Hello, something big happens this weekend, no not President bloated ego selling hundreds of billions worth of death to those revolting Deash lite creeps from Saudi Arabia, and no it ain't the marriage of that goldigger Pippa Middleton either, despite the (UK) press like to blow up events like that in order to make a bundle in years to come. No it's of cause the return of Twin Peaks ! To celebrate this, the coming months. I will be posting music by Lynch and his house compser Angelo Badalamenti.
Lynch announced on May 15, 2015, via Twitter, that he would indeed be returning to the Twin Peaks revival, as he had sorted out his issues with Showtime. This was later confirmed by Showtime CEO David Nevins, who announced that Lynch would direct every episode of the revival and that the original order of nine episodes had been extended to eighteen episodes. By January 2016, the series was halfway through the shooting schedule and filming was completed by April 2016. The two-episode premiere will air today May 21st 2017
Where we ended 25 years ago, Cooper embarks on a strange and fateful journey into the Black Lodge, which results in his ultimate downfall. Cooper bargains with Earle for Annie's life. BOB appears and takes Earle's soul. Cooper meets his own evil shadow self and his shadow self emerges from the Lodge with the soul of the doppelgänger inhabited by BOB. This Twin Peaks season is set in present day, picking up 25 years after the events of the season two finale....
Today's Artist is an American composer, best known for his work scoring films for director David Lynch, notably Blue Velvet, the Twin Peaks saga (1990–1992, 2017), The Straight Story and Mulholland Drive.He received the 1990 Grammy Award for Best Pop Instrumental Performance for his "Twin Peaks Theme", and has received a Lifetime Achievement Award from the World Soundtrack Awards and the Henry Mancini Award from the American Society of Composers, Authors and Publishers.. ....N'Joy
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Badalamenti was born in Brooklyn, New York to an Italian family; his father, who was of Sicilian descent, was a fish market owner. He began taking piano lessons at age eight. By the time Badalamenti was a teenager, his aptitude at the piano earned him a summer job accompanying singers at resorts in the Catskill Mountains. He received a Bachelor of Arts degree from the Eastman School of Music and then earned Master of Arts degrees in composition, French horn, and piano from the Manhattan School of Music in 1960.
Film scoring
Badalamenti scored films such as Gordon's War, and Law and Disorder, but his big break came when he was brought in to be Isabella Rossellini's singing coach for the song "Blue Velvet" in David Lynch's 1986 film Blue Velvet. Inspired by This Mortal Coil's recent cover of Tim Buckley's "Song to the Siren", Lynch had wanted Rossellini to sing her own version, but was unable to secure the rights. In its place, Badalamenti and Lynch collaborated to write "Mysteries of Love", using lyrics Lynch wrote and Badalamenti's music. Lynch asked Badalamenti to appear in the film as the piano player in the club where Rossellini's character performs. This film was the first of many projects they worked on together.
After scoring a variety of mainstream films, including A Nightmare on Elm Street 3: Dream Warriors and National Lampoon's Christmas Vacation, he scored Lynch's cult television show, Twin Peaks which featured the vocals of Julee Cruise. Many of the songs from the series were released on Cruise's album Floating into the Night. From the soundtrack of the television series, he was awarded the Grammy Award for Best Pop Instrumental Performance for the "Twin Peaks Theme".
Other Lynch projects he worked on include the movies Wild at Heart, Twin Peaks: Fire Walk with Me, Lost Highway, Mulholland Drive (where he has a small role as a gangster with a finicky taste for espresso), and The Straight Story as well as the television shows On the Air and Hotel Room. Other projects he has worked in include the television film Witch Hunt, and the films Naked in New York, The City of Lost Children, A Very Long Engagement, The Wicker Man, Dark Water and Secretary. He has also worked on the soundtrack for the video game Fahrenheit (known as Indigo Prophecy in North America).
He was composer for director Paul Schrader on such films as Auto Focus, The Comfort of Strangers and Dominion: Prequel to the Exorcist. In 1998, Badalamenti recorded "A Foggy Day (in London Town)" with artist David Bowie for the Red Hot Organization’s compilation album Red Hot + Rhapsody a tribute to George Gershwin which raised money for various charities devoted to increasing AIDS awareness and fighting the disease. In 2005, he composed the themes for the movie Napola (Before the Fall), which were then adapted for the score by Normand Corbeil. In 2008, he directed the soundtrack of The Edge Of Love, with Siouxsie, Patrick Wolf and Beth Rowley on vocals.
Badalamenti received the Lifetime Achievement Award at the World Soundtrack Awards in 2008. On July 23, 2011, the American Society of Composers, Authors and Publishers presented Badalamenti with the Henry Mancini Award for his accomplishments in film and television music.
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Beautiful and strange, the score to David Lynch's Blue Velvet is a staggering surrealist's nightmare told with the heart of a saint. Dense orchestrations float along whispers of dark, unnerving melodies; an astounding sense of menace coils inside even the most reassuring of moments. This marked the first collaboration between Lynch and Angelo Badalamenti, and its fusion of the sublime and the dangerous is breathtaking. There are Bernard Herrmann violin slashes, revisited classics (Roy Orbison's "In Dreams," Bobby Vinton's title track), and the peak of the whole experience, "Mysteries of Love." This Mortal Coil turned down requests to use their beloved version of "Song to the Siren," but Badalamenti manages to construct a piece of such simplicity, of such beauty, that you wonder why a composer didn't create it before in the first place. Brutally compelling, like one of Jeffrey Beaumont's own mysteries, this is an extraordinary experience filled with both fear and love.
Angelo Badalamenti - O.S.T. Blue Velvet (flac 187mb)
01 Main Title 1:27
02 Night Streets / Sandy And Jeffrey 3:42
03 Frank 3:34
04 Jeffrey's Dark Side 1:48
05 Mysteries Of Love (French Horn Solo) 2:10
06 Frank Returns 4:39
07 Mysteries Of Love (Instrumental) 4:41
08 Blue Velvet (Voc Isabella Rossellini)/Blue Star 1:55
09 Lumberton U.S.A./Going Down To Lincoln 2:12
10 Akron Meets The Blues 2:40
11 Honky Tonk Part I 3:09
12 In Dreams (Roy Orbison) 2:48
13 Love Letters 2:36
14 Mysteries Of Love (voc. Julee Cruise) 4:22
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A Nightmare on Elm Street 3: Dream Warriors is an American horror film of the slasher sub-genre directed by Chuck Russell. It is the third film in the A Nightmare on Elm Street franchise and was produced by New Line Cinema and Smart Egg Pictures. It was released theatrically in the United States on February 27th, 1987. This film marks the return of actress Heather Langenkamp, reprising the role of Nancy Thompson from the first A Nightmare on Elm Street. It also marks the acting debut of Patricia Arquette, who takes on the role "Final girl" Kristen Parker. Once again donning the glove, hat and sweater of Freddy Krueger is Robert Englund, ever-ready to slash away at a new group of unsuspecting sleepers. In this installment, Freddy begins tormenting a group of young patients at the Westin Psychiatric Hospital in Springwood. Nancy finagles her way onto the hospital staff in her efforts to protect the "last of the Elm Street children". An interesting sidestep for Badalamenti, though he gets to use very few of his signature ideas in the music for this particular shocker. Listenable enough, even out of context, but not too memorable.
Angelo Badalamenti - O.S.T. Nightmare on Elm Street 3 (flac 154mb)
01 Opening 1:50
02 Puppet Walk 3:18
03 Save The Children 1:25
04 Taryn's Deepest Fear 3:05
05 Deceptive Romance 1:45
06 Snake Attack 1:56
07 Magic Butterfly 1:20
08 The Embrace 0:42
09 Quiet Room/Wheelchair/Icy Bones 2:41
10 Rumbling Room 1:15
11 Dreamspace 0:46
12 The Dream House 1:50
13 Is Freddy Gone?/Trouble Starting/Prime Time TV/Icy Window 4:32
14 Grave Walk 1:11
15 Nursery Theme 1:55
16 Light's Out 1:00
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Hardcore David Lynch fans knew the album cut "Mysteries of Love" thanks to its appearance in the middle of Blue Velvet but otherwise, Julee Cruise and her singing abilities were total unknowns when Floating into the Night surfaced in 1989. When Twin Peaks took off, however, the album became more or less its unofficial soundtrack thanks to the instrumental adaptation of "Falling" that served as the theme song. Other cuts, like the haunting, moody "Into the Night," and "Rockin' Back Inside My Heart" turned up on the show as well; but as a beautiful, mysterious stand-alone effort, Floating is still that best of surprises, a left-field hit that loses nothing thanks to its fame. The combination of Cruise's sweet, light tones, Lynch's surprisingly affecting lyrics, which play just enough with clichés so as not to seem willfully ironic, and Angelo Badalamenti's combination of retro styles and modern ambience, is a winner throughout. The feeling is one of a '50s jukebox suddenly plunged into a time warp, dressed with extra sparkle and with a just-sleepy-enough, narcotic feeling. At its most upfront, the music can get downright raunchy -- check out the big band/sax blasts on the strutting tearjerker "Rockin' Back Inside My Heart," or the sudden orchestral blast three minutes into "Into the Night." Cruise herself has a wonderfully slow, burning passion that surfaces as well, such as in her whispers on "Floating." But mostly everything is just sedate enough, crystalline rockabilly guitar playing gentle riffs with a slow slinkiness, Cruise's multi-tracked backing vocals and more combining beautifully. "Falling" remains the most well-known number, and a winner it is, too; Badalamenti's synth orchestrations are so affecting that Moby ended up sampling them for "Go," kickstarting his own career. But songs like the just-spooky-enough "The World Spins," and "The Nightingale," with a great performance all around, ensure Floating's success as a through-and-through listen.
Julee Cruise - Floating Into The Night (flac 256mb)
01 Floating 4:51
02 Falling 5:18
03 I Remember 4:11
04 Rockin' Back Inside My Heart 5:45
05 Mysteries Of Love 4:27
06 Into The Night 4:42
07 I Float Alone 4:33
08 The Nightingale 4:54
09 The Swan 2:28
10 The World Spins 6:38
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The Twin Peaks Archive by David Lynch and Angelo Badalamenti is an album with rare and unreleased tracks from both the television series as well as the prequel film.The counter officially stops at a whopping 212. Two hundred and twelve previously unreleased Twin Peaks tracks. The catalog was initially released between 2011 and 2012 via davidlynch.com. None of the 212 songs were —at least in their full-length form— previously included in the Music From Twin Peaks, Twin Peaks Season Two Music And More and Twin Peaks: Fire Walk with Me soundtracks. Rare Twin Peaks production stills appeared in the background on David Lynch’s website.
There are currently no plans to release Twin Peaks Archive by Angelo Badalamenti and David Lynch as a physical album, and they’ve been removed from davidlynch.com. But today, you can purchase download the entire catalog of nearly 10 hours of music as a digital download for only US $9.90 . Here, expect every Sundaze posting to end with 70 minutes plus batch of tracks the coming 8 weeks
Angelo Badalamenti and David Lynch - Twin Peaks Archive part 1 (flac 369mb)
001 Deer Meadow Shuffle 5:21
002 Deer Meadow Shuffle (Film Version) 4:39
003 Just You (Instrumental Baritone Guitar) 1:10
004 Twin Peaks Theme (Alternate Version) 1:51
005 Annie And Cooper 2:10
006 Nightsea Wind 5:25
007 Freshly Squeezed (Bass Clarinet) 5:10
008 Twin Peaks Theme (Nostalgia Version) 2:26
009 Twin Peaks Theme (Harp And Guitar) 0:46
010 Twin Peaks Theme (Solo Rhodes) 5:36
011 Mysterioso #1 5:08
012 Mysterioso #1 (Film Version) 3:07
013 Mysterioso #2 4:45
014 Mysterioso #2 (Film Version) 3:27
015 Love Theme (Alternate Version) 5:02
016 Love Theme (Solo Rhodes) 3:31
017 Americana 0:52
018 James Hurley (Outtake) 1:17
019 Mister Snooty 3:03
020 Freshly Squeezed (Fast Cool Jazz Version) 3:39
021 Picking On Country 2:08
022 I'm Hurt Bad (Industrial Symphony No. 1 Version) 2:18
023 Western Ballad 2:46
024 Preparing For M.T. Wentz 1:41
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Lynch announced on May 15, 2015, via Twitter, that he would indeed be returning to the Twin Peaks revival, as he had sorted out his issues with Showtime. This was later confirmed by Showtime CEO David Nevins, who announced that Lynch would direct every episode of the revival and that the original order of nine episodes had been extended to eighteen episodes. By January 2016, the series was halfway through the shooting schedule and filming was completed by April 2016. The two-episode premiere will air today May 21st 2017
Where we ended 25 years ago, Cooper embarks on a strange and fateful journey into the Black Lodge, which results in his ultimate downfall. Cooper bargains with Earle for Annie's life. BOB appears and takes Earle's soul. Cooper meets his own evil shadow self and his shadow self emerges from the Lodge with the soul of the doppelgänger inhabited by BOB. This Twin Peaks season is set in present day, picking up 25 years after the events of the season two finale....
Today's Artist is an American composer, best known for his work scoring films for director David Lynch, notably Blue Velvet, the Twin Peaks saga (1990–1992, 2017), The Straight Story and Mulholland Drive.He received the 1990 Grammy Award for Best Pop Instrumental Performance for his "Twin Peaks Theme", and has received a Lifetime Achievement Award from the World Soundtrack Awards and the Henry Mancini Award from the American Society of Composers, Authors and Publishers.. ....N'Joy
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Badalamenti was born in Brooklyn, New York to an Italian family; his father, who was of Sicilian descent, was a fish market owner. He began taking piano lessons at age eight. By the time Badalamenti was a teenager, his aptitude at the piano earned him a summer job accompanying singers at resorts in the Catskill Mountains. He received a Bachelor of Arts degree from the Eastman School of Music and then earned Master of Arts degrees in composition, French horn, and piano from the Manhattan School of Music in 1960.
Film scoring
Badalamenti scored films such as Gordon's War, and Law and Disorder, but his big break came when he was brought in to be Isabella Rossellini's singing coach for the song "Blue Velvet" in David Lynch's 1986 film Blue Velvet. Inspired by This Mortal Coil's recent cover of Tim Buckley's "Song to the Siren", Lynch had wanted Rossellini to sing her own version, but was unable to secure the rights. In its place, Badalamenti and Lynch collaborated to write "Mysteries of Love", using lyrics Lynch wrote and Badalamenti's music. Lynch asked Badalamenti to appear in the film as the piano player in the club where Rossellini's character performs. This film was the first of many projects they worked on together.
After scoring a variety of mainstream films, including A Nightmare on Elm Street 3: Dream Warriors and National Lampoon's Christmas Vacation, he scored Lynch's cult television show, Twin Peaks which featured the vocals of Julee Cruise. Many of the songs from the series were released on Cruise's album Floating into the Night. From the soundtrack of the television series, he was awarded the Grammy Award for Best Pop Instrumental Performance for the "Twin Peaks Theme".
Other Lynch projects he worked on include the movies Wild at Heart, Twin Peaks: Fire Walk with Me, Lost Highway, Mulholland Drive (where he has a small role as a gangster with a finicky taste for espresso), and The Straight Story as well as the television shows On the Air and Hotel Room. Other projects he has worked in include the television film Witch Hunt, and the films Naked in New York, The City of Lost Children, A Very Long Engagement, The Wicker Man, Dark Water and Secretary. He has also worked on the soundtrack for the video game Fahrenheit (known as Indigo Prophecy in North America).
He was composer for director Paul Schrader on such films as Auto Focus, The Comfort of Strangers and Dominion: Prequel to the Exorcist. In 1998, Badalamenti recorded "A Foggy Day (in London Town)" with artist David Bowie for the Red Hot Organization’s compilation album Red Hot + Rhapsody a tribute to George Gershwin which raised money for various charities devoted to increasing AIDS awareness and fighting the disease. In 2005, he composed the themes for the movie Napola (Before the Fall), which were then adapted for the score by Normand Corbeil. In 2008, he directed the soundtrack of The Edge Of Love, with Siouxsie, Patrick Wolf and Beth Rowley on vocals.
Badalamenti received the Lifetime Achievement Award at the World Soundtrack Awards in 2008. On July 23, 2011, the American Society of Composers, Authors and Publishers presented Badalamenti with the Henry Mancini Award for his accomplishments in film and television music.
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Beautiful and strange, the score to David Lynch's Blue Velvet is a staggering surrealist's nightmare told with the heart of a saint. Dense orchestrations float along whispers of dark, unnerving melodies; an astounding sense of menace coils inside even the most reassuring of moments. This marked the first collaboration between Lynch and Angelo Badalamenti, and its fusion of the sublime and the dangerous is breathtaking. There are Bernard Herrmann violin slashes, revisited classics (Roy Orbison's "In Dreams," Bobby Vinton's title track), and the peak of the whole experience, "Mysteries of Love." This Mortal Coil turned down requests to use their beloved version of "Song to the Siren," but Badalamenti manages to construct a piece of such simplicity, of such beauty, that you wonder why a composer didn't create it before in the first place. Brutally compelling, like one of Jeffrey Beaumont's own mysteries, this is an extraordinary experience filled with both fear and love.
Angelo Badalamenti - O.S.T. Blue Velvet (flac 187mb)
01 Main Title 1:27
02 Night Streets / Sandy And Jeffrey 3:42
03 Frank 3:34
04 Jeffrey's Dark Side 1:48
05 Mysteries Of Love (French Horn Solo) 2:10
06 Frank Returns 4:39
07 Mysteries Of Love (Instrumental) 4:41
08 Blue Velvet (Voc Isabella Rossellini)/Blue Star 1:55
09 Lumberton U.S.A./Going Down To Lincoln 2:12
10 Akron Meets The Blues 2:40
11 Honky Tonk Part I 3:09
12 In Dreams (Roy Orbison) 2:48
13 Love Letters 2:36
14 Mysteries Of Love (voc. Julee Cruise) 4:22
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A Nightmare on Elm Street 3: Dream Warriors is an American horror film of the slasher sub-genre directed by Chuck Russell. It is the third film in the A Nightmare on Elm Street franchise and was produced by New Line Cinema and Smart Egg Pictures. It was released theatrically in the United States on February 27th, 1987. This film marks the return of actress Heather Langenkamp, reprising the role of Nancy Thompson from the first A Nightmare on Elm Street. It also marks the acting debut of Patricia Arquette, who takes on the role "Final girl" Kristen Parker. Once again donning the glove, hat and sweater of Freddy Krueger is Robert Englund, ever-ready to slash away at a new group of unsuspecting sleepers. In this installment, Freddy begins tormenting a group of young patients at the Westin Psychiatric Hospital in Springwood. Nancy finagles her way onto the hospital staff in her efforts to protect the "last of the Elm Street children". An interesting sidestep for Badalamenti, though he gets to use very few of his signature ideas in the music for this particular shocker. Listenable enough, even out of context, but not too memorable.
Angelo Badalamenti - O.S.T. Nightmare on Elm Street 3 (flac 154mb)
01 Opening 1:50
02 Puppet Walk 3:18
03 Save The Children 1:25
04 Taryn's Deepest Fear 3:05
05 Deceptive Romance 1:45
06 Snake Attack 1:56
07 Magic Butterfly 1:20
08 The Embrace 0:42
09 Quiet Room/Wheelchair/Icy Bones 2:41
10 Rumbling Room 1:15
11 Dreamspace 0:46
12 The Dream House 1:50
13 Is Freddy Gone?/Trouble Starting/Prime Time TV/Icy Window 4:32
14 Grave Walk 1:11
15 Nursery Theme 1:55
16 Light's Out 1:00
(ogg mb)
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Hardcore David Lynch fans knew the album cut "Mysteries of Love" thanks to its appearance in the middle of Blue Velvet but otherwise, Julee Cruise and her singing abilities were total unknowns when Floating into the Night surfaced in 1989. When Twin Peaks took off, however, the album became more or less its unofficial soundtrack thanks to the instrumental adaptation of "Falling" that served as the theme song. Other cuts, like the haunting, moody "Into the Night," and "Rockin' Back Inside My Heart" turned up on the show as well; but as a beautiful, mysterious stand-alone effort, Floating is still that best of surprises, a left-field hit that loses nothing thanks to its fame. The combination of Cruise's sweet, light tones, Lynch's surprisingly affecting lyrics, which play just enough with clichés so as not to seem willfully ironic, and Angelo Badalamenti's combination of retro styles and modern ambience, is a winner throughout. The feeling is one of a '50s jukebox suddenly plunged into a time warp, dressed with extra sparkle and with a just-sleepy-enough, narcotic feeling. At its most upfront, the music can get downright raunchy -- check out the big band/sax blasts on the strutting tearjerker "Rockin' Back Inside My Heart," or the sudden orchestral blast three minutes into "Into the Night." Cruise herself has a wonderfully slow, burning passion that surfaces as well, such as in her whispers on "Floating." But mostly everything is just sedate enough, crystalline rockabilly guitar playing gentle riffs with a slow slinkiness, Cruise's multi-tracked backing vocals and more combining beautifully. "Falling" remains the most well-known number, and a winner it is, too; Badalamenti's synth orchestrations are so affecting that Moby ended up sampling them for "Go," kickstarting his own career. But songs like the just-spooky-enough "The World Spins," and "The Nightingale," with a great performance all around, ensure Floating's success as a through-and-through listen.
Julee Cruise - Floating Into The Night (flac 256mb)
01 Floating 4:51
02 Falling 5:18
03 I Remember 4:11
04 Rockin' Back Inside My Heart 5:45
05 Mysteries Of Love 4:27
06 Into The Night 4:42
07 I Float Alone 4:33
08 The Nightingale 4:54
09 The Swan 2:28
10 The World Spins 6:38
xxxxx xxxxx xxxxx xxxxx xxxxx
The Twin Peaks Archive by David Lynch and Angelo Badalamenti is an album with rare and unreleased tracks from both the television series as well as the prequel film.The counter officially stops at a whopping 212. Two hundred and twelve previously unreleased Twin Peaks tracks. The catalog was initially released between 2011 and 2012 via davidlynch.com. None of the 212 songs were —at least in their full-length form— previously included in the Music From Twin Peaks, Twin Peaks Season Two Music And More and Twin Peaks: Fire Walk with Me soundtracks. Rare Twin Peaks production stills appeared in the background on David Lynch’s website.
There are currently no plans to release Twin Peaks Archive by Angelo Badalamenti and David Lynch as a physical album, and they’ve been removed from davidlynch.com. But today, you can purchase download the entire catalog of nearly 10 hours of music as a digital download for only US $9.90 . Here, expect every Sundaze posting to end with 70 minutes plus batch of tracks the coming 8 weeks
Angelo Badalamenti and David Lynch - Twin Peaks Archive part 1 (flac 369mb)
001 Deer Meadow Shuffle 5:21
002 Deer Meadow Shuffle (Film Version) 4:39
003 Just You (Instrumental Baritone Guitar) 1:10
004 Twin Peaks Theme (Alternate Version) 1:51
005 Annie And Cooper 2:10
006 Nightsea Wind 5:25
007 Freshly Squeezed (Bass Clarinet) 5:10
008 Twin Peaks Theme (Nostalgia Version) 2:26
009 Twin Peaks Theme (Harp And Guitar) 0:46
010 Twin Peaks Theme (Solo Rhodes) 5:36
011 Mysterioso #1 5:08
012 Mysterioso #1 (Film Version) 3:07
013 Mysterioso #2 4:45
014 Mysterioso #2 (Film Version) 3:27
015 Love Theme (Alternate Version) 5:02
016 Love Theme (Solo Rhodes) 3:31
017 Americana 0:52
018 James Hurley (Outtake) 1:17
019 Mister Snooty 3:03
020 Freshly Squeezed (Fast Cool Jazz Version) 3:39
021 Picking On Country 2:08
022 I'm Hurt Bad (Industrial Symphony No. 1 Version) 2:18
023 Western Ballad 2:46
024 Preparing For M.T. Wentz 1:41
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6 comments:
sublime, thankyou.
Oh my word, I was not disappointed with the return of my favourite of favourites.I waited up for the simulcast at 2am. You are a star, I thank you for making me a happier Lynch fan.
Thank you for this superb post, however the Blue Velvet link is already down. Can you pelase be so kind to reupload it?
Oops zippyshare is deleting, not good well can't have Blue velvet lying around so it's live again...N'joy
Thank you! All the best.
A reupload of Vol. 1 of the Twin Peaks Archive by David Lynch and Angelo Badalamenti would be appreciated!
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