Hello, yes i'm still alive, but then my relation with the internet is shaky, that's what you get with capatalist monopoly...bad service and now my telephone cut out too hmmm . Luckily F1 starts again this weekend 7 fold champ Hamilton played hard to get but he must be curious how it feels to be champion with serious competition, this season it looks that Honda finally caught up with Mercedes and deliver a car that Max Verstappen will ride to glory,
Today's Artists was among the top urban contemporary acts of the '80s and fared well in the adult contemporary market as well, but their roots were '70s soul and funk. Several members first recorded together as Newban, a funk group that took shape that same year, formed in White Plains, New York by three brothers: lead singer/guitarist David Lewis, lead singer/keyboardist Wayne Lewis, and trombonist/percussionist Jonathan Lewis. The lineup was filled out by singer Sharon Bryant, trumpeter William Sudderth, saxophonist Damon Rentie (who was replaced by Koran Daniels in 1981), bassist Clifford Archer, drummer Porter Carroll, Jr., and percussionist/flutist Joseph Phillips. Influenced by the likes of Earth, Wind & Fire, Commodores, New Birth, and L.T.D., they started playing around the northeastern U.S., N Joy
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Atlantic Starr was among the top urban contemporary acts of the '80s and fared well in the adult contemporary market as well, but their roots were '70s soul and funk. Several members first recorded together as Newban, a funk group that released two 1977 albums, Newban and Newban 2, on the Guinness label. Atlantic Starr took shape that same year, formed in White Plains, New York by three brothers: lead singer/guitarist David Lewis, lead singer/keyboardist Wayne Lewis, and trombonist/percussionist Jonathan Lewis. The lineup was filled out by singer Sharon Bryant, trumpeter William Sudderth, saxophonist Damon Rentie (who was replaced by Koran Daniels in 1981), bassist Clifford Archer, drummer Porter Carroll, Jr., and percussionist/flutist Joseph Phillips. Influenced by the likes of Earth, Wind & Fire, Commodores, New Birth, and L.T.D., Atlantic Starr started playing around the northeastern U.S. Atlantic Starr began in Greenburgh, New York with trumpeter Duke Jones (who left the band prior to their first recordings), drummer Porter Carroll Jr., bassist Clifford Archer, percussionist and flautist Joseph Phillips, Sheldon Tucker (Guitar; parted ways with the band before the first recordings), and three brothers: David Lewis (vocals/guitar), Wayne Lewis (keyboards and vocals), and Jonathan Lewis (percussion and trombone). The band's membership eventually stabilized around Carroll, Archer, Phillips, the three Lewis brothers, lead singer Sharon Bryant (who was later replaced by Barbara Weathers), trumpeter William Sudderth III, and saxophonist Damon Rentie (who was later replaced by Koran Daniels). In 1977, the band came to Westwood, California and performed on the nightclub scene under the name "Newban," which they agreed to change at the request of A&M Records executive Herb Alpert when they were signed. Having already agreed to keep the Starr part of an early idea for a new band name, the members decided to add the word Atlantic, because of their East Coast roots. The nine-member band were now A&M employees.
Throughout the late 1970s and early 1980s, Atlantic Starr scored several hits on the R&B charts. However, significant crossover success (onto the pop charts) did not come until halfway into the 1980s, with the release of their album As the Band Turns (their last on A&M Records), and the single "Secret Lovers". By this time, the band had pared itself down to a quintet, consisting of the three Lewis brothers, Phillips, and Weathers. In 1987 (after signing to Warner Bros. Records), the band solidified their pop success by scoring a #1 pop (and R&B) hit with "Always", a love ballad off their album All in the Name of Love. Following this success, Weathers left for a solo career, and she was replaced by Porscha Martin for the band's next album, 1988's We're Movin' Up. Although this album was not quite as successful as its predecessors, it did produce another #1 R&B hit with "My First Love."
The band continued to score hits on both the R&B and Pop charts into the early 1990s. 1991 saw the introduction of yet another new female lead singer, when Martin was replaced by Miss Black America 1986 Rachel Oliver, for the album, Love Crazy.[2] This album featured the band's biggest hit of the 1990s, with "Masterpiece" reaching #3 on both the pop and R&B charts in early 1992. The group toured to Japan in 1992 with yet another female vocalist at the helm, Crystal Blake, a studio vocalist for Stevie Wonder who had also sung the female lead parts on the minor hit title track for Eddie Murphy's How Could It Be album and Young MC's "Bust a Move."
Following the release of Love Crazy, Atlantic Starr's relationship with Warner Bros. Records dissolved, and in 1994, the band recorded one album for Arista: Time. That album was a commercial disappointment and the single "I'll Remember You" only made it to the fifties on Billboard's R&B and pop singles charts. Time (which was David Lewis' last album with the band) found a fifth female singer, Aisha Tanner, replacing Oliver. And when 1999's Legacy was distributed by the small, independent Street Solid label, Atlantic Starr unveiled yet another lineup—one that consisted of two Lewis Brothers (Wayne and Jonathan) as well as Oliver (who had returned and replaced Tanner) and a new male singer named DeWayne Woods. Although Legacy received little attention, Atlantic Starr still continues to perform today and released their 14th album, Metamorphosis in 2017, featuring L'john Epps and Melessa Pierce.
Newban/Atlantic Starr's original Personal Manager was Earl Cole of Cole Classic Management. Earl Cole moved with the group from White Plains, New York. Upon arriving in Los Angeles, California, the group was introduced to their Business Manager, Earl Harris of Harris Management in 1977 by Mr. Harris' nephew, Al Scaife of Enter-Prizin' Management. Earl Harris eventually acquired the role of Personal and Business management for the group and remains their manager to this day.
Original members
After leaving Atlantic Starr, original drummer and founding bandmember Porter Carroll, Jr. released a self-titled solo album (Porter Carroll II) in 1986. This album featured contributions from several prominent musicians, including Marcus Miller, David Sanborn, and former Starr bandmate Sharon Bryant. He has continued to do session work since that time, and is currently playing percussion in Daryl Hall's live band.Following her exit from Atlantic Starr, singer Bryant embarked on a solo career and released an album in 1989, scoring several big hits on the R&B charts, as well as a minor Pop hit from the project. Original saxophonist Damon Rentie went on to a solo career of his own, releasing his first solo album, Designated Hitter in 1985. His second and third solo albums followed in each successive year (1986 and 1987, respectively). He had also previously done session work with DeBarge. Original trumpeter William Sudderth continues to follow an active schedule in the music business, performing in many diverse settings and having become one of the most sought-after horn players in the industry.Bassist Clifford Archer currently resides in Tokyo, Japan where he performs regularly as a musician and session player. Original member Albert "Duke" Jones remains involved in the music industry. Joseph Phillips, original percussionist and flautist is currently working with the Reverend Bryan Oakley, producing gospel music.
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Atlantic Starr was still trying to get its sound together when this, its first album to the hit the charts, was released. The nine-piece band had an impressive showing on the Billboard R&B charts with "Stand Up" and "Keep It Comin'." The former, led by Wayne Lewis, is a hand-clapping affair with a humpin' funk groove. The latter, led by Sharon Bryant and David Lewis, is a decent effort. Respectively, they both peaked at 16 and 49 on the charts. "(I'll Never Miss) The Love I Never Had" is a notable number. David Lewis comes across with a more convincing delivery than on the other selections he is featured on. The most engaging number is "With Your Love I Come Alive," which showcases Porter Carroll Jr. on lead. His tenor is brawny yet agile and his delivery comes with an unrehearsed feel. Wayne Lewis' vocals were still in a developmental stage, and he had not yet grasped that imposing tone he would later master.
<a href="https://multiup.org/7a17430c2ad759d5e70dd0f9664f524a"> Atlantic Starr - Atlantic Starr </a> (flac 297mb)
01 Stand Up 4:29
02 Keep It Comin' 4:35
03 Visions 3:32
04 Being In Love With You Is So Much Fun 3:57
05 (I'll Never Miss) The Love I Never Had 3:55
06 Gimme Your Luvin' 4:57
07 With Your Love I Come Alive 4:16
08 We Got It Together 3:53
09 Don't Abuse My Love 2:56
10 Where There's Smoke There's Fire 4:23
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These days, most A&R people at major labels (as opposed to indies) no longer believe in honest-to-God artist development -- if an artist's first album isn't a hit, he/she gets dropped. But back in the '70s, major label A&R people were, as a rule, a lot more patient. They were more likely to view the artist as a long-term investment, which is why three- or four-album contracts weren't uncommon -- labels reasoned that if an artist's first or second album wasn't a hit, the third or fourth just might be. Atlantic Starr is a perfect example of a band that benefited from insightful, smart A&R. In the late '70s, Atlantic Starr was a diamond in the rough that needed to be developed -- thankfully, A&M's A&R department was wise enough (and patient enough) to develop the East Coast outfit. One hears a lot of potential on Atlantic Starr's second album Straight to the Point, which Bobby Eli produced at Philadelphia's legendary Sigma Sound Studios. From the funky single "(Let's) Rock 'N' Roll" to the slick "Let the Sprit Move Ya" (which has a Euro-disco flavor) and the soul ballad "Losin' You," this 1979 release is a generally decent (if slightly uneven) sophomore effort. But it isn't fantastic or mind-blowing, and not until 1981's Radiance did Atlantic Starr really start to live up to its creative and commercial potential. In 1979, Atlantic Starr was like a student who was getting Bs and Cs on his/her report card but had the potential to bring home a lot of As -- the potential for excellence was there, and thank God A&M helped the band make the transition from decent to excellent. Although not among Atlantic Starr's essential releases, Straight to the Point is an LP that hardcore fans will find interesting. 
<a href="https://mir.cr/1BY2SFZK"> Atlantic Starr - Straight To The Point </a> (flac 241mb)
01 (Let's) Rock 'N' Roll 7:30
02 Kissin' Power 6:23
03 Let The Spirit Move Ya 5:08
04 Straight To The Point 4:45
05 Bullseye 3:15
06 What'cha Feel Inside 3:39
07 Fallin' In Love With You 3:29
08 Losin' You 5:28
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Atlantic Starr on Radiant was amazingly consistent.
They were a certain rare bird who could do disco, funk, pop and ballads equally well. Even if just the uptempo songs were good, this would be a worthwhile album for "When Love Calls" and "Mystery Girl" alone. The album opener, "When Love Calls" hits all the right spots with rhythm section and straightforward keys the perfect counter to Sharon Bryant's solid singing. A true masterpiece of soul disco. "Mystery Girl" meanwhile is one of those chance meeting type songs and another sure fire winner.
"Think About That" shows funk is still a part of the game, and most importantly for the ballads, the songwriting brought in some of the best teaming up with Sam Dee for the Quiet Storm dedication numbers "Send For Me" and "Am I Dreaming". ....Not to be missed.
<a href="http://depositfiles.com/files/nn0z1j3zr"> Atlantic Starr - Radiant</a> (flac 233mb)
01 When Love Calls 4:33
02 Does It Matter 4:28
03 Think About That 5:02
04 Send For Me 5:28
05 Mystery Girl 4:27
06 Am I Dreaming 5:37
07 Under Pressure 4:05
08 My Turn Now 4:38
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Atlantic Starr returned with James Carmichael producing, bringing more good stuff on Brilliance which reached number one on the R&B album chart. Lead single "Circles" with its smooth disco soul is more excellence both from the tight rhythm section and the stirring vocal from Sharon Bryant.
Meanwhile other dance numbers are firmly in 1982 with the funk slap was more pronounced as heard on the falsetto vocalized, "Love Moves" and the exciting "Sexy Dancer". Sam Dees and Harold Johnson are also back contributing the songwriting on another winning slow jams "Your Love Finally Ran Out" and "Let's Get Closer".
Again forget about the crossover "Always" this was the peak for Atlantic Starr.
<a href="https://www.imagenetz.de/3gSPW"> Atlantic Starr - Brilliance </a> (flac 247mb)
01 This Must Be The Night For Love 6:57
02 It's Got To Be You 6:32
03 Star Child 4:08
04 Keep It Up 3:23
05 Just Can't Stop Dancin' 6:18
06 Dancin' Dream 4:47
07 Let Yourself Go 4:50
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