Hello, ah yes the world champions US against 11 Thai chickens who got 2 goals left to share after the 13-0 defeat, clearly the buddist/hindu and muslim regions of Asia lack female soccer power that their northern sisters China/Japan/Korea do possess my guess is it will be sometime yet. Meanwhile that US superstar, Alex Morgan is almost certain to become topscorer of the tournament after scoring 5 tonight hmmmm. Any over at the men's game the semi pro's of Estonia got wiped by the Germans 8-0 considering 2 perfectly legal goals were annulled, they once more make the case for splitting these international games into 3 divisions like most teamsports do, but hey Estonia gets as much votes as Germany and they won't be denied that chance to kick the shins of the football elite and so Andorra had their game tonight loosing just 4-0 to the Worldchampions France. In the end its all about the money the Football associations make and FIFA/UEFA is all about money so they understand the little guys want some even if they deserve none.
Today's Artist, as the leader of the seminal pub rockers Brinsley Schwarz, a producer, and a solo artist, held considerable influence over the development of punk rock. He began a back-to-basics movement that flowered into punk rock in the late '70s. As the house producer for Stiff, he recorded many seminal records by the likes of the Damned, Elvis Costello, and the Pretenders. His rough, ragged production style earned him the nickname "Basher" and also established the amateurish, D.I.Y. aesthetics of punk. Despite his massive influence on punk rock, Lowe was never really a punk rocker. He was concerned with bringing back the tradition of three-minute pop singles and hard-driving rock & roll, but he subverted his melodic songcraft with a nasty sense of humor. His early solo singles and albums, Jesus of Cool and Labour of Lust, overflowed with hooks, bizarre jokes, and an infectious energy that made them some of the most acclaimed pop records of the new wave era. As new wave began to fade away in the early '80s, he began to explore roots rock, eventually becoming a full-fledged country-rocker in the '90s. While he never had another hit after 1980's "Cruel to Be Kind," his records found a devoted cult audience and were often critically praised. ..............N'Joy
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The son of a British Royal Air Force officer, Lowe spent part of his childhood stationed in the Middle East before his family settled in Kent. As a teenager, he played in a variety of bands, including Three's a Crowd and Sounds 4 Plus 1, with his friend, guitarist Brinsley Schwarz. In 1965, the pair formed the guitar pop band Kippington Lodge, which landed a contract with Parlophone Records the following year. Over the next four years, the group released five singles, none of which received much attention. In 1969, Kippington Lodge evolved into the country-rock band Brinsley Schwarz, who secured a record contract with United Artists the following year. At the outset of their career, the Brinsleys attempted to gain fame by holding a showcase concert at the Fillmore East, but the publicity stunt backfired, making them outcasts from the British music scene by the time their first album was released. Over the next five years, the group slowly built a following as the leading exponents of pub rock, a back-to-basics movement of good-time rock & roll that found a niche in the early '70s.
With their unassuming appearance and unpretentious music, pub rockers set the stage for punk rock in the late '70s, not only by relying on three-chord rock & roll, but also establishing a circuit of pubs to play. Of all the old-guard pub rockers, Lowe was the most significant in the development of punk rock. By the time Brinsley Schwarz broke up in 1975, he had already gained a reputation as an excellent, eccentric songwriter, and he was beginning to produce artists like Graham Parker, Dr. Feelgood, and the Kursaal Flyers. At the time, his songwriting was veering away from the country-rock and bluesy rock that distinguished his Brinsley work, and he was beginning to write inventive pop songs. Lowe wanted to leave United Artists, but the label refused to let him go, so he proceeded to record a series of deliberately unmarketable singles in hopes of getting kicked off the label. The first was "Bay City Rollers We Love You," a tongue-in-cheek tribute to the teen pop sensations credited to the Tartan Horde. Inexplicably, the single became a hit in Japan -- the Japanese branch of UA even asked for a full album -- and the label kept him as an artist. However, after "Let's Go to the Disco," credited to the Disco Brothers, UA dropped him from the label.
After leaving UA, Lowe became the first artist on Jake Riviera and Dave Robinson's fledgling independent label Stiff Records, as well as the label's in-house producer. Recorded for just 65 pounds and released in the summer of 1976, "So It Goes"/"Heart of the City" became the first British proto-punk single of the late '70s, earning glowing reviews if not sales. Lowe began producing records at a rapid rate, helming the Damned's debut album, Damned Damned Damned -- the first British punk album -- and Costello's My Aim Is True in 1977; he would produce all of Costello's albums between My Aim Is True and 1981's Trust. Lowe also produced singles by Wreckless Eric, the Rumour, and Alberto y los Trios Paranoias, as well as Graham Parker's early albums. In the summer, he became part of Dave Edmunds' touring band Rockpile, which would become his backing band within a year. He also released the Bowi EP (a play on the title of David Bowie's Low LP) in 1977, and toured with the Stiff package tour Live Stiffs before leaving the label with Costello to join Riviera's new label, Radar Records.
Lowe released his debut album, Jesus of Cool (retitled Pure Pop for Now People for its American release), in 1978, which featured his first British Top Ten hit, "(I Love the Sound Of) Breaking Glass." The single "American Squirm" was released in the fall of 1978 to little success. After producing the Pretenders' debut single, "Stop Your Sobbing," Lowe recorded his second album, Labour of Lust, supported by Rockpile; Edmunds' Repeat When Necessary was recorded at the same session. Labour of Lust featured Lowe's one big American hit, "Cruel to Be Kind," which was a reworked version of an old Brinsley Schwarz song. Between the recording and touring in 1979, Lowe married Carlene Carter, the stepdaughter of Johnny Cash; he would produce her albums Musical Shapes (1980) and Blue Nun (1981).
Lowe and Edmunds toured with Rockpile to support their respective 1979 albums, and the pair were the subject of the BBC documentary Born Fighters later that year. Rockpile became notorious for their wild, frequently drunken performances and their spirited selection of originals and obscure covers. In 1980, the bandmembers decided to record an album together, but the sessions were plagued by tension between Lowe and Edmunds. Seconds of Pleasure, the group's lone album, was released in the fall of 1980 to mixed reviews; it generated one hit single, the Eddie Phillips-written "Teacher Teacher." Rockpile split only months after the release of Seconds of Pleasure, with the remaining members choosing to support Edmunds on his solo album.
Lowe returned with Nick the Knife in February of 1982, supporting the album with a band featuring guitarist Martin Belmont and keyboardist Paul Carrack; the group was first called the Chaps, but their name changed to Noise to Go during the American tour. Nick the Knife was a moderate hit, but its follow-up, 1983's The Abominable Showman, was a flop. Lowe retaliated by shifting his music toward roots rock on his 1984 album And His Cowboy Outfit. Both Cowboy Outfit and its 1985 successor, Rose of England, were greeted with positive reviews and improved sales; the former featured his last U.K. hit, "Half a Boy Half a Man," and the latter featured his last U.S. hit, a reworking of his chestnut "I Knew the Bride (When She Used to Rock & Roll)." In 1986, he reunited with Costello to produce Blood & Chocolate. The album was one of many records -- including efforts by the Fabulous Thunderbirds, John Hiatt, and Paul Carrack -- he produced in the '80s.
During much of the mid-'80s, Lowe suffered from alcohol abuse, but with the assistance of his old mates Costello and Riviera, he recovered and gave up looking for a crossover pop hit, concentrating on country-rock and roots rock. Pinker and Prouder Than Previous (1988) was the first indication of this shift in style, but the record largely went unnoticed. Produced by Dave Edmunds, Party of One (1990) became his first charting album since 1985. Later that year, Lowe divorced Carter. The following year, he formed the supergroup Little Village with John Hiatt, Ry Cooder, and Jim Keltner; all of the musicians played on Hiatt's 1987 breakthrough album, Bring the Family. Little Village were fraught with tension, and their eponymous 1992 album and its supporting tour suffered as a result. The group disbanded upon the tour's conclusion. While he was working on material for a new album, Lowe's Brinsley Schwarz composition "(What's So Funny 'Bout) Peace, Love and Understanding," which had previously been a hit for Costello, was covered by Curtis Stigers for the soundtrack to Whitney Houston's film The Bodyguard. The album became the biggest-selling soundtrack album in history and, in the process, Lowe unexpectedly became a millionaire from the songwriting royalties.
Lowe made a comeback in 1994 with the straight country album The Impossible Bird. Hailed as his finest effort in years, the album became a hit in the burgeoning Americana movement in the U.S., and he supported the album with his first solo tour in five years; his touring band featured former Commander Cody guitarist Bill Kirchen. In 1998, Lowe returned with Dig My Mood, followed by a series of three albums for Yep Roc: 2001's The Convincer, 2004's live Untouched Takeaway, and 2007's At My Age. His fourth outing for the label, The Old Magic, followed in 2011 to bigger sales numbers than his other Yep Roc titles due to nearly universal critical acclaim. Two years later, Lowe returned with Quality Street: A Seasonal Selection for All the Family, his first collection of Christmas music. Lowe supported Quality Street with a tour where he was backed by the instrumental group Los Straitjackets. The pairing was so successful that the group cut a collection of Lowe covers called What's So Funny About Peace, Love and Los Straitjackets in 2017. That same year, Lowe's out of print albums from the '80s were reissued by Yep Roc.
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Caught between the desire for another big pop hit and his burgeoning re-interest in country music, Nick Lowe made the most confused album in his career with The Abominable Showman. Although Lowe's craftsmanship hasn't abandoned him, he isn't particularly inspired on The Abominable Showman. Furthermore, much of the album is hampered by stiff, dated new wave production, which makes amiable throwaways like "Saint Beneath the Paint" irritating. Still, Lowe manages to break through the tedium with charming, clever pop/rockers like "We Want Action," "Time Wounds All Heels," "(For Every Woman Who Ever Made a Fool of a Man There's a Woman Who Made A) Man of a Fool," and the silly doo wop of "Tanque-Rae." But a song as sharp as "Raging Eyes," with its wryly observed lyrics and infectious melody, makes it clear what the rest of the album is lacking.
Nick Lowe - The Abominable Showman (flac 216mb)
01 We Want Action 2:35
02 Ragin' Eyes 2:38
03 Cool Reaction 2:35
04 Time Wounds All Heels 2:42
05 Man Of A Fool 2:44
06 Tanque-Rae 2:48
07 Wish You Were Here 3:14
08 Chicken And Feathers 2:44
09 Paid The Price 3:24
10 Mess Around With Love 3:05
11 Saint Beneath The Paint 2:48
12 How Do You Talk To An Angel 3:50
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The title isn't entirely in jest -- Nick Lowe and His Cowboy Outfit does represent Lowe's reinvention as a roots-rocker, as he delves into Tex-Mex, country-rock, garage rock and, of course, pop. After the muddled The Abominable Showman, Cowboy Outfit sounds positively vibrant, thanks in no small part to Lowe's backing band, comprised largely of veteran pub-rockers. The songs are also more consistently memorable, from the Farfisa-driven "Half a Boy and Half a Man" to the sublime covers of Mickey Jupp's "You'll Never Get Me Up in One of Those" and Sandie Shaw's "Breakaway." The rest of the album's pleasures, however, are subtle. "Maureen" and "God's Gift to Women" are charming yet slight, and the songs become increasingly lightweight as the album approaches its close. Even with the uneven songs, the Cowboy Outfit make the material appealing, and Lowe certainly sounds more appealing -- and comfortable -- as a roots-rocker than as an aging new wave popster.
Nick Lowe And His Cowboy Outfit (flac 249mb)
01 Half A Boy And Half A Man 2:54
02 You'll Never Get Me Up (In One Of Those) 4:38
03 Maureen 3:04
04 God's Gift To Women 3:30
05 The Gee And The Rick And The Three Card Trick 4:18
06 (Hey Big Mouth) Stand Up And Say That 2:48
07 Awesome 2:49
08 Breakaway 3:38
09 Love Like A Glove 3:14
10 Live Fast Love Hard 2:40
11 L.A.F.S. 3:30
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Following through on the roots-rock leanings of Cowboy Outfit, Nick Lowe delivered the delightful The Rose of England. While some of the material is still rather lightweight -- "Lucky Dog" and "Bo Bo Skediddle" are defiant and thoroughly entertaining throwaways -- much of the record is clever and charming, delivered with laidback confidence from the Cowboy Outfit. "Darlin' Angel Eyes" and "The Rose of England" are minor classics in the Lowe canon, while his cover of John Hiatt's "She Don't Love Nobody" and the revival of the rockabilly standard "7 Nights to Rock" keep the album moving. Still, it's his stark take on Elvis Costello's lovely "Indoor Fireworks" that gives the album an anchor, and it's a performance so affecting that it makes the neutered reworking of "I Knew the Bride" completely forgivable.
Nick Lowe And His Cowboy Outfit - The Rose Of England (flac 254mb)
01 Darlin' Angel Eyes 2:43
02 She Don't Love Nobody 3:20
03 7 Nights To Rock 2:44
04 Long Walk Back 3:53
05 The Rose Of England 3:24
06 Lucky Dog 3:06
07 I Knew The Bride (When She Used To Rock 'N' Roll) 4:25
08 Indoor Fireworks 3:31
09 (Hope To God) I'm Right 2:42
10 I Can Be The One You Love 4:00
11 Everyone 3:03
12 Bo Bo Skediddle 3:02
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Abandoning the Cowboy Outfit but not roots-rock, Nick Lowe followed the winning The Rose of England with the amiable but muddled Pinker and Prouder Than Previous. Working with the same blend of classic pop, rock & roll, and country-rock, Lowe gets things off to a roaring start with the driving "(You're My) Wildest Dream," but the record quickly bogs down in averagee material. Many of the songs are certainly not bad, yet they rarely distinguish themselves from each other -- only "Lover's Jamboree," John Hiatt's "Love Gets Strange" and Graham Parker's "Black Lincoln Continental" stand out. That doesn't necessarily make Pinker and Prouder Than Previous a bad record. Since Lowe is a gifted songwriter and talented bandleader; he can keep things engaging even when he's not at the top of his form, which is the case with Pinker and Prouder.
Nick Lowe - Pinker And Prouder Than Previous (flac 220mb)
01 (You're My) Wildest Dream 3:19
02 Crying In My Sleep 3:56
03 Big Hair 2:13
04 Love Gets Strange 3:30
05 I Got Love 2:43
06 Black Lincoln Continental 2:36
07 Cry It Out 2:56
08 Lovers Jamboree 3:37
09 Geisha Girl 2:18
10 Wishing Well 3:00
11 Big Big Love 2:49
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Today's Artist, as the leader of the seminal pub rockers Brinsley Schwarz, a producer, and a solo artist, held considerable influence over the development of punk rock. He began a back-to-basics movement that flowered into punk rock in the late '70s. As the house producer for Stiff, he recorded many seminal records by the likes of the Damned, Elvis Costello, and the Pretenders. His rough, ragged production style earned him the nickname "Basher" and also established the amateurish, D.I.Y. aesthetics of punk. Despite his massive influence on punk rock, Lowe was never really a punk rocker. He was concerned with bringing back the tradition of three-minute pop singles and hard-driving rock & roll, but he subverted his melodic songcraft with a nasty sense of humor. His early solo singles and albums, Jesus of Cool and Labour of Lust, overflowed with hooks, bizarre jokes, and an infectious energy that made them some of the most acclaimed pop records of the new wave era. As new wave began to fade away in the early '80s, he began to explore roots rock, eventually becoming a full-fledged country-rocker in the '90s. While he never had another hit after 1980's "Cruel to Be Kind," his records found a devoted cult audience and were often critically praised. ..............N'Joy
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The son of a British Royal Air Force officer, Lowe spent part of his childhood stationed in the Middle East before his family settled in Kent. As a teenager, he played in a variety of bands, including Three's a Crowd and Sounds 4 Plus 1, with his friend, guitarist Brinsley Schwarz. In 1965, the pair formed the guitar pop band Kippington Lodge, which landed a contract with Parlophone Records the following year. Over the next four years, the group released five singles, none of which received much attention. In 1969, Kippington Lodge evolved into the country-rock band Brinsley Schwarz, who secured a record contract with United Artists the following year. At the outset of their career, the Brinsleys attempted to gain fame by holding a showcase concert at the Fillmore East, but the publicity stunt backfired, making them outcasts from the British music scene by the time their first album was released. Over the next five years, the group slowly built a following as the leading exponents of pub rock, a back-to-basics movement of good-time rock & roll that found a niche in the early '70s.
With their unassuming appearance and unpretentious music, pub rockers set the stage for punk rock in the late '70s, not only by relying on three-chord rock & roll, but also establishing a circuit of pubs to play. Of all the old-guard pub rockers, Lowe was the most significant in the development of punk rock. By the time Brinsley Schwarz broke up in 1975, he had already gained a reputation as an excellent, eccentric songwriter, and he was beginning to produce artists like Graham Parker, Dr. Feelgood, and the Kursaal Flyers. At the time, his songwriting was veering away from the country-rock and bluesy rock that distinguished his Brinsley work, and he was beginning to write inventive pop songs. Lowe wanted to leave United Artists, but the label refused to let him go, so he proceeded to record a series of deliberately unmarketable singles in hopes of getting kicked off the label. The first was "Bay City Rollers We Love You," a tongue-in-cheek tribute to the teen pop sensations credited to the Tartan Horde. Inexplicably, the single became a hit in Japan -- the Japanese branch of UA even asked for a full album -- and the label kept him as an artist. However, after "Let's Go to the Disco," credited to the Disco Brothers, UA dropped him from the label.
After leaving UA, Lowe became the first artist on Jake Riviera and Dave Robinson's fledgling independent label Stiff Records, as well as the label's in-house producer. Recorded for just 65 pounds and released in the summer of 1976, "So It Goes"/"Heart of the City" became the first British proto-punk single of the late '70s, earning glowing reviews if not sales. Lowe began producing records at a rapid rate, helming the Damned's debut album, Damned Damned Damned -- the first British punk album -- and Costello's My Aim Is True in 1977; he would produce all of Costello's albums between My Aim Is True and 1981's Trust. Lowe also produced singles by Wreckless Eric, the Rumour, and Alberto y los Trios Paranoias, as well as Graham Parker's early albums. In the summer, he became part of Dave Edmunds' touring band Rockpile, which would become his backing band within a year. He also released the Bowi EP (a play on the title of David Bowie's Low LP) in 1977, and toured with the Stiff package tour Live Stiffs before leaving the label with Costello to join Riviera's new label, Radar Records.
Lowe released his debut album, Jesus of Cool (retitled Pure Pop for Now People for its American release), in 1978, which featured his first British Top Ten hit, "(I Love the Sound Of) Breaking Glass." The single "American Squirm" was released in the fall of 1978 to little success. After producing the Pretenders' debut single, "Stop Your Sobbing," Lowe recorded his second album, Labour of Lust, supported by Rockpile; Edmunds' Repeat When Necessary was recorded at the same session. Labour of Lust featured Lowe's one big American hit, "Cruel to Be Kind," which was a reworked version of an old Brinsley Schwarz song. Between the recording and touring in 1979, Lowe married Carlene Carter, the stepdaughter of Johnny Cash; he would produce her albums Musical Shapes (1980) and Blue Nun (1981).
Lowe and Edmunds toured with Rockpile to support their respective 1979 albums, and the pair were the subject of the BBC documentary Born Fighters later that year. Rockpile became notorious for their wild, frequently drunken performances and their spirited selection of originals and obscure covers. In 1980, the bandmembers decided to record an album together, but the sessions were plagued by tension between Lowe and Edmunds. Seconds of Pleasure, the group's lone album, was released in the fall of 1980 to mixed reviews; it generated one hit single, the Eddie Phillips-written "Teacher Teacher." Rockpile split only months after the release of Seconds of Pleasure, with the remaining members choosing to support Edmunds on his solo album.
Lowe returned with Nick the Knife in February of 1982, supporting the album with a band featuring guitarist Martin Belmont and keyboardist Paul Carrack; the group was first called the Chaps, but their name changed to Noise to Go during the American tour. Nick the Knife was a moderate hit, but its follow-up, 1983's The Abominable Showman, was a flop. Lowe retaliated by shifting his music toward roots rock on his 1984 album And His Cowboy Outfit. Both Cowboy Outfit and its 1985 successor, Rose of England, were greeted with positive reviews and improved sales; the former featured his last U.K. hit, "Half a Boy Half a Man," and the latter featured his last U.S. hit, a reworking of his chestnut "I Knew the Bride (When She Used to Rock & Roll)." In 1986, he reunited with Costello to produce Blood & Chocolate. The album was one of many records -- including efforts by the Fabulous Thunderbirds, John Hiatt, and Paul Carrack -- he produced in the '80s.
During much of the mid-'80s, Lowe suffered from alcohol abuse, but with the assistance of his old mates Costello and Riviera, he recovered and gave up looking for a crossover pop hit, concentrating on country-rock and roots rock. Pinker and Prouder Than Previous (1988) was the first indication of this shift in style, but the record largely went unnoticed. Produced by Dave Edmunds, Party of One (1990) became his first charting album since 1985. Later that year, Lowe divorced Carter. The following year, he formed the supergroup Little Village with John Hiatt, Ry Cooder, and Jim Keltner; all of the musicians played on Hiatt's 1987 breakthrough album, Bring the Family. Little Village were fraught with tension, and their eponymous 1992 album and its supporting tour suffered as a result. The group disbanded upon the tour's conclusion. While he was working on material for a new album, Lowe's Brinsley Schwarz composition "(What's So Funny 'Bout) Peace, Love and Understanding," which had previously been a hit for Costello, was covered by Curtis Stigers for the soundtrack to Whitney Houston's film The Bodyguard. The album became the biggest-selling soundtrack album in history and, in the process, Lowe unexpectedly became a millionaire from the songwriting royalties.
Lowe made a comeback in 1994 with the straight country album The Impossible Bird. Hailed as his finest effort in years, the album became a hit in the burgeoning Americana movement in the U.S., and he supported the album with his first solo tour in five years; his touring band featured former Commander Cody guitarist Bill Kirchen. In 1998, Lowe returned with Dig My Mood, followed by a series of three albums for Yep Roc: 2001's The Convincer, 2004's live Untouched Takeaway, and 2007's At My Age. His fourth outing for the label, The Old Magic, followed in 2011 to bigger sales numbers than his other Yep Roc titles due to nearly universal critical acclaim. Two years later, Lowe returned with Quality Street: A Seasonal Selection for All the Family, his first collection of Christmas music. Lowe supported Quality Street with a tour where he was backed by the instrumental group Los Straitjackets. The pairing was so successful that the group cut a collection of Lowe covers called What's So Funny About Peace, Love and Los Straitjackets in 2017. That same year, Lowe's out of print albums from the '80s were reissued by Yep Roc.
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Caught between the desire for another big pop hit and his burgeoning re-interest in country music, Nick Lowe made the most confused album in his career with The Abominable Showman. Although Lowe's craftsmanship hasn't abandoned him, he isn't particularly inspired on The Abominable Showman. Furthermore, much of the album is hampered by stiff, dated new wave production, which makes amiable throwaways like "Saint Beneath the Paint" irritating. Still, Lowe manages to break through the tedium with charming, clever pop/rockers like "We Want Action," "Time Wounds All Heels," "(For Every Woman Who Ever Made a Fool of a Man There's a Woman Who Made A) Man of a Fool," and the silly doo wop of "Tanque-Rae." But a song as sharp as "Raging Eyes," with its wryly observed lyrics and infectious melody, makes it clear what the rest of the album is lacking.
Nick Lowe - The Abominable Showman (flac 216mb)
01 We Want Action 2:35
02 Ragin' Eyes 2:38
03 Cool Reaction 2:35
04 Time Wounds All Heels 2:42
05 Man Of A Fool 2:44
06 Tanque-Rae 2:48
07 Wish You Were Here 3:14
08 Chicken And Feathers 2:44
09 Paid The Price 3:24
10 Mess Around With Love 3:05
11 Saint Beneath The Paint 2:48
12 How Do You Talk To An Angel 3:50
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The title isn't entirely in jest -- Nick Lowe and His Cowboy Outfit does represent Lowe's reinvention as a roots-rocker, as he delves into Tex-Mex, country-rock, garage rock and, of course, pop. After the muddled The Abominable Showman, Cowboy Outfit sounds positively vibrant, thanks in no small part to Lowe's backing band, comprised largely of veteran pub-rockers. The songs are also more consistently memorable, from the Farfisa-driven "Half a Boy and Half a Man" to the sublime covers of Mickey Jupp's "You'll Never Get Me Up in One of Those" and Sandie Shaw's "Breakaway." The rest of the album's pleasures, however, are subtle. "Maureen" and "God's Gift to Women" are charming yet slight, and the songs become increasingly lightweight as the album approaches its close. Even with the uneven songs, the Cowboy Outfit make the material appealing, and Lowe certainly sounds more appealing -- and comfortable -- as a roots-rocker than as an aging new wave popster.
Nick Lowe And His Cowboy Outfit (flac 249mb)
01 Half A Boy And Half A Man 2:54
02 You'll Never Get Me Up (In One Of Those) 4:38
03 Maureen 3:04
04 God's Gift To Women 3:30
05 The Gee And The Rick And The Three Card Trick 4:18
06 (Hey Big Mouth) Stand Up And Say That 2:48
07 Awesome 2:49
08 Breakaway 3:38
09 Love Like A Glove 3:14
10 Live Fast Love Hard 2:40
11 L.A.F.S. 3:30
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Following through on the roots-rock leanings of Cowboy Outfit, Nick Lowe delivered the delightful The Rose of England. While some of the material is still rather lightweight -- "Lucky Dog" and "Bo Bo Skediddle" are defiant and thoroughly entertaining throwaways -- much of the record is clever and charming, delivered with laidback confidence from the Cowboy Outfit. "Darlin' Angel Eyes" and "The Rose of England" are minor classics in the Lowe canon, while his cover of John Hiatt's "She Don't Love Nobody" and the revival of the rockabilly standard "7 Nights to Rock" keep the album moving. Still, it's his stark take on Elvis Costello's lovely "Indoor Fireworks" that gives the album an anchor, and it's a performance so affecting that it makes the neutered reworking of "I Knew the Bride" completely forgivable.
Nick Lowe And His Cowboy Outfit - The Rose Of England (flac 254mb)
01 Darlin' Angel Eyes 2:43
02 She Don't Love Nobody 3:20
03 7 Nights To Rock 2:44
04 Long Walk Back 3:53
05 The Rose Of England 3:24
06 Lucky Dog 3:06
07 I Knew The Bride (When She Used To Rock 'N' Roll) 4:25
08 Indoor Fireworks 3:31
09 (Hope To God) I'm Right 2:42
10 I Can Be The One You Love 4:00
11 Everyone 3:03
12 Bo Bo Skediddle 3:02
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Abandoning the Cowboy Outfit but not roots-rock, Nick Lowe followed the winning The Rose of England with the amiable but muddled Pinker and Prouder Than Previous. Working with the same blend of classic pop, rock & roll, and country-rock, Lowe gets things off to a roaring start with the driving "(You're My) Wildest Dream," but the record quickly bogs down in averagee material. Many of the songs are certainly not bad, yet they rarely distinguish themselves from each other -- only "Lover's Jamboree," John Hiatt's "Love Gets Strange" and Graham Parker's "Black Lincoln Continental" stand out. That doesn't necessarily make Pinker and Prouder Than Previous a bad record. Since Lowe is a gifted songwriter and talented bandleader; he can keep things engaging even when he's not at the top of his form, which is the case with Pinker and Prouder.
Nick Lowe - Pinker And Prouder Than Previous (flac 220mb)
01 (You're My) Wildest Dream 3:19
02 Crying In My Sleep 3:56
03 Big Hair 2:13
04 Love Gets Strange 3:30
05 I Got Love 2:43
06 Black Lincoln Continental 2:36
07 Cry It Out 2:56
08 Lovers Jamboree 3:37
09 Geisha Girl 2:18
10 Wishing Well 3:00
11 Big Big Love 2:49
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Hallo Rho, I was looking for Andrea Parker - The Rocking Chair, do you know?
ReplyDeleteThank for your big job, grazie di tutto.