Celebrate, Eight-X 1 Eno/Byrne

Hello, well i can''y deny my music hey day lay in the eighties, and with hindsight it turned out to a very fruitfull time, so much great music produced, often with minimal financial means. It's testament to the cynical ways of the industry that now 25 years later they rerelease remastered versions that likely cost more then the original..After numerous label takeovers, the backcatalogue of most eighties artists ended up in the claws of a handfull of majors. Two of the Eight-X albums here have been rereleased that way some years ago. As consumer it seems to me, policies like that hurt current artist sales, but then we have to remember that the musicindustry has become first and formost a marketing industry, and costs for rereleases are soo much lower. An artist today should get a decent management and exploit the internet to the max. Perhaps the banks in need of cashflow/customers again, will finally provide a decent/cheap commercial transaction system, so artists can sell their own work for whatever they want. When i look at the outragous I-Apple-tunes prices there's way to much grease for the suits in it. The time for bloodletting is over and you need to squeeze the leech to get rid of it.

Enough of my ranting here's some music, lost plenty of sweat from that exorcism and home tourism with all the tv channels these days does nothing real for you. New Order kept in their name choice the flirt with pseudo fascism going, they got accused of with the name Joy Division. They managed to really pick themselves up after their singer declared saint lost control for the last time, ( could it be he felt he was in control for the first time ?). Anyway i always liked Movement and it turned out to show them a new path, which resulted in many more memorable musics, though financially ...

Brian Eno & David Byrne - My Life In The Bush Of Ghosts ( 81 ^ 149mb)

Brian Peter George St. Jean le Baptiste de la Salle Eno, sometimes simply Eno, (born May 15, 1948), is an electronic musician who started his musical career with Roxy Music. He then went on to produce a number of highly eclectic and increasingly ambient electronic and acoustic albums. He is widely cited as coining the term "ambient music"

Eno had collaborated with Byrne's group Talking Heads on Fear of Music in 1979, and My Life was recorded mostly in a break between touring for that album, and the recording of Talking Heads' Remain in Light from 1980. Rather than featuring conventional pop or rock singing, most of the vocals are sampled from other sources, such as commercial recordings of Arabic singers, radio disc jockeys, evangelist Paul Morton and an anonymous exorcist. Musicians had previously used similarly sampling techniques, but never before had it been used "to such cataclysmic effect" as on My Life. It was recorded entirely with analogue technology, before the advent of digital sequencing and MIDI. As such it became the first landmark sampling album. Drawing on funk and world music (particularly the multi-layered percussion of African music), My Life is similar to Talking Heads' music of the same era. The "found objects" credited to Eno and Byrne were common objects used mostly as percussion. In the second edition (1982), the track "Qu'ran", which features samples of Qur'anic recital, was removed at the request of The Islamic Council of Great Britain. In its place "Very, Very Hungry" The album title is taken from a novel by Nigerian author Amos Tutuola.



01 - America Is Waiting (3:36)
02 - Mea Culpa (3:35)
03 - Regiment (3:56)
04 - Help Me Somebody (4:18)
05 - The Jezebel Spirit (4:55)
06 - Qu'ran (3:45)
07 - Moonlight In Glory (4:19)
08 - The Carrier (3:30)
09 - A Secret Life (2:30)
10 - Come With Us (2:38)
11 - Mountain Of Needles (2:35)