Oct 25, 2018

RhoDeo 1842 Roots

Hello,


Today's artist are a Mexican band founded on April 13, 1987, by Mario Quintero Lara and a group of friends in the City of Tijuana, Baja California, Mexico. The members began their musical career by playing in nightclubs. .  .....N'Joy

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Los Tucanes de Tijuana were formed by vocalist/guitarist Mario Quintero Lara, vocalist/accordionist Joel Higuera, drummer David Servin, and bassist Mario Moreno. The quartet began recording and soon signed a contract with Alacran Records, which released 14 Tucanazos Bien Pesados and Mundo de Amor in 1995. The albums fared so well that Los Tucanes de Tijuana earned a contract with EMI Latin. The group has also recorded for Unisono and Cintas Acuario, releasing Amor Platonico in 1998; their Nuestras Primeras Canciones, Vol. 1 collection appeared the same year, as did Los Más Buscados. Me Gusta Burlar la Ley was issued in September 2000. Mi Gusta Vivir de Noche followed on Universal Latino later that fall, and Claves, Masacres y Fugas and Mission Especial were both released in early 2001. Relentlessly prolific, the band released some 50 albums and compilations in the next dozen years, including four, Romance Norteño, Para Tucancillos y Tucancillas, Me Gusta la Banda, and Corridos a Quema Ropa, early in 2013.

The following year, the group issued Corridos Time, Temporada 1: Soy a Parrandero, that included various narcocorridos including "El Comandante Metro 3" (about late Gulf Cartel drug lord Samuel Flores Borrego), "Julián Pérez" recounting the story from the 2011 film Solvando de Soldado Perez, and "El Shaka" the theme from the popular Mexican television series of the same name. The set placed high on airplay charts and did well in sales, landing well inside the Top 200. They group also released a compilation of love songs in 2014 entitled Perdóname Mi Amor.

They are twelve-time Grammy nominees and have received numerous music awards in Mexico, the Americas and Europe. They have sold over 15,000,000 albums and are proud to note among their achievements several gold, platinum and multiplatinum records. They have filled to capacity highly important venues in the United States and Mexico such as Dodger Stadium, the Astrodome, Estadio Azteca, and have had concerts at Central Park in New York City and the Zocalo Plaza in Mexico City where the crowds easily surpassed 120,000 fans. Los Tucanes De Tijuana average 120 engagements per year, more than 5 million attendees have enjoyed their concerts, in addition to their performances in the strip clubs of the valley of Texas. Los Tucanes de Tijuana is the only Regional Mexican Band that has been able to place simultaneously 6 songs on Billboard’s Top Latin Albums (1996-1997). Also It is the only Mexican group to which has been dedicated main cover sheets like Los Angeles Times, The Wall Street Journal, San Diego Tribune, News Week, U.S. Week, People and New York Times.

After touring for most of 2015, Los Tucanes de Tijuana issued the singles "Pinta De Magnate" and "Clave Z40" at the beginning of the following year. The subsequent album, Corridos Time, Season Two: Los Implacables, was released in March on Fonovisia.

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Los Tucanes de Tijuana are by far the global ambassadors of Norteña music and corridos. Norteño (Spanish  northern), also called música norteña, is a genre of Mexican music related to polka and corridos. As its names indicates, Norteño is a traditional musical expression from Northern Mexico. The accordion and the bajo sexto are norteño's most characteristic instruments. Norteño music developed in the late 19th century, as a mixture between German folk music (which was introduced to Mexico with the arrival of German migrant workers in those years), and local Northern Mexican music.The genre is popular in both Mexico and the United States, especially among the Mexican and Mexican-American community, and it has become popular in many Latin American countries as far as Chile and Colombia and in Spain. Though originating from rural areas, norteño is popular in urban as well as rural areas.
The corrido is a popular narrative song and poetry that form a ballad. The songs are often about oppression, history, daily life for peasants, and other socially relevant topics. It is still a popular form today in Mexico and was widely popular during the Mexican Revolutions of the 20th century. The corrido derives largely from the romance, and in its most known form consists of a salutation from the singer and prologue to the story, the story itself, and a moral and farewell from the singer. Until the arrival and success of electronic mass-media (mid-20th century), the corrido served in Mexico as the main informational and educational outlet, even with subversive purposes, due to an apparent linguistic and musical simplicity that lent itself to oral transmission.



Los Tucanes de Tijuana - Tesoros de Coleccion Corridos    (flac  263mb)
 
01 Clave Privada 3:12
02 El Centenario 2:35
03 Masacre en Vallarta 3:40
04 La Fuga del Ceja Güera 2:30
05 Socias de la Mafia 2:49
06 El Caqui 2:42
07 Soy Pararandero 2:55
08 La Muerte de un Traficante 3:11
09 El Promotor de Box 3:48
10 El Jabali 3:00
11 El Fantasma 3:41

Los Tucanes de Tijuana - Tesoros de Coleccion Corridos (ogg  93mb)

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Los Tucanes de Tijuana - Tesoros de Coleccion Corridos 2 (flac  263mb)

12 Mision Especial 3:08
13 El Gallo Ahogado 3:23
14 El Balido de Mi Ganado 3:11
15 Suerte Marcada 2:46
16 El Comandante de Interpol 2:38
17 Juan Jose Rodriguez 3:22
18 De Mexico Soy 2:37
19 Soy de Durango 2:35
20 La Fuga de Clemente 3:06
21 El Tesoro 3:15
22 El Benefactor de Colima 3:31
23 El Gallo 3:42

Los Tucanes de Tijuana - Tesoros de Coleccion Corridos 2  (ogg  116mb)

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For those unaware of the greatness of Venezuelan conductor Aldemaro Romero, we could compare him with the better known Esquivel. Romero and Esquivel had more than one thing in common. In addition to being piano virtuosos with a futuristic sense for popular music revitalized with vocal arrangements and original instrumentation, they each experimented in the recording studio and maintained a mutual admiration and friendship. Probably the rarest album from Aldemaro Romero is this homage to traditional and popular Mexican songs, with the Pop singer Monna Bell on vocals. The musicians (well-skilled Jazz players from Mexico) were free to bring in any idea to the studio and to improvise during the recordings. The result was an explosion of tonalities that, in spite of being essentially popular traditions, revealed something exceedingly unique cosmopolitan and modern. La Onda Nueva en Mexico has remained a cult record among those searching for rare grooves because of its completely unique concept of combining traditional Mexican music arranged by a cosmopolitan Venezuelan influenced by Bossa Nova, and orchestrated by Mexican jazz musicians, all on one record!



  Monna Bell y Aldemaro Romero - La Onda Nueva En Mexico ( flac  265mb)

01 Que Bonita Es Mi Tierra 3:17
02 La Bamba 3:30
03 Cucurrucuccu Paloma 3:47
04 El Balaju 2:35
05 Cielito Lindo 3:32
06 La Bikina 2:35
07 Guadalajara 4:17
08 Xochimilco 3:29
09 El Jarabe Loco 2:16
10 La Malagüeña 3:36
11 La Negra 3:27
12 Tres Consejos 2:52

  Monna Bell y Aldemaro Romero - La Onda Nueva En Mexico (ogg   86mb)

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