Aug 31, 2020

RhoDeo 2035 Expanse 6

Hello, Tour De France started on schedule Alaphilippe back in yellow after he lost it in the penultimate stage of last year's tour, today's stage was layed out for him and he didn't disappoint ah the drama, how long will it continue this time. Meanwhile in Spa at the most beautiful race track in the world there was an uneventful F1 Hamilton started on pole with teammate Bottas in tow, Verstappen on third, Ricciardo on fourth and that's how they finished. The Ferraris started 13th and 14th and had switched places at the finish, currently the Italians are a third rate team with top drivers...



Here today, Naturally my Quichote mission of trying to breakthough the wall of nonsense build by the supposed smartest men on the planet is continuing as chinks start to appear, their arrogant stupidity set us back decades if not more, electro-magnetics is clean energy and would have delivered us not only flying cars, but flying saucers aswell and who knows a pathway into other dimensions..Meanwhile The Expanse's Leviathan Wakes and starts wagging it's tail....

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Deep pits on Mars are not easy to explain.

Previous Picture of the Day articles discuss many unusual formations on Mars. Craters, canyons, dunes and many other features do not readily correspond to contemporary theories about their evolution. Dunes that do not align with the direction of the prevailing winds and that do not show any movement after years of observation are odd. Other anomalies include crater rims with steep vertical walls and kilometer-deep canyons with no outflow channels. On the slopes of Olympus Mons, often mistakenly called the largest volcano in the Solar System, are several large holes that seem to be hundreds of meters deep. On Earth some volcanoes have similar “pit craters” on their flanks. Since the pits on Mars are not connected with fumaroles or lava chambers, they are thought to form when gas pockets collapse, leaving sinkholes behind. However, with the recent awareness that plasma is involved with volcanic eruptions on Earth, it should also be considered when dealing with Mars.Volcanoes on Mars (provided such eruptions took place) are thought to be millions, if not billions, of years old. If the “skylights” are that old, surely they would not look like they were dug into the surface a short time ago.

Olympus Mons has all the characteristics of a lightning blister, or fulgamite, but on an incredible scale. If small blisters have been found on spark arrestors after a lightning strike on Earth, one can imagine the size of the burst that hit Mars and formed the Tharsis Montes region – Olympus Mons in particular. The giant mound is covered with raised dendritic ridges. Its caldera are chiseled out of its summit, and the same dendritic ridges outlining its foundation are molded into its cliff faces. Craters and pits vary enormously, but they all possess the features of electric spark machining. An electric arc will contact a surface at 90 degrees, and will typically consist of one or more discharge channels that rotate. If the arc remains stationary for a period, it will carve out a circular crater. Most of the surface material will be lifted away and the edge will have a sharp rim. If the current passing through the surface varies, the depth and diameter of the crater may vary, causing terraces to be cut into the walls. According to a recent press release, one particular pit is located in Tractus Fossae near Tharsis Montes. The HiRise camera, so often mentioned in these pages, captured an image that was looking almost straight down into the bottom of the pit. As conventional aereological theories state, it is a “collapsed lava tube”. Since no volcanic activity of any kind has ever been seen on Mars, the idea lacks weight. Given the electrical scarring that is so evident, Electric Universe theory ought to be given credence.

Stephen Smith

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In the 21st century, the technological wonders of the Space Age bring unprecedented data within astronomers' reach. However, as Thunderbolts contributor Mel Acheson notes, scientific blindness can lead to loss of potential data, and of new understanding.

A profound such example was offered by renowned astrophysicist Thomas Gold in his book, The Deep Hot Biosphere. Gold writes, “The invention of the seismograph meant that it was no longer necessary to experience an earthquake directly, or to interview someone who had, in order to assemble data on the event... [Eyewitness reports] were no longer believed to hold any value for the scientific venture.” Gold proceeds to describe many eyewitness reports from ancient times to modern. A constellation of recurring phenomena becomes apparent: “Eruptions, flames, noises, odors, asphyxiation, fountains of water and mud...” often occur before the quake.

Gold documents several incidents where people were able to evacuate their villages and towns a few hours before an earthquake because they were alerted by odors, fogs, or unusual animal behavior. So-called folklore has actually saved many lives; seismographs and stress meters have yet to achieve one correct prediction-probably because they’re measuring only effects, not causes. In this Space News, Mel explains why all inquirers into reality, including and especially scientists, must be careful never to become trapped in "the rut of the nearest convenient theory," and to remain willing to come up for another look.






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The Expanse is a series of science fiction novels (and related novellas and short stories) by James S. A. Corey, the joint pen name of authors Daniel Abraham and Ty Franck. The first novel, Leviathan Wakes, was nominated for the Hugo Award for Best Novel in 2012. The series as a whole was nominated for the Best Series Hugo Award in 2017.

As of 2019, The Expanse is made up of eight novels and eight shorter works - three short stories and five novellas. At least nine novels were planned, as well as two more novellas. The series was adapted for television by the Syfy Network, also under the title of The Expanse, then they dropped the ball despite the succes of the series, i suspect the whole thing got too serious (expensive) so once again Syfy network proved they can't handle success. Anyway fans were outraged and got Amazon Prime to pick it up for a fourth and fifth series and considering the mountain of money Jeff Bezos sits on i suspect several more as long as the fans keep cheering.

The Expanse is set in a future in which humanity has colonized much of the Solar System, but does not have interstellar travel. In the asteroid belt and beyond, tensions are rising between Earth's United Nations, Mars, and the outer planets.

The series initially takes place in the Solar System, using many real locations such as Ceres and Eros in the asteroid belt, several moons of Jupiter, with Ganymede and Europa the most developed, and small science bases as far out as Phoebe around Saturn and Titania around Uranus, as well as well-established domed settlements on Mars and the Moon.

As the series progresses, humanity gains access to thousands of new worlds by use of the ring, an artificially sustained Einstein-Rosen bridge or wormhole, created by a long dead alien race. The ring in our solar system is two AU from the orbit of Uranus, and passing through it leads to a hub of starless space approximately one million kilometers across, with more than 1,300 other rings, each with a star system on the other side. In the center of the hub, which is also referred to as the "slow zone", an alien space station controls the gates and can also set instantaneous speed limits on objects inside of the hub as a means of defense.


The story is told through multiple main point-of-view characters. There are two POV characters in the first book and four in books 2 through 5. In the sixth and seventh books, the number of POV characters increases, with several characters having only one or two chapters. Tiamat's Wrath returns to a more limited number with five. Every book also begins and ends with a prologue and epilogue told from a unique character's perspective.

Novels
# Title Pages Audio
1 Leviathan Wakes 592 20h 56m
2 Caliban's War 595 21h
3 Abaddon's Gate 539 19h 42m
4 Cibola Burn 583 20h 7m
5 Nemesis Games 544 16h 44m
6 Babylon's Ashes 608 19h 58m
7 Persepolis Rising 560 20h 34m
8 Tiamat's Wrath 544 19h 8m
9 Unnamed final novel

at 3 hours everyweek that's beyond 2021 before we're finished here, that's to say as long as there's enough interest...we'll see next week Leviathan Wakes


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Leviathan Wakes was nominated for the 2012 Hugo Award for Best Novel and the 2012 Locus Award for Best Science Fiction Novel. The novel was adapted for television in 2015 as the first season of The Expanse by Syfy.

Leviathan Wakes is set in a future in which humanity has colonized much of the Solar System. Earth, governed by the United Nations, and the Martian Congressional Republic act as competing superpowers, maintaining an uneasy military alliance in order to exert dual hegemony over the peoples of the Asteroid belt, known as "Belters." Belters, whose bodies tend to be thin and elongated due to their low-gravity environment, carry out the gritty, blue-collar work that provides the system with essential natural resources, but they are largely marginalized by the rest of the Solar System. The Outer Planets Alliance (OPA), a network of loosely-aligned militant groups, seeks to combat the Belt's exploitation at the hands of the "Inners," who, in turn, have branded the OPA a terrorist organization. The story is told from the point of view of Belter detective Joe Miller, and Earther Jim Holden.

James Holden is XO (Executive Officer) of an ice miner making runs from the rings of Saturn to the mining stations of the Belt. When he and his crew stumble upon a derelict ship, the Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for – and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why.

Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money and money talks. When the trail leads him to the Scopuli and rebel sympathizer Holden, he realizes that this girl may be the key to everything.

Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations – and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe.




James S.A. Corey - The Expanse Leviathan Wakes 30-36 ( 149min  69mb)

The Expanse Leviathan Wakes 30-36 149min

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previously

James S.A. Corey - The Expanse The Churn ( 149min  69mb)
James S.A. Corey - The Expanse Leviathan Wakes 1-7 ( 145min  67mb)
James S.A. Corey - The Expanse Leviathan Wakes 8-14 ( 143min  66mb)
James S.A. Corey - The Expanse Leviathan Wakes 15-21 ( 139min  64mb)
James S.A. Corey - The Expanse Leviathan Wakes 22-29 ( 149min  69mb)

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Aug 30, 2020

Sundaze 2035

Hello,


Today's artists are a mixed bunch you'll hear Deep Ambient, Downtempo, IDM, infused with hints of Neo-Classsical Electronica, Industrial and Liquid Drum’n’Bass.. ..... N'Joy

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Aes Dana is the main moniker for Vincent Villuis, a French composer, sound designer, Dj and co-owner of Ultimae records as well as one of the founding members of Asura.

Bass player and singer in several coldwave and industrial bands as a teenager, Vincent then moved on to composing with machines and specialised in sampling and layering of acoustic sounds digitally transmuted. His music is a fusion of Deep Ambient, Downtempo, IDM, infused with hints of Neo-Classsical Electronica, Industrial and Liquid Drum’n’Bass.

As Aes Dana, he produced 6 solo albums, an audio samples library, participated to about 3 dozen compilations while collaborating on three albums with Swedish artist Magnus Birgersson under moniker H.UV.A.Network and with Greek artist Miktek on the release of EPs and the Fragments Libraries. He is also known for his artistic direction on the Fahrenheit Project series of compilations (Ultimae) and, as head of the Ultimae Studio, has earned a solid reputation for his audio mastering works.
Vincent Villuis was the official Artist in Residence at « Les Dominicains de Haute Alsace » between 2009 and 2012 which led to collaborations with artists and choirs from the Classical Music world and compositions for multi-diffusion installations such as « Le Jardin Magnétique » and creation of audio-guides for the site.

He composed scores and licensed existing works for short and feature films, documentaries and BBC tv programs such as « Atrophy Bank » by Sam Asaert, « The Passport » by Amund Lie, « Mandorla » by Roberto Miller or « Breath of Life » by Susan Kucera which opened new perspectives on composition and sound design and collaborations with various advertising agencies.


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Vincent Villuis, co-compiled and mixed this cd, it's an exceptional disc of psyambient bliss... flowing effortlessly from track to track, it feels less like a 'mix' and more like a single work.

First in a series of compilations bringing together each time artists from the world and electronic scene, Fahrenheit Project takes you further on the ambient journey. All along this project, the diverse musical and geographical influences communicate with one another, evoke their rhythms, their harmonies and inspirations to give you 77 minutes of varied music. An invitation to a different perception of ambient, electro world and trance.

If you wanna see what the Fahrenheit Projects are about, then part 1 is certainly the place to start. 'Fahrenheit Project Part One' is one of the most beautiful works of art I've ever heard. The album is filled with rhythmical lines below the precious environmental dream themes mixed with basses, natural and industrial effects. The synch sequences are built in some kind of trance manner and are accurately sliced and arranged.

Fahrenheit Project part 1 is an impressive beginning and makes clear from the outset that Ultimae's definition of trance is open-minded and progressive. Aes Dana (a duo comprising of the label's co-founders) gives us something new and strange with the extraordinary "Skyclad". The opening oriental flute and eerie background drone could be textbook ethno-ambient until a percussive drum loop kicks in and casts its hypnotic spell. Also of note is Craig Padilla's beatless "Beyond Beta", jaw-droppingly beautiful and almost Berlin old-school ala Ashra with its warm, enveloping shroud of shimmering melody and sad synth chords.



VA - Fahrenheit Project 1 ( flac 492mb)

01 Ambient Temple of Imagination - Devotion (Intro) 1:25
02 Jaïa - L'ivresse Des Profondeurs 6:27
03 Asura - Amber Rain 7:39
04 Toirés - Laâlam 7:31
05 Asura - They Will Come 7:12
06 Hol Baumann - Another 5:11
07 Solar Fields - Outlined Surfaces 6:42
08 Chi-A.D. - Slide (Limited Version) 5:34
09 Distortion Orchestra - Fire Maiden 7:19
10 Aes Dana - Skyclad (High Frequencies Version) 7:10
11 Mystical Sun - In the Sky 3:58
12 Craig Padilla - Beyond Beta (Original Mix) 6:01
13 True Frequencies - New Indigeneous Religion 3:58
14 Ambient Temple of Imagination - Devotion (Extract...) 1:14

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This compilation is really true quintessence of electro/ambient world music. By listening, sounds move you to remote corners of magic landscapes, to space dimension, imagining once cosmos another tribal places...Every of tracks gets in euphoric mood, great spirit of life and are one and only in them kind, very special. This album is close to anything that could be called awesome. Ultimae records is known for releasing top-notch ambient, but this compilation is beyond anything they've released so far. Solar Fields, Vibrasphere, Khetzal, Aes Dana and Chi-A.D. The names speak for themselves, as The Fahrenheit Project part 2 is the culmination of several great ambient artists merged and mixed together into a floating wonderland with a runtime of 71:16. This is an album any Ambient lover should never be without.



VA - Fahrenheit Project 2 ( flac 512mb)

01 Robert Rich - Somnium Intro 2:07
02 Solar Fields - Electric Fluid 8:31
03 Vibrasphere - San Pedro 8:39
04 KhetzaL - Glaciales Lacrimae 7:45
05 Nuclear Ramjet - Folding Time (ambient version) 6:35
06 Aes Dana - Summerlands 5:39
07 Chi-A.D. - When the Effect Came 6:42
08 Hol Baumann - Bénarès 5:52
09 Cell - Keun Yung 5:42
10 Mystical Sun - Waters of Life 5:15
11 Robert Rich - Somnium 8:12

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The third volume of its Fahrenheit Project collection. A new selection of 10 unreleased ambient downtempo, trancey, tribal and atmospheric tracks. Thought up as a long chill-out journey amongst ethereal rhythms, Fahrenheit Project carries on presenting and promoting a certain definition of electronic music : visual and dreamlike. This time the story was compiled and mixed by Koala (former member of French trance band Jaïa), specialised in novodub and space music.

Some nice quality chillout for these increasingly cold autumn days? in Europe at least. (If you?re living in warmer climes, then just use your imagination.) Fahrenheit Project 3 manages to fit into an as-yet untouched groove, with a definite seasonal feel? the cover artwork features deep autumnal sunshine filtered through cold-starched treetops and the whole album has that vibe of hibernation time. If you accept that our own internal rhythms are in some way connected to those of the earth, and that ancient ancestors would probably be spending time right about now gathering animal skins, nuts and hallucinogenic mushrooms to hoard back into their caves for the winter downtime, then you?ll appreciate this vibe. Compiled and mixed by Koala, previously part of much applauded Jaia, this is a tight collection of beatless trance and tribal world breakbeats that only suffers intermittently from taking itself too seriously. Koala?s track with Xentrix opens the CD nicely with one of the finest bits of chill of the year, a real unfolding and rising atmosphere makes the music take on a mind of its own. Likewise Cell?s Spiritual Moves is awesome and reminds you just how deep this music can go, and Carbon Based Lifeforms? MOS 6581 is supreme: glossy, meditative stuff that brings feelings overflowing and then makes them subside gorgeously. With input from Toires, Solar Fields and Mystical Sun jostling alongside fresher names like Aes Dana & HUVA Network, familiar patterns shift alongside newer ones making this a sublime tribal chillout backdrop to cold, clear Sunday mornings.



 VA - Fahrenheit Project 3 ( flac 449mb)

01 Koala & Xentrix - Infinite Dream 7:30
02 Aes Dana - Undertow 6:41
03 H.U.V.A. Network - Morning Call (Ambient Version) 5:34
04 Cell - Spiritual Move 9:26
05 Solar Fields - Something Crystal 6:11
06 Toirés - Nabab 6:05
07 Carbon Based Lifeforms - MOS 6581 6:40
08 Mystical Sun - Blue Magnetic Ocean 6:40
09 Solar Fields - Spiritual Ocean 5:37
10 Carbon Based Lifeforms - Metrosat 4 8:12

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Here the fourth chapter in their Fahrenheit Project series. It is compiled and mixed once again by Vincent Villuis, first out is a new track by Solar Fields (Magnus Birgersson) , this is a really beautiful, floating, deep track with a totally hypnotic melody going pretty fast with a chilled background. Track 2 is a new project by Double Dragon (Steve Good) who lives in Japan. He has released two trance albums (Continuum and Transparent), but here he goes under a different name (Puff Dragon), and gives us a chilled dub track. This track has a nice ethnic Chinese feel, with beautiful flute mixed with some deep dub rhythms. Track 3 is by Aes Dana (Vincent Villuis) himself, the man who has compiled and mixed this compilation. Here we get a new track, deep and floating with beautiful sounds and relaxing down tempo rhythms. Track 4 is by Aural Planet, based in Poland. Again very floating and deep at the same time. The melodies in this one is really beautiful. Great chill out track! Carbon Based Lifeforms (Johannes Hedberg and Daniel Ringström) from Sweden released their first album (Hydroponic Garden) on Ultimae Records. A very relaxing down tempo ambient album. You get a feeling of what the album sounds like with this track. Relaxed down tempo rhythms with floating sounds around, and some tribal didgeridoo in between.

Track 6 by Cell (Alex Scheffer) from France is a totally floating ambient track with really wonderful sounds. After a while, some really slow going deep down tempo rhythms comes in. One of the most relaxing tracks on this compilation. Track 7 is a new track by Swedish Vibrasphere (Rickard Berglöf and Robert Elster). They usually released progressive trance, but they have also released a couple of really good dub tracks on their albums (Echo and Lime Structure). The track we get here isn't on any of their albums. It starts slow with a light melody and some floating sounds. Then comes the deep dubby rhythms in and take control. Not the best chilled track I have heard by them, but not bad. Ochi Brothers (Yoshiaki Ochi) from Japan has released an album (Drum N' Space) on Makyos label Dakini Records. Here we get a new slow ambient track with mostly floating sounds, a few tribal drums in the background and a lot of violin. Track 9 is another track by Swedish Carbon Based Lifeforms. This track is not on the album either. A very slow, totally deep ambient track, without much variation, but it just lasts for a couple of minutes. The last track on this compilation is by another French artist called Hol Baumann. He continues the same style as Carbon Based Lifeforms, in the beginning, but after a while it gets more tribal. It actually reminds me a bit of Makyo, with some relaxed female vocals.



  VA - Fahrenheit Project 4 ( flac 405mb)

01 Solar Fields - Union Light 6:21
02 Puff Dragon - Сhinese Radio 6:24
03 Aes Dana - Memory Shell (Mindgames Festival Live Version) 6:03
04 Aural Planet - Hydropoetry Cathedra (Instrumental Version) 9:47
05 Carbon Based Lifeforms - Epicentre (Second Movement) 5:46
06 Cell - Audio Deepest Night 8:40
07 Vibrasphere - Northern Sunsets 7:53
08 Ochi Brothers - Flowing Synergy 7:03
09 Carbon Based Lifeforms - Decompression 2:40
10 Hol Baumann - Send Away 7:20

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Aug 28, 2020

RhoDeo 2034 Grooves

Hello,


Today's Artist leads the band, and doesn't really play, but Kip Hanrahan is a forward thinker and an incredible organizer of all-star progressive bands. The founder of the American Clave label, Hanrahan has released Tenderness, Exotica, Darn It!, Anthology, All Roads Are Made of the Flesh, and Desire Develops an Edge. His style is a blend of Latin rhythms and avant-garde. His band has included Jack Bruce, Don Pullen, Leo Nocentelli, Robbie Ameen, and Alfredo Triff. .........N Joy

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Kip Hanrahan was born on december 9, 1954, in the Bronx, New York. His grandparents were irish and russian-jewish immigrants. At the age of fifteen he receveid a grant for study of art. Beginning with sculpture, he switched to film studies. At the age of seventeen he moved to Mahgreb, India with the poet Paul Haines, where he studied Islamic architecture for one year. In 1972 Kip Hanrahan travelled to various West African countries, such as Algeria, Mali and Mauretania, becoming familiar with their music and culture. Back in New York, he worked as a promoter with the Jazz Composers Association. In 1979 he founded the American Clavé label. His approach is often compared to the one of a filmdirector. Coordinating and integrating the musical contributions of various artists, he his totally involved with the music, while continously maintaining the detached view of an outsider. This critical distance, typical of Kip and his work, allows him to explore and experiment in unexpected directions, resulting in a unique body of work

Kip Hanrahan has constructed a career and history of recorded music and concerts as complex and unruley as he understands the human heart : an explosively productive creative relationship with Astor Piazzolla, resulting in the recordings Piazzolla was vocal about declaring the "best records of his life...."; a relentless evolving recordings of new music, and new ways of recording (iconoclastic masterworks, say some, many....), under his own name as well as "Conjure" (rooted in and framed by the American Black "Magic Realism" griot words of Ishmael Reed); a complex but musically awe inspiring, and impossible without Hanrahan, method of producing other artists like Silvana Deluigi, and Horacio El Negro Hernandez and Robby Ameen, and his lifetime friend, Milton Cardona, and records involving Paul Haines, Allen Toussaint and others... and tours with Hanrahan's own band which at times have included Jack Bruce (of course), Don Pullen, Allen Tou ssaint, Charles Neville, Fernando Saunders, Giovanni Hidalgo, Horacio el Negro Hernandez, Robby Ameen, Carmen Lundy, Little Jimmy Scott (on his first European tour!), Alfredo Triff Charles Neville and many others... Also, in the 25 years of living, Hanrahan has continued his need to make records that are among the most uncompromisingly MUSICAL and personal made in the world, and of playing concerts, both his obsessively loyal band of musicians - those that appear on his records as in his concerts - Bruce, Pullen (well, not now, he's deceaced...), Toussaint, Cardona, Hernandez, Ameen, Gonzalez, Neville, etc... During the late 1990s, through 2001, Hanrahan formed, recorded ("recording" sounding comically passive for something that's directed to the last note.....) and toured with a project called "Deep Rumba". A band, "Deep Rumba", formed from the absolute best Cuban (including Buena Vista players, like Amadito Valdez), Cuban American, Puerto Rican and New York percussionists and singers. With encouragement from Horacio El Negro Hernandez (Cuba's best trap drummer before his jump to Italy in 1989) as well as from Xiomara Laugart (Cuba's best singer? Yeah, REALLY!), Changuitio, Heila Monpie and Dafnis Prieto, and others, the band toured and recorded, with Charles Neville and other guest stars from 1998 through 2001, as the most creative and exciting band formed from the possibilties of Cuban and Latin US musics in the air.... Great, obsessively greeted tours of Japan, the US and (briefly) Europe encouraged more.... and more.... But, for Hanrahan, it was time to move on: it seemed that the audiences were intoxicated by the quality and vertuosity of the drumming, and the difficulty of the personal words was covered by the fact that they were sung in Spanish, not English, so..... Anyway : If an overused, but still accurate analogue of Mr. Hanrahan's studio work to that of a movie director still holds, the analogie of Mr. Hanrahan's stage work to that of a theater director might be in order. But during a tour, it's not another performance of the same play he directs each night. ...so.... So! With Hanrahan's new band, there were two nights in Vienne last October, and a new record on the way, following up, completing the heart music started by "Beautiful Scars". And Hanrahan's still "impossible", and the audience that shows up to see "how" Hanrahan struggles with Music and Making the Heart heard each night is still there... And anyone who's confused by what happens on stage is still open to becoming a lifetime Hanrahan fan...... FAN....... But, each night on stage, whether it's breathtakingly tanscendental, or a mixture of blindingly brilliant passages with minor train wrecks, each night / concert with the Kip Hanrahan band is always a project in making the heart's music (of that very night) audible, even in it's frustrations, and should NEVER sound like an excersize in just reproducing, QUOTING music that's been made and heard before, on other nights.Mr. Hanrahan often spends the concerts wandering among the musicians, giving new cues, whispering new musical parts and approaches, and changing the music (and sometimes the words) each night, directing, and redirecting the band in an unorthodox manner, disconcerting and distracting to only those who are unable to hear the music. It's a method of conducting (what's he going to do? As a conductor count out the time to the best percussionists in the world?) that was suggested by a vocal fan, Gil Evans, who originally suggested that Kip do what he does, start the concert PLAYING, then move to the pen and paper as the Night defined it's music during the concert. Kip, of course, took it further, by not even starting by playing or singing, as Gil had suggested. Each night makes itself heard, in both clarity and confusion, through Kip and the band members in it's distinction each time.

A producer, a composer, a percussionist and facilitator, Kip Hanrahan has an uncanny ability to assemble remarkable musicians and apply their talents in interesting ways. The results are often magical. His records are as enigmatic as he is, and maybe that heightens the attraction and expectation. The results of his American Clavé productions have garnered a cultist reputation, yet a lot of people have heard them or at least of them. He chooses to remain in the shadows, an obscure figure that turns the knobs and brings it all together. Hanrahan’s recorded legacy speaks volumes of his knowledge and abilities to bring out the best of musicians that accompany him on his fantastic sojourns. Kip Hanrahan started out as a percussionist, a fairly left-field occupation for an Irish-Jewish boy, even if he did grow up in a Puerto Rican neighborhood of the Bronx, New York. “I don't know where I am in a sense. People tell me that I am a Latin musician. But at the same time, it's not my music. I grew up with it and through it, and I learned it at the same time as everyone else around me learned it. And I think of Latin music as being my first music. But I'm not a Latin musician. I'm not from that culture.” After gaining a fellowship in sculpture at the Cooper Union Arts, in New York, Kip began collect several musical hats, those of producer, director, writer/arranger and conductor. However, his most apt headgear would be one of 'facilitator', for Kip has the knack of being able to connect up people and music together. Kip Hanrahan now has numerous albums to his name. His discography reads like chapters of a book, or betters still, an anthology of short stories, each album reflective of a different phase in his life. “All Roads Are Made of the Flesh,” (1995) is probably his best known work, a compilation of musical vignettes from Jelly Roll Morton to full on avant-garde. Kip has also produced three albums for the late accordion master Astor Piazzolla, the best known of which is “Tango Zero Hour.” Drawing from a rich vein of rock, jazz and blues influences, as well as the Latin influence of his formative years, he has devised a distinctive meld of music, a dialogue between the two hemispheres of north and south, which is informed by the American Clavé. (The clavé is the internal rhythmic pulse around which all Latin music is based.) Kip works with class. Several of the finest Latin jazz percussionists in the world have toured in his band, notably the Puerto Rican Giovanni Hidalgo, who left Kip to work with Dizzy Gillespie, and his protégé Richie Flores, not to forget Milton Cardona, and Anthony Carillo. There is always a fine supporting cast of Cuban players in a variety of roles and instruments. Hanrahan’s musical associates are far too numerous to list or mention here, but on preferred sessions he worked with bassists Jack Bruce, Andy Gonzalez, and Sting, pianists Don Pullen, John Beasley, Edsel Gomez, and Allen Toussaint, sax man Charles Neville, and trumpet man Brian Lynch. More endeavors have included drummers Robby Ameen, and Horacio ‘El Negro’ Hernandez, along with the usual all star line up of top tier percussionists as Paoli Mejias. On his “Deep Rumba/A Calm in the Fire of Dances” (2000) project he featured the vocal of Xiomara Lougart, who shines on her selections. Salsa superstar Ruben Blades does a bilingual version version of “Sympathy for the Devil,” on the “Robby and Negro at the Third World War” (2004) recording. He did the soundtrack for the movie “Piñero,” in 2001, and covered the NuyoRican poetry of Piri Thomas in “Every Child is Born A Poet,” released in 2006. One of his latest projects, also in 2006 has been “Conjure: Bad Mouth.” Bottom line for the musical trajectory of Kip Hanrahan is for the adventuresome listener to dive and explore the profound depths. Kip Hanrahan’s worldly and highly artistic approach provides a road map for ongoing success. Most importantly, Hanrahan paints vivid portraits of life, love and reality without becoming self-absorbed or overbearing. Overall, his productions are generally accessible and entertaining while maintaining that perpetual touch of class.”

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Four years in the making, this odd follow-up to Hanrahan's equally peculiar "A Thousand Nights and a Night" finds the composer getting even more ephemeral. It is intriguing to try to follow the meandering thread that runs through obscure recitations, loose jazz passages and wild percussive jams; Lest anyone miss the point that the albums that comprise Kip Hanrahan's A Thousand Nights and a Night series are all of one piece, this installment, volume two, picks up at literally the moment where the previous album ended. Volume one's closing fade out is indeed the same lovely Steve Swallow bass solo that opens the present work. The same elements present in volume one are at work here: half spoken, half sung narrations loosely based on the Thousand and One Nights over dense rhythmic structures and deft instrumental breaks, most notably from pianist Don Pullen. Kip Hanrahan calls this album a Shadow Night, meaning that it recounts alternate versions of the stories told in its predecessor. A Thousand Nights and a Night's greatest strength lies in the depth that it adds to what preceded it. Its principal frustration is that, true to its intended purpose, it sounds more like a long excerpt than a completed work.



 Kip Hanrahan - A Thousand Nights And A Night (Shadow Night 1)  (flac   381mb)

01 Faith in the Pants, Not in the Prick (Vallejo's Folk Song) 5:37
02 When I Lose Myself in the Darkness and the Pain of Love, No, This Love 5:36
03 She Turned So the Maybe a Third of Her Face Was in This Fuckin' Beautiful Half-Light 4:31
04 At the Same Time, as the Subway Train Was Pulling Out of the Station 4:28
05 I Told Him 'I Don't Have to Be Beaten to Be Understood' 6:01
06 Look, the Moon 5:05
07 Half of Sex Is Fear 6:26
08 Gillian's Folk Song 3:46
09 History 5:15
10 There Was Something About His Anger That Was So Inaccessable to Me 5:44
11 If I Knew How to, If I Knew What Muscles to Relax 3:13
12 You're No Pimp, and I'm Certainly No Whore 1:31
13 Deep Summer 4:13
14 Look, the Moon 5:44
15 In Place of an Epilog Lullabye for My Daughter 3:04
16 In Place of a Moral: Geography 5:04

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The bad news: Kip Hanrahan uses volume three of his adaptation of the Thousand and One Nights as a statement on economic powerlessness, reducing his narrative voices to rote Noam Chomsky sound-alikes. The good news: Shadow Nights, Vol. 2 features one of the hottest percussion sections since Max Roach and Gene Krupa recorded together. Particularly on "Commerce" (be warned, the title is typical of this album), drummers Negro Horacio Hernandez, Roby Ameen, and J.T. Lewis play together with an extraordinary mix of precision and abandon. Shadow Nights, Vol. 2 is mostly for Kip Hanrahan diehards -- but don't miss those drums.



Kip Hanrahan - A Thousand Nights And A Night (Shadow Night 2)  (flac   257mb)

01 You Can Tell a Guy by His Anger 7:45
02 The Last Song 3:34
03 As in Angola (Red Star in the Morning Sky) 3:35
04 Red Star 6:53
05 You Can Tell Someone Who'll Never Fullfill Their Potential by the Way They Measure the Evening 1:28
06 What We Learned That Night in Vera Cruz and How We Applied It 2:36
07 G-d Is Great 10:34
08 As in the Bronx (You Can Tell Where Someone Comes From by What They Laugh At) 4:27
09 You Can Tell a Moment of Clarity by the Digital Trace It Leaves 6:01
10 As in the Red Morning 8:00
11 The Last Song on the Album 3:24

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It is said that a master perfects technique in order to transcend it. This deeply satisfying disc, which merits a presence on 1998 best-of lists, applies the theory to rumba and proves it. Steeped in the tradition of voice- and percussion-based music, the members of Deep Rumba allow their talents and spirits to soar. The players are enormously sensitive to each other at all tempos. Most instructive is their "Sunshine of Your Love." Typically, a Latin jazz band would simply play the tune with a different beat; here the familiar rhythmic underpinning provides the basis for inspired percussion improvisation, and one doesn't notice until it's over that the melody never made an appearance. Also of note is Jerry Gonzalez' contribution on "The Bronx With Palms Trees," where his dreamy trumpet vamps weave in and out of the complex of sound, reminiscent of the tone and texture of early electric-era Miles Davis bands. Least satisfying are the couple of vocal ballads toward the end of the disc, essentially generic Latin pop fare. On a program of over 63 minutes, they were not needed as filler. The percussion section is extremely tight throughout (Amadito, El Negro, Richie, Milton...) and Andy González' bass is very prominent, which I think is one of the strengths of the album. Kudos to Kip and Puntilla for creating an innovative, if not fully satisfying, record.



Kip Hanrahan -  Deep Rumba ‎– This Night Becomes A Rumba (flac   382mb)

01 Vallejo 0:22
02 Cuentale 4:21
03 Columbia Dos Santos 6:18
04 Una Noche De Verano Comenca 8:46
05 Yambhoracio 2:14
06 Sunshine Of Your Love 2:49
07 The Bronx With Palm Trees 4:45
08 Negro And Andy Run This Very Night Into The Rumba 3:56
09 Calma, Morena 0:54
10 Yambu Chevoret 7:08
11 Si! No! 9:34
12 I Wish You Love 9:51
13 Vallejo (Reprise) 0:43
14 Distancia 1:33

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Another page is written in rhumba history, New York chapter. Kip Hanrahan's ever inventive, ever experimental (sometimes to their own detriment) American Clave label offers a follow-up to their first deep rhumba release, This Night Becomes a Rumba. In very much the same spirit, the percussion is thickly layered and pulsing, the arrangement ideas are out of the box, and the emotional tone is at times melancholy and searching, at others fierce and impassioned. With truly the very finest percussionists in the business at his disposal, including drummers Horacio "El Negro" Hernández and Robby Ameen, congueros Richie Flores, Giovanni Hidalgo, and Paoli Mejias (to name just a few), and timbalero Amadito Valdes, there is an overabundance of percussive talent. At times, the blanket of rhumba-funk can be so thick as to stifle the tune, but when used in more sparing measure, it's glorious. The unexpected standout of the record is the vocal styling of Haila Monpie, a former member of the Cuban vocal group Bamboleo. Her tone and improvisational talent are heart-wrenching and inspiring. All in all, there's enough variety and nuance in this record to captivate even those who are not rhumba obsessed. For those who are, say goodbye to friends and family for at least a week. You're going to be glued to the stereo. This album is a real joy to hear with some good headphones.



 Kip Hanrahan - Deep Rumba - A Calm in the Fire of Dances (flac   408mb)

01 Cubana 2:18
02 Medley: Robby And Negro Opening Time - Pensamiento 4:18
03 Bom Bom Bom Bom 3:08
04 Prelude To Un Golpecito Na' Ma 2:58
05 Kip Quest 1:58
06 Quimbara 2000 7:52
07 Carlos And Andy Discuss The Science Of Voodoo And The Voodoo Of Science 4:26
08 Besame Mucho 1:37
09 Tradicion 2:18
10 Sugar And Cotton (Black Hands In White Labor) 4:37
11 Cantar Maravilioso 4:58
12 Giovannito 2:05
13 Arabian Nights 5:29
14 El Solo Nino 4:27
15 Yamba De Las Cocas 8:25
16 Work And Play (Real Life Dramas) 5:56

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Aug 25, 2020

RhoDeo 2034 Re Up 253

Hello, looks like holidaze have limited the number of requests this week, good thing because my provider Ziggo still sucks, i pay for 25mb uploadspeed but getting 2,5 usually i get 9/10 and i can live with that  but 2,5 is unacceptable the thing is i never know what i'm getting and it makes no sense to me why the fluctuation, aaahrgh.and this week it's even weirder during the first hour of uploading i got the speed i pay for, but then all of a sudden it was drip drip drip...



Here at Rho-xs visitor numbers have been stable but i did notice a big rise in re-up requests which points to my visitors spending more time at Rho-Xs (glad to be at service). Alas over the years i've lost access to a number of disks, specially the loss of my Aetix and Roots collection hinders my capability to re-up. Obviously the torrent world offers a solution, but this scene is dynamic and suffers the same fate as my posts , the hosts delete the file when demand has dropped, in the torrent world this even worse. Unfortunately this means whilst bigger names get revived the more obscure tend to completely disappear, a fate that is suffered by roots artists as an example Salif Keita a relative big name is nowhere to be found in flac these days (just one album) when a few years ago there were many titles to be had. Same goes for many a reggae artist and even in Aetix the choice of what is on offer is diminishing day by day. I'm doing my best to fulfill requests but it's difficult and in the future i will request you my visitor to give back the odd title that you downloaded via Rho-xs and repost it here.


12 correct requests for this week , none  too early,  1 double, no confused=people requesting at the wrong place, whatever another batch of 44 re-ups (14.5gig)


These days i'm making an effort to re-up, it will satisfy a smaller number of people which means its likely the update will  expire relatively quickly again as its interest that keeps it live. Nevertheless here's your chance ... asks for re-up in the comments section at the page where the expired link resides, or it will be discarded by me. ....requests are satisfied on a first come first go basis. ...updates will be posted here remember to request from the page where the link died! To keep re-ups interesting to my regular visitors i will only re-up files that are at least 12 months old (the older the better as far as i am concerned), and please check the previous update request if it's less then a year old i won't re-up either.

Looka here , requests fulfilled up to Augustus 23rd... N'Joy

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4x Aetix Back In Flac (Talking Heads - Remain In Light, Talking Heads - Speaking In Tongues, Talking Heads - The Name Of (77-79), Talking Heads - The Name Of (80-81) )



4x Sundaze Back in Flac (Ryuichi Sakamoto - Heartbeat, Ryuichi Sakamoto - Sweet Revenge; Ryuichi Sakamoto - Smoochy, Ryuichi Sakamoto - Raw Life Osaka)



3x Grooves  Back in Flac (Defunkt - Defunkt, Defunkt - Thermonuclear Sweat, + Defunkt - Avoid The Funk )




4x Grooves  Back in Flac  (Con Funk Shun - Con Funk Shun, Con Funk Shun - Secrets, Con Funk Shun - Loveshine , Con Funk Shun - Spirit Of Love)



4x Grooves Back in Flac (Commodores - Machine Gun, Commodores - Movin' On, Commodores - Caught In the Act, Commodores - Commodores (Zoom))




3x Aetix  Back In Flac  (Meat Puppets - Mirage, Meat Puppets - Huevos,  Meat Puppets - Monsters)




4x Roots 1421Back in Flac (Various -  Nigeria 70 Vol.1-1, Various -  Nigeria 70 Vol.1-2, Various -  Nigeria 70 Vol.2-1., Various -  Nigeria 70 Vol.2-2)





3xAetix Back in Flac (Camper Van Beethoven - C V B, Camper Van Beethoven -  II & III, Camper Van Beethoven -  Telephone Free Landslide Victory )




4x Aetix Back In Flac (Violent Femmes - Violent Femmes, Violent Femmes - Live Femmes , Violent Femmes -  Hallowed Ground, Violent Femmes - The Blind Leading The Naked)



3x Aetix Back in Flac (Buggles - The Age Of Plastic, Thomas Dolby - The Golden Age Of Wireless, The Passions - Michael & Miranda)



4x Aetix  Back in Flac ('Til Tuesday - Voices Carry, 'Til Tuesday - Welcome Home, 'Til Tuesday - Everything's Different Now, 'Til Tuesday - The Spit, Boston 1 03 84 )



4x beats Back in Flac (VA Clicks n Cuts 1-1, VA Clicks n Cuts 1-2, VA Clicks n Cuts 3-1, VA Clicks n Cuts 3-2)


As announced please return if you have it



you can do this by uploading at https://bayfiles.com/   no need to fill in anything there, just copy the result as a comment at Rho-Xs



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Aug 24, 2020

RhoDeo 2034 Expanse 5

Hello, that was a rather predictable win by the Germans tonight, Bayern simply have the better team, whilst PSG has the biggest stars. The Germans gave PSG too much respect, subsequently made life difficult for themselves,they should have overrun those French and watch them panic as never before they faced that kind of opposition, instead we saw two teams avoiding risk after an hour Coman scored after another superb assist by Kimmich but PSG still refused to attack in force, they played the same during the whole match which meant neither Neymar or Mbappé got really dangerous and any serious approach got neutralised by the best keeper in the world, Neuer. And so the Cup goes to Munich for the 6th time desrvedly so Bayern were the best team in Europe this crucial year;




Here today, Naturally my Quichote mission of trying to breakthough the wall of nonsense build by the supposed smartest men on the planet is continuing as chinks start to appear, their arrogant stupidity set us back decades if not more, electro-magnetics is clean energy and would have delivered us not only flying cars, but flying saucers aswell and who knows a pathway into other dimensions..Meanwhile The Expanse's Leviathan Wakes and starts wagging it's tail....

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The Universe is not expanding.

“After a ridiculously long time it has finally dawned on me that establishment scientists actually proceed on the belief that theories tell you what is true and not true!”— Halton Arp

Astronomers think that galactic recession is occurring, because galaxies received “inflationary energy” from the Big Bang explosion. The recession is thought to be about 71 kilometers per second for every 3.3 million light-years of spatial distance. This “dilation of space-time” is called the Hubble constant. According to a recent press release, “Hubble’s measurements of today’s expansion rate do not match the rate that was expected based on how the Universe appeared shortly after the Big Bang over 13 billion years ago.” In the 1960s, measurements of the Local Group, containing the Milky Way, revealed a 600 kilometer-per-second acceleration toward the constellation Centaurus over 150 million light-years away. The Local Group, along with the Virgo supercluster, the Hydra-Centaurus supercluster, and other galactic superclusters are thought to be drawn toward a deep space structure known as the Great Attractor. The Great Attractor is thought to be associated with a group of objects called the Centaurus Wall.

Conventional redshift measurements of galaxies in the Local Group also show them flying toward the center of the Virgo cluster at nearly two million kilometers per hour. The Virgo cluster is 50 million light years away and whatever is pulling on it also remains invisible. Astronomer Sherry Suyu wrote: “The Hubble constant is crucial for modern astronomy as it can help to confirm or refute whether our picture of the universe — composed of dark energy, dark matter and normal matter — is actually correct, or if we are missing something fundamental.” It is not the intent of this paper to address dark matter and dark energy, since those ideas are discussed in recent Picture of the Day articles. Suffice to say, the information contained in the Space Telescope press release relies on many assumptions. One assumption is that galaxy clusters are large and far away, so they are looking for some way to show how far. However, the late Halton Arp conducted research indicating that compact galactic clusters are small and faint and are ejected from nearby active galaxies. Like quasars, those clusters are often embedded in radio and X-ray-emitting lobes coming from the parent galaxy.

Astronomers assume that redshift is a Doppler effect, indicating velocity. Arp’s work revealed that galactic redshifts are mostly intrinsic, since galaxies with different redshifts are connected by bridges of luminous material. Redshifts, when adjusted to the parent galaxy’s reference frame, are periodic and occur only in preferred values.

In an Electric Universe, if galaxies within a cluster are oppositely charged from the cluster core, the core will pull them in toward the region of greatest charge density, so they will experience “anomalous velocity”. When there are regions of charge separation within a galaxy, then the material that is the same polarity as the cluster core will be blown back and away, like the coma and tail of a comet in the Solar System.

It is electricity that is missing in conventional explanations.
Stephen Smith

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What does the future hold for education in the space sciences?

More than half a century ago, inspired interest in space exploration was remarkably high among the general public, as humanity’s attention was held rapt by the race to the Moon. However, in the 21st century,  the public face of space science is less the astronaut than the physicist and astrophysicist. When young people wish to learn of space science, they learn of the Big Bang and gravity-centric cosmology. They must try to make sense of concepts such as warped space-time, infinities and singularities. They’re told of a Universe that is 96% dark, comprised of matter and energy that are unproven, invisible and “poorly understood.” However, today we know that more than 99% of the universe is composed of plasma. This universe is not "dark," it is alight with electric currents. And the physical mechanisms that spark the phenomena we see have been replicated for many decades in laboratories on Earth. Thus, one can see the potential for the electrical cosmology to inspire a new generation, through concepts that are both understandable and demonstrable. Recently, we have engaged with an Electric Universe advocate who has made it his mission to introduce the young and curious to the ideas of the EU. His name is Benjamin Hyde, a television news science presenter at KSTU-FOX 13 Salt Lake City, and prolific social media science creator. We are excited to formally introduce Ben to the EU community in his Space News debut. Here he describes SPARK (Science Programs Aimed Right at Kids), and how his efforts to interest and inspire Generation Z in the sciences is flourishing.






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The Expanse is a series of science fiction novels (and related novellas and short stories) by James S. A. Corey, the joint pen name of authors Daniel Abraham and Ty Franck. The first novel, Leviathan Wakes, was nominated for the Hugo Award for Best Novel in 2012. The series as a whole was nominated for the Best Series Hugo Award in 2017.

As of 2019, The Expanse is made up of eight novels and eight shorter works - three short stories and five novellas. At least nine novels were planned, as well as two more novellas. The series was adapted for television by the Syfy Network, also under the title of The Expanse, then they dropped the ball despite the succes of the series, i suspect the whole thing got too serious (expensive) so once again Syfy network proved they can't handle success. Anyway fans were outraged and got Amazon Prime to pick it up for a fourth and fifth series and considering the mountain of money Jeff Bezos sits on i suspect several more as long as the fans keep cheering.

The Expanse is set in a future in which humanity has colonized much of the Solar System, but does not have interstellar travel. In the asteroid belt and beyond, tensions are rising between Earth's United Nations, Mars, and the outer planets.

The series initially takes place in the Solar System, using many real locations such as Ceres and Eros in the asteroid belt, several moons of Jupiter, with Ganymede and Europa the most developed, and small science bases as far out as Phoebe around Saturn and Titania around Uranus, as well as well-established domed settlements on Mars and the Moon.

As the series progresses, humanity gains access to thousands of new worlds by use of the ring, an artificially sustained Einstein-Rosen bridge or wormhole, created by a long dead alien race. The ring in our solar system is two AU from the orbit of Uranus, and passing through it leads to a hub of starless space approximately one million kilometers across, with more than 1,300 other rings, each with a star system on the other side. In the center of the hub, which is also referred to as the "slow zone", an alien space station controls the gates and can also set instantaneous speed limits on objects inside of the hub as a means of defense.


The story is told through multiple main point-of-view characters. There are two POV characters in the first book and four in books 2 through 5. In the sixth and seventh books, the number of POV characters increases, with several characters having only one or two chapters. Tiamat's Wrath returns to a more limited number with five. Every book also begins and ends with a prologue and epilogue told from a unique character's perspective.

Novels
# Title Pages Audio
1 Leviathan Wakes 592 20h 56m
2 Caliban's War 595 21h
3 Abaddon's Gate 539 19h 42m
4 Cibola Burn 583 20h 7m
5 Nemesis Games 544 16h 44m
6 Babylon's Ashes 608 19h 58m
7 Persepolis Rising 560 20h 34m
8 Tiamat's Wrath 544 19h 8m
9 Unnamed final novel

at 3 hours everyweek that's beyond 2021 before we're finished here, that's to say as long as there's enough interest...we'll see next week Leviathan Wakes


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Leviathan Wakes was nominated for the 2012 Hugo Award for Best Novel and the 2012 Locus Award for Best Science Fiction Novel. The novel was adapted for television in 2015 as the first season of The Expanse by Syfy.

Leviathan Wakes is set in a future in which humanity has colonized much of the Solar System. Earth, governed by the United Nations, and the Martian Congressional Republic act as competing superpowers, maintaining an uneasy military alliance in order to exert dual hegemony over the peoples of the Asteroid belt, known as "Belters." Belters, whose bodies tend to be thin and elongated due to their low-gravity environment, carry out the gritty, blue-collar work that provides the system with essential natural resources, but they are largely marginalized by the rest of the Solar System. The Outer Planets Alliance (OPA), a network of loosely-aligned militant groups, seeks to combat the Belt's exploitation at the hands of the "Inners," who, in turn, have branded the OPA a terrorist organization. The story is told from the point of view of Belter detective Joe Miller, and Earther Jim Holden.

James Holden is XO (Executive Officer) of an ice miner making runs from the rings of Saturn to the mining stations of the Belt. When he and his crew stumble upon a derelict ship, the Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for – and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why.

Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money and money talks. When the trail leads him to the Scopuli and rebel sympathizer Holden, he realizes that this girl may be the key to everything.

Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations – and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe.




James S.A. Corey - The Expanse Leviathan Wakes 22-29 ( 149min  69mb)

The Expanse Leviathan Wakes 22-29 149min

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previously

James S.A. Corey - The Expanse The Churn ( 149min  69mb)
James S.A. Corey - The Expanse Leviathan Wakes 1-7 ( 145min  67mb)
James S.A. Corey - The Expanse Leviathan Wakes 8-14 ( 143min  66mb)
James S.A. Corey - The Expanse Leviathan Wakes 15-21 ( 139min  64mb)


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Aug 23, 2020

Sundaze 2034

Hello,


Today's artistis are a New Zealand electronica duo from Christchurch. ..... N'Joy

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Mike and Paddy met in 1996. Since then they have released five albums, four remix albums and been on six world tours.

Their debut album, Futureproof, released in August 1998, rose to the top of the New Zealand electronic charts, despite no marketing or advertising. Their second album, Electronomicon, followed in September 2000, and led to a 30-date tour of New Zealand and Australia. Both albums spawned remix projects, featuring mixes by local luminaries such as International Observer, Epsilon Blue and Downtown Brown.

Their third album, Ape to Angel, released in New Zealand on 4 October 2004, gained critical acclaim. The "Ape to Angel" tour was the biggest to date, with 42 shows across the world, including their debut performances in United States. The remixes of this came out in New Zealand and Australia under the name "Halfway: between Ape and Angel" and in Europe and America as "Frequencies Fall.

Their fourth studio album was "Rude Mechanicals", released in 2007: it came out on the band's own label, Remote Recordings, in Australia and New Zealand; on the Wakyo label in Japan; and on Dubmission Records elsewhere in the worl The remixes of this album came out as "Rhythm, Sound and Movement" in May 2009.

The fifth Pitch Black record "Filtered Senses" came out on September 2nd 2016, and was followed by a remix collection, "Invisible Circuits", on July 7th 2017

Their sixth studio album "Third Light" was released on September 13th 2019 and followed with a tour of New Zealand in October and Europe in November[. A remix collection, "The Light Within", followed on July 10th 2020.

Pitch Black songs have been used on a variety of international film and media, such as Whale Rider and CSI: Miami. Also they have worked with Metia Interactive's Cube game for the PlayStation Portable, designing sound, and contributing music.


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Rhythm, Sound and Movement is a collection of remixes of tracks from Pitch Black’s Rude Mechanicals album, which, reflecting the duo’s wide ranging tastes and styles, encompasses nearly every genre of electronica and dance music there is. The compilation kicks off with two heavily dubwise numbers from former Thomspon Twin, International Observer, and Melbourne’s deadly duo, Deep Fried Dub. England’s Mistrust adds breaks to the mix, which Fold and Horace then throw into the blender with their dubstep meets drum’n’bass reduction of Bird Soul. Subtone gets us back on track with his techstep mix of taut beats and restrained funk, and Heavyweight Dub Champion’s Patch’s bass laden beats prepare the ground nicely for psy star Bluetech’s electro dub version of South of the Line. Neon Stereo takes us out onto the dancefloor with some tight tech house grooves and Johhny Hooves keeps us there by dropping Bukem style atmospheric drum’n’bass. Kerretta blow the whole thing out of the water with an amazingly indescribable remix – labels like “post rock” and “shoegaze” don’t do them any justice at all, while sublime, stunning and cinematic possibly do. Poker Flat’s Simon Flower carries on this blissful theme with his floating remix, while Rob’s is more akin to drowning! Thankfully Groove Yantra saves us from the murky depths with their upbeat world beats, and Friends Electric send us back into orbit, blending pulsating beats with a growling bassline.

All in all, a worthy addition to the Pitch Black cannon, similar to their previous remix collection, Frequencies Fall, in it’s eclectic ness, with some tracks made for the dancefloor, some for the living room, and some for the bedroom ;-) Rhythm, Sound and Movement indeed.



Pitch Black - Rhythm, Sound And Movement ( flac 465mb)

01 1000 Mile Drift (International Observer Remix) 5:52
02 Transient Transmissions (Deep Fried Dub's Battered Mix) 6:00
03 Rude Mechanicals (Mistrust's Ambiotik Mix) 6:20
04 Bird Soul (Fold Vs Horace Remix) 4:12
05 Bird Soul (Subtone's Funky, Hard And Atmospheric Drum And Bass Mix) 6:23
06 Sonic Colonic (Patch's Reconstruction Mix) 5:50
07 South Of The Line (Bluetech's Electroid Excursion) 4:47
08 Harmonia (Neon Stereo's Lost In A Cave Mix) 5:58
09 Please Leave Quietly (Johnny Hooves Remix) 5:40
10 Bird Soul (Kerretta Ornithomancy Mix) 5:35
11 1000 Mile Drift (Simon Flower's Lost At Sea Mix) 7:04
12 Harmonia (Rob's Light Remix) 3:38
13 Fragile Ladders (Groove Yantra's Eclectic, Psychedelic Dub) 6:02
14 Please Leave Quietly (Friends Electric Remix) 6:22

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Remixes + Rarities, the lalbum from Aucklands Pitch Black, is a package of rare tracks and lovingly crafted remixes of other artists music, chosen by Paddy Free and Mike Hodgson to represent their 15 years as one of NZs favourite electronica acts. Known globally for their stomping live sets, Remixes + Rarities showcases Pitch Blacks mellower side. Beginning with a dancefloor friendly, but respectful,reworking of the Richard Nunns and Hirini Melbourne original, Te Po and ending with an equally haunting version of Tikis Past Present Future, the album represents the past, present and future of the Pitch Black partnership. Included in the remixes are tracks by fellow NZ dub trailblazers International Observer and Salmonella Dub, who appear alongside independent music producer Tom Cosm and reggae legends Katchafire. Also fed through the PB warping machine are tracks from further afield: Mirror Beach by Mirror System (the ambient project of System 7); and A New Day, a remix of a Sri Lankan track that Pitch Black did for the Laya Project, a collaboration of regional folk musicians affected by the 2004 tsunami. Included on the album are three Pitch Black rarities, one of which is a recording of 1996s Im a Wanderer, the first track the pair worked on together, which showcases the industrial beginnings of what would become the Pitch Black sound: a dynamic balancing act between heavily sculpted basslines and choppy melody. Also included is Kaikoura Dub, the track used on Whalerider after Mike having been asked by Niki Caro for some music gave her a 23 minute mix of a jam recorded in Kaikoura. She ended up choosing a sliver for the film. We subsequently used the bones of this track for the tune Elements Turn on Ape to Angel The last rarity is Protect the Grain a windborne ambient track that was previously released on the limited edition EP Flex around the time of widespread anti GE demonstrations in NZ and worldwide. Pitch Black have always been more than a dance act, but on Remixes + Rarities they demonstrate the full reach of the musical territory they love to explore.



Pitch Black - Rarities and Remixes ( flac 412mb)

01 Hirini Melbourne & Richard Nunns -Te Po (Pitch Black Remix) 5:07
02 Pitch Black - Kaikoura Dub (Original Demo) 8:08
03 International Observer - House Of The Rising Dub (Pitch Black Remix) 6:18
04 Salmonella Dub - For The Love Of It (Pitch Black Version) 6:04
05 Tom Cosm - The Opaque (Pitch Black Remix) 7:26
06 Katchafire - Sensimillia (Pitch Black's Sensi Dub) 4:03
07 Pitch Black - I'm A Wanderer 6:04
08 Mirror System - Mirror Beach (Pitch Black's Iron Sands Re-rub) 8:05
09 Laya Project - A New Day (Pitch Black Remix) 11:53
10 Pitch Black - Protect The Grain 3:36
11 Tiki - Past Present Future (Pitch Black's Sleep Whisperer Mix) 6:17

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Since their very first gig at the Gathering music festival on Takaka Hill in 1996, Mike and Paddy have wowed audiences all over the world with their unique genre-bending brand of live electronic music.
The secret to their longevity is that if you’re never in fashion, you’re never go out of fashion! In an age when electronic genres and fads come and go, seemingly monthly, Pitch Black have managed to keep their sonic identity due to the blend of two very different personalities and musical styles: Paddy Free, the manic groove-merchant, and Michael Hodgson, the dark dub-meister.

Their new album saw them adopt a different working method - one they’ve dubbed (pardon the pun) remote-control. With Mike situated in London since 2012 and Paddy temporarily based in New York, Filtered Senses was written by swapping files over the web, with an intensive two week mixing session together in Mike’s studio in Hackney to finish the job. With the tracks ranging from the ambient wash of “A Great Silence is Spreading” to the stomping foot tapper of “Pixel Dust”, with everything else in between, Filtered Senses could be described as having one foot on the dancefloor, one eye in the cinema and both ears in psychedelic stereo. Pitch Black regularly collaborate with MC’s and vocalists who bring a different groove and a fresh sound to their tracks. Filtered Senses is no different, with the vocals on the album contributed by Alison Evelyn, a Londoner who Mike met at a vinyl night he runs. Her contemplative and observational words merged beautifully into the Pitch Black sound. Despite nine years between albums and four years living in different hemispheres, Filtered Senses is instantly recognisable as a Pitch Black album thanks to the unfeasibly large bass and endless delays sprinkled with touches of playfulness amidst the menacing undertones.



 Pitch Black - Filtered Senses ( flac 280mb)

01 Filtered Senses 7:12
02 Circuit Bent 7:31
03 Invisible Chatter 5:29
04 Dub Smoke 6:51
05 A Great Silence Is Spreading 6:11
06 It's the Future Knocking 7:24
07 Without the Trees 5:48
08 Pixel Dust 7:10

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Pitch Black's two-decade career of fusing different musical styles is in full effect across this eight track release. Dub, downbeat, techno, drum’n’bass and cinematic ambience are all ingredients in an echo-drenched odyssey that moves the heart and mind and body, as Pitch Black’s distinctive sonic signature of deep analogue dub combines with beats ranging from slinky to slamming and vocals spanning enigmatic to emphatic. As the album shifts between dance floor and brain food, it reflects on a world similarly in transition between two states. On the one hand, the planet faces depleting resources and a looming climate emergency; on the other, capitalism and consumerism are marching blindly onwards. As a result of this conundrum, there are many contemplative moments on the album, most notably with the world’s extinction echoing in the ambience of the final track “Did You Get the Message”. Despite prevaricating between pessimism and optimism, “Third Light” is far from a depressing record. After all, Pitch Black are far from technological luddites, and just as their futuristic beats strive for a progressive future, so they hope for a more harmonious tomorrow.



  Pitch Black - Third Light ( flac 288mb)

 1 The Silver World 5:11
2 One Ton Skank 8:20
3 Third Light 8:13
4 Artificial Intolerance 5:55
5 Daylight Wasting 7:38
6 The Lake Within 5:35
7 A Doubtful Sound 6:40
8 Did You Get the Message 5:25

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Aug 21, 2020

RhoDeo 2033 Grooves

Hello, the heatwave is finally abating tomorrow here, back to comfy temps no longer bare-chested posting that said musically we still have some steamy tunes here today..



Today's Artist leads the band, and doesn't really play, but Kip Hanrahan is a forward thinker and an incredible organizer of all-star progressive bands. The founder of the American Clave label, Hanrahan has released Tenderness, Exotica, Darn It!, Anthology, All Roads Are Made of the Flesh, and Desire Develops an Edge. His style is a blend of Latin rhythms and avant-garde. His band has included Jack Bruce, Don Pullen, Leo Nocentelli, Robbie Ameen, and Alfredo Triff. .........N Joy

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Kip Hanrahan was born on december 9, 1954, in the Bronx, New York. His grandparents were irish and russian-jewish immigrants. At the age of fifteen he receveid a grant for study of art. Beginning with sculpture, he switched to film studies. At the age of seventeen he moved to Mahgreb, India with the poet Paul Haines, where he studied Islamic architecture for one year. In 1972 Kip Hanrahan travelled to various West African countries, such as Algeria, Mali and Mauretania, becoming familiar with their music and culture. Back in New York, he worked as a promoter with the Jazz Composers Association. In 1979 he founded the American Clavé label. His approach is often compared to the one of a filmdirector. Coordinating and integrating the musical contributions of various artists, he his totally involved with the music, while continously maintaining the detached view of an outsider. This critical distance, typical of Kip and his work, allows him to explore and experiment in unexpected directions, resulting in a unique body of work

Kip Hanrahan has constructed a career and history of recorded music and concerts as complex and unruley as he understands the human heart : an explosively productive creative relationship with Astor Piazzolla, resulting in the recordings Piazzolla was vocal about declaring the "best records of his life...."; a relentless evolving recordings of new music, and new ways of recording (iconoclastic masterworks, say some, many....), under his own name as well as "Conjure" (rooted in and framed by the American Black "Magic Realism" griot words of Ishmael Reed); a complex but musically awe inspiring, and impossible without Hanrahan, method of producing other artists like Silvana Deluigi, and Horacio El Negro Hernandez and Robby Ameen, and his lifetime friend, Milton Cardona, and records involving Paul Haines, Allen Toussaint and others... and tours with Hanrahan's own band which at times have included Jack Bruce (of course), Don Pullen, Allen Tou ssaint, Charles Neville, Fernando Saunders, Giovanni Hidalgo, Horacio el Negro Hernandez, Robby Ameen, Carmen Lundy, Little Jimmy Scott (on his first European tour!), Alfredo Triff Charles Neville and many others... Also, in the 25 years of living, Hanrahan has continued his need to make records that are among the most uncompromisingly MUSICAL and personal made in the world, and of playing concerts, both his obsessively loyal band of musicians - those that appear on his records as in his concerts - Bruce, Pullen (well, not now, he's deceaced...), Toussaint, Cardona, Hernandez, Ameen, Gonzalez, Neville, etc... During the late 1990s, through 2001, Hanrahan formed, recorded ("recording" sounding comically passive for something that's directed to the last note.....) and toured with a project called "Deep Rumba". A band, "Deep Rumba", formed from the absolute best Cuban (including Buena Vista players, like Amadito Valdez), Cuban American, Puerto Rican and New York percussionists and singers. With encouragement from Horacio El Negro Hernandez (Cuba's best trap drummer before his jump to Italy in 1989) as well as from Xiomara Laugart (Cuba's best singer? Yeah, REALLY!), Changuitio, Heila Monpie and Dafnis Prieto, and others, the band toured and recorded, with Charles Neville and other guest stars from 1998 through 2001, as the most creative and exciting band formed from the possibilties of Cuban and Latin US musics in the air.... Great, obsessively greeted tours of Japan, the US and (briefly) Europe encouraged more.... and more.... But, for Hanrahan, it was time to move on: it seemed that the audiences were intoxicated by the quality and vertuosity of the drumming, and the difficulty of the personal words was covered by the fact that they were sung in Spanish, not English, so..... Anyway : If an overused, but still accurate analogue of Mr. Hanrahan's studio work to that of a movie director still holds, the analogie of Mr. Hanrahan's stage work to that of a theater director might be in order. But during a tour, it's not another performance of the same play he directs each night. ...so.... So! With Hanrahan's new band, there were two nights in Vienne last October, and a new record on the way, following up, completing the heart music started by "Beautiful Scars". And Hanrahan's still "impossible", and the audience that shows up to see "how" Hanrahan struggles with Music and Making the Heart heard each night is still there... And anyone who's confused by what happens on stage is still open to becoming a lifetime Hanrahan fan...... FAN....... But, each night on stage, whether it's breathtakingly tanscendental, or a mixture of blindingly brilliant passages with minor train wrecks, each night / concert with the Kip Hanrahan band is always a project in making the heart's music (of that very night) audible, even in it's frustrations, and should NEVER sound like an excersize in just reproducing, QUOTING music that's been made and heard before, on other nights.Mr. Hanrahan often spends the concerts wandering among the musicians, giving new cues, whispering new musical parts and approaches, and changing the music (and sometimes the words) each night, directing, and redirecting the band in an unorthodox manner, disconcerting and distracting to only those who are unable to hear the music. It's a method of conducting (what's he going to do? As a conductor count out the time to the best percussionists in the world?) that was suggested by a vocal fan, Gil Evans, who originally suggested that Kip do what he does, start the concert PLAYING, then move to the pen and paper as the Night defined it's music during the concert. Kip, of course, took it further, by not even starting by playing or singing, as Gil had suggested. Each night makes itself heard, in both clarity and confusion, through Kip and the band members in it's distinction each time.

A producer, a composer, a percussionist and facilitator, Kip Hanrahan has an uncanny ability to assemble remarkable musicians and apply their talents in interesting ways. The results are often magical. His records are as enigmatic as he is, and maybe that heightens the attraction and expectation. The results of his American Clavé productions have garnered a cultist reputation, yet a lot of people have heard them or at least of them. He chooses to remain in the shadows, an obscure figure that turns the knobs and brings it all together. Hanrahan’s recorded legacy speaks volumes of his knowledge and abilities to bring out the best of musicians that accompany him on his fantastic sojourns. Kip Hanrahan started out as a percussionist, a fairly left-field occupation for an Irish-Jewish boy, even if he did grow up in a Puerto Rican neighborhood of the Bronx, New York. “I don't know where I am in a sense. People tell me that I am a Latin musician. But at the same time, it's not my music. I grew up with it and through it, and I learned it at the same time as everyone else around me learned it. And I think of Latin music as being my first music. But I'm not a Latin musician. I'm not from that culture.” After gaining a fellowship in sculpture at the Cooper Union Arts, in New York, Kip began collect several musical hats, those of producer, director, writer/arranger and conductor. However, his most apt headgear would be one of 'facilitator', for Kip has the knack of being able to connect up people and music together. Kip Hanrahan now has numerous albums to his name. His discography reads like chapters of a book, or betters still, an anthology of short stories, each album reflective of a different phase in his life. “All Roads Are Made of the Flesh,” (1995) is probably his best known work, a compilation of musical vignettes from Jelly Roll Morton to full on avant-garde. Kip has also produced three albums for the late accordion master Astor Piazzolla, the best known of which is “Tango Zero Hour.” Drawing from a rich vein of rock, jazz and blues influences, as well as the Latin influence of his formative years, he has devised a distinctive meld of music, a dialogue between the two hemispheres of north and south, which is informed by the American Clavé. (The clavé is the internal rhythmic pulse around which all Latin music is based.) Kip works with class. Several of the finest Latin jazz percussionists in the world have toured in his band, notably the Puerto Rican Giovanni Hidalgo, who left Kip to work with Dizzy Gillespie, and his protégé Richie Flores, not to forget Milton Cardona, and Anthony Carillo. There is always a fine supporting cast of Cuban players in a variety of roles and instruments. Hanrahan’s musical associates are far too numerous to list or mention here, but on preferred sessions he worked with bassists Jack Bruce, Andy Gonzalez, and Sting, pianists Don Pullen, John Beasley, Edsel Gomez, and Allen Toussaint, sax man Charles Neville, and trumpet man Brian Lynch. More endeavors have included drummers Robby Ameen, and Horacio ‘El Negro’ Hernandez, along with the usual all star line up of top tier percussionists as Paoli Mejias. On his “Deep Rumba/A Calm in the Fire of Dances” (2000) project he featured the vocal of Xiomara Lougart, who shines on her selections. Salsa superstar Ruben Blades does a bilingual version version of “Sympathy for the Devil,” on the “Robby and Negro at the Third World War” (2004) recording. He did the soundtrack for the movie “Piñero,” in 2001, and covered the NuyoRican poetry of Piri Thomas in “Every Child is Born A Poet,” released in 2006. One of his latest projects, also in 2006 has been “Conjure: Bad Mouth.” Bottom line for the musical trajectory of Kip Hanrahan is for the adventuresome listener to dive and explore the profound depths. Kip Hanrahan’s worldly and highly artistic approach provides a road map for ongoing success. Most importantly, Hanrahan paints vivid portraits of life, love and reality without becoming self-absorbed or overbearing. Overall, his productions are generally accessible and entertaining while maintaining that perpetual touch of class.”

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Without Jack Bruce Hanrahan takes a big leap forward into the pure essence of sex and relationships. Even more daring than on Blue Luck Inverted his musicians (first among the many Leo "The Meters" Nocentelli, Fernando Saunders, Robbie Ameen and the wonderful Carmen Lundy)create the atmosphere of the hottest summer night in a city full of loneliness. Hanrahan's poetry matches with the maze of percussion fabrics more beautifully than it ever did before. This music is not jazz, rock or avantgarde. It's "the most complicated wine I've ever tasted". It is the best music I've ever heard.



 Kip Hanrahan - Tenderness  (flac   419mb)

01 Faith in the Pants, Not in the Prick (Vallejo's Folk Song) 5:37
02 When I Lose Myself in the Darkness and the Pain of Love, No, This Love 5:36
03 She Turned So the Maybe a Third of Her Face Was in This Fuckin' Beautiful Half-Light 4:31
04 At the Same Time, as the Subway Train Was Pulling Out of the Station 4:28
05 I Told Him 'I Don't Have to Be Beaten to Be Understood' 6:01
06 Look, the Moon 5:05
07 Half of Sex Is Fear 6:26
08 Gillian's Folk Song 3:46
09 History 5:15
10 There Was Something About His Anger That Was So Inaccessable to Me 5:44
11 If I Knew How to, If I Knew What Muscles to Relax 3:13
12 You're No Pimp, and I'm Certainly No Whore 1:31
13 Deep Summer 4:13
14 Look, the Moon 5:44
15 In Place of an Epilog Lullabye for My Daughter 3:04
16 In Place of a Moral: Geography 5:04

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Awesome latin/jazz/funk gumbo. The best post-Vertical's Curreny Kip Hanrahan album. This is set above by Don Pullen's amazing piano and organ which is omnipresent on this album. The bass is great and I assume is Jack Bruce. The players are named but it doesn't say who plays what. Bruce sings throughout and his voice is nectar as always. The lyrics are leftist polemics and pretty good, although they're too Trotskyite for my tastes - not anti-imperialist nor anti-zionist enough. The drums are good and propulsive: probably mostly Robbie Ameen. Alfredo Triff has some good spots on violin. Saxes by David Sanchez and Mario Rivera. Etc. Just an excellent album!



 Kip Hanrahan - Exotica    (flac   359mb)

01 You Can Tell a Guy by His Anger 7:45
02 The Last Song 3:34
03 As in Angola (Red Star in the Morning Sky) 3:35
04 Red Star 6:53
05 You Can Tell Someone Who'll Never Fullfill Their Potential by the Way They Measure the Evening 1:28
06 What We Learned That Night in Vera Cruz and How We Applied It 2:36
07 G-d Is Great 10:34
08 As in the Bronx (You Can Tell Where Someone Comes From by What They Laugh At) 4:27
09 You Can Tell a Moment of Clarity by the Digital Trace It Leaves 6:01
10 As in the Red Morning 8:00
11 The Last Song on the Album 3:24

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All Roads Are Made of the Flesh occupies an unusual place in the discography of producer Kip Hanrahan. Rather than being a unified musical statement, the album is a collection of pieces that didn't fit into other projects. Among the highlights are a Jelly Roll Morton cover featuring Jack Bruce (vocals) with New Orleans legends Allen Toussaint (piano) and Charles Neville (tenor sax), as well as a luminous piano solo by Don Pullen and two versions of Hanrahan's signature tune "The First and Last to Love Me" (one vocal, the other instrumental). All works on All Roads Are Made of the Flesh feature members of Hanrahan's fiercely loyal core group of musicians, providing the album with a consistent sound and consistently fine playing. The album is a deeply satisfying introduction to the range, if not the depth, of Kip Hanrahan's work.



Kip Hanrahan - All Roads Are Made of The Flesh (flac   256mb)

01 Buddy Bolden's Blues 9:45
02 ...At the Same Time as the Subway Train Was Pulling Out of the Station... 5:19
03 The First and Last to Love Me (4, December) 10:26
04 The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan 7:36
05 The Same Dawn, At Almost the Exact Same Moment, Smiles on Don in Passaic 5:04
06 Within an Hour, in New Orleans, Charles Knows the Light's in the Room Without Even Opening His Eyes 0:57
07 The First and Last to Love Me (2, October) 5:57

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The percussive notes that begin "Busses from Heaven," the opening track on percussionist , composer, and musical auteur Kip Hanrahan's gorgeous Beautiful Scars are packed with the complexity, emotion, pathos, and raw yet seductive elegance of his sensually charged musical "films." The place might be Havana, but then it again it might be Miami, Algeria, or Bogota. A bassline, a whispering hi-hat cymbal, Latin rhythms on congas and timbales meet a violin, chanted backing vocals, sampled dialogue, and marimbas with acoustic guitars before Brandon Ross begins to sing: "Here in heaven/a bus will take you anywhere British Leyland take us away/Put your hand in mine/my tongue in your mouth again/Here from Leyland will take us today..." It seems it's Havana after all, the home of the imported busses from Great Britain's Leland company, and Fidel's government couldn't be bothered to change the destinations on their fronts. So no matter where you picked one up, or where you were going in those early heady days of the Revolution, your destination might be stated to be Leicester Square, Liverpool, Birmingham, or perhaps Cairo, Beijing, Jerusalem, Athens, or Delhi -- because Leyland exported their busses everywhere. In a nutshell, this is Hanrahan's desiring machine universe. His music comes from the hopes, dreams, rage, and ruins of cultures largely unknown to White America, makes its own detour through vast soundscapes provided by expatriates and refugees who happen to be musicians and poets, and comes out a new world order of the lost, the beautiful, and the beaten who have access to pleasures most of us wouldn't dream of, simply because of their displacement.

Hanrahan hasn't really issued a record under his own name since his brilliant and gorgeously difficult, two-volume A Thousand Nights and a Night sets in 1998 and 1999, respectively (though two records have come out under his American Clave rubric: 2002's Pinero by poet Piri Thomas, and the Ishmael Reed/ Conjure collective's Bad Mouth in 2006). Beautiful Scars was more than worth the wait. His cast, is, as usual, full of all-stars: Steve Swallow, Robby Ameen, Horacio "El Negro" Hernandez, Milton Cardona, Fernando Saunders, Ron Blake, Alfredo Triff, Yosvany Terry Cabrera, Dafnis Prieto, Pedro Martinez, Bryan Carrott, and himself of course. His guest vocalists are an amazing, unlikely batch who work together in many ways: Ross, Xiomara Laugart, Alvin Youngblood Hart, Leijia Hanrahan, Lindsay Marcus. Some friends help out in various places: Billy Bang, Anthony Cox, Richie Flores, Mario Rivera, and the great guitarist Leo Nocentelli. The music is, for lack of a better word "Exotic": here, jazz meets many Latin rhythms, meets organic breakbeats and folk musics from all over the world in this heady stew of lyrics born of raw eros, politics, spirituality, and art-poetry. The entire set is wonderful, but "Busses from Heaven," the languid title cut on which we hear Ross' most gorgeous recorded vocal; the slippery, sex groove of "Carvaggio/A Quick Balance," with killer sax work by Blake, he moody tone poetry of "One Summer Afternoon (For Gil Evans)," and the moaning percussion jazz-blues that is "Salt in the Mozambique Night (Glasgow, for Jack Bruce)" are highlights. Hanrahan's records are not so much easy to listen to as they are obsessive, addictive. Once this album is heard in full, nothing can be played after it -- unless it's another record by him. Beautiful Scars is the most elegant, graceful, steamy record Hanrahan's released yet. You'll have to hunt for it, but it is worth whatever you pay for it.



 Kip Hanrahan - Beautiful Scars (flac   376mb)

01 Busses From Heaven 6:17
02 Real Time and Beautiful Scars 6:12
03 The Girl That Won't Resolve 2:35
04 Caravaggio / A Quick Balance 6:37
05 Night Columbia 4:30
06 One Summer Afternoon (For Gil Evans) 3:38
07 Xiomara Wears the Heat Beautifully 5:22
08 Paris Through Tears 2:58
09 Montana 4:22
10 Leijia Heads to Brooklyn 0:50
11 Milton Cardona 2:20
12 Salt in the Mozambique Night (Glasgow, for Jack Bruce) 4:35
13 Rumba of Cities 4:44
14 The Accountant of Morning 5:19
15 Winterscape With I.M.F. 1:18
16 City of Gold (Palestine Blues) 4:18

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