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Today's Artists are a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They are best known for their million-selling instrumental track "Pick Up the Pieces", and their albums AWB and Cut the Cake. . ...... N Joy
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The Average White Band (also AWB) are a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They are best known for their million-selling instrumental track "Pick Up the Pieces", and their albums AWB and Cut the Cake. The band name was initially proposed by Bonnie Bramlett; the band backed Bramlett on her first solo outing, 1973's Sweet Bonnie Bramlett, an album that presaged the Disco movement, particularly with the track Crazy 'Bout My Baby played heavily in dance clubs. They have influenced others such as the Brand New Heavies, and been sampled by various musicians including the Beastie Boys, Public Enemy, TLC, The Beatnuts, Too Short, Ice Cube, Eric B. & Rakim, Nas, and A Tribe Called Quest, Christina Milian, as well as Arrested Development – making them the 15th most sampled act in history. As of 2018, 46 years after their formation, they continue to perform.
AWB was formed in early 1972 in London by Alan Gorrie, and Malcolm "Molly" Duncan, with Owen "Onnie" McIntyre, Michael Rosen (trumpet), Roger Ball, and Robbie McIntosh joining them in the original line-up. Hamish Stuart quickly replaced Rosen. Duncan and Ball, affectionately known as the Dundee Horns, studied at Duncan of Jordanstone College of Art (now part of the University of Dundee, but which at the time was part of the Dundee Institute of Art and Technology, now known as Abertay University), and were previously members of Mogul Thrash. Gorrie and McIntyre had been members of Forever More. McIntyre and McIntosh were used as session musicians on Chuck Berry's recording of "My Ding-a-Ling". According to Duncan, members of the band had played together before in Scotland, but had moved to London separately and met up by chance at a Traffic concert. They decided to jam together; a friend heard them and remarked: "This is too much for the average white man," which became adapted as the name of the band.
The band's breakthrough was a support slot at Eric Clapton's comeback concert in 1973. MCA Records released their debut album, Show Your Hand (1973), which sold poorly. Bruce McCaskill, who was Clapton's tour manager, liked the band's music and agreed to manage them. He borrowed money to take them to the US and to promote them. McCaskill had many contacts from his days with Clapton and managed to get Atlantic Records to sign them. The band relocated to Los Angeles and released the follow-up, AWB, better known as The White Album. It reached No. 1 and was the first of many with renowned producer Arif Mardin.
McIntosh died of a heroin overdose at a Los Angeles party on 23 September 1974. Gorrie also overdosed, but Cher kept him conscious until medical help arrived. The NME reported in January 1975 that AWB played a benefit show for McIntosh's widow at the Marquee Club in London. McIntosh was replaced by Steve Ferrone (previously of Bloodstone), and, like McIntosh, previously with Brian Auger's Oblivion Express. In 1975, the single "Pick Up the Pieces" – taken from the No. 1 AWB album – reached No. 1 on the US Billboard Hot 100 chart. The song knocked Linda Ronstadt's "You're No Good" out of No. 1 and sold over one million copies. It was awarded a gold disc by the R.I.A.A. in March 1975. It also prompted The J.B.'s, the backup band of the "Godfather of Soul", James Brown, to record and release a song in reply, "Pick Up the Pieces, One by One", under the name AABB (Above Average Black Band). It was both a tribute to AWB's knowledge of funk and a tongue-in-cheek play on the Scottish band's name.
AWB followed up with the LPs Cut the Cake (1975) and Soul Searching (1976), both big sellers and yielding further Top 40 singles. Cut the Cake was dedicated by the surviving band members to McIntosh's memory. A double live album "Person To Person" was issued in late 1976. Their next LP, Benny & Us, was a collaboration with Ben E. King. After several more albums, "Warmer Communications" (1978), "Feel No Fret" (1979) and after a switch to the U.S. Arista label, "Shine" (1980) and "Cupid's In Fashion" (1982), AWB's audience and sales dwindled. The group initially disbanded by 1983. Their 1980 disco hit "Let's Go Round Again" (UK No. 12), was covered in the late 1990s by Louise.
Ferrone went on to work with Duran Duran whilst Hamish Stuart joined Paul McCartney's touring group. In 1985 Gorrie released a solo album, Sleepless Nights.
The classic lineup of Gorrie, McIntyre, Ball, Stuart, Duncan and Ferrone reunited for one last time at the Atlantic Records 40th Anniversary in 1988. Gorrie, McIntyre, and Ball then continued in 1989 to record Aftershock. Alex Ligertwood (ex-Santana, Jeff Beck Group and another veteran of Brian Auger's Oblivion Express) also appeared on this album, replacing lead singer Hamish Stuart, along with Eliot Lewis who co-wrote with Gorrie and joined the band. Ligertwood left after the album's recording and drummer Tiger McNeil joined for the reunited band's live shows. McNeil was with the group until 1994. He was then succeeded by Peter Abbott (ex-Blood Sweat and Tears), who in turn was replaced by Fred "Catfish" Alias in September 1998. Drummer Adam Deitch did a two-year stint with AWB from 1999 to 2001.
Average White Band has continued recording (1997's Soul Tattoo, 1999's Face to Face) and touring since. Ball worked on Soul Tattoo with the group but was replaced by Fred Vigdor (aka Freddy V.) in 1996. Brian Dunne took over the drum chair in 2001 and when Eliot Lewis left the band in September 2002 to pursue other musical opportunities (including a stint with Hall and Oates), he was replaced by Klyde Jones. Their line-up as of 2002 became Alan Gorrie (bass guitar, guitar, lead and backing vocals), Klyde Jones (keyboards, bass guitar, guitar, lead and backing vocals), Onnie McIntyre (guitar, vocals), Freddy V (sax, keyboards, vocals), and Brian Dunne (drums).
Dunne was replaced by Rocky Bryant as drummer as of the 2006 tour. After Jones left in 2011 to join Hall and Oates, Monte Croft (keyboards, bass, guitar) and former Earth Wind and Fire member Morris Pleasure (keyboards, bass, guitar) came in to do brief stints before Rob Aries arrived in 2013. Brent Carter (ex-Tower of Power) has been singing with AWB since 2011.
In July 2015, Malcolm ‘Molly’ Duncan, Steve Ferrone and Hamish Stuart reunited to form The 360 Band. This is in essence one half of the original AWB. They released an album titled "Three Sixty" in 2017 and have been performing live together along with supporting musicians. As of 2019, Alan Gorrie and Onnie McIntyre are the only two original members left in the Average White Band.
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AWB's artistic winning streak continued with its outstanding fourth album, Soul Searching. Interestingly, this wasn't an album that enjoyed a great deal of publicity or that contained a lot of major hits. In fact, its biggest single, the dreamy "Queen of My Soul," only made it to number 21 on Billboard's R&B albums chart. But thanks to the devoted following AWB had acquired since signing with Atlantic in 1974, Soul Searching went gold. Indeed, AWB aficionados were quite receptive to first-rate material ranging from the invigorating "I'm the One" to the hauntingly romantic "A Love of Your Own." By zeroing in on their strengths -- hard-hitting funk and delightfully melodic soul -- AWB saw to it that Soul Searching was every bit as rewarding as its predecessors.
Average White Band - Soul Searching (flac 310mb)
01 Overture 2:15
02 Love Your Life 4:53
03 I'm The One 4:22
04 A Love Of Your Own 5:34
05 Queen Of My Soul 6:08
06 Soul Searching 3:18
07 Goin' Home 4:44
08 Everybody's Darling 3:36
09 Would You Stay 5:35
10 Sunny Days (Make Me Think Of You) 3:20
11 Digging Deeper (Finale) 2:46
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Scotland's Average White Band was in a celebratory mood on its third major-label release, the live double-album Person to Person. Following the crossover success of the band's self-titled debut and subsequent Cut the Cake, Person to Person presented the six-piece R&B/funk act stretching out on most of its hits. Lead vocalists Alan Gorrie and Hamish Stuart switch between guitar and bass chores throughout, and drive the opening title track and "Cut the Cake." The ballads "If I Ever Lose This Heaven" and "Cloudy" provide nice changes of pace; rhythm guitarist Onnie McIntyre and drummer Steve Ferrone shine on lesser-known gems like "I'm the One" and "Love Your Life." But the real prize of this collection is an 18-minute version of the Average White Band's biggest hit, the instrumental "Pick Up the Pieces." After the expected solos from the studio version by saxophonists Roger Ball and Malcolm "Molly" Duncan, McIntyre, Stuart, Gorrie, and Ferrone take extended leads in this masterpiece of editing -- the track actually features different versions from four concert halls, all spliced together so that each musician could have the solo of his choice represented. A few walk-through versions ("T.L.C.," "School Boy Crush," and the Marvin Gaye hit "Heard It Through the Grapevine") away from being a classic, Person to Person still shows what a great live act this underrated band was in its heyday.
Average White Band - Person To Person (flac 268mb)
01 Person To Person 6:51
02 Cut The Cake 4:48
03 If I Ever Lose This Heaven 8:05
04 Cloudy 6:31
05 T.L.C. 14:12
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Average White Band - Person To Person 2 (flac 308mb)
06 I'm The One 4:35
07 Pick Up The Pieces 18:06
08 Love Your Life 4:50
09 School Boy Crush 7:25
10 I Heard It Through The Grapevine 9:02
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Benny and Us resulted from a chance meeting in Miami between Ben E. King and the Average White Band, who were vacationing there just when King was starting work on a new album. The finished LP yielded two hit singles and became King's best-selling LP, rising to number 33. The sound is soulful and funky, very bright and passionate -- the upbeat, relentlessly catchy "Get It Up for Love" and the soaring, horn and string driven "A Star in the Ghetto" made respectable showings on the R&B charts, and a good portion of the rest ("The Message," "What Is Soul") is pretty powerful stuff as well. "Imagine" is so busy and so self-consciously earnest that it's difficult to enjoy, but King is so good in the moments when he is on target, that it's hard to skip this track, even if it is the weakest number here. The radiant "Keepin' It to Myself" and the poignant cover of Donny Hathaway's "Someday We'll All Be Free," by contrast, are among King's very best records. Benny and Us was a good enough record that it nearly led to a joint tour (as opposed to some joint appearances, which actually happened) between King and the Average White Band -- one can only marvel at what those shows must have sounded like, and lament that fact that no live album was cut. It also marked King's last major appearance on the charts for Atlantic. To date, however, it's only available as an import from Sequel Records. That reissue, apart from excellent sound, also includes alternate edits of "Fool for You Anyway," "The Message," and, especially "Star in the Ghetto," including the 12" single version of the latter -- all are worth hearing.
Average White Band • Ben E. King - Benny And Us (flac 298mb)
01 How Can You Go Home 3:08
02 This World Has Music 5:53
03 Twilight Zone 5:25
04 Put It Where You Want It 5:09
05 Show Your Hand 4:26
06 Back In '67 4:08
07 Reach Out 4:02
08 T.L.C. 8:09
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Today's Artists are a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They are best known for their million-selling instrumental track "Pick Up the Pieces", and their albums AWB and Cut the Cake. . ...... N Joy
xxxxx xxxxx xxxxx xxxxx xxxxx
The Average White Band (also AWB) are a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They are best known for their million-selling instrumental track "Pick Up the Pieces", and their albums AWB and Cut the Cake. The band name was initially proposed by Bonnie Bramlett; the band backed Bramlett on her first solo outing, 1973's Sweet Bonnie Bramlett, an album that presaged the Disco movement, particularly with the track Crazy 'Bout My Baby played heavily in dance clubs. They have influenced others such as the Brand New Heavies, and been sampled by various musicians including the Beastie Boys, Public Enemy, TLC, The Beatnuts, Too Short, Ice Cube, Eric B. & Rakim, Nas, and A Tribe Called Quest, Christina Milian, as well as Arrested Development – making them the 15th most sampled act in history. As of 2018, 46 years after their formation, they continue to perform.
AWB was formed in early 1972 in London by Alan Gorrie, and Malcolm "Molly" Duncan, with Owen "Onnie" McIntyre, Michael Rosen (trumpet), Roger Ball, and Robbie McIntosh joining them in the original line-up. Hamish Stuart quickly replaced Rosen. Duncan and Ball, affectionately known as the Dundee Horns, studied at Duncan of Jordanstone College of Art (now part of the University of Dundee, but which at the time was part of the Dundee Institute of Art and Technology, now known as Abertay University), and were previously members of Mogul Thrash. Gorrie and McIntyre had been members of Forever More. McIntyre and McIntosh were used as session musicians on Chuck Berry's recording of "My Ding-a-Ling". According to Duncan, members of the band had played together before in Scotland, but had moved to London separately and met up by chance at a Traffic concert. They decided to jam together; a friend heard them and remarked: "This is too much for the average white man," which became adapted as the name of the band.
The band's breakthrough was a support slot at Eric Clapton's comeback concert in 1973. MCA Records released their debut album, Show Your Hand (1973), which sold poorly. Bruce McCaskill, who was Clapton's tour manager, liked the band's music and agreed to manage them. He borrowed money to take them to the US and to promote them. McCaskill had many contacts from his days with Clapton and managed to get Atlantic Records to sign them. The band relocated to Los Angeles and released the follow-up, AWB, better known as The White Album. It reached No. 1 and was the first of many with renowned producer Arif Mardin.
McIntosh died of a heroin overdose at a Los Angeles party on 23 September 1974. Gorrie also overdosed, but Cher kept him conscious until medical help arrived. The NME reported in January 1975 that AWB played a benefit show for McIntosh's widow at the Marquee Club in London. McIntosh was replaced by Steve Ferrone (previously of Bloodstone), and, like McIntosh, previously with Brian Auger's Oblivion Express. In 1975, the single "Pick Up the Pieces" – taken from the No. 1 AWB album – reached No. 1 on the US Billboard Hot 100 chart. The song knocked Linda Ronstadt's "You're No Good" out of No. 1 and sold over one million copies. It was awarded a gold disc by the R.I.A.A. in March 1975. It also prompted The J.B.'s, the backup band of the "Godfather of Soul", James Brown, to record and release a song in reply, "Pick Up the Pieces, One by One", under the name AABB (Above Average Black Band). It was both a tribute to AWB's knowledge of funk and a tongue-in-cheek play on the Scottish band's name.
AWB followed up with the LPs Cut the Cake (1975) and Soul Searching (1976), both big sellers and yielding further Top 40 singles. Cut the Cake was dedicated by the surviving band members to McIntosh's memory. A double live album "Person To Person" was issued in late 1976. Their next LP, Benny & Us, was a collaboration with Ben E. King. After several more albums, "Warmer Communications" (1978), "Feel No Fret" (1979) and after a switch to the U.S. Arista label, "Shine" (1980) and "Cupid's In Fashion" (1982), AWB's audience and sales dwindled. The group initially disbanded by 1983. Their 1980 disco hit "Let's Go Round Again" (UK No. 12), was covered in the late 1990s by Louise.
Ferrone went on to work with Duran Duran whilst Hamish Stuart joined Paul McCartney's touring group. In 1985 Gorrie released a solo album, Sleepless Nights.
The classic lineup of Gorrie, McIntyre, Ball, Stuart, Duncan and Ferrone reunited for one last time at the Atlantic Records 40th Anniversary in 1988. Gorrie, McIntyre, and Ball then continued in 1989 to record Aftershock. Alex Ligertwood (ex-Santana, Jeff Beck Group and another veteran of Brian Auger's Oblivion Express) also appeared on this album, replacing lead singer Hamish Stuart, along with Eliot Lewis who co-wrote with Gorrie and joined the band. Ligertwood left after the album's recording and drummer Tiger McNeil joined for the reunited band's live shows. McNeil was with the group until 1994. He was then succeeded by Peter Abbott (ex-Blood Sweat and Tears), who in turn was replaced by Fred "Catfish" Alias in September 1998. Drummer Adam Deitch did a two-year stint with AWB from 1999 to 2001.
Average White Band has continued recording (1997's Soul Tattoo, 1999's Face to Face) and touring since. Ball worked on Soul Tattoo with the group but was replaced by Fred Vigdor (aka Freddy V.) in 1996. Brian Dunne took over the drum chair in 2001 and when Eliot Lewis left the band in September 2002 to pursue other musical opportunities (including a stint with Hall and Oates), he was replaced by Klyde Jones. Their line-up as of 2002 became Alan Gorrie (bass guitar, guitar, lead and backing vocals), Klyde Jones (keyboards, bass guitar, guitar, lead and backing vocals), Onnie McIntyre (guitar, vocals), Freddy V (sax, keyboards, vocals), and Brian Dunne (drums).
Dunne was replaced by Rocky Bryant as drummer as of the 2006 tour. After Jones left in 2011 to join Hall and Oates, Monte Croft (keyboards, bass, guitar) and former Earth Wind and Fire member Morris Pleasure (keyboards, bass, guitar) came in to do brief stints before Rob Aries arrived in 2013. Brent Carter (ex-Tower of Power) has been singing with AWB since 2011.
In July 2015, Malcolm ‘Molly’ Duncan, Steve Ferrone and Hamish Stuart reunited to form The 360 Band. This is in essence one half of the original AWB. They released an album titled "Three Sixty" in 2017 and have been performing live together along with supporting musicians. As of 2019, Alan Gorrie and Onnie McIntyre are the only two original members left in the Average White Band.
xxxxx xxxxx xxxxx xxxxx xxxxx
AWB's artistic winning streak continued with its outstanding fourth album, Soul Searching. Interestingly, this wasn't an album that enjoyed a great deal of publicity or that contained a lot of major hits. In fact, its biggest single, the dreamy "Queen of My Soul," only made it to number 21 on Billboard's R&B albums chart. But thanks to the devoted following AWB had acquired since signing with Atlantic in 1974, Soul Searching went gold. Indeed, AWB aficionados were quite receptive to first-rate material ranging from the invigorating "I'm the One" to the hauntingly romantic "A Love of Your Own." By zeroing in on their strengths -- hard-hitting funk and delightfully melodic soul -- AWB saw to it that Soul Searching was every bit as rewarding as its predecessors.
Average White Band - Soul Searching (flac 310mb)
01 Overture 2:15
02 Love Your Life 4:53
03 I'm The One 4:22
04 A Love Of Your Own 5:34
05 Queen Of My Soul 6:08
06 Soul Searching 3:18
07 Goin' Home 4:44
08 Everybody's Darling 3:36
09 Would You Stay 5:35
10 Sunny Days (Make Me Think Of You) 3:20
11 Digging Deeper (Finale) 2:46
xxxxx xxxxx xxxxx xxxxx xxxxx
Scotland's Average White Band was in a celebratory mood on its third major-label release, the live double-album Person to Person. Following the crossover success of the band's self-titled debut and subsequent Cut the Cake, Person to Person presented the six-piece R&B/funk act stretching out on most of its hits. Lead vocalists Alan Gorrie and Hamish Stuart switch between guitar and bass chores throughout, and drive the opening title track and "Cut the Cake." The ballads "If I Ever Lose This Heaven" and "Cloudy" provide nice changes of pace; rhythm guitarist Onnie McIntyre and drummer Steve Ferrone shine on lesser-known gems like "I'm the One" and "Love Your Life." But the real prize of this collection is an 18-minute version of the Average White Band's biggest hit, the instrumental "Pick Up the Pieces." After the expected solos from the studio version by saxophonists Roger Ball and Malcolm "Molly" Duncan, McIntyre, Stuart, Gorrie, and Ferrone take extended leads in this masterpiece of editing -- the track actually features different versions from four concert halls, all spliced together so that each musician could have the solo of his choice represented. A few walk-through versions ("T.L.C.," "School Boy Crush," and the Marvin Gaye hit "Heard It Through the Grapevine") away from being a classic, Person to Person still shows what a great live act this underrated band was in its heyday.
Average White Band - Person To Person (flac 268mb)
01 Person To Person 6:51
02 Cut The Cake 4:48
03 If I Ever Lose This Heaven 8:05
04 Cloudy 6:31
05 T.L.C. 14:12
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Average White Band - Person To Person 2 (flac 308mb)
06 I'm The One 4:35
07 Pick Up The Pieces 18:06
08 Love Your Life 4:50
09 School Boy Crush 7:25
10 I Heard It Through The Grapevine 9:02
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Benny and Us resulted from a chance meeting in Miami between Ben E. King and the Average White Band, who were vacationing there just when King was starting work on a new album. The finished LP yielded two hit singles and became King's best-selling LP, rising to number 33. The sound is soulful and funky, very bright and passionate -- the upbeat, relentlessly catchy "Get It Up for Love" and the soaring, horn and string driven "A Star in the Ghetto" made respectable showings on the R&B charts, and a good portion of the rest ("The Message," "What Is Soul") is pretty powerful stuff as well. "Imagine" is so busy and so self-consciously earnest that it's difficult to enjoy, but King is so good in the moments when he is on target, that it's hard to skip this track, even if it is the weakest number here. The radiant "Keepin' It to Myself" and the poignant cover of Donny Hathaway's "Someday We'll All Be Free," by contrast, are among King's very best records. Benny and Us was a good enough record that it nearly led to a joint tour (as opposed to some joint appearances, which actually happened) between King and the Average White Band -- one can only marvel at what those shows must have sounded like, and lament that fact that no live album was cut. It also marked King's last major appearance on the charts for Atlantic. To date, however, it's only available as an import from Sequel Records. That reissue, apart from excellent sound, also includes alternate edits of "Fool for You Anyway," "The Message," and, especially "Star in the Ghetto," including the 12" single version of the latter -- all are worth hearing.
Average White Band • Ben E. King - Benny And Us (flac 298mb)
01 How Can You Go Home 3:08
02 This World Has Music 5:53
03 Twilight Zone 5:25
04 Put It Where You Want It 5:09
05 Show Your Hand 4:26
06 Back In '67 4:08
07 Reach Out 4:02
08 T.L.C. 8:09
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