RhoDeo 1551 Aetix

Hello, last week i saw episode 2 of Tripped, a wonderfully insane new British series, its about switching dimensions and it goes too far explaining it here, but should you come across it, it gets a big thumbs up from me. Anyway this episode one of the deadbeat leads drops in at a dimension where he was a megarockstar that mysteriously died 4 years earlier. One of his cult history claims was that his gran offered him a choice when he was 10, either a guitar or a transformer and he chose the guitar..our deadbeat however admitted having had the same choice and decided upon the transformer and thereby a huge dimensional gap opened up betweem him and that other version of him. I guess our lives have plenty of moments where our path in live diverges, a good thing we aren't aware of them, many people have a hard time chosing as it is. (The Germans have an excellent saying "Die Qual der Wahl" wich translates as the agony of choice.)


Today's artists started of in Dublin with musical friends who's choices lead them to become one of the most famous rockbands of the planet, still going strong. However today's artists path gave them plenty credits from the musicscene, not so much sales , and alas too few people have ever seen their live shows. They were more interested in remaining aggressively idiosyncratic, developing their own unique brand of transgressive, avant-garde performance art and a wildly anarchic take on post-punk rock. Much of their work was outstandingly original, and yet it has remained criminally ignored and rarely heard, largely due to the near-total unavailability of their back catalog. Here today for you all to N'Joy

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The group was led by the theatrical singer/songwriter Gavin Friday (born Fionan Hanvey in 1959), who as a teen fell in with a group of like-minded individuals who dubbed themselves the Lypton Village. While some of the social club's members, including a pair of youths named Paul Hewson and David Evans -- later known as Bono and the Edge -- went on to form the superstar group U2, the remaining members founded the less-commercial Virgin Prunes, taking their name from the local slang for so-called "outsiders" and "freaks," a recurring lyrical theme. In the early 1970s, where every member received a new identity and where they could escape from dreary and predictable Dublin life and be anything they wanted to be.

Friday and Guggi first gave the teenage Hewson his alter-ego and now-famous moniker (taken from "Bonavox", a hearing-aid shop on Talbot Street in Dublin City Centre), later shortened simply to "Bono". Known for their outrageous and controversial stage performances, led by theatrical singer/songwriter Friday, the band began playing small shows in Dublin, gaining them a cult audience and ridicule from the culturally conservative community.

Friday and fellow vocalist Guggi, along with third vocalist Dave-iD Busaras, guitarist Dik Evans (brother of U2's The Edge), bassist Strongman (Trevor Rowen, brother of Guggi) and drummer Pod (Anthony Murphy), completed the original lineup. Pod left the group and was replaced by Haa-Lacka Binttii (né Daniel Figgis). With Binttii on drums, tape loops and keyboards, the band secured a deal with Rough Trade Records. They released their first single, "Twenty Tens" on their own Baby Records label (distributed by Rough Trade) in late 1980, followed by a second single, "Moments and Mine", in early 1981.

Two other tracks recorded with Binttii were released during 1980 before conflicts with other members forced him out of the band. "Red Nettle" was included on NME compilation C81 and "Third Secret" appeared on Cherry Red compilation Perspectives and Distortion. Work had already started on the project "A New Form of Beauty" while Bintti was with the band, but after he was replaced by Mary D'Nellon (drums), some of his tracks were rerecorded and his name was not included in the credits.

"A New Form of Beauty" was a project that originally contained four chapters and was released in various formats - 7" single, 10" single, 12" single and a cassette. All four parts appeared on an Italian version of A New Form of Beauty, which was released as a double album, although with a different track listing to the cassette version.

In November 1982, the Virgin Prunes released their debut album ...If I Die, I Die (produced by Colin Newman of Wire) as well as Heresie, a French box set. Commissioned by Yann Farcy after seeing them perform at the Rex Club in Paris, Heresie was based on a loose examination of insanity. In 1984, both Guggi and Dik Evans, unhappy with the music business, left the band. This forced drummer D'Nellon to switch to guitar and allowed Pod to return as the band's drummer. The Virgin Prunes started to record but abandoned the album Sons Find Devils, which has never been released.

A retrospective video titled Sons Find Devils was released in 1985; this video had nothing to do with the unreleased album of the same name. In May 1985, rarities compilation Over the Rainbow was released.

In July 1986, the band, now a four-piece, finally released a new album, The Moon Looked Down and Laughed (including recordings of music written for Sons Find Devils). Later that year, Friday left the group. His departure was confirmed in the liner notes of the band's 1987 live album The Hidden Lie, which contained a short statement confirming the band's breakup.

After disbanding as Virgin Prunes, D'Nellon, Strongman and Busaras formed an offshoot group called The Prunes, which released three albums between 1988 and 1990 (1988's Lite Fantastik, 1989's Nada, and 1990's Blossoms & Blood. Dik Evans played on Lite Fantastik while 17-year-old Justin Kavanagh (aka Valley Limberg) from the Dublin hardcore band Mutant Asylum (now a member of Paranoid Visions along with his cousin Cormac Figgis, aka The Master Switch) took the helm as guitarist for "Blossoms & Blood". In 1993, Kavanagh went on to form Gormenghast and Snifferdog. Binttii's youngest brother, Jonathan Figgis, was the boy who appeared on the cover of the second Virgin Prunes single, "Moments and Mine".


Friday went on to have a reasonably successful solo career in both music and film, while Guggi remained an influential artist in Dublin and Busaras continued to record as a solo artist in Ireland. After 20 years of self-imposed seclusion from the rock world, Dik Evans gave an overview of he and his brother The Edge's early years in U2 for the December 2005 issue of Word Magazine.

Daniel Figgis later became a composer and multimedia producer and curator, becoming composer in residence with Dun Laoghaire/Rathdown, Dublin. One of his compositions, "Post Production", a 23-section suite for four musicians, was performed at the Winter Garden Theatre in New York City in December 2006. In 2008, the Arts>World financial centre commissioned Figgis to compose and perform the sole European commission to celebrate their 20th anniversary of arts programming. His multi-disciplinary festival, "Snakes & Ladders", appeared on Broadway on 8 January 2010 at Symphony Space.

The Virgin Prunes discography was remastered and reissued on Mute Records in 2004. The set of reissues included ...If I Die, I Die, The Moon Looked Down and Laughed, Over the Rainbow, Heresie and an album of selections from the A New Form of Beauty series. In 2006, Busaras, Guggi and Friday contributed a track to the sea shanty collection Rogue's Gallery, appearing in the track listing as Three Pruned Men.

On 4 October 2009, three original members of the band - Friday, Guggi and Dik Evans - performed two classic Virgin Prunes songs, "Sweethome Under White Clouds" and "Caucasian Walk", at Carnegie Hall as part of "An Evening with Gavin Friday and Friends", to celebrate Friday's 50th birthday.

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New Form of Beauty captures very closely the controlled and often anarchic art damage that the band was doing in a live setting early on. Industrial sounds wrapped around more conventional guitar, bass, drum, and keyboard trappings, singers Gavin Friday and Guggi were both outrageously androgynous, utterly captivating frontmen. Collected here, via Mute, in wonderfully remastered CD form, are the original 7", 10" and 12" singles. Only "Sweethome Under White Clouds" -- in a different version -- ended up in the band's later catalog. Basically, this is the sound of tension, intensity, off-the-rails eroticism, pagan spirituality, and an utterly twisted sense of the perverse as wrapped into a post-punk aesthetic. The band's influences range wide and far from folk songs to Throbbing Gristle to the dynamics of bands like Joy Division, PIL, and even Germany's Can, though the Prunes' sonic approach was utterly unique. It is nocturnal always, often nightmarish, like the nether soundtrack to a carnival sideshow, it is, to borrow from Jean Dubuffett, art brut , outsider art of high poetic and aesthetic quality even when it is falling apart. Highly recommended for its excess as well as its achievement.

Virgin Prunes - A New Form Of Beauty  (flac 274mb)

01 Sandpaper Lullabye 3:03
02 Sleep Fantasy Dreams 2:45
03 Come To Daddy 10:00
04 Sweethome Under White Clouds 6:33
05 Sad World 5:29
06 Beast (Seven Bastard Suck) 10:38
07 Abbagal 5:19
08 Brain Damage 3:44
09 No Birds To Fly 7:10

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If I Die, I Die is the Virgin Prunes' proper debut album. The first three (of seven) parts of a conceptual work entitled A New Form of Beauty, issued as 7", 10", and 12" singles preceded it in the same calendar year. Produced by Wire's Colin Newman, the album's 14 tracks are the epitome of post-punk adventurism. Here, tribal drums and edgy, spooky, detuned guitars and bouzoukis cross paths and meld with synthesizers and primitive drum machines in an onslaught of off-kilter creativity where everyone from the Fall, PIL, New Order, Siouxsie & the Banshees, and even Bruce Springsteen are called in for reference in a brew that is dangerous, primal, and excessive. Two androgynous frontmen in the foppish Gavin Friday and alluring Guggi create alternate ambiences from warped yet sweet Irish balladry to shrieked poetry. And while the set is messy to be sure, it is far from off-putting. In fact, it is easily the band's most consistent and enduring effort. The albums opens with the haunting, nocturnal minimalism of "Ulankulot," an intro with tom toms and drifting keyboards layered carefully in the background, wordless chanted backing vocals and an electric bouzouki courtesy of guitarist Dik. It immediately gives way to its antecedent "Decline Sand Fall." It's the same tune, only Friday is out in front of it digging deep into the temporality of childhood and what remains of it. Its effect is startling, nocturnal, and tense. In "Sweethome Under White Clouds," the theme is given dimension as Guggi and Friday wail like muzzeins over a reverbed guitar coming from the netherworld and augmented by a soprano saxophone and a synth bassline. "Pagan Lovesong," the album's proper single, is one of the most angular cuts on the set. Here, the Prunes employ a riff straight out of early Gang of Four, chant their refrains, and swirl the keyboards and drum machines à la Devo yet keep everything so gothic and strange; it's not only compelling, it's infectious. The rest of the album follows suit, with the raucous new wave of "Baby Turns Blue," and the mainstream rockist "Ballad of the Man" that sounds like a wrong-speed outtake, Springsteen's The River and the Mott the Hoople version of "Sweet Jane!" This is a wonderfully confounding and sometimes campy and often disturbing exercise in unfettered creativity that has stood the test of time very well. It is the most necessary Virgin Prunes record of all and captures best what they were capable of when focused.

Virgin Prunes - If I Die, I Die (flac 367mb)

01 Ulakanakulot 2:26
02 Decline And Fall 4:52
03 Sweethome Under White Clouds 4:44
04 Bau-Dachöng 5:51
05 Pagan Lovesong 3:28
06 Dave-Id Is Dead 4:18
07 Fádo 2:00
08 Baby Turns Blue 3:43
09 Ballad Of The Man 3:33
10 Walls Of Jericho 3:09
11 Caucasian Walk 4:43
12 Theme For Thought 5:44
13 Chance Of A Lifetime 2:55
14 Yeo 2:17

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The sound of 1986's The Moon Looked Down and Laughed is the sound of a band being pulled apart by the differing ideas of its members. This is easily the tamest Virgin Prunes record on the market and the band's nadir. There are more conventional song structures here, on cuts like "Heaven," "Just a Lovesong," and "Betrayal," but they are unfocused, utterly forgettable melodically and even atmospherically. Atmosphere was always the Prunes' strong point. David Bowie's early-'80s work seems to be a strong influence here, and where previously Gavin Friday had been able to carry a song by the sheer force of his voice, his overly enunciated and exaggerated vocal gestures here just water down the proceedings further. But the real tragedy here is the lack of wildness and adventure. The record sounds tired and uninspired, leaving the band to whimper itself out of existence rather than roar.

Virgin Prunes - The Moon Looked Down And Laughed (flac 344mb)

01 Heaven 3:43
02 Our Love Will Last Forever Until The Day It Dies 8:28
03 I Am God 3:28
04 Alone 3:47
05 Sons Find Devils 4:59
06 Uncle Arthur’s Lonely World 3:23
07 True Life Story 3:26
08 The Tortured Heart 3:20
09 Betrayal 4:04
10 Just A Lovesong 3:01
11 Deadly Sins 6:15
12 Day Of Ages 3:17
13 The Moon Looked Down And Laughed 4:25

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Over the Rainbow is a double-CD odds and ends compilation of Virgin Prunes singles, B-sides, compilations and rare tracks assembled in gloriously remastered audio by Mute. This version differs from the original LP and the double-LP versions considerably. For starters, the original compilation contained only CD one of this set, which features the band's first A-side, "Twenty Tens," as well as Rough Trade's (C812) track entitled "Red Nettle," and "Pagan Lovesong Vibe-Akimbo" form the 12" version of the single. Also included are a pair of cuts -- "Mad Bird in the Wood" and "Jigsawentallama" -- that were released on flexidisc with the Dutch magazine Vinyl.and a couple of other Rough Trade comp cuts. The original CD issue of Over the Rainbow also contained the studio tracks from Hérésie. This one, with a different cover (the "Baby Turns Blue" single sleeve) removes those -- because first the band's own label, Baby, and now Mute have released both live and studio Hérésie cuts on their own in another package -- and add more rarities to the mix. Included here are "Third Secret" from the Perspectives & Distortions: Cherry Red Rarities comp, "The Faculties of a Broken Heart" from the limited-edition Baby Turns Blue 12", "The Happy Dead," which was recorded for the soundtrack to the New Form of Beauty film but was never released, "White History Book," set on tape during the Moon Looked Down and Laughed session but went unused, the A-side of the band's second single, "In the Greylight," "Revenge" from the Virgin Prunes EP, and "Love Lasts Forever," a single from the New Rose label in 1984. Sure, it's for fanatics, but it's also of real interest to anyone wanting to check out the glorious monstrosity that was the Virgin Prunes.

Virgin Prunes - Over the Rainbow (A Compilation of Rarities 1980-1984)  (flac  521mb)

01 Red Nettle 2:18
02 Twenty Tens 2:26
03 Pagan Lovesong Vibe-Akimbo 6:49
04 Moments’n’mine 4:27
05 Mad Bird In The Wood 4:19
06 The Children Are Crying 5:11
07 Jigsawmentallama 6:19
08 King Of Junk 2:49
09 War 2:02
10 Greylight 4:21
11 White History Book 3:44
12 The Faculties Of A Broken Heart 5:04
13 In The Greylight 2:45
14 The Happy Dead 13:38
15 Revenge 3:34
16 Third Secret 4:13
17 Love Lasts Forever 11:24

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RhoDeo 1551 Re-Ups 43

Hello, with 28 re-ups today most of the current requests have been fulfilled, however there's still thousands of postings that could be re-upped, all it takes is a simple civilized request at the page where its originally posted. That said i've seen a number of requests for music i posted earlier this year 2015, these are on the long list simply because most visitors here have already had these choices recently, my priority lies with older posts (i've been posting for 9 years now)

Storage maybe dirt cheap these days -compared to 5 years ago, but the hosts are much more money orientated and look at turnover and notice that keeping data longer than 1 month isn't making them money. Thus the coming months i'm making an effort to re-up, it will satisfy a small number of people which means its likely the update will  expire relatively quickly again as its interest that keeps it live. Nevertheless here's your chance ... asks for re-up in the comments section preferably at the page where the expired link resides....requests are satisfied on a first come first go basis. As my back up ogg hard disk is nonresponsive currently, i most likely will post a flac instead~for the the pre medio 2011 posts~ but i would think that is not really a problem...updates will be posted here and yes sign a name to your request and please do it from the page where the link died!

Looka here another batch of 28 re-ups, requests fulfilled upto 19th December...N' Joy


4x Soul Wax Back In Flac (Soulwax - Hang All DJ's Volume 5, Soulwax - Most Of The Remixes, Mixed, Soulwax - Nite Versions)


2x World NOW In Flac (Faun - Renaissance, VA - Mystica Antiqua Vol. 1)


6x Public Image Limited Back In Flac (First Issue, Live In Tokyo, Happy, Compact Disc, Flowers of Romance, Metal Box)

3x Aetix Back in Flac (Killing Joke - Killing Joke, Killing Joke - Night Time, Killing Joke - Brighter Than A Thousand Suns)


10x Neu Deutsch Welle NOW in Flac ( D.A.F. - DAF, Kowalski - Schlagende Wetter, Einstuerzende Neubauten - Halber Mensch, Nina Hagen Band - I, Palais Schaumburg - Lupa, Holger Hiller - Ein Bündel Fäulnis In Der Grube, Zaza - Zaza ) Back in ogg (Der Plan - Geri Reig,  Xao Seffcheque - Sehr Gut, Kommt Sehr Gut, Die Neue Deutsche Welle War Da Da Da ......Wie Was Wo ? )

3x Tony Allen Back in Flac (No Accommodation, Black Voices, Homecooking)

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RhoDeo 1551 Quest 21

Hello,

Elven Quest... A series that will be running into the new year, 24 episodes of Elvenquest. It's is a sitcom about a misanthropic writer of fantasy novels who finds himself whisked away into a parallel universe by an elf, a dwarf and a warrior princess, where he must undertake to find the Sword of Asnagar in order to save Lower Earth from the evil Lord Darkness before he can get home. Today the start episode 21.. N'Joy

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Plot

During the Third Age of Elven Princes of Lower Earth, a band of noble warriors – Vidar the Elf Lord (Boyd), Penthiselea the Warrior Princess (Winkleman) and Dean the Dwarf (Eldon) – plan to save Lower Earth from the evil rule of Lord Darkness by searching for the Sword of Asnagar, "for whoso'er wields the sword shall rule all of Lower Earth."[2] However, they first have to discover "The Chosen One" who will lead them to the Sword, whose name is "Amis". Amis is a dog belonging to Sam Porter, a misanthropic fantasy novelist in the real world.

Vidar, Penthiselea and Dean travel via a portal to take Amis, who is with Sam at a book signing in Totnes High Street, to Lower Earth. When they take Amis, Sam follows them and both Sam and Amis arrive in Lower Earth. When they arrive in Lower Earth, Amis is transformed into a human (played by Lamb), retaining many of his canine traits, such as becoming excited when there is a knock at the door, and being totally devoted to Sam. Sam believes he has been kidnapped by deranged fans until he sees the world outside the room in which he awakes. He asks to be sent back home, but is told that the portal is closed and can only be opened by the same Sword of Asnagar that Amis must seek.

Sam decides to travel with Amis, Vidar, Penthiselea and Dean to find the Sword. Meanwhile, Lord Darkness (Alistair McGowan) is planning to stop them from finding the Sword, helped by his evil but dimwitted assistant Kreech (also played by Eldon). Sam proves invaluable in using his modern instincts to trick his way past various creatures barring their way. For instance, he bluffs a three-headed troll guardian of Darkness' fortress in the same way as he would a security guard at a nightclub, distracting it long enough for Dean the dwarf to attack. He also tends to expect secret tunnels and concealed doors because that's the sort of thing he would have written into one of his plots. He is often right.

Characters

Sam Porter (Stephen Mangan). An author of fantasy novels with a jaded attitude, especially towards his more fanatical fans. As the series opens his career and personal life are not going well.

Amis, the Chosen One (Dave Lamb). Originally Sam's pet dog and best friend in the world, he transforms into a human in Lower Earth but retains canine traits and behaviours.

Vidar the Elf Lord, (Darren Boyd), last of a mighty family of Elf Lords, and the leader of the Questers, despite being somewhat dim. His name may be inspired by Víðarr, a god in Norse mythology associated with vengeance.

Penthiselea the Warrior Princess (Sophie Winkleman Series 1-3) (Ingrid Oliver Series 4) in silver breastplate armour and thigh-high boots, who has been promised to Vidar since childhood. Sam is very interested in her, but having been raised as a Warrior Princess she has no concept of relationships with men. Her name may be inspired by Penthesilea, a legendary Amazon warrior-queen.

Dean the Dwarf (Kevin Eldon), a mighty if diminutive warrior with unsavoury personal habits.

Lord Darkness (Alistair McGowan), Lord of Evil, whose efforts to dominate Lower Earth are frustrated by the Questers and his own staff of extremely dimwitted minions.

Kreech (Kevin Eldon), the Right Hand of Darkness, and only slightly less dimwitted than the other minions.

Other characters played by Chris Pavlo.


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Elven Quest 21 The Fat Hog (mp3  25mb)

21 The Fat Hog 27:38


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previously

Elven Quest Season 1 (01-06) (mp3  152mb)
Elven Quest Season 2 (07-12) (mp3  152mb)
Elven Quest Season 3 (13-18) (mp3  152mb)

Elven Quest 19 Queen Eleanor (mp3  25mb)
Elven Quest 20 The Magnificent Five (mp3  25mb)


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Sundaze 1551

Hello,


In 1998, Youth (Martin Glover) decided to set up, LSD - Liquid Sound Design as Dragonfly's sister label, specialising in chilled out soundscapes, sonic beats and mellow grooves. LSD was as natural progression for Dragonfly keen to create an outlet for more experimental and down-tempo music as well as satisfying the demand for the post club chill out sounds. Since 2007 the name has changed to "Liquid Sound" and is now managed by Pathaan. Today 3 outfits from Youth's LSD stable.... N'joy

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Martin Glover, also known as Youth or Orion, (born 27 December 1960 in Farnworth, Lancashire) is a record producer and a founder member and bassist of Killing Joke.

Glover originally named himself Pig Youth after the reggae chanter Big Youth, who was popular with late 1970s London punk bands. At age 15 he was in a punk band named The Rage, which toured with The Adverts. Later he joined 4" Be 2" - a band formed by John Lydon's brother Jimmy Lydon - and recorded the "One of the Lads" single with them.

Glover is most famous for being the bass player in Killing Joke. He left the band in 1982, together with Ben Watkins he released 2 albums, The Empty Quarter and Delerium, soon after he founded his own commercially orientated dub funk band Brilliant, which recorded one album in 1986 before later disbanding.

In 1989, Youth and Alex Paterson started the WAU! Mr. Modo label. Their early releases of a selection of industrial techno dubs and heavy sound system dubs from artists such as Napthali, Manasseh, Bim Sherman and Jah Warrior are long deleted and fetch high sums in private sales.

Youth's connections with dub continued in the mid-1990s when he was asked by Adrian Sherwood to remix some of Bim Sherman's tracks for a reworking of the Miracle album. He also recently appeared on a Ted Parsons/NIC dub album, contributing a remix which opens with a sample from Glen Brown's "Version '78", a track originally released on the South East label.

In the early nineties, Glover formed techno and house music duo Blue Pearl together with American singer Durga McBroom. They scored a handful of hit singles including their blue vinyl debut "Naked In The Rain", which reached #4 in the UK Singles Chart and was also a #5 dance hit in the U.S. in 1990.

Glover is credited with founding the first psychedelic trance record label, Dragonfly Records, as well as the Liquid Sound Design and Kamaflage Records labels. He is well known on the psychedelic trance scene, collaborating with Simon Posford and Saul Davies as Celtic Cross, with Greg Hunter and Simon Posford as Dub Trees, and on the project Zodiac Youth. He has performed both full-on trance as well as chill-out DJ sets at several Return to the Source parties, and released the Ambient Meditations 3 mix album on their label in 2000. His Butterfly Studios were also home of the Return to the Source offices circa 1999-2002.

Glover is a member of the band Transmission, together with Simon Tong of The Verve, Paul Ferguson of Killing Joke and Tim Bran of Dreadzone. He also played guitar on several tracks on the 2007 Client album "Heartland."

In mid-2010, Glover teamed up with Alex Paterson (The Orb) to compile a retrospective compilation album of tracks from the WAU! Mr Modo label. The album titled "Impossible Oddities" was released on CD and double vinyl on 25 October 2010 via Year Zero records.

On 27 October 2012, during the International Festival of Music Producers and Sound Designers SOUNDEDIT, Glover was awarded The Man with the Golden Ear Award

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Orchid-Star was put together by Pete Ardron at the start of 2005, initially as a vehicle to perform music he had written for DJ sets, mostly for chill-out rooms. The sound is lush and colourful with a strong world music influence - Indian, Arabic, Celtic, African and more - fused with everything from psychedelic chill and dub to drum & bass and funk. Part electronic, part live - vocalists - Myo and Samanta Ray, guitar & bass - Pierre Luigi, electric fiddle - Kait Farbon, full-size marimba - Becky Dell, percussionists - Jon Bongly and Becky keyboards - Pete, dancers Diane Everitt and SandRa and occasionally more.

Orchid-Star have featured an increasing list of guest performers from here and abroad, vocalists, instrumentalists, dancers and visual artists, giving a real variety to their shows, performing with anything from 3-10 people on stage. Both core members and guests have diverse musical roots, several with classical training and members with backgrounds in rock, reggae, soul, funk, jazz, world and other fields, having played with people as varied as Frank Sinatra(!), Jimi Hendrix(!), Tim Finn of Crowded House, True Life Confessions, Basement Jaxx, Soul2Soul, Hallucinogen and Stomp. Pete's last major project before this was Glow, well known on the global-dance/world-music scene in the late 90s and with whom several other Orchid-Star members also served time.

By the summer of 2005, with a regular core established, the band had started to take on its own sound, identity and direction, moving away from the initial plan and concentrating more on the more up-tempo dancy tracks - a trend reflected in the first new tracks to be written specifically for the Orchid-Star. Highlights of the first year included the main stages at Kingston Green Fair, the London Green Lifestyles Show and Big Green Gathering and the main headline slot on the largest of Glastonbury Festival's fringe stages, Croissant Neuf where the Orchid-Star and Pete also received about 3 hours of airplay on the festival's radio station, Radio Avalon. The Orchid-Star are as at home in a club environment as on a festival stage and have played at the Synergy Project, Planet Angel, Acid Monkey, and Edensounds amongst others.

2006 saw the band concentrate mostly on finishing off their first album "Birth", in Pete's opinion the best thing he has ever produced - a collection of tracks originally written for sets for Planet Angel, ID Spiral, Bingly Bongly and Liquid Connective While people who have seen the Orchid-Star live will be familiar with most of the tunes on "Birth" they may be surprised to find that, whilst this is still a very rhythmic, big, lush sounding album, it is predominantly down-tempo. This is a legacy of the chill-out roots of this project - the second album, already half-written, promises to a much more up-tempo affair.

2007 saw Orchid-Star back out live more including performances at Sunrise, Antiworld, Glade, Bowl and Waveform festivals, and clubs like Planet Angel and Synergy with sets ranging from their first full-on dance set to some special performances of 'Birth' in it's entirety. The band saw 2008 in in style with 2 gigs in the first 12 hours and the long awaited official release of their first album 'Birth' on Liquid Sound Records (1st Feb) including a 2nd CD - rebirth with the entire album remixed by Youth, Tripswitch, Kuba, Subsonar and Pete. Their first (9-mix) single 'Passion' was released in October on Archangel Recordings. 2009 has again been a quiet year live with all the bands energy going towards finishing off the follow-up to Birth

Orchid Star - Birth (flac 425mb)

01 Deep Down 8:10
02 Mouse 5:08
03 Passion 9:07
04 Butterflies 8:19
05 Khambhat 9:20
06 The Heart Of Ibu-At 7:04
07 A Day Out Of Time 8:08
08 Wildflower 9:49

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Orchid Star - Re-Birth (flac 392mb)

01 Deep Down (Kuba Remix) 6:47
02 Mouse (Youth Remix) 5:10
03 Passion (Youth Remix) 9:10
04 Butterflies (Youth Remix) 8:10
05 Khambhat (Youth Remix) 9:18
06 The Heart Of Ibu-At (Tripswitch Remix) 9:03
07 A Day Out Of Time (Subsonar Remix) 8:34
08 Wildflower (Pete Ardron Remix) 7:59

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Orchid-Star's debut, “Birth”, released on Liquid Sound in 2008 along with ‘reBirth’ - remixes by Youth, Tripswitch, Kuba, Subsonar and band leader Pete Ardron is regarded by many as a psychedelic chill classic. Its follow-up “Faster” retains all the trademarks of the first but is a significant progression. It still takes the listener to exotic, mysterious places but this time the live element, both instrumentally and vocally, and the personalities of those involved, are altogether more obvious. Living up to its name it is as much a treat to dance to as to listen - a joyful and passionate celebration of life and spirit.
 Psychedelic world-fusion - Indian, Irish, African, Latin, Middle Eastern, Balkan Gypsy – driven by a mix of DnB, trance, progressive, funk, dub, ska with just the occasional downtempo groove, wrapped in a rich and vibrant orchestral-like production. Atmospheric and visually charged throughout, it's a seductive piece of work, which grows on you with each listen.

Orchid-Star - Faster (flac 461mb)

01 Puja 7:53
02 Prchla 6:07
03 Surya 6:26
04 Shouty One 7:04
05  A Better Ride 8:21
06 Orchid-Ska 6:16
07 Dans La 5:42
08 Lotus Bloom 8:21
09 Barefoot (In The Sunshine) 8:05
10 Brighter 4:30

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Brother Culture is an MC based in Brixton, London. Simon Fajemisin (half Nigerian, half Irish) started his career around 1982 for Jah Revelation Muzik sound system. As part of the Twelve Tribes of Israel Rasta brotherhood, Brother Culture toured in the USA, Jamaica, Caribbean and Canada throughout the 80’s. In the early 90's, he started to MC at London’s Dub Club, in which he made new associations with active UK dub/roots producers such as Adrian Sherwood and Manasseh.

In the mid-90's, the UK dub/roots scene evolved in new sub-genres of music such as drums & bass. Brother Culture proved to his fans that he was able to adapt his unique style to the new emerging scenes and began to collaborate with labels such as Liquid Sound Design. Since 2000, he continues to travel the world as an established MC artist spreading out the positive message of Jah music. He also continues to record new productions for many producers and bands such as The Prodigy (« Thunder » from the album « Invaders Must Die »), Mungos Hifi, Hammerbass, Roots Garden Label, Dubmatix or Kinyama Sounds.

Isis is a 12 tracks set produced by Youth from Dragonfly and famous UK based producer Nick Manasseh. A UK roots album including several big tunes as Darker Side Of Town, previously released as 7’’ on Roots Garden Records two years ago. It’s basically a kind of psychedelic roots dub album with vocals. And I experimented in not writing songs with verses and choruses like I normally do. It’s more like my voice as an instrument -

Brother Culture - Isis  (flac  375mb)

01 The Rider 3:26
02 Darker Side Of Town 6:40
03 How We Roll 4:35
04 Isis, Peace Is Love 6:14
05 If There Were Gods 6:13
06 Turn It Around 4:03
07 SupaNova 6:19
08 Tru De Valley 4:21
09 Redeye 5:15
10 Come Down Pon Sound 3:46
11 The Dew Falls 5:33
12 Fire In My Soul 6:22

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RhoDeo 1550 Grooves

Hello, almost X'mas and we're being bombarded by sentimental muzak and I felt it needed an anwers by offering you something nostalgic, great Rhythm and Blues from before most of you were born, may it brighten your days....

This seven cd set (4 today, 3 next week) should be a part of any collection that presumes to take American music -- not just rock & roll or rhythm & blues -- seriously. Atlantic Records was one of dozens of independent labels started up after the war by neophyte executives and producers, but it was different from most of the others in that the guys who ran it were honest and genuinely loved music. Coupled with a lot of luck and some good judgment, the results trace a good chunk of the history of American music and popular culture.. ... N'joy

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Atlantic Rhythm and Blues 1947-1974

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Throughout the late '40s, '50s and '60s, Atlantic was one of the premier independent record labels in America, and one of their specialties was R&B. Atlantic had a remarkable staff of producers and A&R men who could find the singular talent of the day, and they assembled a truly extraordinary roster from the outset. The entire saga of Atlantic Records' peak years is documented on the seven-disc box set Atlantic Rhythm & Blues 1947-1974. The first installment of the series has a number of classic singles, even if it lacks the star power that drives the later editions. Much of this music is close to blues, whether it's down-home piano blues or jump blues, with a few vocal groups emerging by 1952. Part of what makes Vol. 1 special is that it contains such relative obscurities as Frank Culley's "Cole Slaw" and Joe Morris' "The Apple Jack" alongside such classics as Stick McGhee's "Drinkin' Wine Spo-Dee-O-Dee," Tiny Grimes' "Midnight Special," Professor Longhair's "Mardi Gras in New Orleans" and the Clovers' "One Mint Julep," as well as hot tracks from Ruth Brown, Joe Turner, and Willis Jackson. It's an excellent set that captures the early days of R&B, just as it was breaking free from the blues.

Atlantic Rhythm and Blues 1947-1952  (flac 333mb)

01 Joe Morris - Lowe Groovin' 2:43
02 Tiny Grimes - Annie Laurie 2:53
03 Tiny Grimes - Midnight Special 2:43
04 Joe Morris - The Applejack  3:10
05 Frank Culley - Cole Slaw 2:40
06 Sticks McGhee - Drinkin' Wine Spo-Dee-O-Dee 3:12
07 Ruth Brown - So Long 2:37
08 Professor Longhair - Hey Little Girl 3:01
09 Professor Longhair - Mardi Gras in New Orleans 2:51
10 Harry Van Walls - Tee Nah Nah 2:32
11 Joe Morris - Anytime, Anyplace, Anywhere 3:01
12 Ruth Brown - Teardrops from My Eyes 2:51
13 The Clovers - Don't You Know I Love You 3:03
14 The Cardinals - Shouldn't I Know 3:08
15 Big Joe Turner - The Chill Is On 2:44
16 Joe Turner - Chains of Love 3:21
17 The Clovers - Fool, Fool, Fool 2:31
18 The Clovers - One Mint Julep 2:20
19 The Cardinals - Wheel of Fortune 2:49
20 Joe Turner - Sweet Sixteen 2:51
21 Ruth Brown - 5-10-15 Hours 3:08
22 The Clovers - Ting-A-Ling 3:05
23 Willis "Gator" Jackson - Gator's Groove 2:33
24 Ruth Brown - Daddy Daddy 2:52
25 Ray Charles - The Midnight Hour 2:51

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During the years covered on Atlantic Rhythm & Blues 1947-1974, Vol. 2 (1952-1955), Atlantic began to gain a firm hold in the marketplace as Ruth Brown and Joe Turner began to score hits ("Mama, He Treats Your Daughter Mean" and "Wild Wild Young Men" for Baker, "Honey Hush" and "Shake, Rattle & Roll" for Turner), and the label signed Ray Charles, LaVern Baker and Clyde McPhatter & the Drifters. Of these three artists, the Drifters had the most hits out of the starting gate, scoring with "Money Honey," "Such a Night," "White Christmas" and "Honey Love." Charles began writing a number of classics, including "The Midnight Hour," "Mess Around" and "I Got a Woman," and Baker had hits with "Soul On Fire" and "Tweedle Dee." All of these songs -- plus excellent sides from the Clovers ("Ting-A-Ling," "Good Lovin'," "Lovey Dovey"), the Chords ("Sh-Boom"), Tommy Ridgley ("Jam Up") and the Diamonds ("A Beggar for Your Kisses") -- are on Vol. 2. These are some of the greatest R&B singles ever recorded, sounding just as vital decades after their original release, and the songs that weren't hits are nearly as good -- sometimes just as good -- as the ones that were.

Atlantic Rhythm and Blues 1952-1955  (flac 321mb)

01 The Diamonds - A Beggar for Your Kisses 2:57
02 Ruth Brown - Mama, He Treats Your Daughter Mean 2:50
03 The Clovers - Good Lovin'  2:56
04 Ruth Brown - Wild Wild Young Men 2:56
05 Ray Charles - Mess Around 2:29
06 Joe Turner - Honey Hush 2:38
07 LaVern Baker - Soul on Fire 2:37
08 The Drifters / Clyde McPhatter 2:57
09 The Clovers - Lovey Dovey 2:40
10 The Drifters / Clyde McPhatter - Such a Night 2:28
11 Professor Longhair - Tipitina 2:47
12 The Drifters / Clyde McPhatter - White Christmas 2:00
13 The Drifters / Clyde McPhatter - Honey Love 2:51
14 Joe Turner - Shake, Rattle and Roll 3:07
15 The Chords - Sh-Boom 2:13
16 Tommy Ridgley - Jam Up 2:43
17 LaVern Baker - Tomorrow Night 3:09
18 LaVern Baker - Tweedlee Dee 3:07
19 Ray Charles - I Got a Woman 2:52
20 Ray Charles - Greenbacks 2:47
21 The Cardinals - The Door Is Still Open 2:56
22 Joe Turner - Flip Flop and Fly 2:48
23 The Cardinals - A Fool for You 3:00
24 LaVern Baker - Play It Fair 2:55
25 The Robins - Smokey Joe's Cafe 2:34

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Atlantic hit its stride between 1955 and 1958, the years covered on Atlantic Rhythm & Blues 1947-1974, Vol. 3 (1955-1958). Nearly every song on this double-album/single-disc set was a major R&B or pop hit and has turned into a genuine pop music classic. In hindsight, the depth of talent on Atlantic's roster in the late '50s becomes all the more astonishing. Between 1955 and 1958, Joe Turner was still turning out rollicking, infectious jump blues, as reprsented by "Flip Flop and Fly," "The Chicken and the Hawk," "Corrine Corrina" and "Midnight Special Train," and LaVern Baker continued to have hits ("Jim Dandy," "Play it Fair"). But what makes theis disc remarkable is the juxtaposition of Ray Charles' ascension into the greats with new signings like the Coasters, Ivory Joe Hunter and Chuck Willis. Charles truly came into his own during these years -- this disc alone contains "This Little Girl of Mine," "Drown in My Own Tears," "Hallelujah, I Love Her So" and "Lonely Avenue," songs that have become an indelible part of pop and R&B. the Coasters also arrive with a vengeance, contributing "Down in Mexico," "Searchin'" and "Young Blood," along with "Smokey Joe's Cafe," which was a release from their early incarnation as the Robins. Hunter and Willis each released classics during this time ("Since I Met You Baby" and "Empty Arms" for Hunter, "It's Too Late" and "C.C. Rider" for Willis), while Clyde McPhatter began a solo career, and the Cookies, the Drifters and the Clovers all contributed great singles. The result makes Vol. 3 an intoxicating, whirlwind journey through some of the most vital records of the '50s.

Atlantic Rhythm and Blues 1955-1958  (flac 321mb)

01 The Drifters - Ruby Baby 2:21
02 The Cookies - In Paradise 2:26
03 Joe Turner - The Chicken and the Hawk 1:48
04 The Clovers - Devil or Angel 2:24
05 Ray Charles - Drown in My Own Tears 3:18
06 Ray Charles - Hallelujah, I Love Her So 2:34
07 LaVern Baker - Jim Dandy 2:11
08 The Coasters - Down in Mexico 3:13
09 Joe Turner - Corrine Corinna 2:50
10 Clyde McPhatter - Treasure of Love 2:10
11 The Clovers - Love, Love, Love 1:59
12 Chuck Willis - It's Too Late 2:37
13 Ray Charles - Lonely Avenue 2:34
14 Ivory Joe Turner - Since I Met You Baby 2:41
15 Ruth Brown - Lucky Lips 2:36
16 Clyde McPhatter - Without Love (There Is Nothing) 2:54
17 The Drifters - Fools Fall in Love 2:28
18 Joe Turner - Midnight Special Train 2:37
19 Ivory Joe Turner - Empty Arms 2:40
20 Chuck Willis - C.C. Rider 2:33
21 The Coasters - Searchin' 2:39 almost Xmas
22 The Coasters - Young Blood 2:20
23 The Bobbettes - Mr. Lee 2:11
24 Chuck Willis - Betty and Dupree 2:24
25 Chuck Willis - What Am I Livin' For ? 2:25
26 Chuck Willis - Hang Up My Rock and Roll Shoes 2:18
27 The Coasters - Yakety Yak 1:49
28 Clyde McPhatter - A Lover's Question 2:31

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Atlantic Rhythm & Blues 1947-1974, Vol. 4 (1958-1962) continues the streak of hit singles and classic R&B cuts that Atlantic began in earnest in the years covered by Vol. 3. Most of the album is devoted to hits by the Coasters ("Yakety Yak," "Charlie Brown," "Along Came Jones," "Poison Ivy," "Shopping for Clothes"), Ray Charles ("What'd I Say," "The Right Time," "Let the Good Times Roll"), the Drifters ("This Magic Moment," "There Goes My Baby," "Save the Last Dance for Me"), Ben E. King ("Spanish Harlem," "Stand By Me"), Chuck Willis ("Betty and Dupree," "What Am I Livin' For?," "Hang Up My Rock and Roll Shoes") and Clyde McPhatter ("Long Lonely Night," "A Lover's Question"). There's also a handful of great singles from Solomon Burke ("Just Out of Reach (Of My Two Empty Arms)"), the Bobbettes ("Mr. Lee") and LaVern Baker ("I Cried a Tear," "Saved") thrown in, along with the first fruits from Atlantic's distribution deal with Stax/Volt (Carla Thomas' "Gee Whiz"). In general, Atlantic's singles -- and R&B in general -- began to expand its boudnaries during these years, incorporating more sophisticated, lavish productions, particularly in the Drifters recordings. Despite the strings and tympanis, these songs remain soulful and arguably represent the peak of Atlantic's R&B achievements in the late '50s.

Atlantic Rhythm and Blues 1958-1962  (flac 393mb)

01 LaVern Baker - I Cried a Tear 2:35
02 Ray Charles - The Right Time 3:21
03 The Coasters - Charlie Brown 2:18
04 Ray Charles - What'd I Say, Pts. 1-2 5:06
05 The Drifters - There Goes My Baby 2:10
06 The Coasters - Along Came Jones 2:57
07 The Coasters - Poison Ivy 2:40
08 The Drifters - Dance with Me 2:22
09 Ray Charles - Just for a Thrill 3:22
10 The Drifters - This Magic Moment 2:30
11 The Drifters - Save the Last Dance for Me 2:27
12 The Coasters - Shopping for Clothes 2:57
13 Ben E. King - Spanish Harlem 2:49
14 Ben E. King - Young Boy Blues 2:18
15 Ben E. King - Stand by Me 2:50
16 Carla Thomas - Gee Whiz 2:16
17 LaVern Baker - Saved 2:34
18 Solomon Burke - Just out of Reach (Of My Two Empty Arms) 2:45
19 The Coasters - Little Egypt 2:51
20 Ben E. King - Amor 2:52
21 The Mar-Keys - Last Night 2:33
22 William Bell - You Don't Miss Your Water 2:58
23 Solomon Burke - Cry to Me 2:30
24 Ben E. King - Don't Play That Song (You Lied) 2:50
25 Booker T. & the MG's - Green Onions 2:50

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RhoDeo 1550 Goldy Rhox 240

Hello, today the 240th post of GoldyRhox, classic pop rock, in the darklight is a French composer, performer, and music producer. He is a pioneer in the electronic, ambient, and new-age genres, and known as an organiser of outdoor spectacles of his music featuring lights, laser displays, and fireworks.

Several of his albums have been released to coincide with large-scale outdoor events, and he is now perhaps as well known as a performer as well as a musician. As of 2004 he had sold an estimated 80 million albums. He was the first Western musician officially invited to perform in the People's Republic of China, and holds the world record for the largest-ever audience at an outdoor event,the biggest concert ever with 3.5 million watching at Moscow's 850th anniversary.

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Most of the albums i 'll post made many millions for the music industry and a lot of what i intend to post still gets repackaged and remastered decades later, squeezing the last drop of profit out of bands that for the most part have ceased to exist long ago, although sometimes they get lured out of the mothballs to do a big bucks gig or tour. Now i'm not as naive to post this kinda music for all to see and have deleted, these will be a black box posts, i'm sorry for those on limited bandwidth but for most of you a gamble will get you a quality rip don't like it, deleting is just 2 clicks...That said i will try to accommodate somewhat and produce some cryptic info on the artist and or album.

Today's mystery album an album of instrumental electronic music composed, produced, and performed by today's mystery French composer. It was first released in France in December 1976, on Disques Dreyfus with license to Polydor. The album's international release was in summer 1977. Our man recorded the album in his home using a variety of analog synthesizers and other electronic instruments and effects. It became a bestseller and was his first album to achieve mainstream success, selling 15 million copies. It was also highly influential in the development of electronic music and has been described as the album that "led the synthesizer revolution of the Seventies" His inspiration for today's mystery album came from a painting by the artist Michel Granger (given to him by his future wife Charlotte Rampling), which showed the Earth peeling to reveal a skull. Our man obtained the artist's permission to use the image for this album.

As the follow up album to today's first mystery album, it offers the same mesmerizing affect, with rapid spinning sequencer washes and bubbling synthesizer portions all lilting back and forth to stardust scatterings of electronic pastiches. Using more than 13 different types of synthesizers, he combines whirling soundscapes of multi-textured effects, passages, and sometimes suites to culminate interesting electronic atmospheres... So much electronic color is added to every track that it is impossible to concentrate on any particular segment, resulting in waves of synth drowning the ears at high tide. The release was followed by a concert on the Place de la Concorde, Paris on 14 July 1979. The concert attracted 1 million people, becoming his first entry in the Guinness Book of Records for the largest crowd for an outdoor concert. Here today two mid nineties MFSL Ultradisc remasters...N'Joy


Goldy Rhox 240   (flac 430mb)

Goldy Rhox 240   (ogg 191mb)


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RhoDeo 1550 Aetix

Hello, a nocturnal emission or wet dream is a spontaneous orgasm during sleep that includes ejaculation for a male, or vaginal wetness or an orgasm (or both) for a female. Nocturnal emissions are most common during adolescence and early young adult years, but they may happen any time after puberty. It is possible for men to wake up during a wet dream or simply to sleep through it, but for women, some researchers have added the requirement that she should also awaken during the orgasm and perceive that the orgasm happened before it counts as a wet dream. It's not known if this happens in space but the Brits can finally ask their first astronaut about it, bit late after many other countries had a chance to celebrate their first astronaut. Clearly they've been lacking a Francis Drake in space....

This sound art project that has released numerous records and CDs in music styles ranging from electro-acoustic, musique concrète, hybridised beats, sound collage, post-industrial music, ambient and noise music. The sound art has been part of an ongoing multimedia campaign of guerrilla sign ontology utilising video art, film, hypertext and other documents.   .  .... N'joy

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The Nocturnal Emissions project, masterminded by Nigel Ayers, has been on the cutting edge of new music since the 1970s.
Nigel Ayers has been described as a Guerrilla Sign Ontologist, cutting-up and pasting the contents of the human psyche. With a background in avant-garde art, his work has grown from audio visual installations through underground video works which changed the shape of British television.

The project was initiated in Derbyshire in the late 1970s by Nigel Ayers (b. 1957), a former art student who, in the period, lived in London. Together with collaborators Danny Ayers (b. 1964) and Caroline K (1957–2008). From early in their work, the group concentrated on the axiom of music being a form of social control, and highlighted concepts such as information overload, cult conditioning, brainwashing and subliminal advertising, in a critique of information society. Their music drew heavily on worldwide folk traditions as well as that of the European avant-garde. One of their earliest performances was in a railway arch in Atlantic Road, Brixton, while the 1981 Brixton riots raged outside.

In the early eighties Nocturnal Emissions hit London with a barrage of seminal funk; pioneering the use of sound samplers, multi-cultural collage and electronic noise. They became a shape shifting chameleon lightening the darkness of post-industrial music, combining extremist performance art and video displays with apocalyptic beat music. Since 1984 Nocturnal Emissions has continued mainly as Nigel Ayers' solo project. Line-up has varied from one to a dozen musicians. Nocturnal Emissions temporary members have included net artist Stanza, Ben Ponton of Zoviet France and life coach Fiona Harrold.

Nocturnal Emissions ran their own record label, Sterile Records and later worked closely with the editors of the art music label Touch, later with both the Netherlands- based Staalplaat and USA- based Soleilmoon recording labels. All three labels came to the fore as part of 1980s cassette culture.

In 1990–92 Nocturnal Emissions collaborated on Butoh dance performances in Europe & the USA, with the Japanese choreographer Poppo Shiraishi. Around this time Nocturnal Emissions' Situationist-influenced practice became increasingly informed by magick, stone circles, techno–shamanism, neo-paganism, animism and Fortean research. There were many collaborations on animated films by Mancunian TV director Charlotte Bill. Bill was never an official member of Nocturnal Emissions, but admits to being one of the legion of members of The Fall (band) .

However, at the height of their success, the Emissions decided to shun the crass commercialism that had developed around them, and to develop their work as a secret alchemy. Nigel Ayers has continued to work with a strong underground of cult support, avoiding music industry fashions, and following his own creative path he concentrated on creating a strong sense of a wilderness identity through sound.

Between 1980 and 2006, Nigel Ayers has worked as a performing sound artist with performances in USA, Canada, England, Scotland, Czech Republic, Germany, France, Belgium, Netherlands, Austria, Denmark.

Nocturnal Emissions were later to be associated with the Kernow section of the Association of Autonomous Astronauts
and to feature in a best-selling story by the novelist Stewart Home.

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A rhythmic urge, reminiscent of the loudest of discos, weaves throughout the proceedings as the typical barrage of sound crunches through on top. NE have taken their inaccessible best and thrown it into the melting pot with a set of pumping rhythms. The result is the frustrated son of mutant disco. That overused term has given birth to an even more mutated slant on the black American beat.

Mood music for the intelligently subversive, a chorus of tingling memories thrashing against that driving, never ending beat. But this is not sell out! No mere commercial alternative, just the opposite. NE use the accepted areas of the dance idiom and reshape the rules by introducing just about everything that, in theory, shouldn’t be there. If they’re dancing in hell, which I’m sure they are, it must be to music like this.

Nocturnal Emissions - Viral Shedding  (flac 306mb)

01 Delgado Monkey Torture / Too Many Wounded / Body Count / No Magic / No Seperation 20:30
02 Going Under (88-808) 3:25
03 No Seperation (No F.A.) 3:18
04 Suffery Stinks / Wee Wee Wee 8:55
05 Suffering Still Stinks 6:54
06 Theme Music 3:01
07 Bloodbath (In Frankfurt) 2:47

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This Nocturnal Emission album is divided into two tracks for the CD which correspond to the two sides of the original record. earlier  all of the tracks were separate and had names. This makes it difficult to search through and find specific tracks.
It works in an odd way, however, because like many early 1980s industrial bands Emissions had two styles, one percussive and aggressive, the other electronic and disturbing.
Track one starts with the blending of synth sounds with screams and lots of scraping/pounding of metal, sometimes the sounds are indistinguishable from one another. It evolves into the band's favorite device... the tape loop and sounds from other sources cut together. All of this makes you feel that you've either entered the mind of a madman, or it can really annoy you.

Track two is the sort of nightmare disco sound that eventually evolved into techno and is really the best stuff on the record. I can do without the final track on the album, slow and dreary, but the rest is pretty good. Back when this record first came out-early 1980s, it was a welcome attempt at doing an industrial theme record like SPK had done. Emissions was very much into animal rights so the theme was stopping animal torture.

Nocturnal Emissions -  Drowning In A Sea Of Bliss (flac 282mb)

01 Drowning In A Sea Of Bliss 22:48
02 Anthems Of The Meat Generation 19:02

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This was a "cusp" record for Nocturnal Emissions, marking the end of a period of more "conventional" songwriting and instrument use. Love and Revolution was the most explicitly "message"-oriented and political. This is a tough record to peg, so maybe trying is besides the point. Nigel Ayers is a pretty smart egg -- check out his Network News for some real quasi-Fortean fun -- so what comes off the disc seems at first glance incredibly doctrinaire and stodgy. "Cops, lawyers and journalists [hey...!] are lying dead all around. There's no one left to judge us. Their iron facade has rusted!" he sings on Power of Love (Bring Power to its Knees), and you get the impression that he's pitching the whole thing so that the people who will take it straight will take it straight and the people who will consider it a tongue-in-cheek piss-take will take it as exactly that. Which is either massively clever or an incredibly pathetic dodge -- I'm still not entirely sure about that. But one thing I do know: put aside the politics, however middle- or no-brow they may be, and what you have here is one extremely neat piece of no-budget sonic rabblerousing. The equipment used on the record is incredibly primitive -- the ramshackle sound makes it all the more lovable, actually -- but everything's used with care and intelligence, and each piece is made to matter. Ayers has said something to the effect that a toy instrument shoved through a massive PA can get better results than a $2,000 synth any day. I guess it all depends on who's doing the shoving, right?

Nocturnal Emissions - Songs Of Love And Revolution (flac 344mb)

01 Power Of Love 5:01
02 Song In My Heart 3:28
03 We Are Everywhere 3:14
04 Sugar Can't Satisfy 2:33
05 No Sacrifice (In Love And Revolution) 6:57
06 Hit And Run 4:34
07 Never Give Up 4:57
08 Revolution Baby 7:21
09 I Want You To Feel 32
10 No Sacrifice / Kween Save Thy Bog 5:39
11 Uprising 8:13
12 Don't Believe It's Over 4:47

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The World Is My Womb comes from the beginning of their "NEotantic" style, pursued on later releases Spiritflesh (1988) and Invocation of the Beast Gods (1989). Nigel Ayers and his longtime partner Caroline K were then making quasi-ceremonial music, after their founding noise and band-oriented albums.  In music and spoken word pieces Sealing A Phase, Vegetation Narration, and Blended Senses Nigel Ayers (rather seriously and dryly) spelled out his new age philosophy - part gnostic holistics, part tantric imagery - while staying traditional when borrowing religious Church Of England signifiers (organ sounds and liturgical chants) on tracks like Clear Bells and the prayer-sampling Lighten Our Darkness. Mixing the old with the new is also the feel of Jangled Senses where a simple piano melody recalls an old time hymn, while ringing bells signal something more revealing.

Nocturnal Emissions - The World Is My Womb  (flac  178mb)

01 Tripod Of Immortality 2:32
02 Sealing A Phase 4:52
03 Clear Bells 2:56
04 Lighten Our Darkness 3:38
05 Jangled Senses 3:40
06 Vegetation Flesh 3:20
07 Vegetation Narration 5:34
08 Shankini Nadi 3:53
09 Bird Position 2:27
10 Blended Senses 4:12

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RhoDeo 1550 Re-Ups 42

Hello, with 17 re-ups today most of the current requests have been fullfilled, however there's still thousands of postings that could be re-upped, all it takes is a simple civilized request at the page where its originally posted. That said ive seen a number of requests for musik i posted earlier this year 2015, these are on the long list simply because most visitors here have already had these choices recently, my priority lies with older posts (i've been posting for 9 years now)

S

torage maybe dirt cheap these days -compared to 5 years ago, but the hosts are much more money orientated and look at turnover and notice that keeping data longer than 1 month isn't making them money. Thus the coming months i'm making an effort to re-up, it will satisfy a small number of people which means its likely the update will  expire relativly quickly again as its interest that keeps it live. Nevertheless here's your chance ... asks for re-up in the comments section prefarbly at the page where the expired link resides....requests are satisfied on a first come first go basis. As my back up ogg hard disk is nonresponsive currently, i most likely will post a flac instead~for the the pre medio 2011 posts~ but i would think that is not really a problem...updates will be posted here and yes sign a name to your request and please do it from the page where the link died!

Looka here another batch of 17 re-ups, requests fullfilled upto 12th December...N' Joy


7x Ali Farka Toure Back In Flac (Red, Green, The River) NOW In Flac (with Ry Cooder - Talking Timbuktu, with Toumani Diabaté - In the Heart of the Moon, Niafunke, The Souce)


7x Double Beats NOW In Flac (Fischerspooner - #1 , ADULT. - Anxiety Always, Vector Lovers - Vector Lovers, Sex In Dallas - Around The War, The Prodigy - Music For The Jilted Generation, The Crystal Method - Vegas, The Youngsters - Lemonorange)


3x Harold Budd Back In Flac (Harold Budd, Ruben Garcia, Daniel Lentz - Music for Three Pianos, Harold Budd With Zeitgeist - She Is A Phantom, Harold Budd and Hector Zazou - Glyph)



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RhoDeo 1550 Quest 20

Hello, French politics may have congratulated itself with their unholy alliance to keep Marine le Pen and her niece Marion out of regional office today, but all it will do is upping the pressure of those French that think the established parties are cowards that betray the state. The FN are at 46 % in northern and southern France it's more than likely that the stresses will rise and i predict that Marine Le Pen will be France's first female president May 2017 (obviously she has to survive the dark intrigues spun in Paris and Brussels, after all plenty of scapegoats available).

Elven Quest... A series that will be running into the new year, 24 episodes of Elvenquest. It's is a sitcom about a misanthropic writer of fantasy novels who finds himself whisked away into a parallel universe by an elf, a dwarf and a warrior princess, where he must undertake to find the Sword of Asnagar in order to save Lower Earth from the evil Lord Darkness before he can get home. Today the start episode 20.. N'Joy

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Plot

During the Third Age of Elven Princes of Lower Earth, a band of noble warriors – Vidar the Elf Lord (Boyd), Penthiselea the Warrior Princess (Winkleman) and Dean the Dwarf (Eldon) – plan to save Lower Earth from the evil rule of Lord Darkness by searching for the Sword of Asnagar, "for whoso'er wields the sword shall rule all of Lower Earth."[2] However, they first have to discover "The Chosen One" who will lead them to the Sword, whose name is "Amis". Amis is a dog belonging to Sam Porter, a misanthropic fantasy novelist in the real world.

Vidar, Penthiselea and Dean travel via a portal to take Amis, who is with Sam at a book signing in Totnes High Street, to Lower Earth. When they take Amis, Sam follows them and both Sam and Amis arrive in Lower Earth. When they arrive in Lower Earth, Amis is transformed into a human (played by Lamb), retaining many of his canine traits, such as becoming excited when there is a knock at the door, and being totally devoted to Sam. Sam believes he has been kidnapped by deranged fans until he sees the world outside the room in which he awakes. He asks to be sent back home, but is told that the portal is closed and can only be opened by the same Sword of Asnagar that Amis must seek.

Sam decides to travel with Amis, Vidar, Penthiselea and Dean to find the Sword. Meanwhile, Lord Darkness (Alistair McGowan) is planning to stop them from finding the Sword, helped by his evil but dimwitted assistant Kreech (also played by Eldon). Sam proves invaluable in using his modern instincts to trick his way past various creatures barring their way. For instance, he bluffs a three-headed troll guardian of Darkness' fortress in the same way as he would a security guard at a nightclub, distracting it long enough for Dean the dwarf to attack. He also tends to expect secret tunnels and concealed doors because that's the sort of thing he would have written into one of his plots. He is often right.

Characters

Sam Porter (Stephen Mangan). An author of fantasy novels with a jaded attitude, especially towards his more fanatical fans. As the series opens his career and personal life are not going well.

Amis, the Chosen One (Dave Lamb). Originally Sam's pet dog and best friend in the world, he transforms into a human in Lower Earth but retains canine traits and behaviours.

Vidar the Elf Lord, (Darren Boyd), last of a mighty family of Elf Lords, and the leader of the Questers, despite being somewhat dim. His name may be inspired by Víðarr, a god in Norse mythology associated with vengeance.

Penthiselea the Warrior Princess (Sophie Winkleman Series 1-3) (Ingrid Oliver Series 4) in silver breastplate armour and thigh-high boots, who has been promised to Vidar since childhood. Sam is very interested in her, but having been raised as a Warrior Princess she has no concept of relationships with men. Her name may be inspired by Penthesilea, a legendary Amazon warrior-queen.

Dean the Dwarf (Kevin Eldon), a mighty if diminutive warrior with unsavoury personal habits.

Lord Darkness (Alistair McGowan), Lord of Evil, whose efforts to dominate Lower Earth are frustrated by the Questers and his own staff of extremely dimwitted minions.

Kreech (Kevin Eldon), the Right Hand of Darkness, and only slightly less dimwitted than the other minions.

Other characters played by Chris Pavlo.


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Elven Quest 20 The Magnificent Five (mp3  25mb)

20 The Magnificent Five 28:15


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previously

Elven Quest Season 1 (01-06) (mp3  152mb)
Elven Quest Season 2 (07-12) (mp3  152mb)
Elven Quest Season 3 (13-18) (mp3  152mb)

Elven Quest 19 Queen Eleanor (mp3  25mb)

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Sundaze 1550

Hello, there's a climate deal, politicians have agreed that the earth will warm 1,5 C..no more ! Let's hope the earth will obey this decree, i doubt very much humans will. In stead of funding alternative energy sources they agreed to fill the coffers of corrupt presidents as if they have the administrative resources to really know what they are doing co2 wise. Good thing that the rumor in astronomical circles that the sun might be cooling down the coming decades, has not bubbled up in the mainstreet press, before you know it all that coal might come in handy......


In 1998, Youth (Martin Glover) decided to set up, LSD - Liquid Sound Design as Dragonfly's sister label, specialising in chilled out soundscapes, sonic beats and mellow grooves. LSD was as natural progression for Dragonfly keen to create an outlet for more experimental and down-tempo music as well as satisfying the demand for the post club chill out sounds. Since 2007 the name has changed to "Liquid Sound" and is now managed by Pathaan. Today 3 outfits from Youth's LSD stable.... N'joy

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Martin Glover, also known as Youth or Orion, (born 27 December 1960 in Farnworth, Lancashire) is a record producer and a founder member and bassist of Killing Joke.

Glover originally named himself Pig Youth after the reggae chanter Big Youth, who was popular with late 1970s London punk bands. At age 15 he was in a punk band named The Rage, which toured with The Adverts. Later he joined 4" Be 2" - a band formed by John Lydon's brother Jimmy Lydon - and recorded the "One of the Lads" single with them.

Glover is most famous for being the bass player in Killing Joke. He left the band in 1982, together with Ben Watkins he released 2 albums, The Empty Quarter and Delerium, soon after he founded his own commercially orientated dub funk band Brilliant, which recorded one album in 1986 before later disbanding.

In 1989, Youth and Alex Paterson started the WAU! Mr. Modo label. Their early releases of a selection of industrial techno dubs and heavy sound system dubs from artists such as Napthali, Manasseh, Bim Sherman and Jah Warrior are long deleted and fetch high sums in private sales.

Youth's connections with dub continued in the mid-1990s when he was asked by Adrian Sherwood to remix some of Bim Sherman's tracks for a reworking of the Miracle album. He also recently appeared on a Ted Parsons/NIC dub album, contributing a remix which opens with a sample from Glen Brown's "Version '78", a track originally released on the South East label.

In the early nineties, Glover formed techno and house music duo Blue Pearl together with American singer Durga McBroom. They scored a handful of hit singles including their blue vinyl debut "Naked In The Rain", which reached #4 in the UK Singles Chart and was also a #5 dance hit in the U.S. in 1990.

Glover is credited with founding the first psychedelic trance record label, Dragonfly Records, as well as the Liquid Sound Design and Kamaflage Records labels. He is well known on the psychedelic trance scene, collaborating with Simon Posford and Saul Davies as Celtic Cross, with Greg Hunter and Simon Posford as Dub Trees, and on the project Zodiac Youth. He has performed both full-on trance as well as chill-out DJ sets at several Return to the Source parties, and released the Ambient Meditations 3 mix album on their label in 2000. His Butterfly Studios were also home of the Return to the Source offices circa 1999-2002.

Glover is a member of the band Transmission, together with Simon Tong of The Verve, Paul Ferguson of Killing Joke and Tim Bran of Dreadzone. He also played guitar on several tracks on the 2007 Client album "Heartland."

In mid-2010, Glover teamed up with Alex Paterson (The Orb) to compile a retrospective compilation album of tracks from the WAU! Mr Modo label. The album titled "Impossible Oddities" was released on CD and double vinyl on 25 October 2010 via Year Zero records.

On 27 October 2012, during the International Festival of Music Producers and Sound Designers SOUNDEDIT, Glover was awarded The Man with the Golden Ear Award

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Russ Davies (born London, England) is a British electronic musician, producer, and songwriter best known for his solo projects Abakus and Cinnamon Chasers. Currently based in London, he is the son of The Kinks founder Dave Davies, with whom he released the electronic prog-rock album Two Worlds in 2011. Prior to that, in the early 2000s Davies produced and wrote as one half of the musical group Nada, incorporating psychedelic and dance music. He has also collaborated on numerous releases with producer Youth.

Since 2002 Davies has released numerous albums as Abakus, including That Much Closer to the Sun (2004) and Tokyo Express EP (2014). As Cinnamon Chasers he's released LPs including A Million Miles From Home (2009) and Science (2011), and he tours regularly for both his solo projects, with gigs including major EDM festivals such as Exit Festival 2011, the Lights All Night Festival in Dallas, Counterpoint Festival,[ In 2013 he composed the soundtrack for a sci-fi action film directed by Samen Kesh, which was included in Deadline Hollywood's "Top Shorts of 2013," and subsequently released as an EP.

Russell T. Davies was born and brought up in North London, England. His father is Dave Davies of British rock and roll band the Kinks. While growing up in the 1980s, Russ would frequently play with the classic synths and drum machines in his father's home studio. As a teenager in London, he stated "the most exciting thing you could do [in the 1990s] was to go to the underground electronic parties around the city. That was the freshest culture going on with the strongest energy."

In the summer of 1998 Davies collaborated with his father on the ambient new age album Purusha and the Spiritual Planet. A mostly instrumental album with vocals on only one track, it had liner notes telling "a story about an 13-year-old boy who collects ancient artifacts and comes across a strange pendant." According to a mixed review in Allmusic, "Each track is like a chapter of the story providing a musical interpretation, sort of what Michael Nesmith did with The Garden and The Prison. The duo released it in October 1998 on Meta Media Records under the project name Crystal Radio.

In the early 2000s, Davies released several collaborative singles with his friend Humphrey Bacchus, the label manager at Dragonfly Records in England. The project was dubbed Nada and incorporates psychedelic and dance music. Nada was largely released on Liquid Sound Design, the ambient imprint of Dragonfly Records. As Nada he and Bacchus both wrote and produced tracks such as "Earthgarden" and "Manakhana," which were included on the 2003 Liquid Sound Design compilation Butterfly Dawn, among others.

In 2002 Davies wrote and produced the electronic track "Return To Rama" under the alias Abacus, which was included on the Liquid Sound Design (LSD) compilation Elucidations. In October 2003, his track "California Sunshine" by Abakus was released on the LSD compilation Youth in Dub. The track includes acoustic guitar and vocals by Ranajit Sengupta. His track "Last Summer Dub" as Abakus was released on the 2004 Wider Horizons compilation on LSD.

As Abakus, Davies released his studio album That Much Closer to the Sun on Liquid Sound Design in 2004. Beyond the UK release, there was a special Japanese edition with a different catalogue and bonus track. Songs on the album were licensed to over 40 different compilations. Trance.net called That Much Closer to the Sun "the best album released so far on Liquid Sound Design." The album received an average rating of 4.57/5 (out of 5) on Discogs

In 2004 he toured in support of That Much Closer to the Sun under the DJ name Abakus, with gigs both in the United Kingdom and internationally in countries such as Australia, where he played the Rainbow Serpent Festival in early January 2005. He began touring as a deejay in locations as diverse as parties in Russia and electronic festivals in Japan, also playing in South America and throughout Europe and Asia.

We Share the Same Dreams, his second album as Abakus, was released in November 2008 on his own label Modus Records.[24] Electronic music magazine Resident Advisor gave it 4/5 stars and a generally positive review, categorising it as downtempo progressive house. The review stated, praised the album's "nostalgic" nods and references to the UK's house and garage renaissance of the 1980s and 1990s, but stated "We Share the Same Dreams has one foot planted in all the right influences from the previous decade, but the other hasn't quite stepped on solid modern ground.

In 2008 Davies started releasing music as Cinnamon Chasers, a London-based solo project with an "alternative electro/indietronica" sound, according to Mezzic. While still creating music as Abakus, he started touring as Cinnamon Chasers as well. After founding Cinnamon Chasers, Davies continued to release music as Abakus, starting with the full-length album Unreleased & Remixed in 2009. That year he also released The Jaguar EP, followed in 2010 by the full-length Abakus album Prisms on Modus. His sophomore Cinnamon Chasers LP Science was released in January 2011, on Modus. In late 2011 he started writing the Cinnamon Chasers album Dreams & Machines, which he worked on for around six months.

As Abakus, in May 2012 he released Futurism Part 1 on Modus, following by Emx1 – EP that October. He released the full album Silent Geometry the following year, and his most recent Abakus album is the April 2014 Tokyo Express EP On 16 September 2013, he released Controller (Original Motion Picture Soundtrack) on Modus Recordings. Davies stated in 2005 that he works in a variety of styles and can't define his genre as a whole, and that he is more focused on the "vibe" of his music than its defining style.[1] He primarily works with electronic instruments, turntables, and DAWs, though he does periodically write acoustic music.

Concerning Davies' multiple ongoing solo projects, he has stated that "I can put my mind and heart into different musical personas. I find if I stay on one concept for too long I stagnate, creatively." About their differences in sound, Davies clarified that "Abakus is more spirit sounding music and I try for it to have no boundries or genre. No surprise then he released 6 archive albums in 6 different styles earlier this year; Organic Jams, Electronic Jams, Futurisms Deux, Darker Moods, Night Beats and The Gamer.  Busy, busy...

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This album has something of a carefree atmosphere of the summer, from childhood spent...[in an] idyllic climate of your own universe to which no adult has access. The stillness and beauty that's gone into the production and movement in the tracks is uncommonly good, and the shimmering, lazy mastering adds to the dreamy, three-beers-at-lunch-now-I've-got-sunstroke haziness...the changes and the attention to detail are gorgeous.

Abakus - That Much Closer To The Sun (flac 329mb)

1 Igmatik 5:48
2 Shared Light 2:27
3 Nightwalker 5:10
4 Circles 6:39
5 Magenta 3:57
6 A Whole New Way Of Looking At The Day 3:32
7 Indu 5:22
8 California Sunshine 6:11
9 Lux Boutique (voc Ranajit Sengupta) 2:29
10 Drum Druid - Last Summer Dub (Abakus Remix) 4:42
11 That Much Closer... 4:59
Bonus Track
12 Opaque 6:52

Abakus - That Much Closer To The Sun  (ogg   140mb)

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Released in England on his own Modus Records label, We Share the Same Dreams has a surfeit of catchy parts, possibly a genetic inheritance from dad Dave Davies and uncle Ray Davies, founders of The Kinks.  Young Davies embeds sharp, shiny hooks into listeners' heads from the opening track, "Sliding Sh," which marries a dribbling bass synth to a starry little melody. It's nothing earth-shattering, but in a world of tunes that fail to deliver, all the goods arrive intact. Right on its heels comes highlight "Daybreak," a soulful, grayed-out Manchester-style song that could be a lost New Order cut sans Bernard Sumner. We Share the Same Dreams has one foot planted in all the right influences from the previous decade, but the other hasn't quite stepped on solid modern ground. It sounds like a transitional record.

Abakus - We Share The Same Dreams (flac 409mb)

01 We Share The Same Dreams 0:57
02 Sliding Sh 8:42
03 Daybreak 6:11
04 Angel Dust 3:56
05 Understated 5:38
06 Culture Is Not Your Friend 4:13
07 Excession 5:12
08 Deun Deu 4:49
09 The Only Life We've Known 6:00
10 Lost In The Woods 4:12
11 Crystal Vision 4:33
12 Opal Fountain 4:44
13 How Does It Feel To Be Real ? 3:52

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Subsonar is the solo project of legendary underground producer Tim Bran. A founding member of Dreadzone, Tim has been credited as the man who first introduced filtered synths into dance music in the early 90's, and more recently has just completed the new Orb album collaborating alongside Alex Paterson and Youth. The Subsonar album carves a new furrow in the dub soundscapes of contemporary electronica...weaving fearless melodies and thunderous basslines with taut elastic rhythms that slap you round the face and command your attention. Cinematic, epic and yet still intimate and emotionally raw, it's a statement of electronic poetry. An innovator and instigator, keyboard wizard and acclaimed songwriter / producer, Tim has combined his many diverse talents and made an uncompromised and unique electronic masterpiece.

Subsonar - Cool Accident  (flac  301mb)

01 Gayatri (Voc Aki Omori) 6:53
02 Stand Strong 4:35
03 El Toro 4:15
04 Indian Summer 6:03
05 Cool Accident 4:28
06 Voice From The Wilderness 6:20
07 Ultrasound 3:27
08 Easy Game To Play (Voc Aki Omori) 6:07
09 Transmissions 4:12
10 The Eternities 4:36
11 The Day Without A Yesterday (Voc Aki Omori) 5:08

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