The Jackson 5 are an American popular music family group from Gary, Indiana. Formed in 1964 under the name the Jackson Brothers, the founding members were Jackie, Tito and Jermaine. Marlon and Michael would later join, and the band's name would be changed to The Jackson 5. After participating in talent shows and the chitlin' circuit, they entered the professional music scene in 1967 as The Jackson Five, signing with Steeltown Records and releasing two singles. In 1969, they left Steeltown Records in order to sign with Motown. They were among the first groups of black American performers to attain a crossover following. ... N'joy
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The Jackson 5 were one of the biggest phenomenons in pop music during the early '70s, and the last great group to come out of the Motown hitmaking machine before Marvin Gaye and Stevie Wonder shifted the label's focus to more individual visions. The Jackson 5's infectious brand of funky pop-soul was a definite departure from the typically smooth, elegant Motown sound, as befitting the group's youth and the dawn of a new decade. That youth, coupled with the merchandising juggernaut that sprang up behind them, inevitably got them tagged a bubblegum group. But they were far more talented musically than that label would suggest, especially lead singer Michael, and their material, while sunny and upbeat, didn't pander to its audience. Solo careers and overexposure gradually weakened The Jackson 5, but their best music still holds up surprisingly well as some of the most vibrant mainstream pop/R&B of its era.
Originally, The Jackson 5 were composed of brothers Jackie (born Sigmund Jackson, May 4, 1951), Tito (guitar, born Toriano Jackson, October 15, 1953), Jermaine (bass, lead vocals, born December 11, 1954), Marlon (born March 12, 1957), and Michael (lead vocals, born August 29, 1958). By all accounts, the Jackson family's upbringing in Gary, IN, was strict; their mother Katherine was a devout Jehovah's Witness, and their father Joe was a stern, temperamental disciplinarian. Allowed few outside interests, the boys gravitated to music, which was in their blood -- prior to his job as a crane operator for a steel company, Joe had played guitar in an R&B group called the Falcons (not the same group that launched Wilson Pickett's career). One night, Joe discovered that Jackie, Tito, and Jermaine had been playing his treasured old guitar without permission; though initially furious, he quickly discovered that his sons had genuine talent, and began to conceive of a family singing group that might eventually get them out of their tough working-class life in Gary. The eldest three sons began performing around the area together in 1962, teamed with two cousins (Johnny Jackson and Ronnie Rancifer), who were replaced by Marlon and five-year-old Michael. Supervised by Joe, who became their manager and began working only part-time, the group practiced and rehearsed often, and improved as dancers, singers, and instrumentalists at a rapid rate. In particular, Michael proved himself a dynamic performer, soon replacing Jermaine as the featured lead vocalist, and establishing himself as a nimble dancer able to mimic talents like James Brown. At first, the group was known as Ripples & Waves Plus Michael, then the Jackson Brothers, and finally The Jackson 5.
In 1966, The Jackson 5 won an important local talent competition with a Michael-led rendition of the Temptations' "My Girl." Their father, who had been chauffeuring them to out-of-state performances, also booked their first paid professional gigs that year. In 1967, the group won an amateur talent competition at Harlem's legendary Apollo Theater, where they earned an influential fan in Gladys Knight (probably the first person to recommend the group to Motown). At the end of the year, The Jackson 5 made their first studio recordings for the small Gary-based Steeltown label, and their single "Big Boy" became something of a local hit. Championed again to Motown by Bobby Taylor, a member of the Vancouvers who'd seen the group in Chicago, and Diana Ross, The Jackson 5 finally got a chance to audition for the label in the summer of 1968. Desperately needing new blood, an impressed Berry Gordy signed the group and flew them out to his new headquarters in Los Angeles, where he and his assistants groomed them to be the label's next breakout stars. Having lost his famed Holland-Dozier-Holland songwriting team, Gordy formed a new partnership with Freddie Perren, Fonce Mizell, and Deke Richards dubbed the Corporation, which set about crafting material for the group.
In August 1969, shortly before Michael turned 11, The Jackson 5 opened for Diana Ross at the L.A. Forum, and in December, they issued their debut album, Diana Ross Presents the Jackson 5. On October 7, 1969, The Jackson 5 released their first single, "I Want You Back," a Corporation composition that had originally been intended for Gladys Knight. It was an instant smash, hitting number one on both the pop and R&B charts. So did their next two singles, "ABC" and "The Love You Save" (both from their second album, ABC), which solidified the group's so-called bubblegum-soul sound and certified them as pop sensations. Third Album was released before year's end, spawning the hit ballad "I'll Be There," which not only proved that the group (and lead singer Michael) were more mature and versatile than their bright, bouncy initial singles let on, but also made them the first group in pop history to have their first four singles hit number one. It also became the best-selling single in Motown history, spending a stellar five weeks at number one. And it had still been less than a year since the group's national debut.
A virtual Jackson 5 cottage industry sprang up in the wake of their success, producing everything from dolls to a cartoon show on -- what else? -- the ABC network (during the summer of 1971). Younger and younger listeners were brought into the fold, adding to an already broad appeal that transcended color lines, and the record label that once billed itself as "the Sound of Young America" could once again lay legitimate claim to the title. Meanwhile, following their four straight number ones, The Jackson 5 opened 1971 with a pair of number two hits, "Mama's Pearl" and the ballad "Never Can Say Goodbye"; "Maybe Tomorrow" was their first single not to make the pop Top Ten, though it still reached the R&B Top Five. That year, Motown executives began grooming Michael and Jermaine for solo careers that would run concurrently with The Jackson 5. Michael was the first to debut on his own (toward the end of 1971), and was an instant success; his first two singles, "Got to Be There" and "Rockin' Robin," both made the Top Five, and later in 1972 he scored his first pop number one with "Ben." Jermaine debuted at the end of 1972, and his first single, "Daddy's Home," reached the Top Ten, though the follow-ups didn't sustain the momentum as well as Michael.
In the meantime, the fantastically hyped Jackson 5 craze was beginning to cool down. Their prolific LP release schedule slowed a bit, and while their singles continued to perform reliably well on the R&B charts, they were no longer a sure-fire bet for the pop Top Ten. After a relatively lengthy drought, The Jackson 5 scored what would be their last major smash for Motown, the 1974 number two hit "Dancing Machine," a nod to the emerging sound of disco (it also topped the R&B charts). The group's frustrations with Motown had been building -- not only did the label seem less interested in their career, but they still refused to allow the Jacksons to write or choose their own material, or play their own instruments on their records. Finally, in early 1976, they left Motown to sign with Epic. When the legal battles finally ended, Motown won a breach-of-contract settlement and retained rights to the Jackson 5 name, forcing the group to become the Jacksons. They also lost Jermaine, whose marriage to Berry Gordy's daughter Hazel made it extremely impractical for him to join his brothers. He was replaced by younger brother Randy (born Steven Randall Jackson, October 29, 1961), who had been appearing (unofficially) with the group as a percussionist for some time.
In 1997, The Jackson 5 were inducted into the Rock & Roll Hall of Fame.
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Although they were still getting hits, there were some problems creeping into the Jackson 5's Motown albums. The main one was that the company was no longer in the forefront of black music production, and their '60s-style efforts were sounding dated. Only Michael Jackson's individual brilliance and the group's polished performances salvaged much of this material, and they soon openly expressed their disapproval.
Jackson 5 - Get It Together (flac 293mb)
01 Get It Together 2:47
02 Don't Say Good Bye Again 3:26
03 Reflections 2:58
04 Hum Along And Dance 8:33
05 Mama I Got A Brand New Thing (Don't Say No) 7:14
06 It's Too Late To Change The Time 4:00
07 You Need Love Like I Do (Don't You) 3:51
08 Dancing Machine 3:22
Jackson 5 - Get It Together (ogg 109mb)
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For a brief time, it seemed as if the magic was back between Motown and the Jackson 5. The title track was their best up-tempo hit since "ABC," and put them back on top of the R&B charts for the first time in three years. It just missed topping the pop charts as well, peaking at number two. They even got a second chart hit from the album, and it restored their position within the pop and R&B communities.
Jackson 5 - Dancing Machine (flac 204mb)
01 I Am Love 7:29
02 Whatever You Got, I Want 2:58
03 She's A Rhythm Child 2:39
04 Dancing Machine 2:43
05 The Life Of The Party 2:35
06 What You Don't Know 4:25
07 If I Don't Love You This Way 3:28
08 It All Begins And Ends With Love 3:07
09 The Mirrors Of My Mind 3:08
Jackson 5 - Dancing Machine (ogg 75mb)
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The Jackson 5 closed out their celebrated Motown tenure with Moving Violation, a slight if intermittently engaging LP buoyed, as always, by the brothers' remarkable vocals. A slickly commercial overture to the growing disco audience, the record is a patchwork of borrowed sounds and styles, from the Philly soul-inspired title cut to the percolating nightclub groover "Body Language" to the futuristic climax "Time Explosion." It's telling that the siblings sound most galvanized on an over-the-top cover of the Supremes' "Forever Came Today," the album's lone nod to Motown's rich legacy. Also noteworthy is the gossamer ballad "All I Do Is Think of You," which anticipates the quiet storm sensibility of the decade to follow. It's also a showcase for the gorgeous sibling harmonies that would begin to fracture with Jermaine Jackson's subsequent exit from the Jackson 5 ranks.
Jackson 5 - Moving Violation (flac 294mb)
01 Forever Came Today 6:23
02 Moving Violation 3:37
03 (You Were Made) Especially For Me 3:28
04 Honey Love 4:39
05 Body Language (Do The Love Dance) 4:08
06 All I Do Is Think Of You 3:10
07 Breezy 3:37
08 Call Of The Wild 2:33
09 Time Explosion 4:12
Jackson 5 - Moving Violation (ogg 106mb)
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