Hello, 6 albums that got President Obama hot under the collar even though he probably wasn't wearing one when he was schmoozing his way into the groove.
Today an African American singer, songwriter and record producer, best known for recording a series of soul hit singles in the early 1970s, including "Take Me to the River", "Tired of Being Alone", "I'm Still in Love with You", "Love and Happiness", and his signature song, "Let's Stay Together". Inducted to the Rock and Roll Hall of Fame in 1995, he was referred to on the museum's site as being "one of the most gifted purveyors of soul music". He has also been referred to as "The Last of the Great Soul Singers". Green was included in the Rolling Stone list of the 100 Greatest Artists of All Time, ranking at No. 65. ..... 'N Joy
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Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. With his seductive singles for Hi Records in the early '70s, Green bridged the gap between deep soul and smooth Philadelphia soul. He incorporated elements of gospel, interjecting his performances with wild moans and wails, but his records were stylish, boasting immaculate productions that rolled along with a tight beat, sexy backing vocals, and lush strings. The distinctive Hi Records sound that the vocalist and producer Willie Mitchell developed made Al Green the most popular and influential soul singer of the early '70s, influencing not only his contemporaries, but also veterans like Marvin Gaye. Green was at the peak of his popularity when he suddenly decided to join the ministry in the mid-'70s. At first, he continued to record secular material, but by the '80s, he was concentrating solely on gospel. During the late '80s and '90s, he occasionally returned to R&B, but he remained primarily a religious performer for the rest of his career. Nevertheless, Green's classic early- '70s recordings retained their power and influence throughout the decades, setting the standard for smooth soul.
Green was born in Forrest City, AR, where he formed a gospel quartet, the Green Brothers, at the age of nine. The group toured throughout the South in the mid-'50s, before the family relocated to Grand Rapids, MI. The Green Brothers continued to perform in Grand Rapids, but Al's father kicked the boy out of the group after he caught his son listening to Jackie Wilson. At the age of 16, Al formed an R&B group, Al Green & the Creations, with several of his high-school friends. Two Creation members, Curtis Rogers and Palmer James, founded their own independent record company, Hot Line Music Journal, and had the group record for the label. By that time, the Creations had been re-named the Soul Mates. The group's first single, "Back Up Train," became a surprise hit, climbing to number five on the R&B charts early in 1968. The Soul Mates attempted to record another hit, but all of their subsequent singles failed to find an audience.
In 1969, Al Green met bandleader and Hi Records vice president Willie Mitchell while on tour in Midland, Texas. Impressed with Green's voice, he signed the singer to Hi Records, and began collaborating with Al on his debut album. Released in early 1970, Green's debut album, Green Is Blues, showcased the signature sound he and Mitchell devised -- a sinewy, sexy groove highlighted by horn punctuations and string beds that let Green showcase his remarkable falsetto. While the album didn't spawn any hit singles, it was well-received and set the stage for the breakthrough success of his second album. Al Green Gets Next to You (1970) launched his first hit single, "Tired of Being Alone," which began a streak of four straight gold singles. Let's Stay Together (1972) was his first genuine hit album, climbing to number eight on the pop charts; its title track became his first number one single. I'm Still in Love With You, which followed only a few months later, was an even greater success, peaking at number four and launching the hits "Look What You Done for Me" and "I'm Still in Love With You."
By the release of 1973's Call Me, Green was known as both a hitmaker and an artist who released consistently engaging, frequently excellent, critically-acclaimed albums. His hits continued uninterrupted through the next two years, with "Call Me," "Here I Am," and "Sha-La-La (Make Me Happy)" all becoming Top Ten gold singles. At the height of his popularity, Green's former girlfriend, Mrs. Mary Woodson, broke into his Memphis home in October 1974 and poured boiling grits on the singer as he was bathing, inflicting second-degree burns on his back, stomach, and arm; after assaulting Green, she killed herself with his gun. Green interpreted the violent incident as a sign from God that he should enter the ministry. By 1976, he had bought a church in Memphis and had become an ordained pastor of the Full Gospel Tabernacle. Though he had begun to seriously pursue religion, he had not given up singing R&B and he released three other Mitchell-produced albums -- Al Green Is Love (1975), Full of Fire (1976), Have a Good Time (1976) -- after the incident. However, his albums began to sound formulaic, and his sales started to slip by the end of 1976, with disco cutting heavily into his audience.
In order to break free from his slump, Green stopped working with Willie Mitchell in 1977 and built his own studio, American Music, where he intended to produce his own records. The first album he made at American Music was The Belle Album, an intimate record that was critically acclaimed but failed to win a crossover audience. Truth and Time (1978) failed to even generate a major R&B hit. During a concert in Cincinnati in 1979, Green fell off the stage and nearly injured himself seriously. Interpreting the accident as a sign from God, Green retired from performing secular music and devoted himself to preaching. Throughout the '80s, he released a series of gospel albums on Myrrh Records. In 1982, Green appeared in the gospel musical Your Arms Too Short to Box With God with Patti Labelle. In 1985, he reunited with Willie Mitchell for He Is the Light, his first album for A&M Records.
Green tentatively returned to R&B in 1988 when he sang "Put a Little Love in Your Heart" with Annie Lennox for the Bill Murray comedy Scrooged. Four years later, he recorded his first full-fledged soul album since 1978 with the U.K.-only Don't Look Back. Al Green was inducted to the Rock & Roll Hall of Fame in 1995. That same year, he released Your Heart's in Good Hands, an urban contemporary record that represented his first secular album to be released in America since Truth and Time. Though the album received positive reviews, it failed to become a hit. Green did achieve widespread recognition eight years later with his first album for Blue Note, I Can't Stop. One and a half years later, he followed it with Everything's OK. His third Blue Note album, 2008's Lay It Down, featured an updated sound that still echoed the feel of his classic earlier soul style.
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The first album linking the soul-singing greatness of Al Green with the production brilliance and expertise of Willie Mitchell. The results were mutually beneficial; Green got the great production, arrangements, and backing from the Hi Rhythm section that often turned good songs into classics, and he sang with the conviction and talent that provided the final component in an artistically and commercially satisfying union. After Green Is Blues, Al Green and producer Willie Mitchell established their classic sound with Green's second album, Gets Next to You. The main difference is in the rhythm section. Abandoning the gritty syncopations of deep Southern soul, the Hi Rhythm Section plays it slow and seductive, working a sultry, steady pulse that Green exploits with his remarkable voice. Alternating between Sam Cooke's croon and Otis Redding's shout, Green develops his own distinctive style, and Gets Next to You only touches the surface of its depth. Although the album is filled with wonderful moments, few are as astonishing as Green and Mitchell's reinterpretation of the Temptations' "I Can't Get Next to You," which turns the original inside out.
Al Green Is Blues and Gets Next To You (flac 415mb)
Al Green Is Blues
01 One Woman
02 Talk To Me
03 My Girl
04 The Letter
05 I Stand Accused
06 Gotta Find A New World
07 What Am I Gonna Do With Myself
08 Tommorow's A Dream
09 Get Back Baby
10 Get Back
11 Summertime
Bonus
12 I Want To Hold Your Hand
Al Green Gets Next To You
13 I Can't Get Next To You
14 Are You Lonely For Me Baby
15 God Is Standing By
16 Tired Of Being Alone
17 I'm A Ram
18 Driving Wheel
19 Light My Fire
20 You Say It
21 Right Now, Right Now
22 All Because
Bonus
23 Ride Sally Ride
24 True Love
.Al Green Is Blues and Gets Next To You (ogg 160mb)
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Prior to this album, Al Green never had a number one song. The title track, "Let's Stay Together," achieved that status and held it for nine consecutive weeks. Green's ingenuity produced one of the all-time classics, which has the bounce of a dance cut and the passion of a ballad. The dynamic soul singer's whispers, animated cries, and riffing enhance his already stirring delivery. This album was sold on the strength of the title track as there were no other selections to grace the Billboard charts. However, this album includes the timeless gem "How Can You Mend a Broken Heart" and lesser-known beauties like the exulting "Judy," the cookin' testimonial "I Never Found a Girl," and the soothing blues effort "It Ain't No Fun to Me." The Arkansas native and his creative partner Willie Mitchell season these selections with lucid rhythm arrangements complemented by the faint strums of a guitar and brawn, unchiding horns. I'm Still in Love With You shares many surface similarities with its predecessor, Let's Stay Together; from Al Green and Willie Mitchell's distinctive, sexy style to the pacing and song selection. Despite those shared traits, I'm Still in Love With You distinguishes itself with its suave, romantic tone and its subtly ambitious choice of material. Green began exploring country music with this album by performing a startling version of Kris Kristofferson's "For the Good Times," as well as a wonderful, slow reinterpretation of Roy Orbison's "Oh Pretty Woman." And the soul numbers are more complex than they would appear -- listen to how the beat falls together at the beginning of "Love and Happiness," or the sly melody of the title track. There isn't a wasted track on I'm Still in Love With You, and in many ways it rivals its follow-up, Call Me, as Green's masterpiece.
Al Green, Let's Stay Together ~ I'm Still In Love With You (flac 415mb)
Al Green - Let's Stay Together
01 Let's Stay Together
02 La-La For You
03 So You're Leaving
04 What Is This Feeling
05 Old Time Lovin'
06 I've Never Found A Girl
07 How Can You Mend A Broken Heart
08 Judy
09 Ain't No Fun To Me
Al Green - I'm Still In Love With You
10 I'm Still In Love With You
11 I'm Glad You're Mine
12 Love And Happiness
13 What A Wonderful Thing Love Is
14 Simply Beautiful
15 Oh, Pretty Woman
16 For The Good Times
17 Look What Your Done For Me
18 One Of These Good Old Days
Al Green, Let's Stay Together ~ I'm Still In Love With You (ogg 152mb )
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Al Green reached his creative peak with the brilliant Call Me, the most inventive and assured album of his career. So silky and fluid as to sound almost effortless, Green's vocals revel in the lush strings and evocative horns of Willie Mitchell's superbly intimate production, barely rising above an angelic whisper for the gossamer "Have You Been Making Out O.K.." With barely perceptible changes in mood, Call Me covers remarkable ground, spanning from "Stand Up" -- a call to arms delivered with characteristic understatement -- to renditions of Hank Williams' "I'm So Lonesome I Could Cry" and Willie Nelson's "Funny How Time Slips Away," both of them exemplary fusions of country and soul. Equally compelling are the album's three Top Ten hits -- "You Ought to Be With Me," "Here I Am (Come and Take Me)," and the shimmering title cut. A classic. Livin' for You is Green's sixth album, and the fourth to be certified gold. Each of his albums with Willie Mitchell are singular, with their own distinct style, and Livin' for You is no exception. It takes a more relaxed approach and offers some of his best ballads; the title track is Green at his most engaging, even when he sang potentially mood-interrupting lines like "I'm tired of your bright ideas about leaving me." "Home Again" and "So Good to Be Here" are romantic if not hypnotic, offering subtle drumming, economical keyboards, and gentle vocals. The biggest track here, the proficient and smooth "Let's Get Married," has Green being a little wishy-washy as he sings, "I didn't mean to say all the things I said/The way I felt in my heart it came out that way." Although the originals here rank with his best, Green also did good cover work too. The often useless "Unchained Melody" shows up and benefits from Green's methodical delivery. In many ways, Livin' for You is the perfect, intimate album for his fans
Al Green, Call Me ~ Livin' For You (flac 469mb)
Al Green - Call Me
01 Call Me (Come Back Home) 3:03
02 Have You Been Making Out OK 3:42
03 Stand Up 3:25
04 I'm So Lonesome I Could Cry 3:10
05 Your Love Is Like The Morning Sun 3:09
06 Here I Am (Come And Take Me) 4:14
07 Funny How Time Slips Away 5:33
08 You Ought To Be With Me 3:15
09 Jesus Is Waiting 5:36
Al Green - Livin' For You
10 Livin' For You 3:10
11 Home Again 3:56
12 Free At Last 3:26
13 Let's Get Married 5:33
14 So Good To Be Here 2:44
15 Sweet Sixteen 3:26
16 Unchained Melody 5:33
17 My God Is Real 2:43
18 Beware 8:19
Al Green, Call Me ~ Livin' For You (ogg 165mb)
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Today an African American singer, songwriter and record producer, best known for recording a series of soul hit singles in the early 1970s, including "Take Me to the River", "Tired of Being Alone", "I'm Still in Love with You", "Love and Happiness", and his signature song, "Let's Stay Together". Inducted to the Rock and Roll Hall of Fame in 1995, he was referred to on the museum's site as being "one of the most gifted purveyors of soul music". He has also been referred to as "The Last of the Great Soul Singers". Green was included in the Rolling Stone list of the 100 Greatest Artists of All Time, ranking at No. 65. ..... 'N Joy
xxxxx xxxxx xxxxx xxxxx xxxxx
Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. With his seductive singles for Hi Records in the early '70s, Green bridged the gap between deep soul and smooth Philadelphia soul. He incorporated elements of gospel, interjecting his performances with wild moans and wails, but his records were stylish, boasting immaculate productions that rolled along with a tight beat, sexy backing vocals, and lush strings. The distinctive Hi Records sound that the vocalist and producer Willie Mitchell developed made Al Green the most popular and influential soul singer of the early '70s, influencing not only his contemporaries, but also veterans like Marvin Gaye. Green was at the peak of his popularity when he suddenly decided to join the ministry in the mid-'70s. At first, he continued to record secular material, but by the '80s, he was concentrating solely on gospel. During the late '80s and '90s, he occasionally returned to R&B, but he remained primarily a religious performer for the rest of his career. Nevertheless, Green's classic early- '70s recordings retained their power and influence throughout the decades, setting the standard for smooth soul.
Green was born in Forrest City, AR, where he formed a gospel quartet, the Green Brothers, at the age of nine. The group toured throughout the South in the mid-'50s, before the family relocated to Grand Rapids, MI. The Green Brothers continued to perform in Grand Rapids, but Al's father kicked the boy out of the group after he caught his son listening to Jackie Wilson. At the age of 16, Al formed an R&B group, Al Green & the Creations, with several of his high-school friends. Two Creation members, Curtis Rogers and Palmer James, founded their own independent record company, Hot Line Music Journal, and had the group record for the label. By that time, the Creations had been re-named the Soul Mates. The group's first single, "Back Up Train," became a surprise hit, climbing to number five on the R&B charts early in 1968. The Soul Mates attempted to record another hit, but all of their subsequent singles failed to find an audience.
In 1969, Al Green met bandleader and Hi Records vice president Willie Mitchell while on tour in Midland, Texas. Impressed with Green's voice, he signed the singer to Hi Records, and began collaborating with Al on his debut album. Released in early 1970, Green's debut album, Green Is Blues, showcased the signature sound he and Mitchell devised -- a sinewy, sexy groove highlighted by horn punctuations and string beds that let Green showcase his remarkable falsetto. While the album didn't spawn any hit singles, it was well-received and set the stage for the breakthrough success of his second album. Al Green Gets Next to You (1970) launched his first hit single, "Tired of Being Alone," which began a streak of four straight gold singles. Let's Stay Together (1972) was his first genuine hit album, climbing to number eight on the pop charts; its title track became his first number one single. I'm Still in Love With You, which followed only a few months later, was an even greater success, peaking at number four and launching the hits "Look What You Done for Me" and "I'm Still in Love With You."
By the release of 1973's Call Me, Green was known as both a hitmaker and an artist who released consistently engaging, frequently excellent, critically-acclaimed albums. His hits continued uninterrupted through the next two years, with "Call Me," "Here I Am," and "Sha-La-La (Make Me Happy)" all becoming Top Ten gold singles. At the height of his popularity, Green's former girlfriend, Mrs. Mary Woodson, broke into his Memphis home in October 1974 and poured boiling grits on the singer as he was bathing, inflicting second-degree burns on his back, stomach, and arm; after assaulting Green, she killed herself with his gun. Green interpreted the violent incident as a sign from God that he should enter the ministry. By 1976, he had bought a church in Memphis and had become an ordained pastor of the Full Gospel Tabernacle. Though he had begun to seriously pursue religion, he had not given up singing R&B and he released three other Mitchell-produced albums -- Al Green Is Love (1975), Full of Fire (1976), Have a Good Time (1976) -- after the incident. However, his albums began to sound formulaic, and his sales started to slip by the end of 1976, with disco cutting heavily into his audience.
In order to break free from his slump, Green stopped working with Willie Mitchell in 1977 and built his own studio, American Music, where he intended to produce his own records. The first album he made at American Music was The Belle Album, an intimate record that was critically acclaimed but failed to win a crossover audience. Truth and Time (1978) failed to even generate a major R&B hit. During a concert in Cincinnati in 1979, Green fell off the stage and nearly injured himself seriously. Interpreting the accident as a sign from God, Green retired from performing secular music and devoted himself to preaching. Throughout the '80s, he released a series of gospel albums on Myrrh Records. In 1982, Green appeared in the gospel musical Your Arms Too Short to Box With God with Patti Labelle. In 1985, he reunited with Willie Mitchell for He Is the Light, his first album for A&M Records.
Green tentatively returned to R&B in 1988 when he sang "Put a Little Love in Your Heart" with Annie Lennox for the Bill Murray comedy Scrooged. Four years later, he recorded his first full-fledged soul album since 1978 with the U.K.-only Don't Look Back. Al Green was inducted to the Rock & Roll Hall of Fame in 1995. That same year, he released Your Heart's in Good Hands, an urban contemporary record that represented his first secular album to be released in America since Truth and Time. Though the album received positive reviews, it failed to become a hit. Green did achieve widespread recognition eight years later with his first album for Blue Note, I Can't Stop. One and a half years later, he followed it with Everything's OK. His third Blue Note album, 2008's Lay It Down, featured an updated sound that still echoed the feel of his classic earlier soul style.
xxxxx xxxxx xxxxx xxxxx xxxxx
The first album linking the soul-singing greatness of Al Green with the production brilliance and expertise of Willie Mitchell. The results were mutually beneficial; Green got the great production, arrangements, and backing from the Hi Rhythm section that often turned good songs into classics, and he sang with the conviction and talent that provided the final component in an artistically and commercially satisfying union. After Green Is Blues, Al Green and producer Willie Mitchell established their classic sound with Green's second album, Gets Next to You. The main difference is in the rhythm section. Abandoning the gritty syncopations of deep Southern soul, the Hi Rhythm Section plays it slow and seductive, working a sultry, steady pulse that Green exploits with his remarkable voice. Alternating between Sam Cooke's croon and Otis Redding's shout, Green develops his own distinctive style, and Gets Next to You only touches the surface of its depth. Although the album is filled with wonderful moments, few are as astonishing as Green and Mitchell's reinterpretation of the Temptations' "I Can't Get Next to You," which turns the original inside out.
Al Green Is Blues and Gets Next To You (flac 415mb)
Al Green Is Blues
01 One Woman
02 Talk To Me
03 My Girl
04 The Letter
05 I Stand Accused
06 Gotta Find A New World
07 What Am I Gonna Do With Myself
08 Tommorow's A Dream
09 Get Back Baby
10 Get Back
11 Summertime
Bonus
12 I Want To Hold Your Hand
Al Green Gets Next To You
13 I Can't Get Next To You
14 Are You Lonely For Me Baby
15 God Is Standing By
16 Tired Of Being Alone
17 I'm A Ram
18 Driving Wheel
19 Light My Fire
20 You Say It
21 Right Now, Right Now
22 All Because
Bonus
23 Ride Sally Ride
24 True Love
.Al Green Is Blues and Gets Next To You (ogg 160mb)
xxxxx
Prior to this album, Al Green never had a number one song. The title track, "Let's Stay Together," achieved that status and held it for nine consecutive weeks. Green's ingenuity produced one of the all-time classics, which has the bounce of a dance cut and the passion of a ballad. The dynamic soul singer's whispers, animated cries, and riffing enhance his already stirring delivery. This album was sold on the strength of the title track as there were no other selections to grace the Billboard charts. However, this album includes the timeless gem "How Can You Mend a Broken Heart" and lesser-known beauties like the exulting "Judy," the cookin' testimonial "I Never Found a Girl," and the soothing blues effort "It Ain't No Fun to Me." The Arkansas native and his creative partner Willie Mitchell season these selections with lucid rhythm arrangements complemented by the faint strums of a guitar and brawn, unchiding horns. I'm Still in Love With You shares many surface similarities with its predecessor, Let's Stay Together; from Al Green and Willie Mitchell's distinctive, sexy style to the pacing and song selection. Despite those shared traits, I'm Still in Love With You distinguishes itself with its suave, romantic tone and its subtly ambitious choice of material. Green began exploring country music with this album by performing a startling version of Kris Kristofferson's "For the Good Times," as well as a wonderful, slow reinterpretation of Roy Orbison's "Oh Pretty Woman." And the soul numbers are more complex than they would appear -- listen to how the beat falls together at the beginning of "Love and Happiness," or the sly melody of the title track. There isn't a wasted track on I'm Still in Love With You, and in many ways it rivals its follow-up, Call Me, as Green's masterpiece.
Al Green, Let's Stay Together ~ I'm Still In Love With You (flac 415mb)
Al Green - Let's Stay Together
01 Let's Stay Together
02 La-La For You
03 So You're Leaving
04 What Is This Feeling
05 Old Time Lovin'
06 I've Never Found A Girl
07 How Can You Mend A Broken Heart
08 Judy
09 Ain't No Fun To Me
Al Green - I'm Still In Love With You
10 I'm Still In Love With You
11 I'm Glad You're Mine
12 Love And Happiness
13 What A Wonderful Thing Love Is
14 Simply Beautiful
15 Oh, Pretty Woman
16 For The Good Times
17 Look What Your Done For Me
18 One Of These Good Old Days
Al Green, Let's Stay Together ~ I'm Still In Love With You (ogg 152mb )
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Al Green reached his creative peak with the brilliant Call Me, the most inventive and assured album of his career. So silky and fluid as to sound almost effortless, Green's vocals revel in the lush strings and evocative horns of Willie Mitchell's superbly intimate production, barely rising above an angelic whisper for the gossamer "Have You Been Making Out O.K.." With barely perceptible changes in mood, Call Me covers remarkable ground, spanning from "Stand Up" -- a call to arms delivered with characteristic understatement -- to renditions of Hank Williams' "I'm So Lonesome I Could Cry" and Willie Nelson's "Funny How Time Slips Away," both of them exemplary fusions of country and soul. Equally compelling are the album's three Top Ten hits -- "You Ought to Be With Me," "Here I Am (Come and Take Me)," and the shimmering title cut. A classic. Livin' for You is Green's sixth album, and the fourth to be certified gold. Each of his albums with Willie Mitchell are singular, with their own distinct style, and Livin' for You is no exception. It takes a more relaxed approach and offers some of his best ballads; the title track is Green at his most engaging, even when he sang potentially mood-interrupting lines like "I'm tired of your bright ideas about leaving me." "Home Again" and "So Good to Be Here" are romantic if not hypnotic, offering subtle drumming, economical keyboards, and gentle vocals. The biggest track here, the proficient and smooth "Let's Get Married," has Green being a little wishy-washy as he sings, "I didn't mean to say all the things I said/The way I felt in my heart it came out that way." Although the originals here rank with his best, Green also did good cover work too. The often useless "Unchained Melody" shows up and benefits from Green's methodical delivery. In many ways, Livin' for You is the perfect, intimate album for his fans
Al Green, Call Me ~ Livin' For You (flac 469mb)
Al Green - Call Me
01 Call Me (Come Back Home) 3:03
02 Have You Been Making Out OK 3:42
03 Stand Up 3:25
04 I'm So Lonesome I Could Cry 3:10
05 Your Love Is Like The Morning Sun 3:09
06 Here I Am (Come And Take Me) 4:14
07 Funny How Time Slips Away 5:33
08 You Ought To Be With Me 3:15
09 Jesus Is Waiting 5:36
Al Green - Livin' For You
10 Livin' For You 3:10
11 Home Again 3:56
12 Free At Last 3:26
13 Let's Get Married 5:33
14 So Good To Be Here 2:44
15 Sweet Sixteen 3:26
16 Unchained Melody 5:33
17 My God Is Real 2:43
18 Beware 8:19
Al Green, Call Me ~ Livin' For You (ogg 165mb)
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