Hello,
xxxxx xxxxx xxxxx xxxxx xxxxx
Mark Z. Danielewski (born March 5, 1966) is an American fiction author. Though his second novel, Only Revolutions (2006), was nominated for the National Book Award, Danielewski is most widely known for his debut novel House of Leaves (2000), which garnered a considerable cult following and won the New York Public Library's Young Lions Fiction Award. His latest project is The Familiar, an ambitious 27-volume serial novel whose first installment, The Familiar, Volume 1: One Rainy Day in May, was released on May 12, 2015. The Familiar, Volume 5: Redwood completed Season One when it was released on October 31, 2017.
Danielewski's work is characterized by an intricate, multi-layered typographical variation, or page layout. Sometimes known as visual writing, the typographical variation corresponds directly, at any given narratological point in time, to the physical space of the events in the fictional world as well as the physical space of the page and the reader. Early on, critics characterized his writing as being ergodic literature, but recently, Danielewski, who has commented on his disappointment with criticism's inability to properly confront his work, expressed his theoretical approach to literature:
Signiconic = sign + icon. Rather than engage those textual faculties of the mind remediating the pictorial or those visual faculties remediating language, the signiconic simultaneously engages both in order to lessen the significance of both and therefore achieve a third perception no longer dependent on sign and image for remediating a world in which the mind plays no part."
xxxxx xxxxx xxxxx xxxxx xxxxx
"The Navidson Record now stands as part of this country's cultural experience and yet, in spite of the fact that hundreds of thousands of people have seen it, the film continues to remain an enigma. Some insist it must be true, others believe it is a trick on a par with the Orson Welles radio romp The War of the Worlds. Many more have never even heard of it."
With these words Zampano preludes the excerpts from an extraordinary film, cut together by Will Navidson from cameras located within his house and those he took with him into the labyrinth that had sprung up there over the course of a few days.
According to the Navidson record, it was when the family returned to the house from a trip to Seattle that they first discovered the additional door and the space behind it. Will Navidson, celebrated adventure photographer, was intrigued, his partner Karen insisted that the door be permanently locked. But one night after a row, Navidson opened the door and went in. He found rooms beyond rooms, all windowless, all unlit, and only narrowly escaped becoming lost forever in the labyrinth. Not long afterwards the spiral staircase appeared, corkscrewing downwards to a dark infinity. So Navidson equipped his brother Tom and others for an expedition, as if they were embarking on a quest into some architectural jungle. The cameras rolled and they descended, and here's the audio.
House of Leaves is the remarkable cult novel by Mark Z Danielewsky, a labyrinth of its own kind with its multiple interwoven narratives and textual tricks. This dramatic piece re-imagines the terrifying heart of the story. The narrator in this production is Jim Norton who recently received both an Olivier award for the National Theatre production and a Tony for the hit Broadway production of Conor McPherson's The Seafarer, and is currently appearing again at the National in McPherson's new play The Veil.....
Adapted by: Mike Walker
Cast:
Zampano ..... Jim Norton
Navidson .....William Hope
Karen ..... Debora Weston
Tom Navidson ..... Martin McDougall
Jed Leeder ..... Jeff Mash
Holloway ..... Richard Ridings
Reston ..... Vinta Morgan
Daisy ..... Eleanor Blaney
Producer/Director: John Taylor
Mark Z Danielewski - Recordings Recovered from the House of Leaves ( 57min mp3 39mb).
A closet becomes a hallway and a hallway a vast labyrinth in an odd house in Virginia.
xxxxx xxxxx xxxxx xxxxx xxxxx
previously
Robert Westall - The Stones of Muncaster Cathedral ( 87min mp3 60mb)
Robert Westall - The Wheatstone Pond ( 60min mp3 39mb)
Victor Pemberton - Dark. ( 86min mp3 60mb)
Scott Cherry - The Book of Shadows ( 78min mp3 60mb)
Koji Suzuki - The Ring ( 78min mp3 60mb)
Wilkie Collins - The Haunted Hotel ( 60min mp3 38mb)
JCW Brook - Jonas ( 60min mp3 60mb)
Stephen Sheridan - The House at Worlds End ( 44min mp3 30mb)
Nigel Kneale - The Stone Tape ( 56;30 min mp3 38mb)
Gregory Evans - The Hex ( 51;12 min mp3 35mb)
Mary Shelley - Frankenstein pt 1. ( 52min mp3 67mb)
Mary Shelley - Frankenstein pt 2. ( 60min mp3 79mb)
Daphne Du Maurier - Dont Look Now. ( 57min mp3 38mb)
Bram Stoker - The Lair of the White Worm. ( 57min mp3 39mb)
Anita Sullivan - Rock of Eye. ( 44min mp3 30mb).
James Herbert - The Magic Cottage ( 83min mp3 57mb).
Willa Cather - The Affair at Grover Station ( 88min mp3 61mb).
xxxxx xxxxx xxxxx xxxxx xxxxx
xxxxx xxxxx xxxxx xxxxx xxxxx
Mark Z. Danielewski (born March 5, 1966) is an American fiction author. Though his second novel, Only Revolutions (2006), was nominated for the National Book Award, Danielewski is most widely known for his debut novel House of Leaves (2000), which garnered a considerable cult following and won the New York Public Library's Young Lions Fiction Award. His latest project is The Familiar, an ambitious 27-volume serial novel whose first installment, The Familiar, Volume 1: One Rainy Day in May, was released on May 12, 2015. The Familiar, Volume 5: Redwood completed Season One when it was released on October 31, 2017.
Danielewski's work is characterized by an intricate, multi-layered typographical variation, or page layout. Sometimes known as visual writing, the typographical variation corresponds directly, at any given narratological point in time, to the physical space of the events in the fictional world as well as the physical space of the page and the reader. Early on, critics characterized his writing as being ergodic literature, but recently, Danielewski, who has commented on his disappointment with criticism's inability to properly confront his work, expressed his theoretical approach to literature:
Signiconic = sign + icon. Rather than engage those textual faculties of the mind remediating the pictorial or those visual faculties remediating language, the signiconic simultaneously engages both in order to lessen the significance of both and therefore achieve a third perception no longer dependent on sign and image for remediating a world in which the mind plays no part."
xxxxx xxxxx xxxxx xxxxx xxxxx
"The Navidson Record now stands as part of this country's cultural experience and yet, in spite of the fact that hundreds of thousands of people have seen it, the film continues to remain an enigma. Some insist it must be true, others believe it is a trick on a par with the Orson Welles radio romp The War of the Worlds. Many more have never even heard of it."
With these words Zampano preludes the excerpts from an extraordinary film, cut together by Will Navidson from cameras located within his house and those he took with him into the labyrinth that had sprung up there over the course of a few days.
According to the Navidson record, it was when the family returned to the house from a trip to Seattle that they first discovered the additional door and the space behind it. Will Navidson, celebrated adventure photographer, was intrigued, his partner Karen insisted that the door be permanently locked. But one night after a row, Navidson opened the door and went in. He found rooms beyond rooms, all windowless, all unlit, and only narrowly escaped becoming lost forever in the labyrinth. Not long afterwards the spiral staircase appeared, corkscrewing downwards to a dark infinity. So Navidson equipped his brother Tom and others for an expedition, as if they were embarking on a quest into some architectural jungle. The cameras rolled and they descended, and here's the audio.
House of Leaves is the remarkable cult novel by Mark Z Danielewsky, a labyrinth of its own kind with its multiple interwoven narratives and textual tricks. This dramatic piece re-imagines the terrifying heart of the story. The narrator in this production is Jim Norton who recently received both an Olivier award for the National Theatre production and a Tony for the hit Broadway production of Conor McPherson's The Seafarer, and is currently appearing again at the National in McPherson's new play The Veil.....
Adapted by: Mike Walker
Cast:
Zampano ..... Jim Norton
Navidson .....William Hope
Karen ..... Debora Weston
Tom Navidson ..... Martin McDougall
Jed Leeder ..... Jeff Mash
Holloway ..... Richard Ridings
Reston ..... Vinta Morgan
Daisy ..... Eleanor Blaney
Producer/Director: John Taylor
Mark Z Danielewski - Recordings Recovered from the House of Leaves ( 57min mp3 39mb).
A closet becomes a hallway and a hallway a vast labyrinth in an odd house in Virginia.
xxxxx xxxxx xxxxx xxxxx xxxxx
previously
Robert Westall - The Stones of Muncaster Cathedral ( 87min mp3 60mb)
Robert Westall - The Wheatstone Pond ( 60min mp3 39mb)
Victor Pemberton - Dark. ( 86min mp3 60mb)
Scott Cherry - The Book of Shadows ( 78min mp3 60mb)
Koji Suzuki - The Ring ( 78min mp3 60mb)
Wilkie Collins - The Haunted Hotel ( 60min mp3 38mb)
JCW Brook - Jonas ( 60min mp3 60mb)
Stephen Sheridan - The House at Worlds End ( 44min mp3 30mb)
Nigel Kneale - The Stone Tape ( 56;30 min mp3 38mb)
Gregory Evans - The Hex ( 51;12 min mp3 35mb)
Mary Shelley - Frankenstein pt 1. ( 52min mp3 67mb)
Mary Shelley - Frankenstein pt 2. ( 60min mp3 79mb)
Daphne Du Maurier - Dont Look Now. ( 57min mp3 38mb)
Bram Stoker - The Lair of the White Worm. ( 57min mp3 39mb)
Anita Sullivan - Rock of Eye. ( 44min mp3 30mb).
James Herbert - The Magic Cottage ( 83min mp3 57mb).
Willa Cather - The Affair at Grover Station ( 88min mp3 61mb).
xxxxx xxxxx xxxxx xxxxx xxxxx
No comments:
Post a Comment