Hello, another day , another rider in the yellow jersey, Tony Martin after 3 unsuccessful attempts today on an exchanged bike not set up for him, he jumped out of the first peleton and rode to victory yes unbelievable.. Chris Froome stayed on his bike and surprisingly all GC contenders came in in the first group, all that is without the French hopefuls Pierre Rolland and Thibault Pinot both lost almost 3 and half minutes.
Meanwhile the UK commemorated the Blair 7-7 attacks 10 years ago, again a terrorist attack where services were on standby for the attack training mission, some said the out of the blue suicide bombers were duped believing they too were part of the training exercise but after 10 years how many people recall that ?
Blondie may have had a string of number one hits and Talking Heads may have won the hearts of the critics, but the Cars were the most successful American new wave band to emerge in the late '70s. With its sleek, mechanical pop/rock, the band racked up a string of platinum albums and Top 40 singles that made it one of the most popular American rock & roll bands of the late '70s and early '80s. While they were more commercially oriented than their New York peers, the Cars were nevertheless inspired by proto-punk, garage rock, and bubblegum pop. .....N'Joy
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Where their peers were as equally inspired by art as music, the Cars were strictly a rock & roll band, and while their music occasionally sounded clipped and distant, they had enough attitude to cross over to album rock radio, which is where they made their name. Nevertheless, the Cars remained a new wave band, picking up cues from the Velvet Underground, David Bowie, and Roxy Music. Ric Ocasek and Ben Orr's vocals uncannily recalled Lou Reed's deadpan delivery, while the band's insistent, rhythmic pulse was reminiscent of Berlin-era Iggy Pop. Furthermore, the Cars followed Roxy Music's lead regarding LP cover art, in their case having artist Alberto Vargas design a sexy pinup-style illustration for the cover of their sophomore album, Candy-O. Similar cover art remained the Cars' primary visual attraction until 1984, when the group made a series of striking videos to accompany the singles from Heartbeat City. The videos for "You Might Think," "Magic," and "Drive" became MTV staples, sending the Cars to near-superstar status. Instead of following through with their success, the Cars slowly faded away, quietly breaking up after releasing one final album in 1987.
Ric Ocasek (guitar, vocals) and Ben Orr (bass, vocals) had been collaborators for several years before forming the Cars in 1976. Ocasek began playing guitar and writing songs when he was ten. After briefly attending Antioch College and Bowling Green State University, he dropped out of school and moved to Cleveland where he met Orr, who had led the house band on the TV show Upbeat as a teenager. The two began writing songs and led bands in Cleveland, New York City, Woodstock, and Ann Arbor before settling in Cambridge, MA in the early '70s. In 1972, the pair was the core of a folk trio named Milkwood. The band released an album on Paramount Records in late 1972, which was ignored; the record featured keyboards by a session musician named Greg Hawkes. By 1974, Ocasek and Orr had formed Cap'n Swing, which featured Elliot Easton on lead guitar. Cap'n Swing became a popular concert attraction in Boston, but the group broke up in 1975. Ocasek, Orr, and Easton formed a new band called the Cars in 1976 with former Modern Lovers drummer Dave Robinson and keyboardist Hawkes.
Early in 1977, the Cars sent a demo tape of "Just What I Needed" to the influential Boston radio station WBCN and it quickly became the station's most-requested song. For the remainder of 1977, the Cars played Boston clubs, and by the end of the year they signed with Elektra Records. The group's eponymous debut album appeared in the summer of 1978 and it slowly built a following thanks to the hit singles "Just What I Needed" (number 27), "My Best Friend's Girl" (number 35), and "Good Times Roll" (number 41). The Cars stayed on the charts for over two and a half years, delaying the release of the group's second album, and it eventually sold over six million copies.
Recorded early in 1979, Candy-O wasn't released until later that summer. The album was an instant hit, quickly climbing to number three on the charts and going platinum two months after its release. The record launched the Top Ten hit "Let's Go" and sent the band to the arena rock circuit. Perhaps as a reaction to the Cars' quick success, the group explored more ambitious territory on 1980's Panorama. Though the album wasn't as big a hit as its predecessors, it nevertheless peaked at number five and went platinum. Before recording their fourth album, several bandmembers pursued extracurricular interests, with Ocasek earning a reputation as a successful new wave producer for his work with Suicide and Romeo Void (he even produced some demos for Iggy Pop). the Cars released their fourth album, Shake It Up, in the fall of 1981, and it quickly went platinum, with its title track becoming the group's first Top Ten single.
Following the success of Shake It Up, the band recorded the soundtrack to the short film Chapter-X and then took an extended leave, with Ocasek releasing his solo album Beatitude in 1982 and Hawkes issuing Niagara Falls the following year; Ocasek also produced the debut album from the hardcore punk band Bad Brains. the Cars reconvened in 1983 to record their fifth album, Heartbeat City, which was released in early 1984. Supported by a groundbreaking, computer-animated video, the album's first single, "You Might Think," became a Top Ten hit, sending Heartbeat City to number three on the album charts. Three other Top 40 singles -- "Magic" (number 12), "Drive" (number three), and "Hello Again" (number 20) -- followed later that year, and the record went triple platinum in the summer of 1985. At the end of the year, the group released Greatest Hits, which featured two new hit singles, "Tonight She Comes" and "You Are the Girl."
The Cars were on hiatus for much of 1985 and 1986, during which time Easton released Change No Change and Orr issued The Lace. During 1987, the group completed its seventh album, Door to Door. The album was a moderate hit upon its summer release in 1987, launching the single "You Are the Girl," which peaked at number 17. Door to Door had seemed half-hearted, sparking speculation that the group was on the verge of splitting up. the Cars announced in February of 1988 that they had indeed broken up. All of the members pursued solo careers, but only Ocasek released albums with regularity. By the '90s, he'd also become a much sought-after alt-rock producer, having worked with with the likes of Weezer, Bad Religion, Black 47, Hole, Guided by Voices, No Doubt, Nada Surf, Johnny Bravo, D Generation, Possum Dixon, Jonathan Richman, the Wannadies, and former Suicide members Alan Vega and Martin Rev. Easton later reappeared with Creedence Clearwater Revisited, while sadly, Orr lost a battle with pancreatic cancer and died on October 3, 2000.
After Orr's passing, a few new Cars releases appeared on the marketplace, including the concert DVD Live (taped originally in Germany during 1979, and featuring an interview with the group shortly before Orr's passing), a double-disc deluxe edition of their classic self-titled debut album, and a more extensive hits collection titled Complete Greatest Hits. By early 2002, Ocasek was at work putting together a Cars documentary film, comprised of backstage footage and unreleased promo clips that the band filmed itself. He also continued working on solo material, releasing Nexterday in 2005 to warm reviews. Meanwhile, Greg Hawkes and Elliot Easton teamed up with Todd Rundgren to form The New Cars, a pop supergroup whose repertoire included Rundgren's solo songs, the Cars' past hits, and some new material. The New Cars toured with Blondie in 2006 and released one record, the concert album It's Alive!, before Rundgren resumed his solo career the following year.
In 2010, the founding members of The Cars suggested a reunion when Ric Ocasek, Elliot Easton, Greg Hawkes and David Robinson placed a photo of the four members together in Millbrook Sound Studios, Millbrook, NY on their Facebook page. On October 13, they also posted a snippet of a new song, "Blue Tip", on their Facebook page. A picture of Jacknife Lee in the studio was posted on the group's Facebook page hinting that he would be producing the new Cars album.
In October Billboard reported that a new album which may be supported by a tour is being recorded at veteran engineer Paul Orofino's studio in Millbrook, New York. A music clip of a new song, called "Sad Song", was added to the band's Facebook page on December 7, 2010; another clip of a song called "Free" was shared on their Facebook page on January 1, 2011. The official debut video for "Blue Tip" was released February 17, 2011. The video was directed by Roberto Serrini and Eron Otcasek from The Lab NYC and features the four members of the band, and NYC based street artist Joe Iurato. According to Rolling Stone, the surviving Cars mutually agreed there would be no replacing the late Benjamin Orr, so Hawkes and Lee handled all bass parts. The new album, titled Move Like This, was released on May 10 by Hear Music/Concord Music Group, debuting at No. 7 on Billboard's album charts. The album's first single, "Sad Song", was released to radio stations March 1. In April 2011, The Cars announced a ten-city tour of the United States and Canada to start in May 2011.
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The Cars' 1978 self-titled debut, issued on the Elektra label, is a genuine rock masterpiece. The band jokingly referred to the album as their "true greatest-hits album," but it's no exaggeration -- all nine tracks are new wave/rock classics, still in rotation on rock radio. Whereas most bands of the late '70s embraced either punk/new wave or hard rock, The Cars were one of the first bands to do the unthinkable -- merge the two styles together. Add to it bandleader/songwriter Ric Ocasek's supreme pop sensibilities, and you had an album that appealed to new wavers, rockers, and Top 40 fans. One of the most popular new wave songs ever, "Just What I Needed," is an obvious highlight, as are such familiar hits as "Good Times Roll," "My Best Friend's Girl," and "You're All I've Got Tonight." But like most consummate rock albums, the lesser-known compositions are just as exhilarating: "Don't Cha Stop," "Bye Bye Love," "All Mixed Up," and "Moving in Stereo," the latter featured as an instrumental during a steamy scene in the popular movie Fast Times at Ridgemont High. With flawless performances, songwriting, and production (courtesy of Queen alumni Roy Thomas Baker), The Cars' debut remains one of rock's all-time classics. Here today DCC Compact Classics Inc. Reissue, Remastered, 24kt Gold Plated
The Cars - The Cars (flac 219mb)
01 Let The Good Times Roll 3:44
02 My Best Friend's Girl 3:45
03 Just What I Needed 3:44
04 I'm In Touch With Your World 3:31
05 Don't Cha Stop 3:01
06 You're All I've Got Tonight 4:13
07 Bye Bye Love 4:54
08 Moving In Stereo 5:15
09 All Mixed Up 4:14
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Since the Cars had created a perfect album with their 1978 self-titled debut, it would be nearly impossible to top it. Instead of laboring long and hard over a follow-up like many '70s bands did after a huge commercial success, the band cranked out their sophomore effort, Candy-O, almost exactly one year later from the first LP. And while the album was not as stellar as its predecessor was, it did contain several classics, resulting in another smash album that solidified the band's standing as one of the most promising new bands of the late '70s. The first single, the Top 20 anthem "Let's Go," proves to be the best track, but plenty of other standouts can be found as well. The title track remains one of the band's best rockers, while the gentle "It's All I Can Do" also deserved to be a hit. The band pays tribute to T. Rex on "Dangerous Type" (the main guitar riff resembles "Bang a Gong"), rocks out on "Got a Lot on My Head" and "Night Spots," shows their softer side on "Since I Held You," and embraces modern pop on "Double Life" and "Lust for Kicks." Their second strong release in a row, Candy-O proved that the Cars were not one-hit wonders, like so many other bands from the same era.
The Cars - Candy O (flac 255mb)
01 Let's Go 3:32
02 Since I Held You 3:16
03 It's All I Can Do 3:46
04 Double Life 4:11
05 Shoo Be Doo 1:41
06 Candy-O 2:37
07 Night Spots 3:14
08 You Can't Hold On Too Long 2:47
09 Lust For Kicks 3:52
10 Got A Lot On My Head 2:59
11 Dangerous Type 4:30
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By augmenting their sound with more synthesizers, electronics, and drum machines, the Cars' fourth release, Shake It Up, helped bridge their hard rock-based early work (1978's The Cars) with the futuristic-pop direction of 1984's Heartbeat City. The band's sound may have been evolving with each succeeding album, but Ric Ocasek was still writing compelling new wave compositions despite all the change, many of which would ultimately become rock & roll standards. The up-tempo title track remains a party favorite to this day (reaching number four on the singles charts), while the melancholic "Since You're Gone" remains one of Ocasek's best-ever tales of heartbreak. Intriguing videos were made for both songs, officially introducing the band to the MTV age. Like its predecessor, 1980's Panorama, filler is present ("This Could Be Love," "Maybe Baby"), but many lesser-known album tracks prove to be highlights: the almost entirely synth-oriented tracks "Think It Over" and "A Dream Away," the rocking "Cruiser," plus the more pop-oriented "I'm Not the One" and "Victim of Love." Although Shake It Up was another resounding commercial success, their next album would be the one that made the Cars one of rock's quintessential acts of the '80s.
The Cars - Shake It Up (flac 254mb)
01 Since You're Gone 3:30
02 Shake It Up 3:32
03 I'm Not The One 4:12
04 Victim Of Love 4:24
05 Cruiser 4:54
06 A Dream Away 5:44
07 This Could Be Love 4:26
08 Think It Over 4:56
09 Maybe Baby 5:04
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MTV had become a major marketing tool by 1984, and the Cars were one of the first bands to use the new video medium to their advantage. The band's fifth album, Heartbeat City (Elektra), spawned several imaginative and memorable videos, which translated into massive chart and commercial success, making it one of the biggest releases of the year. Produced by hitmaker John "Mutt" Lange (AC/DC, Def Leppard), the album included two Top Ten singles -- the ballad "Drive" and the charismatic "You Might Think" -- plus an additional two that landed in the Top 20: the summer anthem "Magic" and the eccentric "Hello Again." But it didn't just stop there, plenty of other tracks could have been hits as well, such as the sparse rocker "It's Not the Night" and the breezy pop of "Looking for Love." Other highlights included the ethereal title track, the melodic rocker "Stranger Eyes," and the moderately paced love song "Why Can't I Have You." Although the Cars experienced their greatest success yet with Heartbeat City, it would unfortunately not last for long -- after just one more studio album (1987's spotty Door to Door), the band split up.
The Cars - Heartbeat City (flac 248mb)
01 Hello Again 3:47
02 Looking For Love 3:52
03 Magic 3:57
04 Drive 3:55
05 Stranger Eyes 4:31
06 You Might Think 3:06
07 It's Not The Night 3:50
08 Why Can't I Have You 4:05
09 I Refuse 3:15
10 Heartbeat City 4:32
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Meanwhile the UK commemorated the Blair 7-7 attacks 10 years ago, again a terrorist attack where services were on standby for the attack training mission, some said the out of the blue suicide bombers were duped believing they too were part of the training exercise but after 10 years how many people recall that ?
Blondie may have had a string of number one hits and Talking Heads may have won the hearts of the critics, but the Cars were the most successful American new wave band to emerge in the late '70s. With its sleek, mechanical pop/rock, the band racked up a string of platinum albums and Top 40 singles that made it one of the most popular American rock & roll bands of the late '70s and early '80s. While they were more commercially oriented than their New York peers, the Cars were nevertheless inspired by proto-punk, garage rock, and bubblegum pop. .....N'Joy
xxxxx xxxxx xxxxx xxxxx xxxxx
Where their peers were as equally inspired by art as music, the Cars were strictly a rock & roll band, and while their music occasionally sounded clipped and distant, they had enough attitude to cross over to album rock radio, which is where they made their name. Nevertheless, the Cars remained a new wave band, picking up cues from the Velvet Underground, David Bowie, and Roxy Music. Ric Ocasek and Ben Orr's vocals uncannily recalled Lou Reed's deadpan delivery, while the band's insistent, rhythmic pulse was reminiscent of Berlin-era Iggy Pop. Furthermore, the Cars followed Roxy Music's lead regarding LP cover art, in their case having artist Alberto Vargas design a sexy pinup-style illustration for the cover of their sophomore album, Candy-O. Similar cover art remained the Cars' primary visual attraction until 1984, when the group made a series of striking videos to accompany the singles from Heartbeat City. The videos for "You Might Think," "Magic," and "Drive" became MTV staples, sending the Cars to near-superstar status. Instead of following through with their success, the Cars slowly faded away, quietly breaking up after releasing one final album in 1987.
Ric Ocasek (guitar, vocals) and Ben Orr (bass, vocals) had been collaborators for several years before forming the Cars in 1976. Ocasek began playing guitar and writing songs when he was ten. After briefly attending Antioch College and Bowling Green State University, he dropped out of school and moved to Cleveland where he met Orr, who had led the house band on the TV show Upbeat as a teenager. The two began writing songs and led bands in Cleveland, New York City, Woodstock, and Ann Arbor before settling in Cambridge, MA in the early '70s. In 1972, the pair was the core of a folk trio named Milkwood. The band released an album on Paramount Records in late 1972, which was ignored; the record featured keyboards by a session musician named Greg Hawkes. By 1974, Ocasek and Orr had formed Cap'n Swing, which featured Elliot Easton on lead guitar. Cap'n Swing became a popular concert attraction in Boston, but the group broke up in 1975. Ocasek, Orr, and Easton formed a new band called the Cars in 1976 with former Modern Lovers drummer Dave Robinson and keyboardist Hawkes.
Early in 1977, the Cars sent a demo tape of "Just What I Needed" to the influential Boston radio station WBCN and it quickly became the station's most-requested song. For the remainder of 1977, the Cars played Boston clubs, and by the end of the year they signed with Elektra Records. The group's eponymous debut album appeared in the summer of 1978 and it slowly built a following thanks to the hit singles "Just What I Needed" (number 27), "My Best Friend's Girl" (number 35), and "Good Times Roll" (number 41). The Cars stayed on the charts for over two and a half years, delaying the release of the group's second album, and it eventually sold over six million copies.
Recorded early in 1979, Candy-O wasn't released until later that summer. The album was an instant hit, quickly climbing to number three on the charts and going platinum two months after its release. The record launched the Top Ten hit "Let's Go" and sent the band to the arena rock circuit. Perhaps as a reaction to the Cars' quick success, the group explored more ambitious territory on 1980's Panorama. Though the album wasn't as big a hit as its predecessors, it nevertheless peaked at number five and went platinum. Before recording their fourth album, several bandmembers pursued extracurricular interests, with Ocasek earning a reputation as a successful new wave producer for his work with Suicide and Romeo Void (he even produced some demos for Iggy Pop). the Cars released their fourth album, Shake It Up, in the fall of 1981, and it quickly went platinum, with its title track becoming the group's first Top Ten single.
Following the success of Shake It Up, the band recorded the soundtrack to the short film Chapter-X and then took an extended leave, with Ocasek releasing his solo album Beatitude in 1982 and Hawkes issuing Niagara Falls the following year; Ocasek also produced the debut album from the hardcore punk band Bad Brains. the Cars reconvened in 1983 to record their fifth album, Heartbeat City, which was released in early 1984. Supported by a groundbreaking, computer-animated video, the album's first single, "You Might Think," became a Top Ten hit, sending Heartbeat City to number three on the album charts. Three other Top 40 singles -- "Magic" (number 12), "Drive" (number three), and "Hello Again" (number 20) -- followed later that year, and the record went triple platinum in the summer of 1985. At the end of the year, the group released Greatest Hits, which featured two new hit singles, "Tonight She Comes" and "You Are the Girl."
The Cars were on hiatus for much of 1985 and 1986, during which time Easton released Change No Change and Orr issued The Lace. During 1987, the group completed its seventh album, Door to Door. The album was a moderate hit upon its summer release in 1987, launching the single "You Are the Girl," which peaked at number 17. Door to Door had seemed half-hearted, sparking speculation that the group was on the verge of splitting up. the Cars announced in February of 1988 that they had indeed broken up. All of the members pursued solo careers, but only Ocasek released albums with regularity. By the '90s, he'd also become a much sought-after alt-rock producer, having worked with with the likes of Weezer, Bad Religion, Black 47, Hole, Guided by Voices, No Doubt, Nada Surf, Johnny Bravo, D Generation, Possum Dixon, Jonathan Richman, the Wannadies, and former Suicide members Alan Vega and Martin Rev. Easton later reappeared with Creedence Clearwater Revisited, while sadly, Orr lost a battle with pancreatic cancer and died on October 3, 2000.
After Orr's passing, a few new Cars releases appeared on the marketplace, including the concert DVD Live (taped originally in Germany during 1979, and featuring an interview with the group shortly before Orr's passing), a double-disc deluxe edition of their classic self-titled debut album, and a more extensive hits collection titled Complete Greatest Hits. By early 2002, Ocasek was at work putting together a Cars documentary film, comprised of backstage footage and unreleased promo clips that the band filmed itself. He also continued working on solo material, releasing Nexterday in 2005 to warm reviews. Meanwhile, Greg Hawkes and Elliot Easton teamed up with Todd Rundgren to form The New Cars, a pop supergroup whose repertoire included Rundgren's solo songs, the Cars' past hits, and some new material. The New Cars toured with Blondie in 2006 and released one record, the concert album It's Alive!, before Rundgren resumed his solo career the following year.
In 2010, the founding members of The Cars suggested a reunion when Ric Ocasek, Elliot Easton, Greg Hawkes and David Robinson placed a photo of the four members together in Millbrook Sound Studios, Millbrook, NY on their Facebook page. On October 13, they also posted a snippet of a new song, "Blue Tip", on their Facebook page. A picture of Jacknife Lee in the studio was posted on the group's Facebook page hinting that he would be producing the new Cars album.
In October Billboard reported that a new album which may be supported by a tour is being recorded at veteran engineer Paul Orofino's studio in Millbrook, New York. A music clip of a new song, called "Sad Song", was added to the band's Facebook page on December 7, 2010; another clip of a song called "Free" was shared on their Facebook page on January 1, 2011. The official debut video for "Blue Tip" was released February 17, 2011. The video was directed by Roberto Serrini and Eron Otcasek from The Lab NYC and features the four members of the band, and NYC based street artist Joe Iurato. According to Rolling Stone, the surviving Cars mutually agreed there would be no replacing the late Benjamin Orr, so Hawkes and Lee handled all bass parts. The new album, titled Move Like This, was released on May 10 by Hear Music/Concord Music Group, debuting at No. 7 on Billboard's album charts. The album's first single, "Sad Song", was released to radio stations March 1. In April 2011, The Cars announced a ten-city tour of the United States and Canada to start in May 2011.
xxxxx xxxxx xxxxx xxxxx xxxxx
The Cars' 1978 self-titled debut, issued on the Elektra label, is a genuine rock masterpiece. The band jokingly referred to the album as their "true greatest-hits album," but it's no exaggeration -- all nine tracks are new wave/rock classics, still in rotation on rock radio. Whereas most bands of the late '70s embraced either punk/new wave or hard rock, The Cars were one of the first bands to do the unthinkable -- merge the two styles together. Add to it bandleader/songwriter Ric Ocasek's supreme pop sensibilities, and you had an album that appealed to new wavers, rockers, and Top 40 fans. One of the most popular new wave songs ever, "Just What I Needed," is an obvious highlight, as are such familiar hits as "Good Times Roll," "My Best Friend's Girl," and "You're All I've Got Tonight." But like most consummate rock albums, the lesser-known compositions are just as exhilarating: "Don't Cha Stop," "Bye Bye Love," "All Mixed Up," and "Moving in Stereo," the latter featured as an instrumental during a steamy scene in the popular movie Fast Times at Ridgemont High. With flawless performances, songwriting, and production (courtesy of Queen alumni Roy Thomas Baker), The Cars' debut remains one of rock's all-time classics. Here today DCC Compact Classics Inc. Reissue, Remastered, 24kt Gold Plated
The Cars - The Cars (flac 219mb)
01 Let The Good Times Roll 3:44
02 My Best Friend's Girl 3:45
03 Just What I Needed 3:44
04 I'm In Touch With Your World 3:31
05 Don't Cha Stop 3:01
06 You're All I've Got Tonight 4:13
07 Bye Bye Love 4:54
08 Moving In Stereo 5:15
09 All Mixed Up 4:14
xxxxx xxxxx xxxxx xxxxx xxxxx
Since the Cars had created a perfect album with their 1978 self-titled debut, it would be nearly impossible to top it. Instead of laboring long and hard over a follow-up like many '70s bands did after a huge commercial success, the band cranked out their sophomore effort, Candy-O, almost exactly one year later from the first LP. And while the album was not as stellar as its predecessor was, it did contain several classics, resulting in another smash album that solidified the band's standing as one of the most promising new bands of the late '70s. The first single, the Top 20 anthem "Let's Go," proves to be the best track, but plenty of other standouts can be found as well. The title track remains one of the band's best rockers, while the gentle "It's All I Can Do" also deserved to be a hit. The band pays tribute to T. Rex on "Dangerous Type" (the main guitar riff resembles "Bang a Gong"), rocks out on "Got a Lot on My Head" and "Night Spots," shows their softer side on "Since I Held You," and embraces modern pop on "Double Life" and "Lust for Kicks." Their second strong release in a row, Candy-O proved that the Cars were not one-hit wonders, like so many other bands from the same era.
The Cars - Candy O (flac 255mb)
01 Let's Go 3:32
02 Since I Held You 3:16
03 It's All I Can Do 3:46
04 Double Life 4:11
05 Shoo Be Doo 1:41
06 Candy-O 2:37
07 Night Spots 3:14
08 You Can't Hold On Too Long 2:47
09 Lust For Kicks 3:52
10 Got A Lot On My Head 2:59
11 Dangerous Type 4:30
xxxxx xxxxx xxxxx xxxxx xxxxx
By augmenting their sound with more synthesizers, electronics, and drum machines, the Cars' fourth release, Shake It Up, helped bridge their hard rock-based early work (1978's The Cars) with the futuristic-pop direction of 1984's Heartbeat City. The band's sound may have been evolving with each succeeding album, but Ric Ocasek was still writing compelling new wave compositions despite all the change, many of which would ultimately become rock & roll standards. The up-tempo title track remains a party favorite to this day (reaching number four on the singles charts), while the melancholic "Since You're Gone" remains one of Ocasek's best-ever tales of heartbreak. Intriguing videos were made for both songs, officially introducing the band to the MTV age. Like its predecessor, 1980's Panorama, filler is present ("This Could Be Love," "Maybe Baby"), but many lesser-known album tracks prove to be highlights: the almost entirely synth-oriented tracks "Think It Over" and "A Dream Away," the rocking "Cruiser," plus the more pop-oriented "I'm Not the One" and "Victim of Love." Although Shake It Up was another resounding commercial success, their next album would be the one that made the Cars one of rock's quintessential acts of the '80s.
The Cars - Shake It Up (flac 254mb)
01 Since You're Gone 3:30
02 Shake It Up 3:32
03 I'm Not The One 4:12
04 Victim Of Love 4:24
05 Cruiser 4:54
06 A Dream Away 5:44
07 This Could Be Love 4:26
08 Think It Over 4:56
09 Maybe Baby 5:04
xxxxx xxxxx xxxxx xxxxx xxxxx
MTV had become a major marketing tool by 1984, and the Cars were one of the first bands to use the new video medium to their advantage. The band's fifth album, Heartbeat City (Elektra), spawned several imaginative and memorable videos, which translated into massive chart and commercial success, making it one of the biggest releases of the year. Produced by hitmaker John "Mutt" Lange (AC/DC, Def Leppard), the album included two Top Ten singles -- the ballad "Drive" and the charismatic "You Might Think" -- plus an additional two that landed in the Top 20: the summer anthem "Magic" and the eccentric "Hello Again." But it didn't just stop there, plenty of other tracks could have been hits as well, such as the sparse rocker "It's Not the Night" and the breezy pop of "Looking for Love." Other highlights included the ethereal title track, the melodic rocker "Stranger Eyes," and the moderately paced love song "Why Can't I Have You." Although the Cars experienced their greatest success yet with Heartbeat City, it would unfortunately not last for long -- after just one more studio album (1987's spotty Door to Door), the band split up.
The Cars - Heartbeat City (flac 248mb)
01 Hello Again 3:47
02 Looking For Love 3:52
03 Magic 3:57
04 Drive 3:55
05 Stranger Eyes 4:31
06 You Might Think 3:06
07 It's Not The Night 3:50
08 Why Can't I Have You 4:05
09 I Refuse 3:15
10 Heartbeat City 4:32
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3 comments:
No Panorama? (Sorry to be a spoiled brat!)
Hello Kenny 5 albums, not enough for two posts, I had to drop one for a single posts, Panorama being the middle one nah not really a reason...
Good evening Rho, could you please Re-up the debut and Candy-O? Many thanks!
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