Hello, continuing Around The World from a female perspective todays artist is very multi culti herself, and translates all that into her music, she sings in French, Spanish, Arabic and English and certainly rises above a pretty face qualification. Well hereis here debut album. Enjoy !
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Natacha Atlas - Diaspora ( 95 * 457mb)
The daughter of an English mother and a Jewish Egyptian-Palestinian father, Atlas grew up in a Moroccan suburb of Brussels and was heavily influenced by the Arabic culture. In addition to learning to speak French, Spanish, and Arabic, Atlas was trained in the traditional techniques of raq sharki (belly dancing). Moving to England as a teen, Atlas quickly attracted attention as the first Arabic rock singer in Northampton. Dividing her time between England and Brussels, Atlas sang in Arabic and Turkish clubs and appeared briefly with a Belgian salsa band, Mandanga. In the early 1990s, Atlas became involved with England's alternative rock scene, appearing on Jah Wobble's album Rising Above Bedlam, which included five songs she had co-written. Accepting an invitation to join Transglobal Underground as lead singer and belly dancer, Atlas was featured on the band's albums Dream of 100 Nations and International Times. Atlas continued to work with Wobble, as well, co-writing and singing on three tunes from his album Take Me to God in 1994.
Atlas' debut solo album, Diaspora, released in 1995, featured accompaniment by Tunisian singer/songwriter Walid Rouissi and Egyptian composer and oud player Essam Rashad. Atlas spreads her gorgeous, serpentine voice over each song like the spell of a snake charmer, and the results are mesmerizing. Despite the foreign tongue, the songs are dripping with passion whether they are concerned with love and seduction, spirituality, ancient history, or the blood feud between Arabs and Jews, and never is the music less than accessible, albeit an accessibility that the listener has to work to acquire because it is so grounded in the Middle East.
Halim followed in 1997 and Gedida in 1999. Atlas worked with soundtrack composer David Arnold on the score of the Kurt Russell film Stargate. In 2000 she released a collection of remixes of her life's work thus far. Ayeshteni appeared the following spring. Something Dangerous appeared in 2003 with a slicker and more pop-oriented sound. The career-spanning Best of Natacha Atlas was released in 2005 and a year later the sentimental Mish Maoul appeared as an homage to the music she heard while being raised in Morocco.
01 - Iskanderia (5:14)
02 - Leysh Nat'Arak (6:07)
03 - Diaspora (6:47)
04 - Yalla Chant (5:53)
05 - Alhambra Pt.1 (1:21)
06 - Duden (6:41)
07 - Feres (7:38)
08 - Fun Does Not Exist (5:56)
09 - Dub Yalil (7:56)
10 - Iskanderia (Atlas Zamalek) (5:15)
11 - Diaspora (Ballon Theatre Mix) (7:02)
***** ***** ***** ***** *****
All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !
***** ***** ***** ***** *****
Natacha Atlas - Diaspora ( 95 * 457mb)
The daughter of an English mother and a Jewish Egyptian-Palestinian father, Atlas grew up in a Moroccan suburb of Brussels and was heavily influenced by the Arabic culture. In addition to learning to speak French, Spanish, and Arabic, Atlas was trained in the traditional techniques of raq sharki (belly dancing). Moving to England as a teen, Atlas quickly attracted attention as the first Arabic rock singer in Northampton. Dividing her time between England and Brussels, Atlas sang in Arabic and Turkish clubs and appeared briefly with a Belgian salsa band, Mandanga. In the early 1990s, Atlas became involved with England's alternative rock scene, appearing on Jah Wobble's album Rising Above Bedlam, which included five songs she had co-written. Accepting an invitation to join Transglobal Underground as lead singer and belly dancer, Atlas was featured on the band's albums Dream of 100 Nations and International Times. Atlas continued to work with Wobble, as well, co-writing and singing on three tunes from his album Take Me to God in 1994.
Atlas' debut solo album, Diaspora, released in 1995, featured accompaniment by Tunisian singer/songwriter Walid Rouissi and Egyptian composer and oud player Essam Rashad. Atlas spreads her gorgeous, serpentine voice over each song like the spell of a snake charmer, and the results are mesmerizing. Despite the foreign tongue, the songs are dripping with passion whether they are concerned with love and seduction, spirituality, ancient history, or the blood feud between Arabs and Jews, and never is the music less than accessible, albeit an accessibility that the listener has to work to acquire because it is so grounded in the Middle East.
Halim followed in 1997 and Gedida in 1999. Atlas worked with soundtrack composer David Arnold on the score of the Kurt Russell film Stargate. In 2000 she released a collection of remixes of her life's work thus far. Ayeshteni appeared the following spring. Something Dangerous appeared in 2003 with a slicker and more pop-oriented sound. The career-spanning Best of Natacha Atlas was released in 2005 and a year later the sentimental Mish Maoul appeared as an homage to the music she heard while being raised in Morocco.
01 - Iskanderia (5:14)
02 - Leysh Nat'Arak (6:07)
03 - Diaspora (6:47)
04 - Yalla Chant (5:53)
05 - Alhambra Pt.1 (1:21)
06 - Duden (6:41)
07 - Feres (7:38)
08 - Fun Does Not Exist (5:56)
09 - Dub Yalil (7:56)
10 - Iskanderia (Atlas Zamalek) (5:15)
11 - Diaspora (Ballon Theatre Mix) (7:02)
***** ***** ***** ***** *****
All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !
1 comment:
Hi, a reup of Diaspora would be much appreciated.
Merci
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