Today's artist has been with us for sometime here, after all he has an enormous ouvre with lot's unreleased stuff as well. He commands the biggest space in my collection. Normally i'd post chronically but this time i will post cross his discography from 4 different decades. You can wait to see what i'll post or your welcome to request a title ... N'joy
xxxxx xxxxx xxxxx xxxxx xxxxx
Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. Not only did he release a series of groundbreaking albums; he toured frequently, produced albums, and wrote songs for many other artists, and recorded hundreds of songs that still lie unreleased in his vaults. With each album he released, Prince showed remarkable stylistic growth and musical diversity, constantly experimenting with different sounds, textures, and genres. Occasionally, his music was inconsistent, in part because of his eclecticism, but his experiments frequently succeeded; no other contemporary artist blended so many diverse styles into a cohesive whole.
Prince's first two albums were solid, if unremarkable, late-'70s funk-pop. With 1980's Dirty Mind, he recorded his first masterpiece, a one-man tour de force of sex and music; it was hard funk, catchy Beatlesque melodies, sweet soul ballads, and rocking guitar pop, all at once. The follow-up, Controversy, was more of the same, but 1999 was brilliant. The album was a monster hit, selling over three million copies, but it was nothing compared to 1984's Purple Rain.
Around the World in a DayPurple Rain made Prince a superstar; it eventually sold over ten million copies in the U.S. and spent 24 weeks at number one. Partially recorded with his touring band, the Revolution, the record featured the most pop-oriented music he has ever made. Instead of continuing in this accessible direction, he veered off into the bizarre psycho-psychedelia of Around the World in a Day, which nevertheless sold over two million copies. In 1986, he released the even stranger Parade, which was in its own way as ambitious and intricate as any art rock of the '60s; however, no art rock was ever grounded with a hit as brilliant as the spare funk of "Kiss."
By 1987, Prince's ambitions were growing by leaps and bounds, resulting in the sprawling masterpiece Sign 'O' the Times. Prince was set to release the hard funk of The Black Album by the end of the year, yet he withdrew it just before its release, deciding it was too dark and immoral. Instead, he released the confused Lovesexy in 1988, which was a commercial disaster. With the soundtrack to 1989's Batman he returned to the top of the charts, even if the album was essentially a recap of everything he had done before. The following year he released Graffiti Bridge (the sequel to Purple Rain), which turned out to be a considerable commercial disappointment.
Diamonds and Pearls In 1991, Prince formed the New Power Generation, the best and most versatile and talented band he has ever assembled. With their first album, Diamonds and Pearls, Prince reasserted his mastery of contemporary R&B; it was his biggest hit since 1985. The following year, he released his 12th album, which was titled with a cryptic symbol; in 1993, Prince legally changed his name to the symbol. In 1994, after becoming embroiled in contract disagreements with Warner Bros., he independently released the single "The Most Beautiful Girl in the World," likely to illustrate what he would be capable of on his own; the song became his biggest hit in years. Later that summer, Warner released the somewhat halfhearted Come under the name of Prince; the record was a moderate success, going gold.
Gold Experience In November 1994, as part of a contractual obligation, Prince agreed to the official release of The Black Album. In early 1995, he immersed himself in another legal battle with Warner, proclaiming himself a slave and refusing to deliver his new record, The Gold Experience, for release. By the end of the summer, a fed-up Warner had negotiated a compromise that guaranteed the album's release, plus one final record for the label. The Gold Experience was issued in the fall; although it received good reviews and was following a smash single, it failed to catch fire commercially. In the summer of 1996, Prince released Chaos & Disorder, which freed him to become an independent artist. Setting up his own label, NPG (which was distributed by EMI), he resurfaced later that same year with the three-disc Emancipation, which was designed as a magnum opus that would spin off singles for several years and be supported with several tours.
Crystal Ball However, even his devoted cult following needed considerable time to digest such an enormous compilation of songs. Once it was clear that Emancipation wasn't the commercial blockbuster he hoped it would be, Prince assembled a long-awaited collection of outtakes and unreleased material called Crystal Ball in 1998. With Crystal Ball, Prince discovered that it's much more difficult to get records to an audience than it seems; some fans who pre-ordered their copies through Prince's website (from which a bonus fifth disc was included) didn't receive them until months after the set began appearing in stores. Prince then released a new one-man album, New Power Soul, just three months after Crystal Ball; even though it was his most straightforward album since Diamonds and Pearls, it didn't do well on the charts, partly because many listeners didn't realize it had been released.
The Vault: Old Friends 4 Sale A year later, with "1999" predictably an end-of-the-millennium anthem, Prince issued the remix collection 1999 (The New Master). A collection of Warner Bros.-era leftovers, Vault: Old Friends 4 Sale, followed that summer, and in the fall Prince returned on Arista with the all-star Rave Un2 the Joy Fantastic. In the fall of 2001 he released the controversial Rainbow Children, a jazz-infused circus of sound trumpeting his conversion to the Jehovah's Witnesses that left many longtime fans out in the cold. He further isolated himself with 2003's N.E.W.S., a four-song set of instrumental jams that sounded a lot more fun to play than to listen to. Prince rebounded in 2003 with the chart-topping Musicology, a return to form that found the artist back in the Top Ten, even garnering a Grammy nomination for Best Male Pop Vocal Performance in 2005.
3121 In early 2006 he was the musical guest on Saturday Night Live, performing two songs with a new protégée, R&B singer Tamar. A four-song appearance at the Brit Awards with Wendy, Lisa, and Sheila E. followed. Both appearances previewed tracks from 3121, which hit number one on the album charts soon after its release in March 2006. Planet Earth followed in 2007, featuring contributions from Wendy and Lisa. In the U.K., copies were cover-mounted on the July 15 edition of The Mail on Sunday, provoking Columbia -- the worldwide distributor for the release -- to refuse distribution throughout the U.K. In the U.S., the album was issued on July 24.
LotusFlow3rLotusFlow3r, a three-disc set, arrived in 2009, featuring a trio of distinct albums: LotusFlow3r itself (a guitar showcase), MPLSound (a throwback to his '80s funk output), and Elixer (a smooth contemporary R&B album featuring the breathy vocals of Bria Valente). Despite only being available online and through one big-box retailer, the set debuted at number two on the Billboard 200 chart. A year later, another throwback-flavored effort, 20Ten, became his second U.K. newspaper giveaway. No official online edition of the album was made available.
From mid-2010 through the end of 2012, Prince toured throughout Europe, America, Europe again, Canada, and Australia. During 2013, he released several singles, starting with "Screwdriver" and continuing with "Breakfast Can Wait" in the summer of that year. Early in 2014, he made a cameo appearance on the Zooey Deschanel sitcom The New Girl, appearing in the episode that aired following the Super Bowl. All this activity was prelude to the spring announcement that Prince had re-signed to Warner Bros. Records, the label he had feuded with 20 years prior. As part of the deal, he wound up receiving the ownership of his master recordings, and the label planned a reissue campaign that would begin with an expanded reissue of Purple Rain roughly timed to celebrate its 30th anniversary.
Art Official Age First came two new albums: Art Official Age and PlectrumElectrum, the latter credited to 3rdEyeGirl, the all-female power trio that was his new-millennial backing band. Both records came out on the same day in September 2014. (Two years later, the Prince reissue program and the expanded edition of Purple Rain had yet to appear.) Almost a year to the day, he released HITnRUN: Phase One, with contributions from Lianne La Havas, Judith Hill, and Rita Ora. A sequel, HITnRUN: Phase Two, was released online in December 2015, with a physical release following in January 2016. In early 2016, Prince set out on a rare solo tour, a run of shows he called "Piano and a Microphone." The tour was cut short in April due to sickness, however, and Prince flew home to Minneapolis. On April 21, 2016, police were called to Paisley Park, where they found Prince unresponsive; he died that day at the age of 57. His early death and incredible achievement prompted an outpouring of emotion from fans, friends, influences, and professional associates. On the following week's Billboard charts, he occupied four of the top ten album positions and four of the top singles positions.
xxxxx xxxxx xxxxx xxxxx xxxxx
Prince had stumbled commercially with Lovesexy, which may be one of the reasons he decided to record the soundtrack for Tim Burton's dark, gothic interpretation of the DC comic Batman. Reportedly, the Batman album was recorded quickly, and it shows in the loose, offhand nature of the songs, which actually comes as some relief after the big ambitions of all of his records since 1999. "The Future" and "Electric Chair" are fine, funky one-man efforts, and "Vicki Waiting" is an excellent pure pop song, while "Arms of Orion" is embarrassingly enjoyable sappy mainstream balladry and "Batdance" is a fun dance-club pastiche of the entire album. Even with these highlights, there are no true classics on the record, still Batman sounds fine while it's playing.
Prince - Batman (flac 258mb)
01 The Future 4:07
02 Electric Chair 4:08
03 The Arms Of Orion (feat Sheena Easton) 5:02
04 Partyman 3:11
05 Vicki Waiting 4:52
06 Trust 4:24
07 Lemon Crush 4:15
08 Scandalous 6:15
09 Batdance 6:13
Prince - Batman (ogg 93mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
Releasing two multi-disc sets may have been an audacious way to begin his career as an independent artist, but it did nothing to reestablish Prince as a commercial powerhouse. Perhaps that's the reason he released New Power Soul (credited to his backing band, New Power Generation, but it's a Prince album in all but name) a mere four months after his mammoth quadruple-disc Crystal Ball hit the stores -- it was time to release a concise, focused pop-funk record that proved he could still deliver. And it does, to a certain extent. New Power Soul is a tight, focused record, filled with energetic funk workouts and classy, seductive ballads. It's paced to entertain, just like one of his legendary concerts, and there's no shortage of well-crafted songs. The problem is, nothing stands out and makes itself known. Certainly, the album sounds great as it's playing, it it cements Prince's evolution from groundbreaker to craftsman.
New Power Generation - New Power Soul (flac 379mb)
01 Newpower Soul 5:02
02 Mad Sex 5:14
03 Until U're In My Arms Again 4:47
04 When U Love Somebody 5:57
05 Shoo-Bed-Ooh 3:24
06 Push It Up 5:29
07 Freaks On This Side 5:43
08 Come On 6:00
09 The One 7:05
10 (I Like) Funky Music 4:32
11 silence 0:44
12 Wasted Kisses 3:00
New Power Generation - New Power Soul (ogg 136mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
Recorded on February 6 (presumably 2003), N-E-W-S consists of four 14-minute instrumentals, "North," "East," "West," and "South," performed by Prince on guitar, keyboards, and percussion, with Eric Leeds on baritone and tenor saxophone, John Blackwell on drums, and Rhonda Smith on acoustic and electric bass. ("North" includes string samples "courtesy of" Clare Fisher.) The seemingly improvised music ranges from funk to jazz to new age without any apparent direction or intention. There are attractive passages here and there, such as some solo piano work on "North" and Leeds' warm horn playing throughout. Needless to say, this aimless studio jam is not what Prince fans are used to hearing from him, even given his eclectic and exploratory nature, and this is not the kind of album he might have been expected to deliver if he were still working for an established record company instead of putting out his own discs. But that may be the point. The listener, who will have to be a particularly rabid aficionado of all things Prince to be interested, must throw out all expectations and simply revel in the joy of hearing the musician and his cohorts experiment with relaxed musical textures for 56 minutes. Of course, no one else needs to bother.
Prince - N.E.W.S (flac 309mb)
01 North 14:00
02 East 14:00
03 West 14:00
04 South 16:32
Prince - N.E.W.S (ogg 122mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
Following quickly on the heels of its companion, HITnRUN: Phase Two is more a complement to than a continuation of its predecessor. Prince ditches any of the lingering modern conveniences of HITnRUN: Phase One -- there's nary a suggestion of electronics and it's also surprisingly bereft of guitar pyrotechnics -- in favor of a streamlined, even subdued, soul album. Despite its stylistic coherence, Prince throws a few curve balls, tossing in a sly wink to "Kiss" on "Stare" and opening the album with "Baltimore," a Black Lives Matter protest anthem where his outrage is palpable even beneath the slow groove. That said, even the hardest-rocking tracks here -- that would be the glammy "Screwdriver," a track that would've been an outright guitar workout if cut with 3rdEyeGirl -- is more about the rhythm than the riff. Compared to the relative restlessness of HITnRUN: Phase One, not to mention the similarly rangy Art Official Age, this single-mindedness is initially overwhelming but like any good groove record, HITnRUN: Phase Two winds up working best over the long haul, providing elegant, supple mood music whose casualness plays in its favor. Prince isn't showing off, he's settling in, and there are considerable charms in hearing a master not trying so hard.
Prince - HITnRUN Phase Two (flac 384mb)
01 Baltimore 4:34
02 Rocknroll Loveaffair 4:02
03 2 Y. 2 D. 3:50
04 Look At Me, Look At U 3:27
05 Stare 3:46
06 Xtralovable 5:01
07 Groovy Potential 6:17
08 When She Comes 3:46
09 Screwdriver 4:15
10 Black Muse 7:22
11 Revelation 5:21
12 Big City 6:25
Prince - HITnRUN Phase Two (ogg 134mb)
xxxxx xxxxx xxxxx xxxxx xxxxx