Hello, it's Eurovision songfestival week it was started off by an Ukranian singing a song written by a Swede for the leftover country of Moldova..way to go. Anyway since all the Eastern Europe and all those previous Sovjet Union countries joined things have become much more entertaining...highlight as ever the neighbourly voting, but the craziest will win haha
Today an American alternative rock band formed in 1982 by John Flansburgh and John Linnell. During their early years Flansburgh and Linnell frequently performed as a duo, often accompanied by a drum machine. In the early 1990s, they expanded to include a backing band..Enough said here's something to .... N'Joy
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Combining a knack for infectious melodies with a quirky sense of humor and a vaguely avant-garde aesthetic borrowed from the New York post-punk underground, They Might Be Giants became an unlikely alternative rock success story as they reinvented themselves throughout their career. Musically, John Flansburgh and John Linnell borrowed from everywhere, but this eclecticism was enhanced by their arcane sensibilities. The duo referenced everything from British Invasion to Tin Pan Alley, while making allusions to pulp fiction and President Polk. Through their string of indie releases and constant touring, They Might Be Giants built up a huge following on college campuses during the late '80s, switching to a major label in the early '90s. With support from MTV, 1990's Flood became a gold album, and with it, the duo began to reap commercial rewards, moving into the status of one of the most popular alternative bands before grunge. Though the group retreated to its cult following in the mid-'90s, when an avalanche of post-grunge groups dominated MTV and modern rock radio, the 2000s and 2010s found them thriving, with well-received forays into children's music and soundtracks as well as acclaimed albums for their adult fans.
Flansburgh and Linnell met when they were children in Lincoln, Massachusetts. During high school, they began writing songs together, yet they never officially formed a band. Both Johns went to college after high school, with Linnell playing in the Mundanes, a new wave group from Rhode Island. By 1981, the pair had reunited, deciding to move to Brooklyn to pursue a musical career. Taking their name from a George C. Scott film and performing their original material with a drum machine, They Might Be Giants soon became fixtures on the Manhattan underground. Although Flansburgh and Linnell were building a cult following, they had a hard time getting a record deal, so they set up Dial-A-Song -- a phone line that played songs on an answering machine -- as a way to get their songs heard. The gimmick worked. Not only did it lead to a deal with the indie label Bar/None, but over the years it was a successful venture; at one point, the service was receiving hundreds of calls a day.
They Might Be Giants released their eponymous debut in 1986, and the album became a college radio hit; it also made waves on MTV due to the inventive video for "Don't Let's Start." Two years later, they released Lincoln, which expanded their following considerably. Featuring the college hit "Ana Ng," Lincoln climbed to number 89 on the charts, earning the attention of major labels. They Might Be Giants signed with Elektra Records in 1990, releasing Flood later that year. Flood worked its way to gold status, thanks to the singles "Birdhouse in Your Soul" and "Istanbul (Not Constantinople)," which both had popular videos. In the wake of the group's success, Restless/Bar/None released the B-sides and rarities compilation Miscellaneous T in 1991.
Apollo 18, released in 1992, wasn't quite as successful as Flood, yet it consolidated the group's cult following. For the album's supporting tour, They Might Be Giants performed with a full backing band for the first time, hiring former Pere Ubu bassist Tony Maimone and drummer Brian Doherty. The shift toward a full band coincided with the dominance of grunge in alternative rock. Though they were strengthened by the powerful sound of a full band, They Might Be Giants failed to receive much attention from MTV, mainstream modern rock radio, or college radio when they released John Henry in the fall of 1994. Recorded with the full band, John Henry lost the group a number of fans, yet their concerts remained popular attractions, especially on American college campuses. Still, the band's next album, 1996's Factory Showroom, was virtually ignored by the press, MTV, and radio. The live Severe Tire Damage followed two years later.
They Might Be Giants maintained their "hardest working men in show business" status in 2001 when they issued Mink Car, a stunning follow-up to Factory Showroom that boasted collaborations with M. Doughty, Adam Schlesinger, and the Elegant Too. They celebrated their 20th anniversary in summer 2002 with the release of their first children's album, No! Rhino also celebrated the band's tenure with the first-ever They Might Be Giants retrospective, Dial-A-Song: 20 Years of They Might Be Giants. A year later, Flansburgh and Linnell joined Canadian artist Marcel Dzama for the children's book and CD set Bed, Bed, Bed. The Indestructible Object EP arrived in spring 2004, just a few months before the band's eighth full-length album, The Spine. Early in 2005, Here Come the ABCs and its accompanying DVD were the band's first releases for Disney Sound. Later that year, They Got Lost arrived.
Over the course of the next two years, TMBG released a series of monthly and bimonthly podcasts. They also contributed to various film soundtracks, including Disney's Meet the Robinsons and the film adaptation of Neil Gaiman's Coraline. The band's 14th studio release, The Else, hit stores in the summer of 2007. Here Come the 123's, the sequel to Here Come the ABC's, appeared in early 2008. Later that year, the CD/DVD set Venue Songs, which featured appearances by actor/comedian John Hodgman, was released. Here Comes Science, which featured songs about paleontology, astronomy, and chemistry, and included a DVD with animated versions of "the Johns" and videos by Divya Srinivasan, Tiny Inventions, David Cowles, Hine Mizushima, and Feel Good Anyway, was released in fall 2009. Two years later, They Might Be Giants put the children's music on hold and released Join Us, the band's first "adult" album in four years. Soon after the band finished the Join Us tour, they began work on their 16th album, Nanobots, a song cycle that featured several small songs akin to the "Fingertips" tracks on Apollo 18, which hit the shelves in 2013. In 2014, they took a look back at their independent years with Idlewild, a compilation named for their own label that collected some of their favorite songs from that era. The band also took a break from its formidable touring schedule to work on three new albums. In December 2014, They Might Be Giants relaunched Dial-A-Song -- which had ceased its original run in 2006 -- with the goal of releasing one new song a week through the end of 2015. Several of these songs appeared on Glean, which arrived in April 2015; a children's album was among the other projects expected from them that year.
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They Might Be Giants' eponymous debut album is a wild fusion of new wave pop and arty post-punk experiments borrowed from the New York underground. It runs through a head-spinning 19 songs in just over 45 minutes, running the gamut from the performance-art schtick of "Chess Piece Face" and "Youth Culture Killed My Dog" to the pure pop of "Don't Let's Start" and "Everything Right Is Wrong Again." While there are a lot of geeky jokes and barely developed ideas scattered throughout the album, the sheer kaleidoscopic array of styles is intoxicating, and it helps the best songs -- the Costello-esque "Put Your Hand Inside the Puppet Head," the sighing "Hide Away Folk Family," the stomping "(She Was A) Hotel Detective," and the gorgeous "She's an Angel" -- stand out in sharp relief.
They Might Be Giants - They Might Be Giants (flac 230mb)
01 Everything Right Is Wrong Again 2:20
02 Put Your Hand Inside The Puppet Head 2:12
03 Number Three 1:27
04 Don't Let's Start 2:36
05 Hide Away Folk Family 3:21
06 32 Footsteps 1:35
07 Toddler Hiway 0:25
08 Rabid Child 1:31
09 Nothing's Gonna Change My Clothes 1:58
10 (She Was A) Hotel Detective 2:10
11 She's An Angel 2:37
12 Youth Culture Killed My Dog 2:51
13 Boat Of Car 1:15
14 Absolutely Bill's Mood 2:38
15 Chess Piece Face 1:21
16 I Hope That I Get Old Before I Die 1:58
17 Alienation's For The Rich 2:25
18 The Day 1:27
19 Rhythm Section Want Ad 2:21
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Cutting away some of the artier aspects of their debut, They Might Be Giants craft another wildly eclectic and geekily fun collection of alt-pop with Lincoln. In general, the album displays greater musical ambition than its predecessor, especially since the duo have trimmed many of the weirder excesses of the debut. Without such arty trappings, their gift for irresistible pop hooks becomes all the more clear, with "Ana Ng," "Purple Toupee," the Latin shuffle of "The World's Address," "Santa's Beard," the surprisingly affecting "They'll Need a Crane," and the lounge jazz of "Kiss Me, Son of God" standing out among the 18 songs. And when They Might Be Giants don't go for the hooks, as on "Pencil Rain" or "Cage & Aquarium," they prove to be expert musical satirists, which means that Lincoln is every bit as infectious as the debut.
They Might Be Giants - Lincoln (flac 244mb)
01 Ana Ng 3:23
02 Cowtown 2:20
03 Lie Still, Little Bottle 2:06
04 Purple Toupee 2:40
05 Cage & Aquarium 1:10
06 Where Your Eyes Don't Go 3:06
07 Piece Of Dirt 2:00
08 Mr. Me 1:51
09 Pencil Rain 2:42
10 The World's Address 2:24
11 I've Got A Match 2:36
12 Santa's Beard 1:55
13 You'll Miss Me 1:53
14 They'll Need A Crane 2:33
15 Shoehorn With Teeth 1:12
16 Stand On Your Own Head 1:16
17 Snowball In Hell 2:31
18 Kiss Me, Son Of God 1:54
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On their major-label debut, Flood, They Might Be Giants exchange quirky artiness for unabashed geekiness and a more varied and polished musical attack. Although the album contains two of the group's finest singles in "Birdhouse in Your Soul" and "Istanbul (Not Constantinople)," the overall record is uneven, since the group's hooks aren't quite as sharp as before and the humor is either too geeky or leavened with awkward social statements like "Your Racist Friend." Even with its faults, Flood has a number of first-rate songs, and it's a strong addition to their catalog, even if it isn't as weirdly intoxicating as its predecessors.
They Might Be Giants - Flood (flac 328mb)
01 Theme From Flood 0:29
02 Birdhouse In Your Soul 3:15
03 Lucky Ball & Chain 2:49
04 Istanbul (Not Constantinople) 2:34
05 Dead 2:54
06 Your Racist Friend 2:53
07 Particle Man 1:56
08 Twisting 1:54
09 We Want A Rock 2:54
10 Someone Keeps Moving My Chair 2:19
11 Hearing Aid 3:28
12 Minimum Wage 0:44
13 Letterbox 1:21
14 Whistling In The Dark 3:25
15 Hot Cha 1:33
16 Women And Men 1:45
17 Sapphire Bullets Of Pure Love 1:32
18 They Might Be Giants 2:39
19 Road Movie To Berlin 2:24
Bonus Tracks
20 Ant 1:52
21 James K. Polk 3:15
22 Stormy Pinkness 1:11
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Today an American alternative rock band formed in 1982 by John Flansburgh and John Linnell. During their early years Flansburgh and Linnell frequently performed as a duo, often accompanied by a drum machine. In the early 1990s, they expanded to include a backing band..Enough said here's something to .... N'Joy
xxxxx xxxxx xxxxx xxxxx xxxxx
Combining a knack for infectious melodies with a quirky sense of humor and a vaguely avant-garde aesthetic borrowed from the New York post-punk underground, They Might Be Giants became an unlikely alternative rock success story as they reinvented themselves throughout their career. Musically, John Flansburgh and John Linnell borrowed from everywhere, but this eclecticism was enhanced by their arcane sensibilities. The duo referenced everything from British Invasion to Tin Pan Alley, while making allusions to pulp fiction and President Polk. Through their string of indie releases and constant touring, They Might Be Giants built up a huge following on college campuses during the late '80s, switching to a major label in the early '90s. With support from MTV, 1990's Flood became a gold album, and with it, the duo began to reap commercial rewards, moving into the status of one of the most popular alternative bands before grunge. Though the group retreated to its cult following in the mid-'90s, when an avalanche of post-grunge groups dominated MTV and modern rock radio, the 2000s and 2010s found them thriving, with well-received forays into children's music and soundtracks as well as acclaimed albums for their adult fans.
Flansburgh and Linnell met when they were children in Lincoln, Massachusetts. During high school, they began writing songs together, yet they never officially formed a band. Both Johns went to college after high school, with Linnell playing in the Mundanes, a new wave group from Rhode Island. By 1981, the pair had reunited, deciding to move to Brooklyn to pursue a musical career. Taking their name from a George C. Scott film and performing their original material with a drum machine, They Might Be Giants soon became fixtures on the Manhattan underground. Although Flansburgh and Linnell were building a cult following, they had a hard time getting a record deal, so they set up Dial-A-Song -- a phone line that played songs on an answering machine -- as a way to get their songs heard. The gimmick worked. Not only did it lead to a deal with the indie label Bar/None, but over the years it was a successful venture; at one point, the service was receiving hundreds of calls a day.
They Might Be Giants released their eponymous debut in 1986, and the album became a college radio hit; it also made waves on MTV due to the inventive video for "Don't Let's Start." Two years later, they released Lincoln, which expanded their following considerably. Featuring the college hit "Ana Ng," Lincoln climbed to number 89 on the charts, earning the attention of major labels. They Might Be Giants signed with Elektra Records in 1990, releasing Flood later that year. Flood worked its way to gold status, thanks to the singles "Birdhouse in Your Soul" and "Istanbul (Not Constantinople)," which both had popular videos. In the wake of the group's success, Restless/Bar/None released the B-sides and rarities compilation Miscellaneous T in 1991.
Apollo 18, released in 1992, wasn't quite as successful as Flood, yet it consolidated the group's cult following. For the album's supporting tour, They Might Be Giants performed with a full backing band for the first time, hiring former Pere Ubu bassist Tony Maimone and drummer Brian Doherty. The shift toward a full band coincided with the dominance of grunge in alternative rock. Though they were strengthened by the powerful sound of a full band, They Might Be Giants failed to receive much attention from MTV, mainstream modern rock radio, or college radio when they released John Henry in the fall of 1994. Recorded with the full band, John Henry lost the group a number of fans, yet their concerts remained popular attractions, especially on American college campuses. Still, the band's next album, 1996's Factory Showroom, was virtually ignored by the press, MTV, and radio. The live Severe Tire Damage followed two years later.
They Might Be Giants maintained their "hardest working men in show business" status in 2001 when they issued Mink Car, a stunning follow-up to Factory Showroom that boasted collaborations with M. Doughty, Adam Schlesinger, and the Elegant Too. They celebrated their 20th anniversary in summer 2002 with the release of their first children's album, No! Rhino also celebrated the band's tenure with the first-ever They Might Be Giants retrospective, Dial-A-Song: 20 Years of They Might Be Giants. A year later, Flansburgh and Linnell joined Canadian artist Marcel Dzama for the children's book and CD set Bed, Bed, Bed. The Indestructible Object EP arrived in spring 2004, just a few months before the band's eighth full-length album, The Spine. Early in 2005, Here Come the ABCs and its accompanying DVD were the band's first releases for Disney Sound. Later that year, They Got Lost arrived.
Over the course of the next two years, TMBG released a series of monthly and bimonthly podcasts. They also contributed to various film soundtracks, including Disney's Meet the Robinsons and the film adaptation of Neil Gaiman's Coraline. The band's 14th studio release, The Else, hit stores in the summer of 2007. Here Come the 123's, the sequel to Here Come the ABC's, appeared in early 2008. Later that year, the CD/DVD set Venue Songs, which featured appearances by actor/comedian John Hodgman, was released. Here Comes Science, which featured songs about paleontology, astronomy, and chemistry, and included a DVD with animated versions of "the Johns" and videos by Divya Srinivasan, Tiny Inventions, David Cowles, Hine Mizushima, and Feel Good Anyway, was released in fall 2009. Two years later, They Might Be Giants put the children's music on hold and released Join Us, the band's first "adult" album in four years. Soon after the band finished the Join Us tour, they began work on their 16th album, Nanobots, a song cycle that featured several small songs akin to the "Fingertips" tracks on Apollo 18, which hit the shelves in 2013. In 2014, they took a look back at their independent years with Idlewild, a compilation named for their own label that collected some of their favorite songs from that era. The band also took a break from its formidable touring schedule to work on three new albums. In December 2014, They Might Be Giants relaunched Dial-A-Song -- which had ceased its original run in 2006 -- with the goal of releasing one new song a week through the end of 2015. Several of these songs appeared on Glean, which arrived in April 2015; a children's album was among the other projects expected from them that year.
xxxxx xxxxx xxxxx xxxxx xxxxx
They Might Be Giants' eponymous debut album is a wild fusion of new wave pop and arty post-punk experiments borrowed from the New York underground. It runs through a head-spinning 19 songs in just over 45 minutes, running the gamut from the performance-art schtick of "Chess Piece Face" and "Youth Culture Killed My Dog" to the pure pop of "Don't Let's Start" and "Everything Right Is Wrong Again." While there are a lot of geeky jokes and barely developed ideas scattered throughout the album, the sheer kaleidoscopic array of styles is intoxicating, and it helps the best songs -- the Costello-esque "Put Your Hand Inside the Puppet Head," the sighing "Hide Away Folk Family," the stomping "(She Was A) Hotel Detective," and the gorgeous "She's an Angel" -- stand out in sharp relief.
They Might Be Giants - They Might Be Giants (flac 230mb)
01 Everything Right Is Wrong Again 2:20
02 Put Your Hand Inside The Puppet Head 2:12
03 Number Three 1:27
04 Don't Let's Start 2:36
05 Hide Away Folk Family 3:21
06 32 Footsteps 1:35
07 Toddler Hiway 0:25
08 Rabid Child 1:31
09 Nothing's Gonna Change My Clothes 1:58
10 (She Was A) Hotel Detective 2:10
11 She's An Angel 2:37
12 Youth Culture Killed My Dog 2:51
13 Boat Of Car 1:15
14 Absolutely Bill's Mood 2:38
15 Chess Piece Face 1:21
16 I Hope That I Get Old Before I Die 1:58
17 Alienation's For The Rich 2:25
18 The Day 1:27
19 Rhythm Section Want Ad 2:21
xxxxx xxxxx xxxxx xxxxx xxxxx
Cutting away some of the artier aspects of their debut, They Might Be Giants craft another wildly eclectic and geekily fun collection of alt-pop with Lincoln. In general, the album displays greater musical ambition than its predecessor, especially since the duo have trimmed many of the weirder excesses of the debut. Without such arty trappings, their gift for irresistible pop hooks becomes all the more clear, with "Ana Ng," "Purple Toupee," the Latin shuffle of "The World's Address," "Santa's Beard," the surprisingly affecting "They'll Need a Crane," and the lounge jazz of "Kiss Me, Son of God" standing out among the 18 songs. And when They Might Be Giants don't go for the hooks, as on "Pencil Rain" or "Cage & Aquarium," they prove to be expert musical satirists, which means that Lincoln is every bit as infectious as the debut.
They Might Be Giants - Lincoln (flac 244mb)
01 Ana Ng 3:23
02 Cowtown 2:20
03 Lie Still, Little Bottle 2:06
04 Purple Toupee 2:40
05 Cage & Aquarium 1:10
06 Where Your Eyes Don't Go 3:06
07 Piece Of Dirt 2:00
08 Mr. Me 1:51
09 Pencil Rain 2:42
10 The World's Address 2:24
11 I've Got A Match 2:36
12 Santa's Beard 1:55
13 You'll Miss Me 1:53
14 They'll Need A Crane 2:33
15 Shoehorn With Teeth 1:12
16 Stand On Your Own Head 1:16
17 Snowball In Hell 2:31
18 Kiss Me, Son Of God 1:54
xxxxx xxxxx xxxxx xxxxx xxxxx
On their major-label debut, Flood, They Might Be Giants exchange quirky artiness for unabashed geekiness and a more varied and polished musical attack. Although the album contains two of the group's finest singles in "Birdhouse in Your Soul" and "Istanbul (Not Constantinople)," the overall record is uneven, since the group's hooks aren't quite as sharp as before and the humor is either too geeky or leavened with awkward social statements like "Your Racist Friend." Even with its faults, Flood has a number of first-rate songs, and it's a strong addition to their catalog, even if it isn't as weirdly intoxicating as its predecessors.
They Might Be Giants - Flood (flac 328mb)
01 Theme From Flood 0:29
02 Birdhouse In Your Soul 3:15
03 Lucky Ball & Chain 2:49
04 Istanbul (Not Constantinople) 2:34
05 Dead 2:54
06 Your Racist Friend 2:53
07 Particle Man 1:56
08 Twisting 1:54
09 We Want A Rock 2:54
10 Someone Keeps Moving My Chair 2:19
11 Hearing Aid 3:28
12 Minimum Wage 0:44
13 Letterbox 1:21
14 Whistling In The Dark 3:25
15 Hot Cha 1:33
16 Women And Men 1:45
17 Sapphire Bullets Of Pure Love 1:32
18 They Might Be Giants 2:39
19 Road Movie To Berlin 2:24
Bonus Tracks
20 Ant 1:52
21 James K. Polk 3:15
22 Stormy Pinkness 1:11
xxxxx xxxxx xxxxx xxxxx xxxxx
Hi Rho,
ReplyDeletecould you do a "Giant" reup on these? :)
A They Might Be Giants reup would be much appreciated. Thanks!
ReplyDeleteHi @Rho
ReplyDeleteWould you please reupload these albums again? I would very much appreciate it. Thanks!