Hello,
Today's artist will be with us for sometime here, after all he has an enormous ouvre with lot's unreleased stuff as well. He commands the biggest space in my collection. Normally i'd post chronically but this time i will post cross his discography from 4 different decades. You can wait to see what i'll post or your welcome to request a title, first request can be found here ... N'joy
xxxxx xxxxx xxxxx xxxxx xxxxx
Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. Not only did he release a series of groundbreaking albums; he toured frequently, produced albums, and wrote songs for many other artists, and recorded hundreds of songs that still lie unreleased in his vaults. With each album he released, Prince showed remarkable stylistic growth and musical diversity, constantly experimenting with different sounds, textures, and genres. Occasionally, his music was inconsistent, in part because of his eclecticism, but his experiments frequently succeeded; no other contemporary artist blended so many diverse styles into a cohesive whole.
Prince's first two albums were solid, if unremarkable, late-'70s funk-pop. With 1980's Dirty Mind, he recorded his first masterpiece, a one-man tour de force of sex and music; it was hard funk, catchy Beatlesque melodies, sweet soul ballads, and rocking guitar pop, all at once. The follow-up, Controversy, was more of the same, but 1999 was brilliant. The album was a monster hit, selling over three million copies, but it was nothing compared to 1984's Purple Rain.
Around the World in a DayPurple Rain made Prince a superstar; it eventually sold over ten million copies in the U.S. and spent 24 weeks at number one. Partially recorded with his touring band, the Revolution, the record featured the most pop-oriented music he has ever made. Instead of continuing in this accessible direction, he veered off into the bizarre psycho-psychedelia of Around the World in a Day, which nevertheless sold over two million copies. In 1986, he released the even stranger Parade, which was in its own way as ambitious and intricate as any art rock of the '60s; however, no art rock was ever grounded with a hit as brilliant as the spare funk of "Kiss."
By 1987, Prince's ambitions were growing by leaps and bounds, resulting in the sprawling masterpiece Sign 'O' the Times. Prince was set to release the hard funk of The Black Album by the end of the year, yet he withdrew it just before its release, deciding it was too dark and immoral. Instead, he released the confused Lovesexy in 1988, which was a commercial disaster. With the soundtrack to 1989's Batman he returned to the top of the charts, even if the album was essentially a recap of everything he had done before. The following year he released Graffiti Bridge (the sequel to Purple Rain), which turned out to be a considerable commercial disappointment.
Diamonds and Pearls In 1991, Prince formed the New Power Generation, the best and most versatile and talented band he has ever assembled. With their first album, Diamonds and Pearls, Prince reasserted his mastery of contemporary R&B; it was his biggest hit since 1985. The following year, he released his 12th album, which was titled with a cryptic symbol; in 1993, Prince legally changed his name to the symbol. In 1994, after becoming embroiled in contract disagreements with Warner Bros., he independently released the single "The Most Beautiful Girl in the World," likely to illustrate what he would be capable of on his own; the song became his biggest hit in years. Later that summer, Warner released the somewhat halfhearted Come under the name of Prince; the record was a moderate success, going gold.
Gold Experience In November 1994, as part of a contractual obligation, Prince agreed to the official release of The Black Album. In early 1995, he immersed himself in another legal battle with Warner, proclaiming himself a slave and refusing to deliver his new record, The Gold Experience, for release. By the end of the summer, a fed-up Warner had negotiated a compromise that guaranteed the album's release, plus one final record for the label. The Gold Experience was issued in the fall; although it received good reviews and was following a smash single, it failed to catch fire commercially. In the summer of 1996, Prince released Chaos & Disorder, which freed him to become an independent artist. Setting up his own label, NPG (which was distributed by EMI), he resurfaced later that same year with the three-disc Emancipation, which was designed as a magnum opus that would spin off singles for several years and be supported with several tours.
Crystal Ball However, even his devoted cult following needed considerable time to digest such an enormous compilation of songs. Once it was clear that Emancipation wasn't the commercial blockbuster he hoped it would be, Prince assembled a long-awaited collection of outtakes and unreleased material called Crystal Ball in 1998. With Crystal Ball, Prince discovered that it's much more difficult to get records to an audience than it seems; some fans who pre-ordered their copies through Prince's website (from which a bonus fifth disc was included) didn't receive them until months after the set began appearing in stores. Prince then released a new one-man album, New Power Soul, just three months after Crystal Ball; even though it was his most straightforward album since Diamonds and Pearls, it didn't do well on the charts, partly because many listeners didn't realize it had been released.
The Vault: Old Friends 4 Sale A year later, with "1999" predictably an end-of-the-millennium anthem, Prince issued the remix collection 1999 (The New Master). A collection of Warner Bros.-era leftovers, Vault: Old Friends 4 Sale, followed that summer, and in the fall Prince returned on Arista with the all-star Rave Un2 the Joy Fantastic. In the fall of 2001 he released the controversial Rainbow Children, a jazz-infused circus of sound trumpeting his conversion to the Jehovah's Witnesses that left many longtime fans out in the cold. He further isolated himself with 2003's N.E.W.S., a four-song set of instrumental jams that sounded a lot more fun to play than to listen to. Prince rebounded in 2003 with the chart-topping Musicology, a return to form that found the artist back in the Top Ten, even garnering a Grammy nomination for Best Male Pop Vocal Performance in 2005.
3121 In early 2006 he was the musical guest on Saturday Night Live, performing two songs with a new protégée, R&B singer Tamar. A four-song appearance at the Brit Awards with Wendy, Lisa, and Sheila E. followed. Both appearances previewed tracks from 3121, which hit number one on the album charts soon after its release in March 2006. Planet Earth followed in 2007, featuring contributions from Wendy and Lisa. In the U.K., copies were cover-mounted on the July 15 edition of The Mail on Sunday, provoking Columbia -- the worldwide distributor for the release -- to refuse distribution throughout the U.K. In the U.S., the album was issued on July 24.
LotusFlow3rLotusFlow3r, a three-disc set, arrived in 2009, featuring a trio of distinct albums: LotusFlow3r itself (a guitar showcase), MPLSound (a throwback to his '80s funk output), and Elixer (a smooth contemporary R&B album featuring the breathy vocals of Bria Valente). Despite only being available online and through one big-box retailer, the set debuted at number two on the Billboard 200 chart. A year later, another throwback-flavored effort, 20Ten, became his second U.K. newspaper giveaway. No official online edition of the album was made available.
From mid-2010 through the end of 2012, Prince toured throughout Europe, America, Europe again, Canada, and Australia. During 2013, he released several singles, starting with "Screwdriver" and continuing with "Breakfast Can Wait" in the summer of that year. Early in 2014, he made a cameo appearance on the Zooey Deschanel sitcom The New Girl, appearing in the episode that aired following the Super Bowl. All this activity was prelude to the spring announcement that Prince had re-signed to Warner Bros. Records, the label he had feuded with 20 years prior. As part of the deal, he wound up receiving the ownership of his master recordings, and the label planned a reissue campaign that would begin with an expanded reissue of Purple Rain roughly timed to celebrate its 30th anniversary.
Art Official Age First came two new albums: Art Official Age and PlectrumElectrum, the latter credited to 3rdEyeGirl, the all-female power trio that was his new-millennial backing band. Both records came out on the same day in September 2014. (Two years later, the Prince reissue program and the expanded edition of Purple Rain had yet to appear.) Almost a year to the day, he released HITnRUN: Phase One, with contributions from Lianne La Havas, Judith Hill, and Rita Ora. A sequel, HITnRUN: Phase Two, was released online in December 2015, with a physical release following in January 2016. In early 2016, Prince set out on a rare solo tour, a run of shows he called "Piano and a Microphone." The tour was cut short in April due to sickness, however, and Prince flew home to Minneapolis. On April 21, 2016, police were called to Paisley Park, where they found Prince unresponsive; he died that day at the age of 57. His early death and incredible achievement prompted an outpouring of emotion from fans, friends, influences, and professional associates. On the following week's Billboard charts, he occupied four of the top ten album positions and four of the top singles positions.
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A young musician, tormented by an abusive situation at home, must contend with a rival singer, a burgeoning
romance, and his own dissatisfied band, as his star begins to rise. That's what Purple Rain is all about: the power of music to transcend, transform and uplift everything it touches for good or for ill, though good is ultimately the strongest influence it exudes. Prince's chart-topping, Oscar winning song score found The Artist at his dazzling best, and director Magnoli made a wise call including as much scintillating concert footage as possible.
The Battle of the Bands sequences are wondrous to behold, with both The Revolution and The Time at their tightest, loosest and funkiest all at once. Even the vocally-deficient, amply-augmented Appolonia 6 (formerly Vanity 6) sparkles. The remaining cast all do the best they can with what moments they're given, the standouts besides Williams III and Karlatos being the hysterical rapport between Day and Time mascot Jerome Benton, and some refreshingly confrontational moments between "The Kid" and former bandmates Wendy and Lisa, which threaten at times to edge into the territory of cinema verite, rather than just popcorn-driven melodrama.
But capturing one of the decade's defining cultural touchstones is the true purpose of Purple Rain, and to this day, you can talk to people who can still remember where they were and what day and time it was the first time they heard "When Doves Cry." With "1999" running a close second, this was Prince's masterwork, and even though he still produces material with flashes of profane, profound, funk-fueled brilliance, he still has yet to top the creative bar he raised for himself and everybody else back in 1984. Here to get with glorious 5.1 live sound. Purple Rain 1984 Brrip 720p x264 AC3 5.1
Purple Rain 1984 Brrip (mp4 1630mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
Prince designed Purple Rain as the project that would make him a superstar, and, surprisingly, that is exactly what happened. Simultaneously more focused and ambitious than any of his previous records, Purple Rain finds Prince consolidating his funk and R&B roots while moving boldly into pop, rock, and heavy metal with nine superbly crafted songs. Even its best-known songs don't tread conventional territory: the bass-less "When Doves Cry" is an eerie, spare neo-psychedelic masterpiece; "Let's Go Crazy" is a furious blend of metallic guitars, Stonesy riffs, and a hard funk backbeat; the anthemic title track is a majestic ballad filled with brilliant guitar flourishes. Although Prince's songwriting is at a peak, the presence of the Revolution pulls the music into sharper focus, giving it a tougher, more aggressive edge. And, with the guidance of Wendy and Lisa, Prince pushed heavily into psychedelia, adding swirling strings to the dreamy "Take Me With U" and the hard rock of "Baby I'm a Star." Even with all of his new, but uncompromising, forays into pop, Prince hasn't abandoned funk, and the robotic jam of "Computer Blue" and the menacing grind of "Darling Nikki" are among his finest songs. Taken together, all of the stylistic experiments add up to a stunning statement of purpose that remains one of the most exciting rock & roll albums ever recorded.
Prince - Purple Rain (flac 303mb)
1 Let's Go Crazy 4:39
2 Take Me With U 3:54
3 The Beautiful Ones 5:14
4 Computer Blue 3:59
5 Darling Nikki 4:14
6 When Doves Cry 5:54
7 I Would Die 4 U 2:49
8 Baby I'm A Star 4:24
9 Purple Rain 8:41
Prince - Purple Rain (ogg 108mb)
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The New Power Generation is the most talented and versatile band Prince has ever fronted, and they fulfill their potential on The Love Symbol Album. Although the NPG factored heavily on Diamonds and Pearls, it still sounded like a solo Prince album. Symbol sounds like a band performing together, working off of each other's strengths and weaknesses. Opening with the dance smash "My Name Is Prince" and the deep funk of "Sexy M.F.," The Love Symbol Album has Prince's best dance tracks since The Black Album. But Prince wasn't content; he decided to run the gamut of modern pop/R&B/dance, and the music is uniformly accomplished and excellent. Unfortunately, he also decided to make a "rock soap opera," so the music is saddled with ridiculous lyrics and annoying sound bridges by Kirstie Alley. However, The Love Symbol Album has some of the finest, most inventive music of Prince's career.
Prince - Symbol Album (flac 555mb)
01 My Name Is Prince 6:37
02 Sexy M.F. 5:26
03 Love 2 The 9's 5:46
04 The Morning Papers 3:57
05 The Max 4:31
06 Segue 0:22
07 Blue Light 4:38
08 I Wanna Melt With You 3:51
09 Sweet Baby 4:02
10 The Continental 5:31
11 Damn U 4:25
12 Arrogance 1:36
13 The Flow 2:26
14 7 5:13
15 And God Created Woman 3:19
16 3 Chains O' Gold 6:03
17 Segue 1:30
18 The Sacrifice Of Victor 5:41
Prince - Symbol Album (ogg 184mb)
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A companion record to the solo effort Art Official Age, PlectrumElectrum finds Prince backed by 3rdEyeGirl, the all-female power trio that is a band for the 2010s. If Art Official Age veered toward revamped soul, PlectrumElectrum, as its convoluted title suggests, celebrates guitar freakouts: it's heavy on fuzz tones and pummeling backbeats, taking digressions into spacious jazz fusion and clean funk. Prince doesn't take the lead all that often -- he steps to the mike for the hardest rockers, the exception being "Anotherlove" -- letting Donna Grantis or Ida Nielsen front the softer, quirkier numbers. The carousel of lead vocalists suits the carnivalesque tone of PlectrumElectrum, which feels casually virtuosic as it slides from thick rockers into slow jams before jolting itself to life with a shot of distortion. There are distinct differences from Art Official Age -- there's an elasticity to the rhythms that contrasts with the precision of the beats, 3rdEyeGirl seize any opportunity to blast away the confines of the song so they can simply jam -- but take away the reliance on guitar rock and this album draws from a similar source of slow smooth soul, pop, and hammy rap that feels deliberately divorced from hip-hop. Perhaps you could call this celebration of traditional musicianship old-school, but more than anything PlectrumElectrum feels like it belongs to its own little universe, a place that not only celebrates all of Prince's favorite sounds but his own kinks and eccentricities. If those eccentricities don't feel as strange or startling as they once did, blame that on the curse of being a veteran: he's not exploring new territory but building upon the ground he's already claimed for himself. And if the songs on PlectrumElectrum don't stick the way those on Art Official Age do, it's nevertheless a quiet thrill to hear Prince spar with worthy partners, as he does throughout this record.
Prince & 3rdEyeGirl- PlectrumElectrum (flac 300mb)
01 Wow 4:27
02 Pretzelbodylogic 3:26
03 Aintturninround 3:01
04 Plectrumelectrum 4:51
05 Whitecaps 3:42
06 Fixurlifeup 3:12
07 Boytrouble 3:52
08 Stopthistrain 3:40
09 Anotherlove 4:15
10 Tictactoe 3:38
11 Marz 1:48
12 Funknroll 4:09
Prince & 3rdEyeGirl- PlectrumElectrum (ogg 100mb)
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Today's artist will be with us for sometime here, after all he has an enormous ouvre with lot's unreleased stuff as well. He commands the biggest space in my collection. Normally i'd post chronically but this time i will post cross his discography from 4 different decades. You can wait to see what i'll post or your welcome to request a title, first request can be found here ... N'joy
xxxxx xxxxx xxxxx xxxxx xxxxx
Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. Not only did he release a series of groundbreaking albums; he toured frequently, produced albums, and wrote songs for many other artists, and recorded hundreds of songs that still lie unreleased in his vaults. With each album he released, Prince showed remarkable stylistic growth and musical diversity, constantly experimenting with different sounds, textures, and genres. Occasionally, his music was inconsistent, in part because of his eclecticism, but his experiments frequently succeeded; no other contemporary artist blended so many diverse styles into a cohesive whole.
Prince's first two albums were solid, if unremarkable, late-'70s funk-pop. With 1980's Dirty Mind, he recorded his first masterpiece, a one-man tour de force of sex and music; it was hard funk, catchy Beatlesque melodies, sweet soul ballads, and rocking guitar pop, all at once. The follow-up, Controversy, was more of the same, but 1999 was brilliant. The album was a monster hit, selling over three million copies, but it was nothing compared to 1984's Purple Rain.
Around the World in a DayPurple Rain made Prince a superstar; it eventually sold over ten million copies in the U.S. and spent 24 weeks at number one. Partially recorded with his touring band, the Revolution, the record featured the most pop-oriented music he has ever made. Instead of continuing in this accessible direction, he veered off into the bizarre psycho-psychedelia of Around the World in a Day, which nevertheless sold over two million copies. In 1986, he released the even stranger Parade, which was in its own way as ambitious and intricate as any art rock of the '60s; however, no art rock was ever grounded with a hit as brilliant as the spare funk of "Kiss."
By 1987, Prince's ambitions were growing by leaps and bounds, resulting in the sprawling masterpiece Sign 'O' the Times. Prince was set to release the hard funk of The Black Album by the end of the year, yet he withdrew it just before its release, deciding it was too dark and immoral. Instead, he released the confused Lovesexy in 1988, which was a commercial disaster. With the soundtrack to 1989's Batman he returned to the top of the charts, even if the album was essentially a recap of everything he had done before. The following year he released Graffiti Bridge (the sequel to Purple Rain), which turned out to be a considerable commercial disappointment.
Diamonds and Pearls In 1991, Prince formed the New Power Generation, the best and most versatile and talented band he has ever assembled. With their first album, Diamonds and Pearls, Prince reasserted his mastery of contemporary R&B; it was his biggest hit since 1985. The following year, he released his 12th album, which was titled with a cryptic symbol; in 1993, Prince legally changed his name to the symbol. In 1994, after becoming embroiled in contract disagreements with Warner Bros., he independently released the single "The Most Beautiful Girl in the World," likely to illustrate what he would be capable of on his own; the song became his biggest hit in years. Later that summer, Warner released the somewhat halfhearted Come under the name of Prince; the record was a moderate success, going gold.
Gold Experience In November 1994, as part of a contractual obligation, Prince agreed to the official release of The Black Album. In early 1995, he immersed himself in another legal battle with Warner, proclaiming himself a slave and refusing to deliver his new record, The Gold Experience, for release. By the end of the summer, a fed-up Warner had negotiated a compromise that guaranteed the album's release, plus one final record for the label. The Gold Experience was issued in the fall; although it received good reviews and was following a smash single, it failed to catch fire commercially. In the summer of 1996, Prince released Chaos & Disorder, which freed him to become an independent artist. Setting up his own label, NPG (which was distributed by EMI), he resurfaced later that same year with the three-disc Emancipation, which was designed as a magnum opus that would spin off singles for several years and be supported with several tours.
Crystal Ball However, even his devoted cult following needed considerable time to digest such an enormous compilation of songs. Once it was clear that Emancipation wasn't the commercial blockbuster he hoped it would be, Prince assembled a long-awaited collection of outtakes and unreleased material called Crystal Ball in 1998. With Crystal Ball, Prince discovered that it's much more difficult to get records to an audience than it seems; some fans who pre-ordered their copies through Prince's website (from which a bonus fifth disc was included) didn't receive them until months after the set began appearing in stores. Prince then released a new one-man album, New Power Soul, just three months after Crystal Ball; even though it was his most straightforward album since Diamonds and Pearls, it didn't do well on the charts, partly because many listeners didn't realize it had been released.
The Vault: Old Friends 4 Sale A year later, with "1999" predictably an end-of-the-millennium anthem, Prince issued the remix collection 1999 (The New Master). A collection of Warner Bros.-era leftovers, Vault: Old Friends 4 Sale, followed that summer, and in the fall Prince returned on Arista with the all-star Rave Un2 the Joy Fantastic. In the fall of 2001 he released the controversial Rainbow Children, a jazz-infused circus of sound trumpeting his conversion to the Jehovah's Witnesses that left many longtime fans out in the cold. He further isolated himself with 2003's N.E.W.S., a four-song set of instrumental jams that sounded a lot more fun to play than to listen to. Prince rebounded in 2003 with the chart-topping Musicology, a return to form that found the artist back in the Top Ten, even garnering a Grammy nomination for Best Male Pop Vocal Performance in 2005.
3121 In early 2006 he was the musical guest on Saturday Night Live, performing two songs with a new protégée, R&B singer Tamar. A four-song appearance at the Brit Awards with Wendy, Lisa, and Sheila E. followed. Both appearances previewed tracks from 3121, which hit number one on the album charts soon after its release in March 2006. Planet Earth followed in 2007, featuring contributions from Wendy and Lisa. In the U.K., copies were cover-mounted on the July 15 edition of The Mail on Sunday, provoking Columbia -- the worldwide distributor for the release -- to refuse distribution throughout the U.K. In the U.S., the album was issued on July 24.
LotusFlow3rLotusFlow3r, a three-disc set, arrived in 2009, featuring a trio of distinct albums: LotusFlow3r itself (a guitar showcase), MPLSound (a throwback to his '80s funk output), and Elixer (a smooth contemporary R&B album featuring the breathy vocals of Bria Valente). Despite only being available online and through one big-box retailer, the set debuted at number two on the Billboard 200 chart. A year later, another throwback-flavored effort, 20Ten, became his second U.K. newspaper giveaway. No official online edition of the album was made available.
From mid-2010 through the end of 2012, Prince toured throughout Europe, America, Europe again, Canada, and Australia. During 2013, he released several singles, starting with "Screwdriver" and continuing with "Breakfast Can Wait" in the summer of that year. Early in 2014, he made a cameo appearance on the Zooey Deschanel sitcom The New Girl, appearing in the episode that aired following the Super Bowl. All this activity was prelude to the spring announcement that Prince had re-signed to Warner Bros. Records, the label he had feuded with 20 years prior. As part of the deal, he wound up receiving the ownership of his master recordings, and the label planned a reissue campaign that would begin with an expanded reissue of Purple Rain roughly timed to celebrate its 30th anniversary.
Art Official Age First came two new albums: Art Official Age and PlectrumElectrum, the latter credited to 3rdEyeGirl, the all-female power trio that was his new-millennial backing band. Both records came out on the same day in September 2014. (Two years later, the Prince reissue program and the expanded edition of Purple Rain had yet to appear.) Almost a year to the day, he released HITnRUN: Phase One, with contributions from Lianne La Havas, Judith Hill, and Rita Ora. A sequel, HITnRUN: Phase Two, was released online in December 2015, with a physical release following in January 2016. In early 2016, Prince set out on a rare solo tour, a run of shows he called "Piano and a Microphone." The tour was cut short in April due to sickness, however, and Prince flew home to Minneapolis. On April 21, 2016, police were called to Paisley Park, where they found Prince unresponsive; he died that day at the age of 57. His early death and incredible achievement prompted an outpouring of emotion from fans, friends, influences, and professional associates. On the following week's Billboard charts, he occupied four of the top ten album positions and four of the top singles positions.
xxxxx xxxxx xxxxx xxxxx xxxxx
romance, and his own dissatisfied band, as his star begins to rise. That's what Purple Rain is all about: the power of music to transcend, transform and uplift everything it touches for good or for ill, though good is ultimately the strongest influence it exudes. Prince's chart-topping, Oscar winning song score found The Artist at his dazzling best, and director Magnoli made a wise call including as much scintillating concert footage as possible.
The Battle of the Bands sequences are wondrous to behold, with both The Revolution and The Time at their tightest, loosest and funkiest all at once. Even the vocally-deficient, amply-augmented Appolonia 6 (formerly Vanity 6) sparkles. The remaining cast all do the best they can with what moments they're given, the standouts besides Williams III and Karlatos being the hysterical rapport between Day and Time mascot Jerome Benton, and some refreshingly confrontational moments between "The Kid" and former bandmates Wendy and Lisa, which threaten at times to edge into the territory of cinema verite, rather than just popcorn-driven melodrama.
But capturing one of the decade's defining cultural touchstones is the true purpose of Purple Rain, and to this day, you can talk to people who can still remember where they were and what day and time it was the first time they heard "When Doves Cry." With "1999" running a close second, this was Prince's masterwork, and even though he still produces material with flashes of profane, profound, funk-fueled brilliance, he still has yet to top the creative bar he raised for himself and everybody else back in 1984. Here to get with glorious 5.1 live sound. Purple Rain 1984 Brrip 720p x264 AC3 5.1
Purple Rain 1984 Brrip (mp4 1630mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
Prince designed Purple Rain as the project that would make him a superstar, and, surprisingly, that is exactly what happened. Simultaneously more focused and ambitious than any of his previous records, Purple Rain finds Prince consolidating his funk and R&B roots while moving boldly into pop, rock, and heavy metal with nine superbly crafted songs. Even its best-known songs don't tread conventional territory: the bass-less "When Doves Cry" is an eerie, spare neo-psychedelic masterpiece; "Let's Go Crazy" is a furious blend of metallic guitars, Stonesy riffs, and a hard funk backbeat; the anthemic title track is a majestic ballad filled with brilliant guitar flourishes. Although Prince's songwriting is at a peak, the presence of the Revolution pulls the music into sharper focus, giving it a tougher, more aggressive edge. And, with the guidance of Wendy and Lisa, Prince pushed heavily into psychedelia, adding swirling strings to the dreamy "Take Me With U" and the hard rock of "Baby I'm a Star." Even with all of his new, but uncompromising, forays into pop, Prince hasn't abandoned funk, and the robotic jam of "Computer Blue" and the menacing grind of "Darling Nikki" are among his finest songs. Taken together, all of the stylistic experiments add up to a stunning statement of purpose that remains one of the most exciting rock & roll albums ever recorded.
Prince - Purple Rain (flac 303mb)
1 Let's Go Crazy 4:39
2 Take Me With U 3:54
3 The Beautiful Ones 5:14
4 Computer Blue 3:59
5 Darling Nikki 4:14
6 When Doves Cry 5:54
7 I Would Die 4 U 2:49
8 Baby I'm A Star 4:24
9 Purple Rain 8:41
Prince - Purple Rain (ogg 108mb)
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The New Power Generation is the most talented and versatile band Prince has ever fronted, and they fulfill their potential on The Love Symbol Album. Although the NPG factored heavily on Diamonds and Pearls, it still sounded like a solo Prince album. Symbol sounds like a band performing together, working off of each other's strengths and weaknesses. Opening with the dance smash "My Name Is Prince" and the deep funk of "Sexy M.F.," The Love Symbol Album has Prince's best dance tracks since The Black Album. But Prince wasn't content; he decided to run the gamut of modern pop/R&B/dance, and the music is uniformly accomplished and excellent. Unfortunately, he also decided to make a "rock soap opera," so the music is saddled with ridiculous lyrics and annoying sound bridges by Kirstie Alley. However, The Love Symbol Album has some of the finest, most inventive music of Prince's career.
Prince - Symbol Album (flac 555mb)
01 My Name Is Prince 6:37
02 Sexy M.F. 5:26
03 Love 2 The 9's 5:46
04 The Morning Papers 3:57
05 The Max 4:31
06 Segue 0:22
07 Blue Light 4:38
08 I Wanna Melt With You 3:51
09 Sweet Baby 4:02
10 The Continental 5:31
11 Damn U 4:25
12 Arrogance 1:36
13 The Flow 2:26
14 7 5:13
15 And God Created Woman 3:19
16 3 Chains O' Gold 6:03
17 Segue 1:30
18 The Sacrifice Of Victor 5:41
Prince - Symbol Album (ogg 184mb)
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A companion record to the solo effort Art Official Age, PlectrumElectrum finds Prince backed by 3rdEyeGirl, the all-female power trio that is a band for the 2010s. If Art Official Age veered toward revamped soul, PlectrumElectrum, as its convoluted title suggests, celebrates guitar freakouts: it's heavy on fuzz tones and pummeling backbeats, taking digressions into spacious jazz fusion and clean funk. Prince doesn't take the lead all that often -- he steps to the mike for the hardest rockers, the exception being "Anotherlove" -- letting Donna Grantis or Ida Nielsen front the softer, quirkier numbers. The carousel of lead vocalists suits the carnivalesque tone of PlectrumElectrum, which feels casually virtuosic as it slides from thick rockers into slow jams before jolting itself to life with a shot of distortion. There are distinct differences from Art Official Age -- there's an elasticity to the rhythms that contrasts with the precision of the beats, 3rdEyeGirl seize any opportunity to blast away the confines of the song so they can simply jam -- but take away the reliance on guitar rock and this album draws from a similar source of slow smooth soul, pop, and hammy rap that feels deliberately divorced from hip-hop. Perhaps you could call this celebration of traditional musicianship old-school, but more than anything PlectrumElectrum feels like it belongs to its own little universe, a place that not only celebrates all of Prince's favorite sounds but his own kinks and eccentricities. If those eccentricities don't feel as strange or startling as they once did, blame that on the curse of being a veteran: he's not exploring new territory but building upon the ground he's already claimed for himself. And if the songs on PlectrumElectrum don't stick the way those on Art Official Age do, it's nevertheless a quiet thrill to hear Prince spar with worthy partners, as he does throughout this record.
Prince & 3rdEyeGirl- PlectrumElectrum (flac 300mb)
01 Wow 4:27
02 Pretzelbodylogic 3:26
03 Aintturninround 3:01
04 Plectrumelectrum 4:51
05 Whitecaps 3:42
06 Fixurlifeup 3:12
07 Boytrouble 3:52
08 Stopthistrain 3:40
09 Anotherlove 4:15
10 Tictactoe 3:38
11 Marz 1:48
12 Funknroll 4:09
Prince & 3rdEyeGirl- PlectrumElectrum (ogg 100mb)
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