Hello,
Few artists have had the cultural impact that Missy Elliott has, her visionary presence as both a producer and an artist reshaping the entirety of rap and R&B that followed her. From worldwide breakthrough-producing hits for artists like Aaliyah and Tweet to Grammy Award-winning solo albums, Elliott put her stamp on the music industry at large throughout the late '90s and 2000s. Even when slowing down on her solo output in the 2010s, Elliott continued working as a producer, and her watershed albums like 1997's Supa Dupa Fly and 2002's Under Construction changed the course of commercial rap and R&B for years to come. . ....... N Joy
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Melissa Arnette Elliott was born on July 1, 1971, at Portsmouth Naval Hospital in Portsmouth, Virginia. She is the only child of mother Patricia Elliott, a power-company dispatcher, and father Ronnie, a U.S. Marine no longer on active duty, working as a shipyard welder. Elliott grew up in an active church choir family, and singing was a normal part of her youth. At the age of four, she wanted to be a performer, and, as biographer Veronica A. Davis writes, she "would sing and perform for her family". In later years, she feared no one would take her seriously, because she was always the class clown. While her father was an active Marine, the family lived in Jacksonville, North Carolina, in a manufactured home community. Elliott blossomed during this part of her life. She enjoyed school for the friendships that she formed even though she had little interest in schoolwork. She would later get well above average marks on intelligence tests, and she was advanced two years ahead of her former class. Her move in grades caused isolation, and she purposely failed, eventually returning to her previous class. When her father returned from the Marines, they moved back to Virginia, where they lived in extreme poverty.
Life in Virginia saw many hardships. Elliott talks about domestic abuse by her father. She refused to stay over at friends homes out of fear that on her return home she would find her mother dead. When Elliott was eight, she was molested by a cousin. In one violent incident, Ronnie Elliott dislocated his wife's shoulders and during another, Elliott herself was threatened with a gun. At the age of fourteen, Elliott's mother decided to end the situation and fled with her daughter on the pretext of taking a joyride on a local bus. In reality, the pair had found refuge at a family member's home where their possessions were stored in a loaded U-Haul truck. Elliott tells her that she feared her father would kill them both for leaving. In 1991, Elliott formed an all female R&B group, called Fayze (later renamed Sista), with friends La'Shawn Shellman, Chonita Coleman, and Radiah Scott. She recruited her neighborhood friend Timothy Mosley (Timbaland) as the group's producer and began making demo tracks, among them included the 1991 promo "First Move". Later in 1991, Fayze caught the attention of Jodeci member and producer DeVante Swing by performing Jodeci songs a cappella for him backstage after one of his group's concerts. In short order, Fayze moved to New York City and signed to Elektra Records through DeVante's Swing Mob imprint and also renaming the group Sista. Sista's debut song was titled "Brand New", which was released in 1993 Elliott took Mosley—whom DeVante re-christened Timbaland—and their friend Melvin "Magoo" Barcliff along with her.
All 20-plus members of the Swing Mob—among them future stars such as Ginuwine, Playa, and Tweet—lived in a single two-story house in New York and were often at work on material both for Jodeci and their own projects. While Elliott wrote and rapped on Raven-Symoné's 1993 debut single, "That's What Little Girls Are Made Of", she also contributed, credited and uncredited, to the Jodeci albums Diary of a Mad Band (1993) and The Show, the After Party, the Hotel (1995). Timbaland and DeVante jointly produced a Sista album, entitled 4 All the Sistas Around da World (1994). Elliott met R&B artist Mary J. Blige while Blige was in sessions for her second album My Life. Though videos were released for the original and remix versions of the single "Brand New", the album was shelved and never released. One of the group's tracks, "It's Alright" featuring Craig Mack did however make the cut on the soundtrack of the 1995 motion picture Dangerous Minds but by the end of 1995, Swing Mob had folded and many of its members dispersed. Elliott, Timbaland, Magoo, Ginuwine, and Playa remained together and collaborated on each other's records for the rest of the decade as the musical collective The Superfriends.
After leaving Swing Mob, Elliott and Timbaland worked together as a songwriting/production team, crafting tracks for acts including SWV, 702, and most notable Aaliyah. The pair wrote and produced nine tracks for Aaliyah's second album, One in a Million (1996), among them the hit singles "If Your Girl Only Knew", "One in a Million", "Hot Like Fire", and "4 Page Letter". Elliott contributed background vocals and/or guest raps to nearly all of the tracks on which she and Timbaland worked. One in a Million went double platinum and made stars out of the production duo. Elliott and Timbaland continued to work together for other artists, later creating hits for artists such as Total; "What About Us?" (1997), Nicole Wray; "Make It Hot" (1998), and Destiny's Child; "Get on the Bus" (1998), as well as one final hit for Aaliyah, "I Care 4 U", before her death in 2001. Elliott also wrote the bulk of Total's second and final album Kima, Keisha, and Pam and Nicole Wray's debut Make It Hot (both released in 1998). Elliott began her career as a featured vocalist rapping on Sean "Puffy" Combs's Bad Boy remixes to Gina Thompson's "The Things That You Do", (which had a video featuring cameo appearances by Notorious B.I.G and Puff Daddy), MC Lyte's 1996 hit single "Cold Rock a Party" (backup vocals by Gina Thompson), and New Edition's 1996 single "You Don't Have to Worry". In 1996, Elliott also appeared on the Men of Vizion's remix of "Do Thangz" which was produced by Rodney Jerkins (coincidentally the producer of the original version of "The Things That You Do").
Combs had hoped to sign Elliott to his Bad Boy record label. Instead, she signed a deal in 1996 to create her own imprint, The Goldmind Inc., with East West Records, which at that time was a division of Elektra Entertainment Group, for which she would record as a solo artist. Timbaland was again recruited as her production partner, a role he would hold on most of Elliott's solo releases. Missy continued to work with other artists and appeared on LSG's song "All the Time" with Gerald Levert, Keith Sweat, Johnny Gill, Faith Evans, and Coko in 1997 on Levert Sweat Gill classic album. The same year, she rapped in "Keys To My House" with old friends group LeVert. In the center of a busy period of making guest appearances and writing for other artists, Elliott's debut album, Supa Dupa Fly, was released in mid-1997; the success of its lead single "The Rain" led the album to be certified platinum. The success was also a result of the music videos of her single releases, which were directed by Harold "Hype" Williams, who created many groundbreaking hip hop, Afro-futuristic videos at the time. The album was nominated for Best Rap Album at the 1998 Grammy Awards, but lost to Puff Daddy's No Way Out. The year also saw Elliott perform live at the MTV Video Music Awards show on a remix to Lil' Kim's "Ladies Night" with fellow rappers Da Brat, Angie Martinez and TLC-rapper Left Eye. Elliott continued her successful career in the background as a producer and writer on Total's single "Trippin'", as well as working with several others in the hip-hop and R&B communities. Elliott co-wrote and co-produced two tracks on Whitney Houston's 1998 album My Love Is Your Love, providing vocal cameos for "In My Business" and "Oh Yes". Elliott also produced and made a guest appearance on Spice Girl Melanie Brown's debut solo single, "I Want You Back", which topped the UK Singles Chart. 1999–2001: Da Real World and Miss E… So Addictive. Although a much darker album than her debut, Elliott's second album was just as successful as the first, selling 1.5 million copies and 3 million copies worldwide. She remarked, "I can't even explain the pressure. The last album took me a week to record. This one took almost two months…I couldn't rush it the second time because people expect more." Da Real World (1999) included the singles "All n My Grill", a collaboration with Nicole Wray and Big Boi (from OutKast), a remix to "Hot Boyz" and "She's a Bitch". Also in 1999, Elliott was featured, alongside Da Brat, on the official remix to a Mariah Carey single "Heartbreaker".
Missy Elliott next released Miss E... So Addictive on May 15, 2001. The album spawned the massive pop and urban hits "One Minute Man", featuring Ludacris and Trina, and "Get Ur Freak On", as well as the international club hit "4 My People" and the less commercially successful single "Take Away". The double music video for "Take Away/4 My People" was released in the fall of 2001, shortly after the 9/11 terrorist attacks and the death of Elliott's friend Aaliyah in August. The "Take Away" video contained images of and words about Aaliyah, and the slow ballad acted as a tribute to her memory. The remainder of the video was the more upbeat "4 My People", contained scenes of people dancing happily in front of American flags and Elliott dressed in red, white and blue. Though "Take Away" was not a success on radio, "4 My People" went on to become an American and European club hit due to a popular remix by house music duo Basement Jaxx in 2002. Tweet's appearance on Elliott's "Take Away" as well as her cameo at Elliott's house on MTV Cribs helped to create a buzz about the new R&B singer. Tweet's own debut single, "Oops (Oh My)", was co-written by Elliott and released through Goldmind in February 2002. The single was a top ten hit, thanks partially to Elliott's songwriting and guest rap, and to Timbaland's unusual production on the track. Elliott co-produced the Christina Aguilera, Lil' Kim, Mýa and Pink cover of "Lady Marmalade" for the album Moulin Rouge! Music from Baz Luhrmann's Film,[27] which went to number one on the Billboard Hot 100 in 2001.
2002–2004: Under Construction and This Is Not a Test!
For her next outing, Elliott and Timbaland focused on an old school sound, utilizing many old school rap and funk samples, such as Run–D.M.C.'s "Peter Piper" and Frankie Smith's "Double Dutch Bus." Elliott's fourth album, 2002's Under Construction (see 2002 in music) is known as the best selling female rap album with 2.1 million copies sold in the United States. In 2002, Elliott won a Grammy Award for Best Rap Solo Performance for "Get Ur Freak On". In 2003, Under Construction received Grammy nominations for Best Rap Album and Album of the Year. The New York Times designated Under Construction "this year's best hip-hop album." Elliott released two singles off of Under Construction. The lead single, "Work It" reached #2 on Billboard's Hot 100 chart and won the "Video of the Year" award at MTV's Video Music Awards. The second single, "Gossip Folks" featuring Ludacris, became a Top 10 hit on Billboard's Hot 100 chart, was one of the most-played music videos on MTV, MTV2, MTV Jams, and BET in 2003 and was embraced by the dance community, as well as the mainstream, due to a Fatboy Slim remix. A third single was never released, though a video was shot for "Back In The Day" featuring Jay-Z and Elliott was.
In between albums, Elliott produced the "American Dream Remix" (featuring Tweet's additional vocals) of Madonna's single "American Life," was featured rapper on Timbaland & Magoo's return single, "Cop That Shit", and produced "Fighting Temptation" (featuring herself, Beyoncé, Free and MC Lyte) for the soundtrack to the Cuba Gooding Jr. and Beyoncé Knowles movie of the same name. The track reached #1 in Japan but failed to chart in the U.S. Hot 100. Elliott was also featured on Wyclef Jean's "Party to Damascus" and Ghostface Killah's "Tush" singles, the latter of which became a minor 2004 dance hit, and had a pivotal role in the film Honey. Gap approached Elliott later in the year to co-star in a commercial with Madonna, which received much media attention. Elliott furthered her relationship with Madonna by performing the controversial 2003 MTV Video Music Awards show opening alongside Madonna, Britney Spears and Christina Aguilera. A year after Elliott's most successful album to date was released, Elliott felt pressured by her label to release another album hoping to capitalize on her recent success. Elliott's singles, "Pass That Dutch" and "I'm Really Hot", from her fifth album, This Is Not a Test! (released November 2003), both rose the urban charts. However, both were not as successful at pop radio in comparison to many of her previous efforts. This Is Not A Test sold 690,000 copies in the United States and has been certified Platinum by the Recording Industry Association of America (RIAA). Elliott has since stated that "the album This Is Not A Test came out extremely too quickly for me. I didn't want it to come out when it did." In 2004, Elliott was featured on Ciara's hit single "1, 2 Step", with her verse interpolating Teena Marie's single, "Square Biz". Elliott premiered her own reality show on the UPN Network, The Road to Stardom with Missy Elliott in 2005 even though it was not renewed for a second season.
Elliott wanted to "give people the unexpected" by utilizing producers other than Timbaland and a "more to the center" sound not as far left as her other music. Her sixth solo album, The Cookbook was released on July 4, 2005, debuted at number two on the U.S. charts and was certified gold by the Recording Industry Association of America (RIAA), selling 645,000 copies in the United States. Elliott's work during The Cookbook era was heavily recognized. Elliott received 5 Grammy nominations in 2005, including one for Best Rap Album for The Cookbook. The album's first single, "Lose Control," won a Grammy for Best Short Form Video and was nominated for Best Rap Song. "Lose Control" also garnered Elliott six 2005 MTV VMA award nominations (winning Best Dance Video and Best Hip-Hop Video). Elliott won Best Female Hip Hop Artist at the 2005 American Music Awards, and was nominated for Best International Female Artist at the 2006 BRIT Awards. "Lose Control" featuring Ciara and Fatman Scoop, became a Top 5 hit in the midyear (peaking at number three on the Billboard Hot 100). The second single, Teary Eyed, did not chart, although the video charted on MTV's TRL for a few weeks, and BET's 106 & Park for a few days. The third single, "We Run This", was released with heavy airplay on VH1, MTV, and BET. It served as the lead single for the soundtrack to the gymnastics-themed film Stick It. The song was also nominated for a Grammy Award in the Best Rap Solo Performance category in 2006. Respect M.E., Elliott's first greatest hits album, was released outside the United States and Canada on September 4, 2006, only in South Africa, Australia, Europe, Japan, and Brazil. The collection became her second top ten album in the UK and her highest charting album to date, peaking at number seven there.
Elliott was an honoree of the 2007 VH1 Hip Hop Honors. In honor of her career, many artists performed some of her biggest hits. Timbaland and Tweet performed "The Rain (Supa Dupa Fly)", Eve and Keyshia Cole performed "Hot Boyz" and "Work It", Fatman Scoop and Ciara performed "Lose Control", and Nelly Furtado performed "Get Ur Freak On (The Remix)." Since 2007, Elliott's seventh studio album has had several different forms with extensive delays. In 2007, she worked with Timbaland, Swizz Beatz, Danja, T-Pain and DJ Toomp and planned to release an album at the beginning of 2008. In January 2008, "Ching-a-Ling" was released as the lead single for the Step Up 2: The Streets soundtrack, which also featured "Shake Your Pom Pom" produced by Timbaland. Elliott released the song "Best, Best" in the same year and renamed the albums previous title FANomenal to its current tentative title Block Party. She later decided against Block Party and four years later, in 2012, Elliott released two Timbaland-produced singles ("9th Inning" and "Triple Threat") exclusively to iTunes. Though the songs managed to chart on Billboard Hot Digital Songs, in an interview with Yahoo's The Yo Show, Missy talked about her hiatus from making records: "Your brain needs time to refresh! Things happen in your life where you can then write something else instead of the same three topics. Like, how many times we gonna talk about the club? I gotta feel like what I'm giving the fans is 100 percent and that it's game-changing. I don't just throw out microwave records."
In between the recording of her seventh album, Missy Elliott found success behind the scenes. Elliott's writing and production helped her reach #1 on Billboard's Hot R&B/Hip-Hop Songs with Keyshia Cole's "Let It Go" (2007), Jazmine Sullivan's "Need U Bad" (2008), and Monica's "Everything to Me" (2010). Since 2008, songs written and/or produced by Elliott for Fantasia ("Free Yourself"), Jennifer Hudson ("I'm His Only Woman"), Monica ("Everything to Me"), Keyshia Cole ("Let It Go"), and Jazmine Sullivan ("Need U Bad" and "Holding You Down (Goin' in Circles)") have all received Grammy nominations. Both Fantasia's "Free Yourself" (2005) and Sullivan's "Holding You Down (Goin' In Circles)" reached #3 on Billboard's Hot R&B/Hip-Hop Songs. In mid-2010, Elliott embarked on a two-part tour with stops in Europe, Asia, Africa and Australia,[44] while she also performed at VH1's "Hip Hop Honors: The Dirty South" in a tribute to Timbaland, performing "Get Ur Freak On" and "Work It". In 2008 she made an appearance in "Whatcha Think About That" by The Pussycat Dolls, and performed live in different places with them. In 2011 and 2012, Elliott made guest appearances on "All Night Long" by Demi Lovato, "Nobody's Perfect" by J. Cole, the remix of "Why Stop Now" by Busta Rhymes with Chris Brown and Lil Wayne, and a remix of Katy Perry's "Last Friday Night (T.G.I.F.)" that helped catapult "T.G.I.F." to #1 on the Billboard Hot 100. She also produced Monica's singles "Anything (To Find You)" and "Until It's Gone".
Throughout 2013, Missy Elliott was featured on Eve's album cut "Wanna Be," as well as international artists singles, Little Mix's "How Ya Doin'?" and "NiLiria" with K-pop musician G-Dragon, which was named by Complex magazine as one of the "50 Best Songs of 2013". Elliott also contributed to her protégée Sharaya J's two releases, "Banji" and "Smash Up The Place/Snatch Yo Wigs". In December 2013, Elliott received a Grammy nomination with Fantasia and Kelly Rowland for their song "Without Me". As early as July 2013, Missy Elliott and Timbaland held recording sessions for Kat Dahlia's debut, My Garden (2015). In August 2013, R&B singer Faith Evans revealed that Missy Elliott would be featured on her sixth studio album, tentatively titled Incomparable. In March 2014, Evans revealed one of the tracks was named "I Deserve It", featuring Missy and her protégée Sharaya J, in which Evans cited it as a "banger" and "feel good" record. Evans also revealed that in total Elliott contributed three tracks to her album. On July 7, 2014, fellow R&B singer Monica confirmed that Elliott would be a feature on her upcoming eighth studio album. On July 29, 2014, a snippet of a Missy Elliott–produced song, nickname "I Love Him", premiered on Monica's official Instagram account.
In 2015, Missy Elliott performed at the Super Bowl XLIX halftime show with Katy Perry. Elliott performed a medley of "Get Ur Freak On", "Work It", and "Lose Control". The performance was well-received, and boosted digital sales of Elliott's work that week, with a twenty-five-fold increase in album sales (to 2,000 units) and a ten-fold increase in sales of the three songs she performed (to 71,000 units) compared to the week before. It also became the most watched Super Bowl halftime show in NFL history, receiving 118.5 million viewers in the United States. On February 3, 2015, it was confirmed that Elliott would be a feature on the upcoming remix to Diplo and Skrillex's "Take Ü There". On February 11, Elliott stated that she was still in the process of recording her seventh studio album, Block Party, with Timbaland. On April 2, 2015, Pharrell Williams confirmed that he was working on Elliott's album during an episode of The Tonight Show with Jimmy Fallon. On November 12, 2015, "WTF (Where They From)" and its music video were simultaneously released to digital outlets. By November 19, the song and its video had been streamed 6.1 million times in the US alone, with an additional count of 16 million views per YouTube viewing. On February 7, 2016, the day of the fiftieth Super Bowl, Missy Elliott released a promotional single, "Pep Rally". Later that month, Elliott reunited with former protégée Tweet and frequent collaborator Timbaland on the cut "Somebody Else Will" taken from the former's third studio album, Charlene. By March 15, 2016, First Lady Michelle Obama proclaimed that she had assembled a collaborative track featuring vocals from Missy Elliott, Kelly Clarkson, Janelle Monáe and Zendaya alongside production credit from pop songwriter Diane Warren and Elliott titled "This Is for My Girls". The iTunes-exclusive record will be used to both coincide with Ms. Obama's SXSW speech and to promote her third-world educational initiative Let Girls Learn. Following a surprise appearance with TLC on the 2016 televised special Taraji's White Hot Holidays, Elliott announced plans to release a documentary chronicling her impact on the production scene in both audio and video. The midnight of January 27, 2017, saw the full-length release to a new Elliott single titled "I'm Better", featuring production and vocal assistance from recurring sideman Lamb and shared directing credit by Elliott and longtime colleague Dave Meyers.
In July 2018, Missy Elliott teased fans by appearing on a snippet nicknamed "ID" by Skrillex, a release date for the single has yet to be announced. One month later, Elliott appeared on the Ariana Grande number "Borderline", taken from the singer's fourth studio album Sweetener (2018). In October 2018, Elliott announced that she is working on her new album, which would be released in 2019. On March 20, 2019, Lizzo released a collaboration with Elliott titled "Tempo". In April 2019 Elliott took to Instagram stating "I just finished a long project I been working on since last year & this my mood 'Keep On Moving' I'm about to show y'all I'm on some next ish." She announced Iconology on August 22, several hours before its release.
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Arguably the most influential album ever released by a female hip-hop artist, Missy "Misdemeanor" Elliott's debut album, Supa Dupa Fly, is a boundary-shattering postmodern masterpiece. It had a tremendous impact on hip-hop, and an even bigger one on R&B, as its futuristic, nearly experimental style became the de facto sound of urban radio at the close of the millennium. A substantial share of the credit has to go to producer Timbaland, whose lean, digital grooves are packed with unpredictable arrangements and stuttering rhythms that often resemble slowed-down drum'n'bass breakbeats. The results are not only unique, they're nothing short of revolutionary, making Timbaland a hip name to drop in electronica circles as well. For her part, Elliott impresses with her versatility -- she's a singer, a rapper, and an equal songwriting partner, and it's clear from the album's accompanying videos that the space-age aesthetic of the music doesn't just belong to her producer. She's no technical master on the mic; her raps are fairly simple, delivered in the slow purr of a heavy-lidded stoner. Yet they're also full of hilariously surreal free associations that fit the off-kilter sensibility of the music to a tee. Actually, Elliott sings more on Supa Dupa Fly than she does on her subsequent albums, making it her most R&B-oriented effort; she's more unique as a rapper than she is as a singer, but she has a smooth voice and harmonizes well. Guest rappers Busta Rhymes, Lil' Kim, and da Brat all appear on the first three tracks, which almost pulls focus away from Elliott until she unequivocally takes over with the brilliant single "The Rain (Supa Dupa Fly)"; elsewhere, "Sock It 2 Me," "Beep Me 911," and the weeded-out "Izzy Izzy Ahh" nearly match its genius. Elliott and Timbaland would continue to refine and expand this blueprint, sometimes with even greater success, but Supa Dupa Fly contains the roots of everything that followed.
Missy Elliott - Supa Dupa Fly (flac 369mb)
01 Busta's Intro 1:53
02 Hit 'Em Wit da Hee 4:19
03 Sock It 2 Me 4:17
04 The Rain (Supa Dupa Fly) 4:11
05 Beep Me 911 4:57
06 They Don't Wanna Fuck Wit Me 3:18
07 Pass da Blunt 3:17
08 Bite Our Style (Interlude) 0:43
09 Friendly Skies 4:59
10 Best Friends 4:07
11 Don't Be Commin' (In My Face) 4:11
12 Izzy Izzy Ahh 3:54
13 Why You Hurt Me 4:31
14 I'm Talkin' 5:02
15 Gettaway 4:25
16 Busta's Outro 1:38
17 Missy's Finale 0:24
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It's really not that difficult to hurdle the sophomore blues provided you're an excellent songwriter and performer, that you have the same, equally excellent producer behind the scenes who contributed to the first album, and most importantly, that you haven't tampered with the hit-making formula from the first. Thankfully, Da Real World is clearly a Missy Elliott album in most respects, with Timbaland's previously trademarked, futuristic-breakbeat production smarts laced throughout. The churchgoing Elliott has often remarked that she wishes she didn't need profanity to get attention, and the album accordingly includes satirical nods to other clichéd notions of hip-hop -- the single "She's a Bitch" is the best example, wherein Elliott reappropriates the insult to refer to strong females. She also takes on the cartoonish Eminem for "Bus a Rhyme," a track that turns out to be one of the best on the album. Da Brat and Aaliyah make repeat appearances, and Redman and OutKast's Big Boi also contribute to this excellent follow-up.
Missy Elliott - Da Real World (flac 416mb)
01 Mysterious (Intro) 1:06
02 Beat Biters 4:23
03 Busa Rhyme 5:00
04 All N My Grill 4:32
05 Dangerous Mouth 3:28
06 Hot Boyz 3:35
07You Don't Know 4:48
08 Mr. D.J. 4:30
09 Checkin' for You (Interlude) 2:08
10 Stickin' Chickens 4:54
11 Smooth Chick 4:17
12 We Did It 3:51
13 Throw Your Hands Up (Interlude) 1:18
14 She's a Bitch 3:59
15 U Can't Resist 4:36
16 Crazy Feelings 4:35
17 Religious Blessings (Outro) 0:39
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Missy Elliott for being the most sexually aggressive person, of either gender, in mainstream rap, and maybe even pop as whole. It's an absolutely hilarious inversion of the sexual braggadocio present in so much hip-hop; amidst all the men bragging about all the women they can have and all the things they can make them do, here's a woman shouting louder and more intimidatingly than any of them, challenging them to prove it -
Sounding more assured of her various strengths than at any time since her startling debut, Missy "Misdemeanor" Elliott broke in several directions for 2001's Miss E...So Addictive. At the same time, she's a sexed-up rapper demanding respect from men, a loved-up club diva leading the charge of rappers into the brave new world of dance culture, and a sensitive female spreading syrup over a few great ballads. It's a tribute to her incredible songwriting skills and Timbaland's continuing production excellence that she can have it any way she wants it and still come away with a full-length that hangs together brilliantly. She definitely starts out hardcore, with a pair of self-explanatory titles ("Dog in Heat," "One Minute Man") featuring Elliott cooling down on a trio of rappers (Redman, Method Man, Ludacris) and definitely getting the best of them. By "Get Ur Freak On," the lead single, she's changed angles and become a new-millennium diva straddling the worlds of hip-hop and commercial dance with bumping club tracks like "Scream a.k.a. Itch" and "4 My People." But before listeners can reconcile Elliott the club kid, special guest Ginuwine takes the album into love-ballad territory with "Take Away," a half-step ballad with an irresistible plucked-string production from Timbaland. Though Miss E...So Addictive is undeniably Elliott's affair, Timbaland's production really stretches out and pulls the album together. He's less reliant on his oft-copied trademarks, and more willing to experiment with left-field samples and seemingly odd bridges that always work despite the audio high-wire act. Though it fails to come up with anything to top her big singles hit, "The Rain (Supa Dupa Fly)," Miss E...So Addictive is her best album so far.
Missy Elliott - Miss E… So Addictive (flac 442mb)
01 So Addictive (Intro) 0:54
02 Dog in Heat 5:01
03 One Minute Man 4:35
04 Lick Shots 3:52
05 Get Ur Freak On 3:56
06 Scream a.k.a. Itchin' 3:57
07 Old School Joint 4:00
08 Take Away 4:58
09 4 My People 4:48
10 Bus-A-Bus Interlude 1:10
11 Whatcha Gon' Do 3:14
12 Step Off 3:58
13 X-Tasy 3:35
14 Slap! Slap! Slap! 4:05
15 I've Changed (Interlude) 1:05
Bonus
16 One Minute Man (Remix) 4:35
17 4 My People (Basement Jaxx remix) 3:36
Hidden Tracks
18-28 [silence] 0:48
29 Higher Ground (Interlude) 1:47
30 Higher Ground 5:03
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Few artists have had the cultural impact that Missy Elliott has, her visionary presence as both a producer and an artist reshaping the entirety of rap and R&B that followed her. From worldwide breakthrough-producing hits for artists like Aaliyah and Tweet to Grammy Award-winning solo albums, Elliott put her stamp on the music industry at large throughout the late '90s and 2000s. Even when slowing down on her solo output in the 2010s, Elliott continued working as a producer, and her watershed albums like 1997's Supa Dupa Fly and 2002's Under Construction changed the course of commercial rap and R&B for years to come. . ....... N Joy
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Melissa Arnette Elliott was born on July 1, 1971, at Portsmouth Naval Hospital in Portsmouth, Virginia. She is the only child of mother Patricia Elliott, a power-company dispatcher, and father Ronnie, a U.S. Marine no longer on active duty, working as a shipyard welder. Elliott grew up in an active church choir family, and singing was a normal part of her youth. At the age of four, she wanted to be a performer, and, as biographer Veronica A. Davis writes, she "would sing and perform for her family". In later years, she feared no one would take her seriously, because she was always the class clown. While her father was an active Marine, the family lived in Jacksonville, North Carolina, in a manufactured home community. Elliott blossomed during this part of her life. She enjoyed school for the friendships that she formed even though she had little interest in schoolwork. She would later get well above average marks on intelligence tests, and she was advanced two years ahead of her former class. Her move in grades caused isolation, and she purposely failed, eventually returning to her previous class. When her father returned from the Marines, they moved back to Virginia, where they lived in extreme poverty.
Life in Virginia saw many hardships. Elliott talks about domestic abuse by her father. She refused to stay over at friends homes out of fear that on her return home she would find her mother dead. When Elliott was eight, she was molested by a cousin. In one violent incident, Ronnie Elliott dislocated his wife's shoulders and during another, Elliott herself was threatened with a gun. At the age of fourteen, Elliott's mother decided to end the situation and fled with her daughter on the pretext of taking a joyride on a local bus. In reality, the pair had found refuge at a family member's home where their possessions were stored in a loaded U-Haul truck. Elliott tells her that she feared her father would kill them both for leaving. In 1991, Elliott formed an all female R&B group, called Fayze (later renamed Sista), with friends La'Shawn Shellman, Chonita Coleman, and Radiah Scott. She recruited her neighborhood friend Timothy Mosley (Timbaland) as the group's producer and began making demo tracks, among them included the 1991 promo "First Move". Later in 1991, Fayze caught the attention of Jodeci member and producer DeVante Swing by performing Jodeci songs a cappella for him backstage after one of his group's concerts. In short order, Fayze moved to New York City and signed to Elektra Records through DeVante's Swing Mob imprint and also renaming the group Sista. Sista's debut song was titled "Brand New", which was released in 1993 Elliott took Mosley—whom DeVante re-christened Timbaland—and their friend Melvin "Magoo" Barcliff along with her.All 20-plus members of the Swing Mob—among them future stars such as Ginuwine, Playa, and Tweet—lived in a single two-story house in New York and were often at work on material both for Jodeci and their own projects. While Elliott wrote and rapped on Raven-Symoné's 1993 debut single, "That's What Little Girls Are Made Of", she also contributed, credited and uncredited, to the Jodeci albums Diary of a Mad Band (1993) and The Show, the After Party, the Hotel (1995). Timbaland and DeVante jointly produced a Sista album, entitled 4 All the Sistas Around da World (1994). Elliott met R&B artist Mary J. Blige while Blige was in sessions for her second album My Life. Though videos were released for the original and remix versions of the single "Brand New", the album was shelved and never released. One of the group's tracks, "It's Alright" featuring Craig Mack did however make the cut on the soundtrack of the 1995 motion picture Dangerous Minds but by the end of 1995, Swing Mob had folded and many of its members dispersed. Elliott, Timbaland, Magoo, Ginuwine, and Playa remained together and collaborated on each other's records for the rest of the decade as the musical collective The Superfriends.
After leaving Swing Mob, Elliott and Timbaland worked together as a songwriting/production team, crafting tracks for acts including SWV, 702, and most notable Aaliyah. The pair wrote and produced nine tracks for Aaliyah's second album, One in a Million (1996), among them the hit singles "If Your Girl Only Knew", "One in a Million", "Hot Like Fire", and "4 Page Letter". Elliott contributed background vocals and/or guest raps to nearly all of the tracks on which she and Timbaland worked. One in a Million went double platinum and made stars out of the production duo. Elliott and Timbaland continued to work together for other artists, later creating hits for artists such as Total; "What About Us?" (1997), Nicole Wray; "Make It Hot" (1998), and Destiny's Child; "Get on the Bus" (1998), as well as one final hit for Aaliyah, "I Care 4 U", before her death in 2001. Elliott also wrote the bulk of Total's second and final album Kima, Keisha, and Pam and Nicole Wray's debut Make It Hot (both released in 1998). Elliott began her career as a featured vocalist rapping on Sean "Puffy" Combs's Bad Boy remixes to Gina Thompson's "The Things That You Do", (which had a video featuring cameo appearances by Notorious B.I.G and Puff Daddy), MC Lyte's 1996 hit single "Cold Rock a Party" (backup vocals by Gina Thompson), and New Edition's 1996 single "You Don't Have to Worry". In 1996, Elliott also appeared on the Men of Vizion's remix of "Do Thangz" which was produced by Rodney Jerkins (coincidentally the producer of the original version of "The Things That You Do").
Combs had hoped to sign Elliott to his Bad Boy record label. Instead, she signed a deal in 1996 to create her own imprint, The Goldmind Inc., with East West Records, which at that time was a division of Elektra Entertainment Group, for which she would record as a solo artist. Timbaland was again recruited as her production partner, a role he would hold on most of Elliott's solo releases. Missy continued to work with other artists and appeared on LSG's song "All the Time" with Gerald Levert, Keith Sweat, Johnny Gill, Faith Evans, and Coko in 1997 on Levert Sweat Gill classic album. The same year, she rapped in "Keys To My House" with old friends group LeVert. In the center of a busy period of making guest appearances and writing for other artists, Elliott's debut album, Supa Dupa Fly, was released in mid-1997; the success of its lead single "The Rain" led the album to be certified platinum. The success was also a result of the music videos of her single releases, which were directed by Harold "Hype" Williams, who created many groundbreaking hip hop, Afro-futuristic videos at the time. The album was nominated for Best Rap Album at the 1998 Grammy Awards, but lost to Puff Daddy's No Way Out. The year also saw Elliott perform live at the MTV Video Music Awards show on a remix to Lil' Kim's "Ladies Night" with fellow rappers Da Brat, Angie Martinez and TLC-rapper Left Eye. Elliott continued her successful career in the background as a producer and writer on Total's single "Trippin'", as well as working with several others in the hip-hop and R&B communities. Elliott co-wrote and co-produced two tracks on Whitney Houston's 1998 album My Love Is Your Love, providing vocal cameos for "In My Business" and "Oh Yes". Elliott also produced and made a guest appearance on Spice Girl Melanie Brown's debut solo single, "I Want You Back", which topped the UK Singles Chart. 1999–2001: Da Real World and Miss E… So Addictive. Although a much darker album than her debut, Elliott's second album was just as successful as the first, selling 1.5 million copies and 3 million copies worldwide. She remarked, "I can't even explain the pressure. The last album took me a week to record. This one took almost two months…I couldn't rush it the second time because people expect more." Da Real World (1999) included the singles "All n My Grill", a collaboration with Nicole Wray and Big Boi (from OutKast), a remix to "Hot Boyz" and "She's a Bitch". Also in 1999, Elliott was featured, alongside Da Brat, on the official remix to a Mariah Carey single "Heartbreaker".
Missy Elliott next released Miss E... So Addictive on May 15, 2001. The album spawned the massive pop and urban hits "One Minute Man", featuring Ludacris and Trina, and "Get Ur Freak On", as well as the international club hit "4 My People" and the less commercially successful single "Take Away". The double music video for "Take Away/4 My People" was released in the fall of 2001, shortly after the 9/11 terrorist attacks and the death of Elliott's friend Aaliyah in August. The "Take Away" video contained images of and words about Aaliyah, and the slow ballad acted as a tribute to her memory. The remainder of the video was the more upbeat "4 My People", contained scenes of people dancing happily in front of American flags and Elliott dressed in red, white and blue. Though "Take Away" was not a success on radio, "4 My People" went on to become an American and European club hit due to a popular remix by house music duo Basement Jaxx in 2002. Tweet's appearance on Elliott's "Take Away" as well as her cameo at Elliott's house on MTV Cribs helped to create a buzz about the new R&B singer. Tweet's own debut single, "Oops (Oh My)", was co-written by Elliott and released through Goldmind in February 2002. The single was a top ten hit, thanks partially to Elliott's songwriting and guest rap, and to Timbaland's unusual production on the track. Elliott co-produced the Christina Aguilera, Lil' Kim, Mýa and Pink cover of "Lady Marmalade" for the album Moulin Rouge! Music from Baz Luhrmann's Film,[27] which went to number one on the Billboard Hot 100 in 2001.
2002–2004: Under Construction and This Is Not a Test!
For her next outing, Elliott and Timbaland focused on an old school sound, utilizing many old school rap and funk samples, such as Run–D.M.C.'s "Peter Piper" and Frankie Smith's "Double Dutch Bus." Elliott's fourth album, 2002's Under Construction (see 2002 in music) is known as the best selling female rap album with 2.1 million copies sold in the United States. In 2002, Elliott won a Grammy Award for Best Rap Solo Performance for "Get Ur Freak On". In 2003, Under Construction received Grammy nominations for Best Rap Album and Album of the Year. The New York Times designated Under Construction "this year's best hip-hop album." Elliott released two singles off of Under Construction. The lead single, "Work It" reached #2 on Billboard's Hot 100 chart and won the "Video of the Year" award at MTV's Video Music Awards. The second single, "Gossip Folks" featuring Ludacris, became a Top 10 hit on Billboard's Hot 100 chart, was one of the most-played music videos on MTV, MTV2, MTV Jams, and BET in 2003 and was embraced by the dance community, as well as the mainstream, due to a Fatboy Slim remix. A third single was never released, though a video was shot for "Back In The Day" featuring Jay-Z and Elliott was.
In between albums, Elliott produced the "American Dream Remix" (featuring Tweet's additional vocals) of Madonna's single "American Life," was featured rapper on Timbaland & Magoo's return single, "Cop That Shit", and produced "Fighting Temptation" (featuring herself, Beyoncé, Free and MC Lyte) for the soundtrack to the Cuba Gooding Jr. and Beyoncé Knowles movie of the same name. The track reached #1 in Japan but failed to chart in the U.S. Hot 100. Elliott was also featured on Wyclef Jean's "Party to Damascus" and Ghostface Killah's "Tush" singles, the latter of which became a minor 2004 dance hit, and had a pivotal role in the film Honey. Gap approached Elliott later in the year to co-star in a commercial with Madonna, which received much media attention. Elliott furthered her relationship with Madonna by performing the controversial 2003 MTV Video Music Awards show opening alongside Madonna, Britney Spears and Christina Aguilera. A year after Elliott's most successful album to date was released, Elliott felt pressured by her label to release another album hoping to capitalize on her recent success. Elliott's singles, "Pass That Dutch" and "I'm Really Hot", from her fifth album, This Is Not a Test! (released November 2003), both rose the urban charts. However, both were not as successful at pop radio in comparison to many of her previous efforts. This Is Not A Test sold 690,000 copies in the United States and has been certified Platinum by the Recording Industry Association of America (RIAA). Elliott has since stated that "the album This Is Not A Test came out extremely too quickly for me. I didn't want it to come out when it did." In 2004, Elliott was featured on Ciara's hit single "1, 2 Step", with her verse interpolating Teena Marie's single, "Square Biz". Elliott premiered her own reality show on the UPN Network, The Road to Stardom with Missy Elliott in 2005 even though it was not renewed for a second season.
Elliott wanted to "give people the unexpected" by utilizing producers other than Timbaland and a "more to the center" sound not as far left as her other music. Her sixth solo album, The Cookbook was released on July 4, 2005, debuted at number two on the U.S. charts and was certified gold by the Recording Industry Association of America (RIAA), selling 645,000 copies in the United States. Elliott's work during The Cookbook era was heavily recognized. Elliott received 5 Grammy nominations in 2005, including one for Best Rap Album for The Cookbook. The album's first single, "Lose Control," won a Grammy for Best Short Form Video and was nominated for Best Rap Song. "Lose Control" also garnered Elliott six 2005 MTV VMA award nominations (winning Best Dance Video and Best Hip-Hop Video). Elliott won Best Female Hip Hop Artist at the 2005 American Music Awards, and was nominated for Best International Female Artist at the 2006 BRIT Awards. "Lose Control" featuring Ciara and Fatman Scoop, became a Top 5 hit in the midyear (peaking at number three on the Billboard Hot 100). The second single, Teary Eyed, did not chart, although the video charted on MTV's TRL for a few weeks, and BET's 106 & Park for a few days. The third single, "We Run This", was released with heavy airplay on VH1, MTV, and BET. It served as the lead single for the soundtrack to the gymnastics-themed film Stick It. The song was also nominated for a Grammy Award in the Best Rap Solo Performance category in 2006. Respect M.E., Elliott's first greatest hits album, was released outside the United States and Canada on September 4, 2006, only in South Africa, Australia, Europe, Japan, and Brazil. The collection became her second top ten album in the UK and her highest charting album to date, peaking at number seven there.Elliott was an honoree of the 2007 VH1 Hip Hop Honors. In honor of her career, many artists performed some of her biggest hits. Timbaland and Tweet performed "The Rain (Supa Dupa Fly)", Eve and Keyshia Cole performed "Hot Boyz" and "Work It", Fatman Scoop and Ciara performed "Lose Control", and Nelly Furtado performed "Get Ur Freak On (The Remix)." Since 2007, Elliott's seventh studio album has had several different forms with extensive delays. In 2007, she worked with Timbaland, Swizz Beatz, Danja, T-Pain and DJ Toomp and planned to release an album at the beginning of 2008. In January 2008, "Ching-a-Ling" was released as the lead single for the Step Up 2: The Streets soundtrack, which also featured "Shake Your Pom Pom" produced by Timbaland. Elliott released the song "Best, Best" in the same year and renamed the albums previous title FANomenal to its current tentative title Block Party. She later decided against Block Party and four years later, in 2012, Elliott released two Timbaland-produced singles ("9th Inning" and "Triple Threat") exclusively to iTunes. Though the songs managed to chart on Billboard Hot Digital Songs, in an interview with Yahoo's The Yo Show, Missy talked about her hiatus from making records: "Your brain needs time to refresh! Things happen in your life where you can then write something else instead of the same three topics. Like, how many times we gonna talk about the club? I gotta feel like what I'm giving the fans is 100 percent and that it's game-changing. I don't just throw out microwave records."
In between the recording of her seventh album, Missy Elliott found success behind the scenes. Elliott's writing and production helped her reach #1 on Billboard's Hot R&B/Hip-Hop Songs with Keyshia Cole's "Let It Go" (2007), Jazmine Sullivan's "Need U Bad" (2008), and Monica's "Everything to Me" (2010). Since 2008, songs written and/or produced by Elliott for Fantasia ("Free Yourself"), Jennifer Hudson ("I'm His Only Woman"), Monica ("Everything to Me"), Keyshia Cole ("Let It Go"), and Jazmine Sullivan ("Need U Bad" and "Holding You Down (Goin' in Circles)") have all received Grammy nominations. Both Fantasia's "Free Yourself" (2005) and Sullivan's "Holding You Down (Goin' In Circles)" reached #3 on Billboard's Hot R&B/Hip-Hop Songs. In mid-2010, Elliott embarked on a two-part tour with stops in Europe, Asia, Africa and Australia,[44] while she also performed at VH1's "Hip Hop Honors: The Dirty South" in a tribute to Timbaland, performing "Get Ur Freak On" and "Work It". In 2008 she made an appearance in "Whatcha Think About That" by The Pussycat Dolls, and performed live in different places with them. In 2011 and 2012, Elliott made guest appearances on "All Night Long" by Demi Lovato, "Nobody's Perfect" by J. Cole, the remix of "Why Stop Now" by Busta Rhymes with Chris Brown and Lil Wayne, and a remix of Katy Perry's "Last Friday Night (T.G.I.F.)" that helped catapult "T.G.I.F." to #1 on the Billboard Hot 100. She also produced Monica's singles "Anything (To Find You)" and "Until It's Gone".
Throughout 2013, Missy Elliott was featured on Eve's album cut "Wanna Be," as well as international artists singles, Little Mix's "How Ya Doin'?" and "NiLiria" with K-pop musician G-Dragon, which was named by Complex magazine as one of the "50 Best Songs of 2013". Elliott also contributed to her protégée Sharaya J's two releases, "Banji" and "Smash Up The Place/Snatch Yo Wigs". In December 2013, Elliott received a Grammy nomination with Fantasia and Kelly Rowland for their song "Without Me". As early as July 2013, Missy Elliott and Timbaland held recording sessions for Kat Dahlia's debut, My Garden (2015). In August 2013, R&B singer Faith Evans revealed that Missy Elliott would be featured on her sixth studio album, tentatively titled Incomparable. In March 2014, Evans revealed one of the tracks was named "I Deserve It", featuring Missy and her protégée Sharaya J, in which Evans cited it as a "banger" and "feel good" record. Evans also revealed that in total Elliott contributed three tracks to her album. On July 7, 2014, fellow R&B singer Monica confirmed that Elliott would be a feature on her upcoming eighth studio album. On July 29, 2014, a snippet of a Missy Elliott–produced song, nickname "I Love Him", premiered on Monica's official Instagram account.
In 2015, Missy Elliott performed at the Super Bowl XLIX halftime show with Katy Perry. Elliott performed a medley of "Get Ur Freak On", "Work It", and "Lose Control". The performance was well-received, and boosted digital sales of Elliott's work that week, with a twenty-five-fold increase in album sales (to 2,000 units) and a ten-fold increase in sales of the three songs she performed (to 71,000 units) compared to the week before. It also became the most watched Super Bowl halftime show in NFL history, receiving 118.5 million viewers in the United States. On February 3, 2015, it was confirmed that Elliott would be a feature on the upcoming remix to Diplo and Skrillex's "Take Ü There". On February 11, Elliott stated that she was still in the process of recording her seventh studio album, Block Party, with Timbaland. On April 2, 2015, Pharrell Williams confirmed that he was working on Elliott's album during an episode of The Tonight Show with Jimmy Fallon. On November 12, 2015, "WTF (Where They From)" and its music video were simultaneously released to digital outlets. By November 19, the song and its video had been streamed 6.1 million times in the US alone, with an additional count of 16 million views per YouTube viewing. On February 7, 2016, the day of the fiftieth Super Bowl, Missy Elliott released a promotional single, "Pep Rally". Later that month, Elliott reunited with former protégée Tweet and frequent collaborator Timbaland on the cut "Somebody Else Will" taken from the former's third studio album, Charlene. By March 15, 2016, First Lady Michelle Obama proclaimed that she had assembled a collaborative track featuring vocals from Missy Elliott, Kelly Clarkson, Janelle Monáe and Zendaya alongside production credit from pop songwriter Diane Warren and Elliott titled "This Is for My Girls". The iTunes-exclusive record will be used to both coincide with Ms. Obama's SXSW speech and to promote her third-world educational initiative Let Girls Learn. Following a surprise appearance with TLC on the 2016 televised special Taraji's White Hot Holidays, Elliott announced plans to release a documentary chronicling her impact on the production scene in both audio and video. The midnight of January 27, 2017, saw the full-length release to a new Elliott single titled "I'm Better", featuring production and vocal assistance from recurring sideman Lamb and shared directing credit by Elliott and longtime colleague Dave Meyers.
In July 2018, Missy Elliott teased fans by appearing on a snippet nicknamed "ID" by Skrillex, a release date for the single has yet to be announced. One month later, Elliott appeared on the Ariana Grande number "Borderline", taken from the singer's fourth studio album Sweetener (2018). In October 2018, Elliott announced that she is working on her new album, which would be released in 2019. On March 20, 2019, Lizzo released a collaboration with Elliott titled "Tempo". In April 2019 Elliott took to Instagram stating "I just finished a long project I been working on since last year & this my mood 'Keep On Moving' I'm about to show y'all I'm on some next ish." She announced Iconology on August 22, several hours before its release.
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Arguably the most influential album ever released by a female hip-hop artist, Missy "Misdemeanor" Elliott's debut album, Supa Dupa Fly, is a boundary-shattering postmodern masterpiece. It had a tremendous impact on hip-hop, and an even bigger one on R&B, as its futuristic, nearly experimental style became the de facto sound of urban radio at the close of the millennium. A substantial share of the credit has to go to producer Timbaland, whose lean, digital grooves are packed with unpredictable arrangements and stuttering rhythms that often resemble slowed-down drum'n'bass breakbeats. The results are not only unique, they're nothing short of revolutionary, making Timbaland a hip name to drop in electronica circles as well. For her part, Elliott impresses with her versatility -- she's a singer, a rapper, and an equal songwriting partner, and it's clear from the album's accompanying videos that the space-age aesthetic of the music doesn't just belong to her producer. She's no technical master on the mic; her raps are fairly simple, delivered in the slow purr of a heavy-lidded stoner. Yet they're also full of hilariously surreal free associations that fit the off-kilter sensibility of the music to a tee. Actually, Elliott sings more on Supa Dupa Fly than she does on her subsequent albums, making it her most R&B-oriented effort; she's more unique as a rapper than she is as a singer, but she has a smooth voice and harmonizes well. Guest rappers Busta Rhymes, Lil' Kim, and da Brat all appear on the first three tracks, which almost pulls focus away from Elliott until she unequivocally takes over with the brilliant single "The Rain (Supa Dupa Fly)"; elsewhere, "Sock It 2 Me," "Beep Me 911," and the weeded-out "Izzy Izzy Ahh" nearly match its genius. Elliott and Timbaland would continue to refine and expand this blueprint, sometimes with even greater success, but Supa Dupa Fly contains the roots of everything that followed.
Missy Elliott - Supa Dupa Fly (flac 369mb)
01 Busta's Intro 1:53
02 Hit 'Em Wit da Hee 4:19
03 Sock It 2 Me 4:17
04 The Rain (Supa Dupa Fly) 4:11
05 Beep Me 911 4:57
06 They Don't Wanna Fuck Wit Me 3:18
07 Pass da Blunt 3:17
08 Bite Our Style (Interlude) 0:43
09 Friendly Skies 4:59
10 Best Friends 4:07
11 Don't Be Commin' (In My Face) 4:11
12 Izzy Izzy Ahh 3:54
13 Why You Hurt Me 4:31
14 I'm Talkin' 5:02
15 Gettaway 4:25
16 Busta's Outro 1:38
17 Missy's Finale 0:24
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It's really not that difficult to hurdle the sophomore blues provided you're an excellent songwriter and performer, that you have the same, equally excellent producer behind the scenes who contributed to the first album, and most importantly, that you haven't tampered with the hit-making formula from the first. Thankfully, Da Real World is clearly a Missy Elliott album in most respects, with Timbaland's previously trademarked, futuristic-breakbeat production smarts laced throughout. The churchgoing Elliott has often remarked that she wishes she didn't need profanity to get attention, and the album accordingly includes satirical nods to other clichéd notions of hip-hop -- the single "She's a Bitch" is the best example, wherein Elliott reappropriates the insult to refer to strong females. She also takes on the cartoonish Eminem for "Bus a Rhyme," a track that turns out to be one of the best on the album. Da Brat and Aaliyah make repeat appearances, and Redman and OutKast's Big Boi also contribute to this excellent follow-up.
Missy Elliott - Da Real World (flac 416mb)
01 Mysterious (Intro) 1:06
02 Beat Biters 4:23
03 Busa Rhyme 5:00
04 All N My Grill 4:32
05 Dangerous Mouth 3:28
06 Hot Boyz 3:35
07You Don't Know 4:48
08 Mr. D.J. 4:30
09 Checkin' for You (Interlude) 2:08
10 Stickin' Chickens 4:54
11 Smooth Chick 4:17
12 We Did It 3:51
13 Throw Your Hands Up (Interlude) 1:18
14 She's a Bitch 3:59
15 U Can't Resist 4:36
16 Crazy Feelings 4:35
17 Religious Blessings (Outro) 0:39
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Missy Elliott for being the most sexually aggressive person, of either gender, in mainstream rap, and maybe even pop as whole. It's an absolutely hilarious inversion of the sexual braggadocio present in so much hip-hop; amidst all the men bragging about all the women they can have and all the things they can make them do, here's a woman shouting louder and more intimidatingly than any of them, challenging them to prove it -
Sounding more assured of her various strengths than at any time since her startling debut, Missy "Misdemeanor" Elliott broke in several directions for 2001's Miss E...So Addictive. At the same time, she's a sexed-up rapper demanding respect from men, a loved-up club diva leading the charge of rappers into the brave new world of dance culture, and a sensitive female spreading syrup over a few great ballads. It's a tribute to her incredible songwriting skills and Timbaland's continuing production excellence that she can have it any way she wants it and still come away with a full-length that hangs together brilliantly. She definitely starts out hardcore, with a pair of self-explanatory titles ("Dog in Heat," "One Minute Man") featuring Elliott cooling down on a trio of rappers (Redman, Method Man, Ludacris) and definitely getting the best of them. By "Get Ur Freak On," the lead single, she's changed angles and become a new-millennium diva straddling the worlds of hip-hop and commercial dance with bumping club tracks like "Scream a.k.a. Itch" and "4 My People." But before listeners can reconcile Elliott the club kid, special guest Ginuwine takes the album into love-ballad territory with "Take Away," a half-step ballad with an irresistible plucked-string production from Timbaland. Though Miss E...So Addictive is undeniably Elliott's affair, Timbaland's production really stretches out and pulls the album together. He's less reliant on his oft-copied trademarks, and more willing to experiment with left-field samples and seemingly odd bridges that always work despite the audio high-wire act. Though it fails to come up with anything to top her big singles hit, "The Rain (Supa Dupa Fly)," Miss E...So Addictive is her best album so far.
Missy Elliott - Miss E… So Addictive (flac 442mb)
01 So Addictive (Intro) 0:54
02 Dog in Heat 5:01
03 One Minute Man 4:35
04 Lick Shots 3:52
05 Get Ur Freak On 3:56
06 Scream a.k.a. Itchin' 3:57
07 Old School Joint 4:00
08 Take Away 4:58
09 4 My People 4:48
10 Bus-A-Bus Interlude 1:10
11 Whatcha Gon' Do 3:14
12 Step Off 3:58
13 X-Tasy 3:35
14 Slap! Slap! Slap! 4:05
15 I've Changed (Interlude) 1:05
Bonus
16 One Minute Man (Remix) 4:35
17 4 My People (Basement Jaxx remix) 3:36
Hidden Tracks
18-28 [silence] 0:48
29 Higher Ground (Interlude) 1:47
30 Higher Ground 5:03
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