Hello, after a week of 9/11 outrageous lies presented by the corporate media and the subservient BBC i'm glad that's out of the way. When i saw what happened that day i immediately understood that the WTC buildings were demolished, those airplanes were for the show, hi rises like the WTC have to withstand enormous windforces they just don't collapse like that (almost free fall ). What happened afterwards was the government going after anyone who dared to challenge the fairytale of the bad cavemen attacking king Bush and his subjects. The Americans have never been the brightest or bravest of nations but they were cowed pretty easily.
In the weeks and months that followed more proof came to the fore that this had been an inside job, with clear motivations behind it. 1 To kick start the American century (global dominance), 2 to force thru the Patriot Act which had already been written prior to the attack, even going as far as to intimidate the congress with the anthrax posting (anthrax that turned out to have come from a military biolab). 3 start some wars and line the deep pockets of the military industrial complex 4 To obscure a 2 trillion dollar hole in the Pentagon budget ( announced by Rumsfeld the night before) BTW the Pentagon attack hit those who had done the accounting (precision strike !) 5 To get rid of the asbestos infested WTC hi rises (much much to expensive to renovate). 6 Have a laugh on the expense of all those little people (remember those responsible are psychopaths, sociopaths at best)
I thought in line with this sad day the Dead Can Dance would be abt, (btw the dead do but without music it's more like syncing together) DCD's big sound has been remastered by Perry and available here in lossless flac and ogg
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Dead Can Dance (sometimes referred to as DCD) were an ambient, world music band which formed in Melbourne, Australia, in August 1981. Its mainstays were Lisa Gerrard and Brendan Perry. The band relocated to London in May 1982 and disbanded in 1998, but reunited temporarily for a world tour in 2005. Their 1996 album Spiritchaser reached No. 1 on the Billboard Top World Music Albums Chart. Australian music historian Ian McFarlane described Dead Can Dance as having an ambient style of world music that "constructed soundscapes of mesmerising grandeur and solemn beauty... with African polyrhythms, Gaelic folk, Gregorian chants, Middle Eastern mantras and art-rock".
Dead Can Dance formed in Melbourne, Australia, in August 1981 with Paul Erikson on bass guitar, Lisa Gerrard (ex-Microfilm) on vocals, Simon Monroe (Marching Girls) on drums and Brendan Perry on vocals and guitar. Gerrard and Perry were also a domestic couple and they left Erikson and Monroe in Australia when they moved to London in May 1982, where they signed with alternative rock label 4AD Records. With the duo, the initial United Kingdom line-up were James Pinker, Scott Rodger and Peter Ulrich. The group's debut album, Dead Can Dance, which appeared in February 1984, was produced by the band. The artwork, which depicts a ritual mask from New Guinea, "provide[s] a visual reinterpretation of the meaning of the name Dead Can Dance". The album "featured drum-driven, ambient guitar music with chanting, singing and howling".They followed with a four-track extended play, Garden of the Arcane Delights in August.which saw them plunging into a wider range of music and style, in fact it set them on their musical style.
For their second album, Spleen and Ideal, the group comprised the core duo of Gerrard and Perry with cello, trombones and tympani added in by session musicians. It appeared in November 1985 and was co-produced by the duo with John A. Rivers Raggett describes it as "a consciously medieval European sound ... like it was recorded in an immense cathedral". The group built a following in Europe, and this album reached No. 2 on the UK indie charts. By 1989, Gerrard and Perry had separated domestically – Gerrard returned to Australia and Perry moved to Ireland – but they still wrote, recorded and performed together as Dead Can Dance.
For the next two years, Dead Can Dance were relatively quiet, releasing only two new songs in 1986, both which appeared on the 4AD compilation Lonely Is an Eyesore. Within the Realm of a Dying Sun, the group's third album, appeared in 1986. In 1988, the band released their fourth album, The Serpent's Egg, and wrote the score for the Agustin Villarongas film El Nino de la Luna, which also featured Lisa Gerrard in her acting debut. Aion, Dead Can Dance's fifth album, was released in 1990. Also in 1990, the group toured America for the first time, earning rave reviews. The following year, the group was involved in various festivals and theatrical productions. In 1991, the compilation A Passage in Time was released on Rykodisc, making it the first American release of Dead Can Dance music. Early in 1993, the group provided the score to Baraka and contributed songs to Zazou's Sahara Blue.
Their sixth studio album, Into the Labyrinth, was issued in September 1993 and dispensed with guest musicians entirely; it sold 500,000 copies worldwide and appeared on the Billboard 200. It was a cult success throughout the U.S. and Europe, making them 4AD's highest selling act.They followed with a world tour in 1994 and recorded a live performance in California which was released as Toward the Within, with video versions on Laserdisc and VHS (later on DVD). Many unofficial bootlegs of concerts spanning their career exist, containing several rare songs that were only performed live. Toward the Within is the duo's only official live album. Gerrard released her debut solo recording, The Mirror Pool, and recombined with Perry for the Dead Can Dance studio album, Spiritchaser, in 1996.The album also charted on Billboard 200 and reached No. 1 on the Top World Music Albums Chart.
In 1998, Dead Can Dance planned a follow-up to Spiritchaser, but the band separated before it was realised. One song from the recording sessions, "The Lotus Eaters", was eventually released on the box set Dead Can Dance (1981-1998) and on the 2-disc compilation Wake (2003). Gerrard teamed with Pieter Bourke (Snog, Soma) to issue Duality in April 1998. Perry released Eye of the Hunter in October 1999. DCD reunited in 2005 and released limited-edition recordings of 13 shows from its European tour, and 8 recordings from the subsequent North American tour, as well as a compilation titled Selections from Europe 2005. These concerts were recorded and released on The Show record label.
On 28 March 2010, in an interview for Bulgaria’s Katehizis.com online music magazine, Perry revealed the possibility of a future Dead Can Dance reunion: "Yes, I’ve been talking about it with Lisa [Gerrard]. Maybe in the end of next year we’ll start work again. We’ve been talking about doing something like taking a small chamber orchestra – 10 or 15 people – and tour with them. And we have to write songs. We have to write new material – totally new – so the whole, entire set will be a new album. Then we’ll go into the studio after the tour, record, produce and release a record as well.
xxxxx xxxxx xxxxx xxxxx xxxxx in the slightest
Perry and Gerrard continued to experiment and improve with The Serpent's Egg, Right from the first track, "The Host of Seraphim." epic images are called up , its use in films some years later no surprise. Gerrard takes flight with a seemingly wordless invocation of power and worship -- her vocal control and multi-octave range, especially towards the end, has to be heard to be believed. "Ullyses," the album's closing track, makes for a fine ending as much as "The Host of Seraphim" did an opening, Perry's delivery almost like a reading from a holy book, the arrangement of strings and percussion rhythmic, addictive and lovely. In remastered lossless flac
Dead Can Dance - The Serpent's Egg (flac 219mb)
01 The Host Of Seraphim 6:18
02 Orbis De Ignis 1:35
03 Severance 3:22
04 The Writing On My Father's Hand 3:50
05 In The Kingdom Of The Blind The One-Eyed Are Kings 4:11
06 Chant Of The Paladin 3:48
07 Song Of Sophia 1:24
08 Echolalia 1:17
09 Mother Tongue 5:16
10 Ullyses 5:09
xxxxx xxxxx xxxxx xxxxx xxxxx
Spiritchaser, Dead Can Dance's final album sees Perry and Gerrard's personal and creative tensions just below the surface, it didn't stop them from creating another fine album though.Spiritchaser is a summing up rather than a push forward; it features all the usual elements.. Toward the Within contributors Ronan O'Snodaigh and Lance Hogan, as well as previous collaborator Peter Ulrich, appear on some tracks here, laden with lots of percussion -- Both Perry and Gerrard are in fine voice throughout, their strong singing still the centerpiece of their work, but there's almost an air of predictability to their approaches at this point Spiritchaser ends on a strong note, the gentle, mysterious "Devorzhum," a Gerrard-sung number that makes for a grand conclusion. It turned out the group had finally reached a logical end. In remastered lossless flac or bitesize ogg 9
Dead Can Dance - Spiritchaser (flac 325mb)
01 Nierika 5:45
02 Song Of The Stars 10:13
03 Indus 9:23
04 Song Of The Dispossessed 4:55
05 Dedicacé Outò 1:14
06 The Snake And The Moon 6:11
07 Song Of The Nile 8:00
08 Devorzhum 6:15
xxxxx xxxxx xxxxx xxxxx xxxxx
In the weeks and months that followed more proof came to the fore that this had been an inside job, with clear motivations behind it. 1 To kick start the American century (global dominance), 2 to force thru the Patriot Act which had already been written prior to the attack, even going as far as to intimidate the congress with the anthrax posting (anthrax that turned out to have come from a military biolab). 3 start some wars and line the deep pockets of the military industrial complex 4 To obscure a 2 trillion dollar hole in the Pentagon budget ( announced by Rumsfeld the night before) BTW the Pentagon attack hit those who had done the accounting (precision strike !) 5 To get rid of the asbestos infested WTC hi rises (much much to expensive to renovate). 6 Have a laugh on the expense of all those little people (remember those responsible are psychopaths, sociopaths at best)
I thought in line with this sad day the Dead Can Dance would be abt, (btw the dead do but without music it's more like syncing together) DCD's big sound has been remastered by Perry and available here in lossless flac and ogg
xxxxx xxxxx xxxxx xxxxx xxxxx
Dead Can Dance (sometimes referred to as DCD) were an ambient, world music band which formed in Melbourne, Australia, in August 1981. Its mainstays were Lisa Gerrard and Brendan Perry. The band relocated to London in May 1982 and disbanded in 1998, but reunited temporarily for a world tour in 2005. Their 1996 album Spiritchaser reached No. 1 on the Billboard Top World Music Albums Chart. Australian music historian Ian McFarlane described Dead Can Dance as having an ambient style of world music that "constructed soundscapes of mesmerising grandeur and solemn beauty... with African polyrhythms, Gaelic folk, Gregorian chants, Middle Eastern mantras and art-rock".
Dead Can Dance formed in Melbourne, Australia, in August 1981 with Paul Erikson on bass guitar, Lisa Gerrard (ex-Microfilm) on vocals, Simon Monroe (Marching Girls) on drums and Brendan Perry on vocals and guitar. Gerrard and Perry were also a domestic couple and they left Erikson and Monroe in Australia when they moved to London in May 1982, where they signed with alternative rock label 4AD Records. With the duo, the initial United Kingdom line-up were James Pinker, Scott Rodger and Peter Ulrich. The group's debut album, Dead Can Dance, which appeared in February 1984, was produced by the band. The artwork, which depicts a ritual mask from New Guinea, "provide[s] a visual reinterpretation of the meaning of the name Dead Can Dance". The album "featured drum-driven, ambient guitar music with chanting, singing and howling".They followed with a four-track extended play, Garden of the Arcane Delights in August.which saw them plunging into a wider range of music and style, in fact it set them on their musical style.
For their second album, Spleen and Ideal, the group comprised the core duo of Gerrard and Perry with cello, trombones and tympani added in by session musicians. It appeared in November 1985 and was co-produced by the duo with John A. Rivers Raggett describes it as "a consciously medieval European sound ... like it was recorded in an immense cathedral". The group built a following in Europe, and this album reached No. 2 on the UK indie charts. By 1989, Gerrard and Perry had separated domestically – Gerrard returned to Australia and Perry moved to Ireland – but they still wrote, recorded and performed together as Dead Can Dance.
For the next two years, Dead Can Dance were relatively quiet, releasing only two new songs in 1986, both which appeared on the 4AD compilation Lonely Is an Eyesore. Within the Realm of a Dying Sun, the group's third album, appeared in 1986. In 1988, the band released their fourth album, The Serpent's Egg, and wrote the score for the Agustin Villarongas film El Nino de la Luna, which also featured Lisa Gerrard in her acting debut. Aion, Dead Can Dance's fifth album, was released in 1990. Also in 1990, the group toured America for the first time, earning rave reviews. The following year, the group was involved in various festivals and theatrical productions. In 1991, the compilation A Passage in Time was released on Rykodisc, making it the first American release of Dead Can Dance music. Early in 1993, the group provided the score to Baraka and contributed songs to Zazou's Sahara Blue.
Their sixth studio album, Into the Labyrinth, was issued in September 1993 and dispensed with guest musicians entirely; it sold 500,000 copies worldwide and appeared on the Billboard 200. It was a cult success throughout the U.S. and Europe, making them 4AD's highest selling act.They followed with a world tour in 1994 and recorded a live performance in California which was released as Toward the Within, with video versions on Laserdisc and VHS (later on DVD). Many unofficial bootlegs of concerts spanning their career exist, containing several rare songs that were only performed live. Toward the Within is the duo's only official live album. Gerrard released her debut solo recording, The Mirror Pool, and recombined with Perry for the Dead Can Dance studio album, Spiritchaser, in 1996.The album also charted on Billboard 200 and reached No. 1 on the Top World Music Albums Chart.
In 1998, Dead Can Dance planned a follow-up to Spiritchaser, but the band separated before it was realised. One song from the recording sessions, "The Lotus Eaters", was eventually released on the box set Dead Can Dance (1981-1998) and on the 2-disc compilation Wake (2003). Gerrard teamed with Pieter Bourke (Snog, Soma) to issue Duality in April 1998. Perry released Eye of the Hunter in October 1999. DCD reunited in 2005 and released limited-edition recordings of 13 shows from its European tour, and 8 recordings from the subsequent North American tour, as well as a compilation titled Selections from Europe 2005. These concerts were recorded and released on The Show record label.
On 28 March 2010, in an interview for Bulgaria’s Katehizis.com online music magazine, Perry revealed the possibility of a future Dead Can Dance reunion: "Yes, I’ve been talking about it with Lisa [Gerrard]. Maybe in the end of next year we’ll start work again. We’ve been talking about doing something like taking a small chamber orchestra – 10 or 15 people – and tour with them. And we have to write songs. We have to write new material – totally new – so the whole, entire set will be a new album. Then we’ll go into the studio after the tour, record, produce and release a record as well.
xxxxx xxxxx xxxxx xxxxx xxxxx in the slightest
Perry and Gerrard continued to experiment and improve with The Serpent's Egg, Right from the first track, "The Host of Seraphim." epic images are called up , its use in films some years later no surprise. Gerrard takes flight with a seemingly wordless invocation of power and worship -- her vocal control and multi-octave range, especially towards the end, has to be heard to be believed. "Ullyses," the album's closing track, makes for a fine ending as much as "The Host of Seraphim" did an opening, Perry's delivery almost like a reading from a holy book, the arrangement of strings and percussion rhythmic, addictive and lovely. In remastered lossless flac
Dead Can Dance - The Serpent's Egg (flac 219mb)
01 The Host Of Seraphim 6:18
02 Orbis De Ignis 1:35
03 Severance 3:22
04 The Writing On My Father's Hand 3:50
05 In The Kingdom Of The Blind The One-Eyed Are Kings 4:11
06 Chant Of The Paladin 3:48
07 Song Of Sophia 1:24
08 Echolalia 1:17
09 Mother Tongue 5:16
10 Ullyses 5:09
xxxxx xxxxx xxxxx xxxxx xxxxx
Spiritchaser, Dead Can Dance's final album sees Perry and Gerrard's personal and creative tensions just below the surface, it didn't stop them from creating another fine album though.Spiritchaser is a summing up rather than a push forward; it features all the usual elements.. Toward the Within contributors Ronan O'Snodaigh and Lance Hogan, as well as previous collaborator Peter Ulrich, appear on some tracks here, laden with lots of percussion -- Both Perry and Gerrard are in fine voice throughout, their strong singing still the centerpiece of their work, but there's almost an air of predictability to their approaches at this point Spiritchaser ends on a strong note, the gentle, mysterious "Devorzhum," a Gerrard-sung number that makes for a grand conclusion. It turned out the group had finally reached a logical end. In remastered lossless flac or bitesize ogg 9
Dead Can Dance - Spiritchaser (flac 325mb)
01 Nierika 5:45
02 Song Of The Stars 10:13
03 Indus 9:23
04 Song Of The Dispossessed 4:55
05 Dedicacé Outò 1:14
06 The Snake And The Moon 6:11
07 Song Of The Nile 8:00
08 Devorzhum 6:15
xxxxx xxxxx xxxxx xxxxx xxxxx
3 comments:
Do you have 'The Serpent's Egg' available in ogg?
THANK YOU for the .ogg
please reup The Spiritchaser cd
Thanx
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