RhoDeo 2107 Grooves

 Hello, i was convinced i had posted these guys years ago, turns out I didn't, high time then for the godfathers of rap...  



Today's Artists areThe Last Poets are several groups of poets and musicians who arose from the late 1960s African-American civil rights movement's black nationalism. The name is taken from a poem by the South African revolutionary poet Keorapetse Kgositsile, who believed he was in the last era of poetry before guns would take over. The original users of that name were the trio of Felipe Luciano, Gylan Kain, and David Nelson.

The versions of the group led by Jalaluddin Mansur Nuriddin and Umar Bin Hassan had the largest impact on popular culture. The Last Poets were one of the earliest influences on hip-hop music. Critic Jason Ankeny wrote: "With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop." The British music magazine NME stated, "Serious spokesmen like Gil Scott-Heron, The Last Poets, and later Gary Byrd, paved the way for the many socially committed Black [emcees] a decade later.), .........N Joy

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The Original Last Poets were formed on May 19, 1968 (Malcolm X's birthday), at Mount Morris Park (now known as Marcus Garvey Park) in East Harlem. On October 24th 1968, the group performed on pioneering New York television program Soul!.

Luciano, Kain, Abiodune Oyewole and Nelson recorded separately as The Original Last Poets, gaining some renown as the soundtrack artists (without Oyewole) of the 1971 film Right On!

In 1972, they appeared on Black Forum Records album Black Spirits - Festival Of New Black Poets In America with "And See Her Image In The River" and "Song of Ditla, part II", recorded live at the Apollo Theatre, Harlem, New York. A book of the same name was published by Random House (1972 - ISBN 9780394476209).

The original group actually consisted of Gylan Kain, David Nelson and Abiodun Oyewole. Following their get-together on May 19, 1968 (Malcolm X's birthday), at Marcus Garvey Park, the group coalesced via a 1969 Harlem writers' workshop known as East Wind. When Nelson left, he was replaced by Felipe Luciano, who would later leave to establish the Young Lords. When Kain and Nelson then began to pursue other interests (theater and ministry respectively), Abiodun Oyewole "recruited" Alafia Pudim (later known as Jalaluddin Mansur) and Umar bin Hassan in an attempt to replace the founding members of the group. Following the success of the newly refigured Last Poets first album, founding members Kain and Nelson got together with Luciano and recorded their only album Right On in 1970, the soundtrack to a documentary movie of the same name that finally saw release in 1971. (See also Performance (1970 film featuring Mick Jagger) soundtrack song "Wake Up, Niggers".) Following a legal battle between the two groups concerning ownership of the band's name, The Right On album was released under the group name The Original Last Poets to simultaneously establish the founding members' primacy and distance themselves from the other group of the same name.

Jalal Mansur Nuriddin a.k.a. Alafia Pudim, Umar Bin Hassan, and Abiodun Oyewole, along with poet Sulaiman El-Hadi and percussionist Nilaja Obabi (Raymond "Mac" Hurrey), are generally considered the best-known members of the various lineups. Jalal, Umar, and Nilaja appeared on the group's 1970 self-titled debut LP and follow-up This Is Madness. Nilija then left, and a third poet, Sulaiman El-Hadi, was added. This Jalal-Sulaiman version of the group made six albums together but recorded only sporadically without much promotion after 1977.

Having reached US Top 10 chart success with its debut album, the Last Poets went on to release the follow-up, This Is Madness, without then-incarcerated Abiodun Oyewole. The album featured more politically charged poetry that resulted in the group being listed under the counter-intelligence program COINTELPRO during the Richard Nixon administration. Hassan left the group following This Is Madness to be replaced by Sulaiman El-Hadi (now deceased)[6] in time for Chastisment (1972). The album introduced a sound the group called "jazzoetry", leaving behind the spare percussion of the previous albums in favor of a blending of jazz and funk instrumentation with poetry. The music further developed into free-jazz–poetry with Hassan's brief return on Blue Thumb album At Last (1973), as yet the only Last Poets release still unavailable on CD.

The remainder of the 1970s saw a decline in the group's popularity in America, although they became quite popular in Europe. In the 1980s and beyond, however, the group gained renown with the rise of hip-hop music, often being name-checked as grandfathers and founders of the new movement, often citing the Jalaluddin solo project Hustler's Convention (1973) as their inspiration. Because of this the band was also interviewed in the 1986 cult documentary Big Fun In The Big Town. Nuriddin and El-Hadi worked on several projects under the Last Poets name, working with bassist and producer Bill Laswell, including 1984's Oh My People and 1988's Freedom Express, and recording the final El Hadi–Nuriddin collaboration, prominent Attorney Gregory J Reed reunited Original Poets in NY [ day of Nelson Mandela coincidentally is released from Prison,27 years] and recorded Poets live in Detroit's Orchestra Hall , and produced "The Return of the Original Last Poets Docudrama" Kain,Lupe,Oyewole and Nelson after 20 years in 1990,Scatterrap/Home, in 1994. The group, led by Hassan, also made a guest appearance in John Singleton's 1993 film Poetic Justice.

Sulaiman El-Hadi died in October 1995. Oyewole and Hassan began recording separately under the same name, releasing Holy Terror in 1995 (re-released on Innerhythmic in 2004) and Time Has Come in 1997. Meanwhile, Nuriddin released the solo CD's On The One (1996), The Fruits of Rap (1997) and Science Friction (2004) under the abbreviated name "Jalal."

In 2005, the Last Poets found fame again refreshed through a collaboration where the trio (Umar Bin Hassan) was featured with hip-hop artist Common on the Kanye West-produced song "The Corner," as well as (Abiodun Oyewole) with the Wu-Tang Clan-affiliated political hip-hop group Black Market Militia on the song "The Final Call," stretching overseas to the UK on songs "Organic Liquorice (Natural Woman)", "Voodoocore", and "A Name" with Shaka Amazulu the 7th. The group is also featured on the Nas album Untitled, on the songs "You Can't Stop Us Now" and "Project Roach." Individual members of the group also collaborated with DST on a remake of "Mean Machine", Public Enemy on a remake of "White Man's God A God Complex" and with Bristol-based British post-punk band the Pop Group.

In 2010, Abiodun Oyowele was among the artists featured on the Welfare Poets' produced Cruel And Unusual Punishment, a CD compilation that was made in protest of the death penalty, which also featured some several current positive hip hop artists.

In 2004 Jalal Mansur Nuriddin, a.k.a. Alafia Pudim, a.k.a. Lightning Rod (The Hustlers Convention 1973), collaborated with the UK-based poet Mark T. Watson (a.k.a. Malik Al Nasir) writing the foreword to Watson's debut poetry collection, Ordinary Guy, published in December 2004 by the Liverpool-based publisher Fore-Word Press.[9] Jalal's foreword was written in rhyme, and was recorded for a collaborative album "Rhythms of the Diaspora (Vol. 1 & 2 - Unreleased) by Malik Al Nasir's band, Malik & the O.G's featuring Gil Scott-Heron, percussionist Larry McDonald, drummers Rod Youngs and Swiss Chris, New York dub poet Ras Tesfa, and a host of young rappers from New York and Washington, D.C. Produced by Malik Al Nasir, and Swiss Chris, the albums Rhythms of the Diaspora; Vol. 1 & 2 are the first of their kind to unite these pioneers of poetry and hip hop with each other.

In 2011, The Last Poets Abiodun Oyewole and Umar Bin Hassan performed at The Jazz Cafe in London, in a tribute concert to the late Gil Scott-Heron and all the former Last Poets.

In 2014, Last Poet Jalaluddin Mansur Nuriddin came to London and also performed at The Jazz Cafe with Jazz Warriors the first ever live performance in 40 years of the now iconic "Hustlers Convention". The event was produced by Fore-Word Press and featured Liverpool poet Malik Al Nasir with his band Malik & the O.G's featuring Cleveland Watkiss, Orphy Robinson and Tony Remy. The event was filmed as part of a documentary on the "Hustlers Convention" by Manchester film maker Mike Todd and Riverhorse Communications. The executive producer was Public Enemy's Chuck D. As part of the event Charly Records re-issued a special limited edition of the vinyl version of Hustlers Convention to celebrate their 40th anniversary. The event was MC'd by poet Lemn Sissay and the DJ was Shiftless Shuffle's Perry Louis.

In 2016, The Last Poets (World Editions, UK), was published. The novel, written by Christine Otten, was originally published in Dutch in 2011, and has now been translated by Jonathan Reeder for English readers.

In May of 2018, The Last Poets released Understand What Black Is, their first album since 1997. The album featured tributes to late artists Prince and Biggie Smalls

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The cover art might be a little misleading - I was expecting this to be heavily influenced by traditional African  music. Although there are some world music influences, this is mostly very modern, somewhat experimental funk/rap.

This was produced by Bill Laswell, and some of the usual Laswell crowd also make an appearance: Bernie Worrell on synth and the wonderful Aiyb Dieng on various percussion instruments. However, Laswell's prescence on this is less prominent than usual, probably largely because he doesn't also play bass here.

Laswell is one of my favourite musicians, and although much of his work is a great success, he's had a few misses - mainly his electro stuff like the awful "Rockit". Unforunately, "Get Movin'" and "Hold Fast" both feature a drum machine, with that unmistakable artificial "80s" sound. In the majority of cases, of which this is one, it just doesn't work for me.

Thankfully, most of the other elements of those tracks are good enough, and in general this is an engaging, diverse set of songs. The best are the tribal "What Will You Do" that features repetetive, meditative hand-drum percussion and chanting, and the more Laswell-esque, slow but groovy "This is Your Life". "Parting Company" is a solo voice piece with some interesting rhythms, and although it might have been better with some musical accompaniment, it brings the album to a nice close.




<a href="https://mir.cr/0LP12BMJ">  The Last Poets - Oh My People </a> (flac   211mb)

01 Get Movin' 6:41
02 This Is Your Life 6:32
03 What Will You Do 4:52
04 Oh My People 7:32
05 Hold Fast 6:19
06 Parting Company 4:22

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This record is a fresh breeze in the rap/hiphop jungle of the late 20th century. For those who want to hear rap poetry from some old guys who started out in the late 60's when the Black Panther-movement was on the news from time to time. The Last Poets began as a revolutionary outfit, proclaiming black militant poetry in the streets of Harlem, only accompanied by a brother playing congas. On Freedom Express they're back but this time backed guitar, bass, drums and harmonica as well. They perform five tunes of which Geronimo and Un-Holy Alliance are the best ones. A nice record for those who have nothing against some old wise black consciousness. This record is not, though, for those who fancy the modern sounds of hiphop. But if you like some nice electric music with a message, this is for you.

<a href="http://depositfiles.com/files/jvawdnq20"> The Last Poets - Freedom Express  </a> (flac   202mb)

01 Tough Enough 7:08
02 Woodshed Walk 4:37
03 Freedom Express 5:41
04 Geronimo 4:18
05 Unholy Alliance 13:01

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Album number ten for The Last Poets, a group of musicians and poets formed in the late sixties. This effort is performed entirely by the Umar Bin Hassan group, consisting of Abiodun Oyewole on microphone, Bernie Worrell on keyboards, Bootsy Collins on guitar and bass, Bill Laswell on bass and production, and Aiyb Dieng on conga, bells, tambourine, gong and percussion. To help Oyewole deliver some cuts, there's also Grandmaster Melle Mel ("Homesick", "Men-tality", "Funk", "Homesick [Black and Strong]", cut not present in this edition with the featuring of Don Babatunde and that of George Clinton).

Dark intro, then second cut of over eight minutes, boom bap lo-fi, tight drum, spoken skit, synth g-funk and decent slow delivery, while the hook is replaced by a spoken-word skit. This is followed by cheap rhythms coupled with whimsical hooks, with a terrible peak in "Pelourinho", which features a very weak tribal beat with a simple hook sung out of tune. I don't know what Laswell worked with, but even the rhythm for the next cut is frighteningly poor and cheap, no one can save these tracks. "Funk" anticipates one of the worst cuts here, "Illusion of Self", long talk skit over cheap beat with meager g-funk synths, over eight minutes, grueling choice. Laswell makes one of the worst productions of the year in the field of hip-hop, confirming himself in the last track, before leaving the outro without rhythm, rightly, he would have made yet another disaster even at the end.

Except for intro and outro, all cuts easily exceed five minutes of listening and this makes it a bloated, grueling album of nearly fifty minutes despite only seven tracks. Lyrically, they want to imitate X Clan and Public Enemy together, producing a very mediocre and very weak result. Among the peculiarities of the disc, it was released in 1993 for the Japanese market only, being distributed again in 1995, in the USA, through Rykodisc, a label affiliated with Warner. Fortunately, the album is virtually ignored by audiences and critics alike.


                                             
<a href="https://multiup.org/bfede4510b9d0871c3cc8db5a91dd95d">  The Last Poets - Holy Terror </a> (flac   423mb)

01 Invocation 2:00
02 Homesick 8:20
03 Black Rage 5:17
04 Men-tality 5:13
05 Pelourinho 5:16
06 Funk 6:05
07 Illusion Of Self 8:16
08 Talk Show 5:31
09 Last Rite 1:00

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Despite tensions with Abiodun Oyewole, an original member of the Last Poets, Mr. Nuriddin continued performing under the Last Poets name for many years, typically alongside Suliaman El-Hadi. Mr. Nuriddin is featured on Last Poets recordings including the influential “This Is Madness” (1971), the sonically experimental “Chastisement” (1973) and “Scatterap/Home”,.corny-fresh conga-funk like they still mean it (1993)

 


<a href="https://www.imagenetz.de/qDfND">  The Last Poets - Scatterap - Home </a> (flac   418mb)


Scatterap    
01 See    4:03
02 Hear    6:00
03 Taste 3:29
04 Touch 5:14
05 Smell 4:22
06 Reasoning 6:04
07 Choice 4:29
Home    
08 Minority Of One 7:29
09 Mystery Man    4:28
10 You Can Do It 4:50
11 The Drama 8:03
12 Way Over Due's Blues 3:43


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