Badarou. In May 2006, Level 42 announced that Mike Lindup would return full-time to replace Lyndon Connah on keyboards. Retroglide was promoted via a supporting tour throughout the UK, Netherlands, Germany and several other European countries during October 2006. On 26 August 2007, Level 42 played an outdoor gig at the Arundel Festival in West Sussex: the band's only UK show of the year. In 2008, Level 42 played a twenty-date UK tour.
In 2010, Husband stepped down as Level 42's drummer for the second time, due to prior commitments with John McLaughlin. Husband was replaced by Pete Ray Biggin. In 2012, Level 42 toured the UK and mainland Europe, in celebration of the 25th anniversary since the release of Running In The Family, by playing the whole album, with a whole array of other hits. Also included in the shows was an acoustic set, with Mike Lindup playing the accordion. In October 2012, on Mark King's birthday during a gig in Bristol, Boon Gould joined the band on stage.
On 20 and 21 September 2013, Level 42 (joined by an expanded brass section), performed three new songs at London's Indigo O2 Arena - "Where's Yo' Head At", "Too Much Time", and "Sirens". All of these appeared on the band's first new release for seven years, the six-song studio EP "Sirens" (released on 31 October 2013, and the first output from the band's new self-owned label Level 42 Records). Mixed by the American DJ John Morales, the EP also contained "Mind On You", "My Independence Day" and "Build Myself a Rocket" (with King's daughter Marlee providing the backing vocals on the last of these tracks). Musically, it built on the production approach of Retroglide while allying the band with contemporary developments in R&B and dance electronica.
On 3 December 2013, the band announced 'The Sirens Tour' - a 30 date tour, starting in October 2014 and taking in the UK, Netherlands, Germany and Italy. In the summer of 2014, the band performed at a number of festivals across Europe including headline performances at Let's Rock Bristol and Rochester Castle. They also played at Rewind festivals. At a performance in Bournemouth, ex-drummer Gary Husband returned due to Pete Ray Biggin being unavailable. In 2015, the band appeared at a number of UK and European festivals headlining at 'Let's Rock The Moor' and 'Carfest' concerts. They also played two nights at the Indigo2 in London where the band once again featured a larger brass section consisting of Dan Carpenter (trumpet) and Nicol Thomson (trombone) as well as regular saxophonist Sean Freeman. In 2016, Level 42 performed at a number of festivals across the UK and Europe as well as in Curaçao, Chile and Argentina before embarking on a UK, Netherlands and Scandinavian tour in order to promote the "Sirens II" EP.
On 1 May 2019, it was announced that Boon Gould had been found dead at his home in Dorset. He was 64
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Level 42’s fourth album strengthens their pop leanings, especially with a stronger emphasis on keyboards, but without losing their funky sound completely.
The opening “The Chant Has Begun”, with indeed an oft-repeated chanting refrain, sounds more slick than what the band had done before, and sets the tone for the rest, some of which is good, like the lovely "Kansas City Milkman", "Hot Water" and "A Floating Life", where the keyboards really blare out effectively, along with some harmonic singing, although at the expense of Mark King's distinctive bass lines.
An overlooked album it's so much darker than the rest of their material and is full of suprising little turns. "A Floating Life" sounds like it's gonna be a fairly standard ballad but then explodes with energy. Kouyate is a little nerdy but has some wonderful drumming on it and "true Believers" has some georgeous little synth hooks in it the same applies to "Kansas City Milkman". The album yielded the smash hit "hot water" so the group had plenty of success with this release but you can't help feeling that this was a lost opportunity to capitalise on previous success.
Level 42 - True Colours (flac 273mb)
01 The Chant Has Begun 5:23
02 Kansas City Milkman 5:31
03 Seven Days 4:26
04 Hot Water 5:41
05 A Floating Life 5:14
06 True Believers 5:08
07 My Hero 4:15
08 Kouyaté 4:52
09 Hours By The Window 5:10
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A Physical Presence, released in 1985, is the first live album from the British quartet Level 42. Recorded at various small European club venues, A Physical Presence is an impressive document of the band's dynamic live performances, and the live renditions of many of the songs improve on the original studio recordings. Much of the material on A Physical Presence comes from the band's first four studio albums, and several of Level 42's minor British hits ("Hot Water," "The Chinese Way") are included. Physical's highlights, however, are the blistering live takes on lesser-known non-single releases. For example, "Kansas City Milkman," which originally appeared in a somewhat lackluster version on the 1984 release True Colours, is given new life in concert; the version here is slightly faster and more energetic than the original. "Eyes Waterfalling" (originally from the 1982 album The Pursuit of Accidents) is given the same treatment and features Mark King's mind-boggling thumb-slapping bass-playing technique, which is all the more impressive considering his simultaneous role as lead vocalist. King is an amazing musician, but his fellow bandmates are no less capable; vocalist and keyboardist Mike Lindup, drummer Phil Gould, and guitarist Boon Gould give first-rate performances. Level 42's studio efforts (particularly on the early albums) tend to suffer from over-production, barely giving the musicians room to breathe. That certainly isn't the case here; on A Physical Presence, Level 42 truly shines, combining energy, talent, and songcraft to breathtaking effect. Although the sound quality isn't exactly stellar, A Physical Presence is a MUCH better indication of Level 42's capabilities in a live setting, capturing the band at the top of its form.
Level 42 - A Physical Presence (flac 644mb)
01 Almost There 6:47
02 Turn It On 5:47
03 Mr. Pink 6:16
04 Eyes Waterfalling 5:20
05 Kansas City Milkman 7:17
06 Follow Me 5:01
07 Foundation And Empire 8:39
08 The Chant Has Begun 6:12
09 The Chinese Way 4:47
10 The Sun Goes Down (Living It Up) 4:59
11 Hot Waters 6:24
12 Love Games 9:44
13 88 12:54
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Level 42 was one of Britain's most successful bands by the time World Machine was released in 1985, but U.S. success was elusive. But that changed with the engaging single "Something About You," which became a Top Ten hit in America and sent this album soaring into the Top 20. World Machine pushes their newfound radio-friendly sound into the forefront, and the result is one of the finest pop albums of the mid-'80s. "Something About You" exemplifies Level 42's sound at the peak of its success. Bassist Mark King's vocals, while limited in range, are soulful and yearning, while keyboardist Mike Lindup's complimentary falsetto backing vocals add just the right ingredient to the mix. Given the group's original guise as an all-instrumental jazz combo, the musicianship is brilliant, and "Something About You" proves how good a song can sound coming from the radio. Unlike most albums that contain one strong single surrounded by duds, World Machine has more than its share of fine tunes. The jazzy, upbeat title track is one of the band's finest moments, the should've-been-a-hit "Leaving Me Now" is an effective ballad, and the midtempo "Good Man in a Storm" is catchy and thought-provoking. While not perfect -- "Physical Presence" drags, and "It's Not the Same for Us" is a bit too cutesy for its own good -- World Machine is the most successful album in Level 42's career, both in terms of sales and quality.
Level 42 - World Machine (flac 319mb)
01 Something About You 4:24
02 World Machine 5:14
03 Physical Presence 5:27
04 Leaving Me Now 5:00
05 Hot Water 3:38
06 It's Not The Same For Us 4:36
07 Good Man In A Storm 4:36
08 The Chant Has Begun 5:19
09 Lying Still 5:39
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By Running in the Family, Level 42 had almost completely thinned out their early jazz-funk and soul roots in favor of a radio-friendly keyboard pop with a light R&B vibe. The sound lies somewhere between Kool and the Gang and early Tears for Fears. But if early fans might have felt betrayed by the new direction, the band's newfound aptitude for attention-grabbing hooks and airtight instrumental polish attracted more than enough new fans to replace them. Running in the Family included the band's sole number one hit in the U.K. charts, "Lessons in Love." It also featured a handful of other respectable pop nuggets including "Children Say" and "Fashion Fever." The record is a little uneven, faltering especially when the band indulges its taste for sappy ballads like "It's Over." But for the most part, Level 42 was extremely successful in its attempt to create something that would strike a chord with mainstream pop audiences. And they manage to do it without being obnoxiously derivative. Of course, the whole project reeks of 1987. But the solid craftsmanship of the writing as well as the group's ability to adapt to the popular tastes of the time helped them survive the '80s and become one of the more durable bands to have arisen in that era.
Level 42 - Running In The Family (flac 328mb)
01 Lessons In Love 4:05
02 Children Say 4:57
03 Running In The Family 6:14
04 It's Over 6:03
05 To Be With You Again 5:20
06 Two Solitudes 5:39
07 Fashion Fever 4:35
08 The Sleepwalkers 6:03
09 Freedom Someday 6:17
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Level 42 - Running In The Family Bonus 447mb
Remixes
01 Lessons In Love (Shep Pettibone Remix) 7:53
02 Running In The Family (Dave 'O' Remix) 6:37
03 It's Over (Remix) 6:00
Acoustic Re-Interpretations 25 Years On
04 Lessons In Love 4:30
05 Running In The Family 4:44
06 To Be With You Again 4:34a
07 Two Solitudes 4:29a
08 The Sleepwalkers 4:50
09 Freedom Someday 5:24
Live At Wembley - Remastered Audio Taken From The 1987 Live Video
10 Fashion Fever 5:35
11 Children Say 4:55
12 Lessons In Love 5:55
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