Sundaze 2041

 Hello,  the second wave is here, interestingly the Asians (China, Japan, South Korea) seem to have eliminated corona the first time around, in Europe, Italy who suffered first and had the longest severest lockdown this time around reap the reward with by far the least corona patients, Spain not so lucky, Madrid in lockdown, in fact all Metropolitan area's in NW Europe see a big increase in patients even Germany but  they maneged the crises best the first time and thus started from a much lower base. Anyway this is a devious virus, most young people aren't effected much, but suffer from a breakdown in social life. The rest needs to keep their heads down..As hospitals start filling up, other operations get rescheduled with sometimes dire consequences for cancer patients particularly, sigh, this virus will be with us for many more months.....

Today's Artist is one of the founders of the US's electronic music scene ..... N'Joy

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 Richard Bone
(born February 3, 1952 - Atlanta, GA)

     Interest in creating music began very early in Richard's life. By his early teens he was already creating experimental sound compositions. Several years later he discovered electronic music and the album The United States of America where he first heard cutting edge electronics used in a rock format. He was greatly influenced by that LP and the solo works of Joseph Byrd, which eventually led him to start creating music using primitive synthesizers. Formal training in the arts began in the seventies when he studied drama for four years at the New York Academy of Theatrical Arts. His passion for sound design led him to create soundtracks and scores for several off-Broadway companies working in experimental theater. His atmospheric musical soundscapes were used by the New York Conservatory in several of their plays and videos.

     Richard's first official foray into the music business was with a demo that was produced by Patti Smith's legendary guitarist, Lenny Kaye. Driving forces behind the demo were Lenny and Danny Fields, both well known in the rock field. For the next few years Richard performed at locations along the East Coast while continuing with his theater studies. His first American single was the 45-rpm Pirate the Islands/Headlines Have It released with his band Bone on his own Rumble Records in 1979. The B-side Headlines went on to be covered by the Dutch band Urban Heroes as their first worldwide single. Their second LP also included another song written by Richard entitled When Worlds Collide that would have been one of four tracks featured on the double 45 called Nobody Discos on Pluto. However, that follow up was never released. His next releases were two abstract works, Life in Video City and Quiz Party, both released on very limited cassette by the Los Angeles based Eurock label.

     In 1981 he joined the legendary band Shox Lumania whose Live at the Peppermint Lounge became one of the first releases on the visionary RIOR label. Shox Lumania featured Stephanie Kaye (Lenny Kaye's wife), Anton Sanko (who went on to record Solitude Standing with Suzanne Vega) and Richard on synthesizers. They were a very theatrical band with as much emphasis on choreography and costume as music. It was the best of both worlds for Richard. The darlings of NYC, it was not uncommon to find everyone from Klaus Nomi, Souixie Souix to David Bowie & Devo in their dressing rooms.

     During that same time period Richard recorded and released a solo 7" called Digital Days/Alien Girl on his own Rumble Records that was quickly picked up by Survival Records in the UK. While with Survival Records he released two LPs - Brave Tales and Exspectacle; four EPs - The Beat is Elite, Joy of Radiation, The Real Swing, Living in Partytown; two 45s - Digital Days/Alien Girl and Joy/Do Angels Dance; and singles for the Mind & Matter, Dance Report and Art of Survival compilation. His single of Joy... reached #1 on the dance charts in Hong Kong. From 1981 to 1983 he also produced the 7" Jolene/Who's on Top? for the band Rubber Rodeo as well as contributing musically on two of their other releases. In 1983 Richard's video for his single "Alien Girl" was included on Danspak, an experimental Sony video. In 1984 he was asked to contribute to the double cassette called Film Noir - American/European Style released on Ding Dong Records. His track was entitled "Far From Yesterday (parts 1&2)" on that limited edition compilation cassette. By this time Richard was firmly placed in the British alternative charts and was even referred to as the American version of Howard Jones by the British press.

     As Survival Records continued to move in a dance oriented direction, Richard began to find his musical interests shifting away from the 80's New Wave club scene so on his own he recorded several experimental works. Emerging Melodies (Rumble Records) was the soundtrack to a video art project that aired on award-winning cable and broadcast television in America (USA Cable & Co-Directions in NYC). "Alternate Music for the Hindenberg Lounge" was included on the American Music Compilation released by the Eurock label in 1982. That same year Richard also recorded an experimental concept album called Grey Hideaway that was never released. One track from that work however, was used in 1986 on an early AIDS awareness music video also entitled "Grey Hideaway" - part of a longer video called "Chance of a Lifetime". Around the mid to late 80's Survival Records folded and Richard decided to take a break from music for a few years.

     In 1991 Richard started his own label, Quirkworks Laboratory Discs, allowing him the freedom to create music of a more experimental nature and remain in control of his musical direction. His first two releases, Quirkwork in 1993 and X Considers Y  in 1994, were somewhat similar to the synth-pop style of his Survival days and were also the last full-length recordings that featured Richard's vocal work. The release of the instrumental Ambiento in 1994 introduced a new ambient direction for Richard's music.

     Next came Vox Orbita in 1995, an upbeat ambient work full of samples, rhythms and a bit of a Laurie Anderson influence. The Grace Pro disc Media Works followed featuring six tracks of Richard's; two from Vox Orbita, two from Ambiento and two tracks that were previously unreleased - "Mi Mundo" and "The Deluxe Set". Richard also contributed tracks in 1995 on two benefit CD's - "Etherea Arriving" on the Maine Vocals compilation and "Overstated Papers" (Richard's very last vocal work) on the Anon compilation. That same year he also contributed tracks on two Alternative Press Samplers; #5 contained "X Considers Y" from X Considers Y and an alternate mix of "El Gato Negro" from Vox Orbita . Sampler #7 contained "Vox 9" from Vox Orbita and the previously unreleased "Illicit Behavior".

     By the time his next disc The Eternal Now was released in 1996, Richard had decided to pursue instrumental music exclusively. The Eternal Now , containing the two separate suites "Zone" and "The Millennium Pages", was recorded only after sunset, by candlelight. His most personal recording, the creation of The Eternal Now was the beginning of Richard's journey into the mystic. While recording The Eternal Now , he simultaneously recorded another CD, Metaphysic Mambo - an upbeat work similar in style to Ambiento and Vox Orbita , released on the Reversing Recordings label. That same year "In the Shadow of Rain", a track from Vox Orbita was used on the Russian compilation Back to the Universe and an untitled track was used on the Staalplaat compilation called The Answering Machine Solution.

     His next project was to be an EP length recording of electronically structured pieces entitled Solo Cog . Although the work was completed, it was never released. In 1997 the mini-compilation A Survey of Remembered Things was released containing five tracks of Richard's and four by electronic percussionist John Orsi. The compilation entitled em:t 1197 from t:me Recording LTD was also released in 1997 and included "Vox 2.5", an alternate mix of "Vox 2" from Vox Orbita. Also that year, Headcandy Productions released their first video entitled Sidney's Psychedelic Adventure that included "Komarov's Fire" from A Survey of Remembered Things.

     In 1998 Richard released the highly acclaimed Electropica, his homage to Bossa Nova masters Antonio Carlos Jobim, Luiz Bonfa and Joao Gilberto. The rhythmic Electropica came about from a rather mystical occurrence at a record store in 1996 causing Richard to devote a year of his life to the study of 60's bossa nova and the music of Antonio Carlos Jobim in particular. Also in 1998 Richard began working with Mike Griffin at Hypnos Recordings. He recorded the track "Via Mycropia" for the first Hypnos compilation, The Other World and his next disc, the atmospheric The Spectral Ships was released on Hypnos near the end of 1998. That same year he recorded the track "Murmurio" for the Halcyon Recordings compilation Oscillations and co-produced and contributed musically to Mary Zema's Songs of Early Paradise that was released on the Quirkworks label.

     Early in 1999 Richard released the rhythmic Coxa, his follow-up to Electropica. This work however, was more influenced by the 60's jazz masters Creed Taylor, Rudy Van Gelder, Cal Tjader and Dave Pike. Later that year he released his next atmospheric disc, Ether Dome, on the Hypnos label. The compilation Distillation, featuring tracks from earlier Quirkworks releases plus two unreleased ambient works was also released in 1999 on the Halcyon Recordings label. The Electroshock compilation Electroacoustic Music V 3 was released that year as well and included a track by Richard entitled "Elusia, I Can See!"

      Ascensionism, influenced by the Ascension Schools and the beat poets, was released August 15, 2000 concluding the trilogy that began in 1998 with Electropica. Well received by fans and radio alike, Ascensionism quickly reached and held the #1 spot on the New Age Voice Top 100 charts for two months, remaining in the Top 10 for 4 consecutive months. The November 2000 issue of New Age Voice magazine included an interview with Richard as their featured artist and Ambient Visions conducted an in depth interview with Richard that was released November 30, 2000.

      Richard's next ambient project Tales from the Incantina, inspired by ancient Toltec philosophy and travels to the Mayan/Toltec ruins in Mexico was released April 3, 2001. This recording made its debut at #6 on the New Age Voice Top 100 for April 2001 airplay and remained in the Top 10 for two months. Tales from the Incantina marks the first release for INDIUM, an ambient division of Quirkworks Laboratory Discs. In May of 2001, Richard released his first D.A.M. CD, Alternate Worlds Vol. 1 which included previously unreleased tracks from Tales from the Incantina and Ascensionism as well as several other unreleased tracks exclusively at MP3.com.

      Richard's next rhythmic recording Disorient, was released March 5, 2002 on the Quirkworks label. Shortly after its release, Disorient made its debut at #1 on the New Age Voice Top 100 charts and remained there for two consecutive months. In April 2002 Richard completed the re-recording of "Joy of Radiation", a vocal track he first recorded in 1983. This track was going to be featured on a tribute site devoted to the Survival artists of the early eighties, but the project never materialized. In June of 2002 an agreement was reached between Richard and Lyra Studios making available twenty-two downloadable tracks as background music for the multiplayer online role-playing game Underlight. Richard's latest ambient CD Indium, was released by Electroshock Records on Dec. 10, 2002. In addition to several previously unreleased tracks, this CD also contains a thirty minute piece Richard included on a limited release ambient video also entitled Indium.

      Harmony with Ambience, a multi-artist compilation organized by the Japanese label Windfarm Records, was released June 1, 2003. This disc included Richard's track "Dzibana" from his CD Tales from the Incantina. On August 10, 2003 Alternate Realities was released on the Spiralight label featuring nine alternate mixes and unreleased tracks of Richard's work. This CD made the #11 position on the New Age Reporter charts for September airplay, the Backroad's Music and Wind and Wire lists of Top Recordings for 2003 and the Star's End list of significant releases of 2003 among other honors.

      Richard's next rhythmic recording was The Reality Temples that released June 30, 2004 on the Spiralight label. This disc debuted at the #6 position on the New Age Reporter Top 100 chart for August airplay and was nominated for the 2004 NAR Lifestyle Music Awards' Best Electronic Album. Orlandomaniac Music released Untold Tales  on April 15th -- a CD of nineteen previously unheard vocal demo tracks Richard recorded during his early Survival years of 1979 - 85. Other 2004 projects included a various artist compilation CD from Spiralight Recordings called Ambienism Vol. One featuring a new track by Richard entitled "Stillness Repeating" that was released March 15, 04.

      On September 20, 2005 Richard released Saiyuji, the final recording of the trilogy begun with Disorient and The Reality Temples. Saiyuji quickly climbed the New Age Reporter Top 10 charts and was nominated for the 2005 NAR Lifestyle Music Awards' Best Ambient Album.

      Richard released Vesperia (Music for Vespers at the First Congregational Church of Holliston, Massachusetts) on May 2, 2006 and a limited edition DVD entitled The Vesperia Videos shortly thereafter. His ambient recording Serene Life of Microbes was released October 17, 2006 on the AD Music label.

      In March of 2007 Richard released Via Poetica, a collaboration with poet/vocalist Lisa Indish, and Experiments '80-'82, a limited edition CD featuring selected tracks from his cassette only 1980 recordings Life in Video City and Quiz Party along with three tracks he contributed to the 1982 American Music Compilation LP. Richard also completed a recording of new material entitled Infinite Plastic Creation that released September 10, 2007 and was awarded  the 2007 NAR Lifestyle Music Awards' Best Electronic Album. Two additional recordings, Connection Failed - a collection of previously unreleased ambient tracks created as backing tracks for collaborations and Songs From The Analog Attic - a collection of unreleased vocal works recorded between 1992 and 1998, were also made available just before the end of 2007.

    Projects of 2008 included a DVD & soundtrack CD release entitled Short Waves - Brief Excursions in Surreal Video that released March 20, 2008 and an ambient recording entitled Sudden Departure that was released September 16, 2008. Sudden Departure has just been nominated the 2008 NAR Lifestyle Music Awards' Best Ambient and Best Electronic Album.

    Richard released the ambient work The Ghosts of Hanton Village on September 15, 2009. His next recording was in March 2010 when he released his first iTunes application Mind Environs and a 3-track EP of the same name. On October 19, 2010 a CD of archival tracks entitled Beleaguered Blossoms (selected artifacts 1993-2009) was released. Late October 2010 also saw the release of the Christmas album ChristmasAD - The First Snow that included two of Richard's holiday tracks.

     More recent projects have included a May 2011 release that featured remixes of selected tracks of Richard's music assembled by Daniele Baldelli & Marco Dionigi entitled Adaptors, and a July 2011 release of new material entitled XesseX.

     A collection entitled Anthology was released as a download only on March 25, 2013 and a recording of all new material, Images From A Parallel World released April 24, 2013 -- both on the AD Music label. A vinyl EP entitled Cranium Fizz became available September 2013.

     Releases for 2014 included a recording of all new matierial entitled Vertical Life that released in March, and a boxed-set of long out-of-print material from the years 1979 - 1985 entitled Vaulted Visions from Vinyl-on-Demand.

    In 2015 there were three releases: Brave Sketches - a double LP set released by Orlandomaniac Music, Obtuse Tantrums, a 7" vinyl EP from AttractiveCO, and the CD Involution Vol. 1 that was released by Quirkworks on September 23, 2015.

    Richard completed a dark ambient project entitled Nibiru (jan 2018), a CD recording on the Mega Dodo Label - Age of Falconry (july 2017), and issued a very limited-edition USB only recording entitled AERA (may, 2016).

    Most recently Richard created Empyrean Castles and A Garden of Invited Flowers in 2019. In 2020, he's already working on an excellent album.


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 Richard Bone trains his wry eye and his wicked sense of musical humor backwards to the psychedelic era of incense, black lights, and the dawning of the West's fascination with East Indian mysticism on The Reality Temples, his latest exercise in funky rhythms, smooth cyber-jazzy melodies and laid back grooves. Once again, he proves adept at producing true fusion music, this time melding ethnic percussion and East Indian musicality (notably, a fair amount of sitar sounds) with his patented mellow keyboards and adding a dash of '60s acid-drenched spices. The result is not as immediately "likable" as some of his previous efforts, but that's because the music here reveals its worth and craft more slowly. Here is an album that you need to invest some time in, as it unfurls its multiple layers (once again, Bone excels at production techniques and engineering) bit by bit.

     "Infinite Oz" starts the album off with lots of panning effects on playful wah-wah guitar, then brings midtempo trap kit drums and bongos into the mix, soon joined by electric piano (which carries the main melody) and some tasteful vibe work. The track has an air of playful mysticism to it, an interesting juxtaposition to be sure. "Between the World and a Wall" is typical of the rest of the CD, as the music has a more overtly "serious" side to it, as well as some subtle Bone-ish winks and nods. Here, he first introduces the sitar-like keyboard that is heard elsewhere on the album, as well as a more snaky and sultry East Indian sound. As usual, Bone adds his assorted keyboards and beats in layers, gradually building up multiple levels of each. A zither-like instrument takes the lead on this cut, along with some great soprano sax and, of course, the typical spot-on blend of organic and electronic percussion.     "A Boy in the Garden of Gastille" is possibly the most laid back song on The Reality Temples, opening with a languid flute line, joined by panning sitar-like keyboards and ultra-lush strings, eventually featuring a soprano sax lead again. When beats are introduced, they don't change the tone of the piece as much as inject an added element of movement, rather than the earlier drifting sense of peace.

     Of course, this wouldn't be a Richard Bone album without some good-natured puns in the titles, and here we have "Come Back, Little Shiva" a mixture of slow sexy ethnic hand percussion, Eastern sounding wind instruments, and chill-out beats and synths, with the added oddity of what I swear sounds like a conch shell thrown in for good measure. Bone mixes new age keyboards with haunting and mysterious pan-African desert melodies and drums/percussion on "Theme From an Imaginary Caravan" (another sly bit of titling, that one). One of the more lively tunes is next, "Impossible Ships" although it takes a little while to get there. Panned sitar notes, swirling organ chords, and lilting flutes open the piece, with some phased guitar samples. Out of nowhere, Bone throws in these cool retro synths (the type used by, for example, The Who on "Won't Get Fooled Again"), lush orchestral strings, that smoky and plaintive sax of his, and relaxing but emphatic chill out beats. It's a standout track on this solid album.     The Reality Temples provides ample evidence that Richard Bone is continuing to evolve from earlier efforts, allowing his music to migrate into previously unexplored territory. Still, he retains many of the elements that have engendered him to his loyal fans, notably his expert integration of electro-organic beats/rhythms with keyboards that combine jazz, funk, and (now, more prominent) world music textures with inventive production techniques and a sly wit. Obviously, the man is far from running out of fresh ideas and I can't see it happening any time in the future either. It goes without saying that Richard's latest gets a "highly recommended"



<a href="https://multiup.org/371988805cc944fe76fd2b6a67725d76">Richard Bone - The Reality Temples  </a> ( flac 304mb)

01 Infinite Oz 5:55
02 Between the World and a Wall 5:14
03 A Boy in the Garden of Gastille 5:40
04 Espiritus Jai 4:09
05 Tale of the Pomegranate Forest 5:54
06 Come Back Little Shiva 6:06
07 Theme for an Imaginary Caravan 6:22
08 Impossible Ships 6:34
09 A Lovely Day for Ballooning 6:20


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 This is the final installment in the three part work started with Disorient and continued with The Reality Temples. Like the previous works that connect with Oriental Mysteries and Western Philosophies, the name of this work Saiyuji and it is taken from a Buddhist temple in Singapore.


By Any Other Name is a delightful opening to this CD, with the wonderful keyboard work Richard is so well known for. Melodic, mysterious, and mystifying, the work is soothing. There is a beat; a gentle swaying rhythm to this piece.

Saiyuji (dawn) opens with an analog synthesizer beat in the familiar zero/one or on/off pattern. It almost has a very Eastern feel to it, tinkling with symbols and develops an electronic beat. The addition of what could be Bali Bells adds another dimension to this construct which again features his well designed keyboard augmentation. Vagabond Messiah starts out as celestial space music, picks up on a very well defined tribal beat, and flows very gracefully into a composition that beacons you to get up and move your body to its sultry melody.
Oblique Heaven starts with an electronic beat, simple in nature. It surrounds itself with some electronic backfill that builds with keyboard chords and finds its way into a charming melody. This piece is exemplary of the build and blend structure that this CD is all about.

My Indelicate Star starts with the old, familiar analog synthesizer we remember from early synthesizer works; the structured rhythm of zero and one that we became familiar with from older master works. Added to this is the familiar sound of analog synthesizer “strings” playing wistfully against the beat. This is over layered with Richard Bone’s spacey keyboard structures to create a very obvious blend of the older technology in harmony with the new. A very lovely work masterly crafted. The Road to Ahamkara is a much bolder piece, starting out strong and well defined in its beat, demanding attention as the mood shifts. The rhythms are almost jazzy, overlaid with keyboard melody that marches along in time with the beat. A nice composition with a flavor all its own.

Aquaville starts off with keyboard chords that build staggered steps into a very Latin rhythm; soft, sexy, very daring. This piece is like silk as it flows very gently through your mind, with keyboard backfill that allows the piano to define the melody.

Improbable Earth starts out with the now familiar bass zero-one synthesizer beat and moves into the piano melody. This piece is more defined by the zero-one beat than any other rhythm, as it floats on the border of space music, being defined rather than allowed to drift freely. A nice contrast is offered and it is very original in design.

Saiyuji (dusk) is sort of reprised at the closing of the CD, with the same beat as (dawn) picked up a bit more at the opening of the work. The overlaid melody is a variation on the (dawn) work but much more daring. It takes off on its own, still reminiscent of the (dawn) piece but it becomes its own composition. The rhythms pick up in the piece as it very boldly brings this CD to a close, again in contrast to the opening work which was wistful and soothing. Again, this is a piece that beacons you to move your body in time with the rhythms and it is a good, strong finish to this CD.

The videos that are included “are from a continuing series of ambient visualization by Richard Bone”. The one for By Any Other Name is a series of slow motion/stop action images of roses in bloom. The other included video is for the track called Improbable Earth. The website has a third video for Aquaville.

I always find Richard Bone’s works to be original, very well structured and enjoyable to listen to. This CD does not fail in any of these categories. This is ambient at its most innovative. It can be played to be appreciated, yet it still maintains the ability to blend with the background creating a peaceful soundscape for your environment. It is always a pleasure to hear new creations from Richard Bone.



<a href="https://bayfiles.com/raK4raeep7/Rchrd_Bn_Syj_zip">Richard Bone - Saiyuj</a> ( flac 345mb)

01 By Any Other Name 5:41
02 Saiyuji (Dawn) 7:18
03 Vagabond Messiah 7:19
04 Oblique Heaven 7:22
05 My Indelicate Star 7:13
06 The Road To Ahamkara 7:01
07 Aquaville 6:00
08 Improbable Earth 4:25
09 Saiyuji (Dusk) 6:51

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Vesperia, which was commissioned specifically for vespers service at the Holliston church, is divided into four parts of gracious & serene electronic ambience. The album concludes with a scored reading of a poem by Lisa Louise Indish which perfectly sums up the inspirational tone of Vesperia. The music transcends religious sectarianism, however, and is intended as a soundtrack for anyone interested in the journey inward and the power of thought. It was directly inspired by the writings of Ernest Holmes, Florence Shinn and Raymond Holliwell. The tracks have a cathredral type resonance wihtout being religious in tone.All the tracks are very relaxing and meditative and while respectfully sombre the tracks have a lightness to them that is engaging.



<a href="https://mir.cr/XZL7EPRU">   Richard Bone - Vesperia  </a> ( flac 196mb)

01 Part One 10:30
02 Part Two 10:08
03 Part Three 6:49
04 Part Four 10:21
05 Epilogue - A Poem by Lisa Louise Indish 2:23

“Vesperia Epilogue”

The sun is rising.
I feel It touching my face.
It is Source.  It is God.  It is You.  It is me.
Warmth penetrating my being.
My steps reach out with toes aligned to earth,
Knowing it is where I must go
And there I Am.
Breathing, Breathing, Breathing,
Inhale – Exhale.
I am ready to receive and yet ready to let go,
You are All, this I feel and know.
I walk Your paths so carefully cleared.
I see what I need, want and desire.
It all stems back to You.
Circles.  Spirals.  Roundness of woman, of life,
It never ends.  It continues.
It draws, colors, creates and then re-creates
What It wishes without question or wonder.
As I send out I await Your response.
It comes gently to my ears
As a caressing wind,
A leaf cascading to the ground,
and I am filled with here and now, joy and love,
tomorrow and today.
And in this moment I am blessed.
As I breathe in what I long for, I receive.
I embrace You and I thank You.

Lisa Louise Indish
Copyright March 3, 2006
    
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Richard Bone’s Serene Life of Microbes is a tranquil dark ambient release that blurs the lines between electronic music and ambient sound. The music is primarily electronic, but also includes piano and environmental sounds.The nine tracks vary a lot in their sound, but have enough common elements to give the albuma cohesive sound. For example, the first track, Attenuation, watery noise effects that give the effect of submersing the listener into an exotic electronic space. As the track develops, Bone adds muted synth strings and effects and arpeggiated synths. The track flows smoothly into The Seduction of Dr. Pasteur, a gorgeous drone piece that layers loops of drifting washes of sounds to create a lovely timeless effect. Other highlights are Thermatoga, a dark ambient piece that combines alternating synth chords with more melodic electric piano and Autotrophic Light, a quirky sequence-based track.The Serene Life of Microbes doesn’t fit easily into categories. It combines the off-kilter sensibility of Eno’s short tone-poems more of an American space music sensibility.




<a href="http://www.imagenetz.de/stmV6">Richard Bone - Serene Life Of Microbes</a> ( flac 228mb)

01 Attenuation 7:25
02 The Seduction of Dr. Pasteur 8:10
03 Protozoa, mon amour 5:49
04 Autotrophic Light 3:46
05 Evolution Primitive 6:58
06 This Radiant Life 6:20
07 Thermatoga 5:35
08 Archaea Apart 5:11
09 Going Dormant 6:22


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