Hello, well the year's just started and Germany got to know the true nature of unbound muslim fugitives a 1000 ! of them went out to assault women on new years eve. Yes true cowards, let's see how many the German police gets hold off hopefully they understand that this kind of gathering in 3 cities can only have been organised thru social media, this will have left plenty of traces. This is what you get when muslim sons are entitled beyond belief compared to their sisters, suddenly they feel short changed in the west, on top of that gays are known to be momma's boys, hardly a surprise than that being gay is strongly repressed within islam.
Today's artist released under the various project names of Foetus, Wiseblood, Steroid Maximus, Baby Zizanie, Manorexia and others—it includes elements of 20th century classical music, noise, big band, Americana, jazz, punk rock, African and Cuban percussion, and epic/horror film soundtracks. Much of his aural output is built on a percussive, rock music-type structure, though to call it rock music would be inaccurate. His music employs elements of many genres: with an often frenzied aesthetic, his music combines percussion, strings, distortion, brass, electric guitars, electronic sounds and voice. Recurring lyrical themes include destruction, persecution, anxiety, abuse, incest, masochism, angst, self-destruction, self-abuse, lust, prejudice, murder, failure and machismo, often expressed using American colloquialism and black humour. N'Joy
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James George Thirlwell (born 29 January 1960) – also known as Clint Ruin, Frank Want, Foetus among other names – is an Australian singer, composer, and record producer. He is known for juxtaposing a variety of different musical styles.
Thirlwell was born in Melbourne, Australia. He briefly studied Fine Art at Melbourne State College before moving to London, England in 1978, where he played with the post-punk band prag VEC and formed the first of his numerous musical projects, Foetus. In the 1980s, under the pseudonyms Clint Ruin and Frank Want, he contributed to various releases by Nurse With Wound, Marc Almond, The The and Nick Cave. He released his first 7" single, OKFM/Spite Your Face, in 1981, on his own Self-Immolation record label in his first incarnation as Foetus. Over the next few years, he would release two more singles, a 12" EP, and four full-length albums, Deaf, Ache, Hole and Nail Some Bizzare Records . After visiting the United States during a live stint with the Immaculate Consumptive (Lydia Lunch, Nick Cave and Marc Almond) Thirlwell settled in New York City, where he is still based. Since his move he has released several singles, fourteen EPs (including Stinkfist, with fellow New York artist Lydia Lunch and Thurston Moore), and seventeen full-length albums.
In addition to being a prolific artist in his own right, Thirlwell has remixed and produced numerous pieces for artists including Faith No More, Nine Inch Nails, Pantera, Jon Spencer Blues Explosion, The The, Zola Jesus and Swans. He has also done voice-over work for MTV and other entities.
Since 2000 Thirlwell has become more active as a composer, having written commissions for Bang on a Can, League of Electronic Musical Urban Robots and Kronos Quartet, and scoring the Adult Swim cartoon The Venture Bros. He also revived his primary instrumental project, Steroid Maximus, and initiated a more experimental instrumental project in Manorexia. He continues to write and perform regularly as a solo artist and with various ensembles. He is also a member of the freq_out sound art collective, and has created solo sound installations in Kaliningrad, Santarcangelo and Vienna.
Throughout the span of his career, Thirlwell has toyed with his own identity by releasing music in the guise of numerous alter egos. During the earliest phases of his recording, Thirlwell's "groups" were composed of a plethora of fictional characters: Foetus Under Glass supposedly consisted of Frank Want, Phillip Toss and two Brazilian statistics collectors; Scraping Foetus off the Wheel was claimed to be the work of Want and Clint Ruin. Furthering the confusion, Thirlwell adopted these personas outside of his own recordings; for example, Frank Want can be found on The The's Soul Mining and on releases by Orange Juice, with whom he appeared on Top of the Pops.
Thirlwell's persona of Clint Ruin was particularly notable. During the mid-1980s and early-1990s Thirlwell exclusively went by this pseudonym, even conducting interviews as Ruin. As Ruin, Thirlwell was a member of Wiseblood with Roli Mosimann and Flesh Volcano with Marc Almond. He also recorded two collaborative EPs with Lydia Lunch, and starred in and scored films of Richard Kern under the Ruin alias. Ruin is also credited on numerous releases for a variety of roles with Boss Hog, Coil, Fur Bible, Annie Hogan, Nurse With Wound, Pigface, Sonic Youth, Workdogs and others.
This practice seems to have been discontinued since 1995, and "JG Thirlwell" is credited on all subsequent musical recordings.
Thirlwell's projects.
Foetus: From 1981's single 'OKFM' until 2013's 'Soak', most Foetus songs featured lead vocals. Though popularly known as simply "Foetus", Thirlwell released albums under diverse variations of the name, including: Foetus Art Terrorism; Foetus Über Frisco; Foetus Corruptus; Foetus In Excelsis Corruptus Deluxe; Foetus Inc.; Foetus Interruptus; Foetus Over Frisco; Foetus Under Glass; Philip and His Foetus Vibrations; Scraping Foetus Off the Wheel; The Foetus All-Nude Revue; The Foetus of Excellence; The Foetus Symphony Orchestra; and You've Got Foetus On Your Breath.
Steroid Maximus: Primary instrumental project.
Manorexia: Experimental instrumental project.
Wiseblood: Collaboration with Roli Mosimann.
Flesh Volcano: Collaboration with Marc Almond.
Baby Zizanie: Collaboration with Jim Coleman.
Hydroze Plus: Collaboration with Electronicat.
Garage Monsters: Collaboration with skater artist the P!zz. (Sympathy for the Record Industry)
The Immaculate Consumptive: Touring ensemble with Lydia Lunch, Nick Cave, and Marc Almond
The Venture Bros.: Musical score by Thirlwell.
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Recording under the moniker You've Got Foetus on Your Breath, Jim Thirwell, aka Foetus, released his first album, Deaf, in 1981. Thirwell's eccentric trademark sound -- a confrontational sonic tapestry based on harshly recorded instruments, noises, samples, and voices -- is firmly established on Deaf. The songs are twisted heaps of sound that sometimes resemble Frank Zappa outtakes being pummeled to death by Einstürzende Neubauten -- and Thirwell's scatological, antisocial lyrics only add to the bizarreness. If you've got the stomach for it, Deaf can be rewarding -- but it's also a great way to clear the room at a party.
You've Got Foetus On Your Breath - Deaf (flac 354mb)
01 New York Or Bust! 2:00
02 Is That A Line 7:09
03 Why Can't It Happen To Me 3:14
04 I Am Surrounded By Incompetence 4:52
05 What Have You Been Doing ? 5:32
06 Today I Started Slogging Again 5:48
07 Harold McMillan 3:35
08 Thank Heaven For Push Button Phones 4:26
09 Flashback 3:37
10 Negative Energy 15:55
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Although some may dismiss Jim Thirwell, aka Foetus, as a confrontational, rabble-rousing noisemaker (which he is), his eccentric and wide-ranging talent is usually overlooked; the trouble is, most listeners simply don't have the patience to find Thirwell's genius amongst the deranged sound sculptures that are his songs. Ache, Thirwell's second album (recorded under the You've Got Foetus on Your Breath pseudonym), sounds like it was recorded in the same time and place of its predecessor, Deaf, and bears exactly the same top-heavy, abrasive production stamp of that album. Seemingly a musical omnivore, Thirwell devours everything -- from swing to Krautrock -- and spits it back out in a scrap heap of sonic chaos, twisted beyond recognition. His oblique yet subversive lyrical themes don't make Ache any more palatable for the faint of heart. This is the sound of unfiltered imagination, absolutely unencumbered by notions of commerce or accessibility. Brilliant
You've Got Foetus On Your Breath - Ache (flac 267mb)
01 Dying With My Boots On 2:16
02 J.Q. Murder 4:21
03 Gums Bleed 4:21
04 Mark Of The Ostracizor 5:59
05 Exit The Man With Nine Lives 3:34
06 Get Out Of My House 5:05
07 Wholesome Town 4:24
08 Whole Wheat Rolls 0:59
09 Kid Hate Kid 5:24
10 Instead... I Became Anenome 4:37
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Belying the fact that J.G. Thirlwell was long pigeonholed as an industrial artist, Hole veers from downtown blues to surf-raunch to paranoid industrial dance and back with few pauses. Listeners expecting to catch their breath at some point may be a bit startled, since Hole never lets up and resists easy classification. Highlights include "Clothes Hoist" and "I'll Meet You in Poland Baby."
Scraping Foetus Off The Wheel - Hole (flac 306mb)
01 Clothes Hoist 3:26
02 Lust For Death 3:37
03 I'll Meet You In Poland Baby 4:50
04 Hot Horse 3:31
05 Sick Man 5:21
06 Street Of Shame 3:28
07 Satan Place 3:22
08 White Knuckles 4:30
09 Water Torture 3:42
10 Cold Day In Hell 7:00
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Today's artist released under the various project names of Foetus, Wiseblood, Steroid Maximus, Baby Zizanie, Manorexia and others—it includes elements of 20th century classical music, noise, big band, Americana, jazz, punk rock, African and Cuban percussion, and epic/horror film soundtracks. Much of his aural output is built on a percussive, rock music-type structure, though to call it rock music would be inaccurate. His music employs elements of many genres: with an often frenzied aesthetic, his music combines percussion, strings, distortion, brass, electric guitars, electronic sounds and voice. Recurring lyrical themes include destruction, persecution, anxiety, abuse, incest, masochism, angst, self-destruction, self-abuse, lust, prejudice, murder, failure and machismo, often expressed using American colloquialism and black humour. N'Joy
xxxxx xxxxx xxxxx xxxxx xxxxx
James George Thirlwell (born 29 January 1960) – also known as Clint Ruin, Frank Want, Foetus among other names – is an Australian singer, composer, and record producer. He is known for juxtaposing a variety of different musical styles.
Thirlwell was born in Melbourne, Australia. He briefly studied Fine Art at Melbourne State College before moving to London, England in 1978, where he played with the post-punk band prag VEC and formed the first of his numerous musical projects, Foetus. In the 1980s, under the pseudonyms Clint Ruin and Frank Want, he contributed to various releases by Nurse With Wound, Marc Almond, The The and Nick Cave. He released his first 7" single, OKFM/Spite Your Face, in 1981, on his own Self-Immolation record label in his first incarnation as Foetus. Over the next few years, he would release two more singles, a 12" EP, and four full-length albums, Deaf, Ache, Hole and Nail Some Bizzare Records . After visiting the United States during a live stint with the Immaculate Consumptive (Lydia Lunch, Nick Cave and Marc Almond) Thirlwell settled in New York City, where he is still based. Since his move he has released several singles, fourteen EPs (including Stinkfist, with fellow New York artist Lydia Lunch and Thurston Moore), and seventeen full-length albums.
In addition to being a prolific artist in his own right, Thirlwell has remixed and produced numerous pieces for artists including Faith No More, Nine Inch Nails, Pantera, Jon Spencer Blues Explosion, The The, Zola Jesus and Swans. He has also done voice-over work for MTV and other entities.
Since 2000 Thirlwell has become more active as a composer, having written commissions for Bang on a Can, League of Electronic Musical Urban Robots and Kronos Quartet, and scoring the Adult Swim cartoon The Venture Bros. He also revived his primary instrumental project, Steroid Maximus, and initiated a more experimental instrumental project in Manorexia. He continues to write and perform regularly as a solo artist and with various ensembles. He is also a member of the freq_out sound art collective, and has created solo sound installations in Kaliningrad, Santarcangelo and Vienna.
Throughout the span of his career, Thirlwell has toyed with his own identity by releasing music in the guise of numerous alter egos. During the earliest phases of his recording, Thirlwell's "groups" were composed of a plethora of fictional characters: Foetus Under Glass supposedly consisted of Frank Want, Phillip Toss and two Brazilian statistics collectors; Scraping Foetus off the Wheel was claimed to be the work of Want and Clint Ruin. Furthering the confusion, Thirlwell adopted these personas outside of his own recordings; for example, Frank Want can be found on The The's Soul Mining and on releases by Orange Juice, with whom he appeared on Top of the Pops.
Thirlwell's persona of Clint Ruin was particularly notable. During the mid-1980s and early-1990s Thirlwell exclusively went by this pseudonym, even conducting interviews as Ruin. As Ruin, Thirlwell was a member of Wiseblood with Roli Mosimann and Flesh Volcano with Marc Almond. He also recorded two collaborative EPs with Lydia Lunch, and starred in and scored films of Richard Kern under the Ruin alias. Ruin is also credited on numerous releases for a variety of roles with Boss Hog, Coil, Fur Bible, Annie Hogan, Nurse With Wound, Pigface, Sonic Youth, Workdogs and others.
This practice seems to have been discontinued since 1995, and "JG Thirlwell" is credited on all subsequent musical recordings.
Thirlwell's projects.
Foetus: From 1981's single 'OKFM' until 2013's 'Soak', most Foetus songs featured lead vocals. Though popularly known as simply "Foetus", Thirlwell released albums under diverse variations of the name, including: Foetus Art Terrorism; Foetus Über Frisco; Foetus Corruptus; Foetus In Excelsis Corruptus Deluxe; Foetus Inc.; Foetus Interruptus; Foetus Over Frisco; Foetus Under Glass; Philip and His Foetus Vibrations; Scraping Foetus Off the Wheel; The Foetus All-Nude Revue; The Foetus of Excellence; The Foetus Symphony Orchestra; and You've Got Foetus On Your Breath.
Steroid Maximus: Primary instrumental project.
Manorexia: Experimental instrumental project.
Wiseblood: Collaboration with Roli Mosimann.
Flesh Volcano: Collaboration with Marc Almond.
Baby Zizanie: Collaboration with Jim Coleman.
Hydroze Plus: Collaboration with Electronicat.
Garage Monsters: Collaboration with skater artist the P!zz. (Sympathy for the Record Industry)
The Immaculate Consumptive: Touring ensemble with Lydia Lunch, Nick Cave, and Marc Almond
The Venture Bros.: Musical score by Thirlwell.
xxxxx xxxxx xxxxx xxxxx xxxxx
Recording under the moniker You've Got Foetus on Your Breath, Jim Thirwell, aka Foetus, released his first album, Deaf, in 1981. Thirwell's eccentric trademark sound -- a confrontational sonic tapestry based on harshly recorded instruments, noises, samples, and voices -- is firmly established on Deaf. The songs are twisted heaps of sound that sometimes resemble Frank Zappa outtakes being pummeled to death by Einstürzende Neubauten -- and Thirwell's scatological, antisocial lyrics only add to the bizarreness. If you've got the stomach for it, Deaf can be rewarding -- but it's also a great way to clear the room at a party.
You've Got Foetus On Your Breath - Deaf (flac 354mb)
01 New York Or Bust! 2:00
02 Is That A Line 7:09
03 Why Can't It Happen To Me 3:14
04 I Am Surrounded By Incompetence 4:52
05 What Have You Been Doing ? 5:32
06 Today I Started Slogging Again 5:48
07 Harold McMillan 3:35
08 Thank Heaven For Push Button Phones 4:26
09 Flashback 3:37
10 Negative Energy 15:55
xxxxx xxxxx xxxxx xxxxx xxxxx
Although some may dismiss Jim Thirwell, aka Foetus, as a confrontational, rabble-rousing noisemaker (which he is), his eccentric and wide-ranging talent is usually overlooked; the trouble is, most listeners simply don't have the patience to find Thirwell's genius amongst the deranged sound sculptures that are his songs. Ache, Thirwell's second album (recorded under the You've Got Foetus on Your Breath pseudonym), sounds like it was recorded in the same time and place of its predecessor, Deaf, and bears exactly the same top-heavy, abrasive production stamp of that album. Seemingly a musical omnivore, Thirwell devours everything -- from swing to Krautrock -- and spits it back out in a scrap heap of sonic chaos, twisted beyond recognition. His oblique yet subversive lyrical themes don't make Ache any more palatable for the faint of heart. This is the sound of unfiltered imagination, absolutely unencumbered by notions of commerce or accessibility. Brilliant
You've Got Foetus On Your Breath - Ache (flac 267mb)
01 Dying With My Boots On 2:16
02 J.Q. Murder 4:21
03 Gums Bleed 4:21
04 Mark Of The Ostracizor 5:59
05 Exit The Man With Nine Lives 3:34
06 Get Out Of My House 5:05
07 Wholesome Town 4:24
08 Whole Wheat Rolls 0:59
09 Kid Hate Kid 5:24
10 Instead... I Became Anenome 4:37
xxxxx xxxxx xxxxx xxxxx xxxxx
Belying the fact that J.G. Thirlwell was long pigeonholed as an industrial artist, Hole veers from downtown blues to surf-raunch to paranoid industrial dance and back with few pauses. Listeners expecting to catch their breath at some point may be a bit startled, since Hole never lets up and resists easy classification. Highlights include "Clothes Hoist" and "I'll Meet You in Poland Baby."
Scraping Foetus Off The Wheel - Hole (flac 306mb)
01 Clothes Hoist 3:26
02 Lust For Death 3:37
03 I'll Meet You In Poland Baby 4:50
04 Hot Horse 3:31
05 Sick Man 5:21
06 Street Of Shame 3:28
07 Satan Place 3:22
08 White Knuckles 4:30
09 Water Torture 3:42
10 Cold Day In Hell 7:00
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2 comments:
Great post! I was lucky enough to see the Immaculate Consumptives play the 9:30 Club in Washington DC.
It would be most excellent if you could find it in your heart to re-upload your Foetus stuff - I'm especially interested in the FLAC versions of ACHE, DEAF, RIFE, THAW and the WISEBLOOD albums.
Thanks in advance - fingers crossed!
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