Hello,
Today's Artist is a French-born English disc jockey and record label owner in England. His labels have included Acid Jazz, Talkin' Loud, and Brownswood Recordings. Peterson has been associated with the careers of artists of the 1990s, such as Erykah Badu, Roni Size, and Jamiroquai.Compilation albums have also been a constant throughout his career from the very beginning, as often having access to rare or hard-to-find records, as well as unsigned artists, has meant being able to share such finds with a wider audience. ....N Joy
xxxxx xxxxx xxxxx xxxxx xxxxx
Gilles Peterson'(born 64) attended The John Fisher School, in the mid- and late- 1980s, living among the South London suburban soul scene in the early eighties, Gilles would avidly listen to listening to Level 42, Earth Wind & Fire, Central Line and the heavier, deeper pirate stations such as Radio Invicta. This inspired him to set up his own station - literally an aerial suspended between a tree and a phone box - playing an eclectic mix of jazz, funk, reggae, soul and early electro. By a stroke of luck, Radio Invicta needed a new transmitter, so Gilles swapped his for a regular show on the station.
At the same time, Gilles was a regular shopper at DJ Paul Murphy's Palladin Records. Murphy also DJ'd at Camden's Electric Ballroom, and his knowledge of rare, killer power jazz tunes and rare Afro-Cuban fusion was further inspiration for Gilles, who took over the decks when Paul left. Once ensconced upstairs in the Electric Ballroom, Gilles' understanding and insight into jazz, funk and soul grew exponentially. Gilles soon began to play at Nicky Holloway's Special Branch night at The Royal Oak.
1985 saw Gilles releasing the Jazz Juice (streetsounds) compilation series, collecting together many of the jazz tracks Gilles had been playing over the past few years. EMI Records soon called on Gilles to put together a series of inspired collections showcasing jazz label Blue Note's best artists resulting in 'Blue Bossa Vols. 1 & 2' and 'Baptist Beat' , which became the motivation for the hugely popular 'Blue' series of Jazz compilations.
During this period, Gilles had also been working on new pirate radio projects before 'going legit' with the BBC Radio London which was the first legal station he worked for, hosting a show called 'Mad On Jazz'. After leaving Radio London in 1986, Gilles started his Sunday sessions - 'Talkin' Loud' & 'Saying Something' - at Camden's Dingwalls. Co-hosted by Patrick Forge, these ran for five years. Coinciding with the emerging acid house scene, the sessions became a natural magnet for post clubbing come-down kids.
Shortly afterwards, Gilles started the Acid Jazz label, but after two years he felt the sound, the music and name was becoming a mod thing, a retro thing.' And so the approach from Phonogram was welcome , and he set up a new label Talkin' Loud records in 1989 . Gilles got the chance to echo his own diverse tastes and the label saw releases from the likes of Brand New Heavies, Jamiroquai, the Galliano.
Back on air, Gilles' show on London's Jazz FM was axed in 1990 after he played 'inappropriate' music and made statements supporting peace during the Gulf War. Soon after, he joined the newly-legalized Kiss FM. His Sunday evening WorldWide slot proved one of the most popular on the station and he stayed there for eight years until he joined Radio 1 in 1998. From 1998 to the present, through his BBC show Worldwide, Peterson has continued to stretch the musical boundaries. The show has always highlighted both new, but more importantly for the audience it is supposed to serve, older and often very rare records from the late-1950's to 1980's. In fact every three months or so, Gilles dedicates a whole show to older vinyl releases in a special version of his show he subtitles a Brownswood Basement.
In 2002 he released a compilation album, Impressed with Gilles Peterson, featuring rare and forgotten British Jazz from the 1950-1960s, that Peterson had collected over the years. This led to many of the records being re-released to a new audience. This in turn led to a series of concerts featuring some of the artists and a documentary about the history of British jazz (Jazz Britannia)
In August 2004 the show moved from Wednesday (midnight til 2am) to an earlier Sunday slot (11:00 to 01:00) In September 2006, Peterson's show on Radio 1 was moved from Sunday night to Wednesday night (more precisely the early hours of Thursday morning), 02:00 to 04:00 (GMT) where you can pick him up every week and not to worry.
Widely acclaimed as a musical tastemaker, Gilles spreads his influence on music listeners around the world mostly through the Worldwide radio show on BBC Radio 1 and besides he also does another version of the show which gets syndicated to radio stations all over the world. Parallel to this, his frequent DJing gigs around the world also have cemented a worldwide following. In 2006 Gilles and Freshly Cut, a French event production company from Montpellier, collaborated to create the unique Worldwide Festival. This started out as a small intimate festival during the summertime in the coastal town of Sète in France. Meanwhile it hasbeen expanded to three festivals, in London, Shanghai and Sète in 2007. In 2008 it will have expanded to take place in London, Beijing, Tokyo, Frankfurt, Singapore and Sète.
In late 2011 Peterson announced that after 13 years at the station he would be leaving BBC Radio 1, following his last show in the early hours of Wednesday 28 March and moving to a new show on BBC Radio 6 Music.
Following his departure from Radio 1, Peterson started a new three-hour Saturday afternoon show on BBC Radio 6 Music, beginning on Saturday 7 April 2012, running weekly from 3 to 6 pm, and giving him an extra hour of broadcast time. Like his previous Radio 1 programme, it is made by independent production company Somethin' Else for the BBC.
Peterson has been producing and broadcasting original radio shows for Japan. He had daily 15 minute music program on J-WAVE (81.3FM), Tokyo’s Finest FM Station. Daily program “Worldwide 15” run Mondays–Thursdays from 4:05 to 4:20 pm from 2005 to 2011. The show was highly received and made many radio hits. Music event of the program "Worldwide Showcase” became annual events and each year which featured DJs and Live acts from Japan and international. The event was curated under particular theme each year.
Peterson has been involved in founding four record labels. In 1987, together with DJ Baz Fe Jazz, he was recruited by Ace Records to create the soul, funk and jazz dance sub-label BGP Records.[10] In 1988 he and Eddie Piller founded Acid Jazz Records, a label whose roster included the Brand New Heavies, Jamiroquai, Corduroy, the James Taylor Quartet and Snowboy. After growing disillusionment with the scene that grew up around the label, he went on to run Talkin' Loud, enlisting the help of fellow DJ Norman Jay, who formed his own Global Village label. The Talkin' Loud roster included Nuyorican Soul (a side project of the producers Masters At Work), Courtney Pine, MJ Cole, Young Disciples, Incognito, Terry Callier, The Roots, Galliano and Roni Size's project Reprazent.
Peterson's most recent record label, Brownswood Recordings, was launched in 2006. The label's early releases includes the likes of British singer/songwriter Ben Westbeech, 45-piece orchestral ensemble The Heritage Orchestra, Japanese punk jazz band Soil & "Pimp" Sessions, Brooklyn-based pianist Elan Mehler and jazz vocalist José James. More recently, they've released music by Zara McFarlane, Ghostpoet's Mercury Prize-nominated debut and their long-running compilation series, compiled by Peterson, called Brownswood Bubblers.
The label is sometimes confused with a different imprint called Brownswood Records, which released music from Japanese bands like United Future Organization.
In 2011, he founded the Steve Reid Foundation in memory of the legendary jazz drummer. Having witnessed Reid’s suffering with illness and hardship, Gilles set up the charity to raise money for musicians in need. Since then, they’ve collaborated with Help Musicians UK to help musicians who are in need of support. More recently, a collaboration with the PRS Foundation has seen grants and mentoring provided to new artists. Gilles ran the 2011 London Marathon, raising just under £7,000 for Help Musicians UK, followed by the 2016 New York Marathon, where he raised over $21,000 for the Steve Reid Foundation.
Released in May 2014 via Talkin’ Loud / Virgin EMI, Sonzeira's Brasil Bam Bam Bam is a journey through the different flavours of authentic Brazilian music culture. Sonzeira is the collective name for the group of Brazilian artists who feature on the album. Peterson turned from DJ to producer for this ambitious venture, settling in Rio de Janeiro with young UK production associates Sam Shepherd (Floating Points); Dilip Harris and Rob Gallagher from 2 Banks of 4; and Kassin from Rio collective Orquestra Imperial. The album features Brazilian artists such as Seu Jorge and Elza Soares.
Along with the album, there was a documentary film celebrating the creation and release of “Sonzeira: Brasil Bam Bam Bam". Titled “Bam Bam Bam: The Story of Sonzeira”, this two-hour documentary was directed by Charlie Inman and Ben Holman and shot in 2014 by Mother London and Rio de Janeiro’s Beija Films. The film was also distributed in Tokyo, Japan by Sha-la-la Company and raised money for Fight For Peace (Luta Pela Paz), organization founded in Complexo da Maré, Rio de Janeiro, as a direct response to youth-involvement in drug-related crime and violence.
Havana Cultura
2009 saw the birth of a new collaborative project and long-term partnership between Peterson and Havana Club or "Havana Cultura". Havana Cultura is a global initiative developed by Havana Club International that gives a platform to Cuban artists from all disciplines. The website, www.havana-cultura.com, was launched in 2007.
Peterson and Brownswood's involvement began two years later, resulting in four album releases and three international tours.
Havana Cultura: New Cuba Sound was the first album to come out of the project, released in 2010. Travelling to Cuba in 2009, Peterson teamed up with the award-winning Cuban jazz pianist Roberto Fonseca to find the best up-and-coming musical talent in Havana. The double album was a celebration of Cuba’s musical forces spanning Latin, Afro jazz and fusion to hip-hop, funk, reggaeton and soul.
In support of this project, Peterson began a European tour in June/July 2010, accompanied by Fonseca, his band and vocalists Danay Suarez, Ogguere and Obsesión. This was the first of three tours organised in close collaboration with Havana Club. The Gilles Peterson Havana Cultura band has now travelled through Europe and beyond with shows in London (Barbican), Paris, Amsterdam, Istanbul, Berlin and Madrid, as well as many festivals.
Travelling with the rest of the 2011 crew, Mala (Digital Mystikz) was also invited to Cuba with Peterson to record and collaborate with local musicians as part of the ongoing Havana Cultura project. The results are found on the album Mala in Cuba, which was released on Brownswood Recordings in partnership with Havana Cultura on 10 September 2012.
A new global music-radio platform launched by Gilles Peterson in September 2016. Following the success of the Grand Theft Auto V in-game radio station of the same name, WorldWide FM has expanded into the real world with Peterson and Thris Tian hosting shows alongside a hand-picked roster of the finest DJs and selectors from five continents. Since the launch, the station has gone out on the road broadcasting across Europe, the US and Asia, with pop-ups in Amsterdam (ADE), Los Angeles (How We Do LA), Marseille (Le Gallette), Milan (Jazzmi Festival), Paris (Le Mellotron), Tokyo (HMV Shibuya), and closer to home, at the 1:54 Contemporary African Art Fair (Somerset House). The station is Powered by WeTransfer and broadcasting from The Pyramid radio studios in north London.
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Just who does Gilles Peterson think he is? First he "discovers" Brazil on ... In Brazil; now he‘s going to teach us about the Dark Continent, despite the trend toward all sounds Afrique? Well, damn if he doesn‘t do just that. In Peterson‘s curatorial hands, Fela and Miriam Makeba sound as fresh as current faves like Antibalas on disc one ("The Soul" disc). Likewise, on disc two ("The Spirit" disc), deep and Afro house producers (MAW, Dennis Ferrer) and techy and broken beat remixers (Carl Craig, IG Culture) all sound as spiritually ancient as their forefathers.
The world’s number one dancefloor jazz/world aficionado returns with a similar jaunt through the groovier side of African music. Given the global popularity of Afrobeat and Afrofunk, it’s no surprise to find a few classic of the genre here: Peter King’s "Ajo", Manu Dibango’s "New Bell" and Fela Kuti’s "Ye Ye De Smell" are evergreens but are sandwiched between lesser known (but equally funky) tracks from the likes of Ethiopian jazz maestro Mulatu Astatqé, Feqadu Amae-Mesqel and Letta Mbulu. The second disc leans more towards modern African sounds and remixes. Kicking off with Masters At Work’s anthemic reworking of Fela’s "Expensive Shit", the CD shifts mercurially through Carl Craig’s take on Cesaria Evora’s "Angola" and IG Culture’s mutated take on "Aso Kere", Thievery Corporation’s "The Heart’s A Lonely Hunter" and Osborne’s "Afrika". All in all, there's plenty here to sate the most ardent African-groove enthusiast.
Gilles Peterson In Africa 1 - The Soul (flac 394mb)
The Soul
01 Gilles Peterson - Intro 0:32
02 Oscar Sulley - Bukom Mashie 5:03
03 Peter King - Ajo 3:53
04 Manu Dibango - New Bell 6:30
05 Fela Ransome Kuti and Africa 70 - Ye Ye De Smell 12:27
06 Antibalas - Indictment 5:39
07 Feqadu Amdé-Mesqel - Asmarina 4:52
08 Mulatu Astatke - Mulatu 5:02
09 Miriam Makeba - Samba 4:58
10 Letta Mbulu - Mahlalela 4:45
11 Abdullah Ibrahim - Did You Hear That Sound (Toshio Matsuura Remix) 6:47
Gilles Peterson In Africa 1 - The Soul (ogg 155mb)
xxxxx
Gilles Peterson In Africa 2 - The Spirit (flac 430mb)
The Spirit
01 Masters At Work Feat. Wunmi - MAW Expensive (A Tribute To Fela) 11:12
02 Osborne - Afrika 4:55
03 Konono No. 1 - Lufuala NDonga (Edit) 6:21
04 Lekan Babalola - Aso Kere (IG Culture Mix) 6:58
05 Cesaria Evora - Angola (Carl Craig Remix) 8:28
06 Thievery Corporation Feat. David Byrne - The Heart's A Lonely Hunter 9:04
07 Dennis Ferrer - Funu (Hi-Life Mix) 7:49
08 Blaze With Palmer Brown - Jump 4 Luv (Shelter Main Mix) 9:59
Gilles Peterson In Africa 2 - The Spirit (ogg 164mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
2010 compilation from DJ Gilles Peterson's Brownswood Recordings label. Standing up for a new wave of artists struggling to elbow their way into the limelight, Brownswood Electric weaves a path through the electronic landscape in 2010, representing the rainbow spectrum of Electronic goodness. The boundaries between so-called Hip Hop, House, Techno, Dubstep and Drum 'n' Bass have never been so blurred, often rendering these signifiers practically obsolete, and indeed it's at these crossings, junctions and awkward intersections where the most inspiring and stirring sound clashes occur. Features tracks from KiEnRa, Hypno, Clueless, devonwho, B. Bravo, Pearson Sound, Mosca, George Fitzgerald, 16bit and others. Brownswood.
Gilles Peterson - Brownswood Electric (flac 430mb)
01 Computa Love by B. Bravo 4:11
02 Whispers by Devonwho 2:21
03 Let Me Love You Forever by Eliphino 5:27
04 Wad by Pearson Sound 5:43
05 Square One by Mosca 6:33
06 Antigravity (Low Limit Remix) by Shlohmo 3:40
07 Blad by Letherette 3:08
08 Bb Thing by KiEnRa 3:44
09 Adsl by 16BIT 6:14
10 Over the Top by Hypno 4:58
11 Painted Jezebel by George Fitzgerald 6:20
12 Lady in Red (Club Edit) by Clueless 6:16
13 Berlin Call (Alps Edit) by Von D 6:27
14 Underpass by Rockwell 6:12
15 Serged by Mount Kimbie 3:32
Gilles Peterson - Brownswood Electric (ogg 188mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
Today's Artist is a French-born English disc jockey and record label owner in England. His labels have included Acid Jazz, Talkin' Loud, and Brownswood Recordings. Peterson has been associated with the careers of artists of the 1990s, such as Erykah Badu, Roni Size, and Jamiroquai.Compilation albums have also been a constant throughout his career from the very beginning, as often having access to rare or hard-to-find records, as well as unsigned artists, has meant being able to share such finds with a wider audience. ....N Joy
xxxxx xxxxx xxxxx xxxxx xxxxx
Gilles Peterson'(born 64) attended The John Fisher School, in the mid- and late- 1980s, living among the South London suburban soul scene in the early eighties, Gilles would avidly listen to listening to Level 42, Earth Wind & Fire, Central Line and the heavier, deeper pirate stations such as Radio Invicta. This inspired him to set up his own station - literally an aerial suspended between a tree and a phone box - playing an eclectic mix of jazz, funk, reggae, soul and early electro. By a stroke of luck, Radio Invicta needed a new transmitter, so Gilles swapped his for a regular show on the station.
At the same time, Gilles was a regular shopper at DJ Paul Murphy's Palladin Records. Murphy also DJ'd at Camden's Electric Ballroom, and his knowledge of rare, killer power jazz tunes and rare Afro-Cuban fusion was further inspiration for Gilles, who took over the decks when Paul left. Once ensconced upstairs in the Electric Ballroom, Gilles' understanding and insight into jazz, funk and soul grew exponentially. Gilles soon began to play at Nicky Holloway's Special Branch night at The Royal Oak.
1985 saw Gilles releasing the Jazz Juice (streetsounds) compilation series, collecting together many of the jazz tracks Gilles had been playing over the past few years. EMI Records soon called on Gilles to put together a series of inspired collections showcasing jazz label Blue Note's best artists resulting in 'Blue Bossa Vols. 1 & 2' and 'Baptist Beat' , which became the motivation for the hugely popular 'Blue' series of Jazz compilations.
During this period, Gilles had also been working on new pirate radio projects before 'going legit' with the BBC Radio London which was the first legal station he worked for, hosting a show called 'Mad On Jazz'. After leaving Radio London in 1986, Gilles started his Sunday sessions - 'Talkin' Loud' & 'Saying Something' - at Camden's Dingwalls. Co-hosted by Patrick Forge, these ran for five years. Coinciding with the emerging acid house scene, the sessions became a natural magnet for post clubbing come-down kids.
Shortly afterwards, Gilles started the Acid Jazz label, but after two years he felt the sound, the music and name was becoming a mod thing, a retro thing.' And so the approach from Phonogram was welcome , and he set up a new label Talkin' Loud records in 1989 . Gilles got the chance to echo his own diverse tastes and the label saw releases from the likes of Brand New Heavies, Jamiroquai, the Galliano.
Back on air, Gilles' show on London's Jazz FM was axed in 1990 after he played 'inappropriate' music and made statements supporting peace during the Gulf War. Soon after, he joined the newly-legalized Kiss FM. His Sunday evening WorldWide slot proved one of the most popular on the station and he stayed there for eight years until he joined Radio 1 in 1998. From 1998 to the present, through his BBC show Worldwide, Peterson has continued to stretch the musical boundaries. The show has always highlighted both new, but more importantly for the audience it is supposed to serve, older and often very rare records from the late-1950's to 1980's. In fact every three months or so, Gilles dedicates a whole show to older vinyl releases in a special version of his show he subtitles a Brownswood Basement.
In 2002 he released a compilation album, Impressed with Gilles Peterson, featuring rare and forgotten British Jazz from the 1950-1960s, that Peterson had collected over the years. This led to many of the records being re-released to a new audience. This in turn led to a series of concerts featuring some of the artists and a documentary about the history of British jazz (Jazz Britannia)
In August 2004 the show moved from Wednesday (midnight til 2am) to an earlier Sunday slot (11:00 to 01:00) In September 2006, Peterson's show on Radio 1 was moved from Sunday night to Wednesday night (more precisely the early hours of Thursday morning), 02:00 to 04:00 (GMT) where you can pick him up every week and not to worry.
Widely acclaimed as a musical tastemaker, Gilles spreads his influence on music listeners around the world mostly through the Worldwide radio show on BBC Radio 1 and besides he also does another version of the show which gets syndicated to radio stations all over the world. Parallel to this, his frequent DJing gigs around the world also have cemented a worldwide following. In 2006 Gilles and Freshly Cut, a French event production company from Montpellier, collaborated to create the unique Worldwide Festival. This started out as a small intimate festival during the summertime in the coastal town of Sète in France. Meanwhile it hasbeen expanded to three festivals, in London, Shanghai and Sète in 2007. In 2008 it will have expanded to take place in London, Beijing, Tokyo, Frankfurt, Singapore and Sète.
In late 2011 Peterson announced that after 13 years at the station he would be leaving BBC Radio 1, following his last show in the early hours of Wednesday 28 March and moving to a new show on BBC Radio 6 Music.
Following his departure from Radio 1, Peterson started a new three-hour Saturday afternoon show on BBC Radio 6 Music, beginning on Saturday 7 April 2012, running weekly from 3 to 6 pm, and giving him an extra hour of broadcast time. Like his previous Radio 1 programme, it is made by independent production company Somethin' Else for the BBC.
Peterson has been producing and broadcasting original radio shows for Japan. He had daily 15 minute music program on J-WAVE (81.3FM), Tokyo’s Finest FM Station. Daily program “Worldwide 15” run Mondays–Thursdays from 4:05 to 4:20 pm from 2005 to 2011. The show was highly received and made many radio hits. Music event of the program "Worldwide Showcase” became annual events and each year which featured DJs and Live acts from Japan and international. The event was curated under particular theme each year.
Peterson has been involved in founding four record labels. In 1987, together with DJ Baz Fe Jazz, he was recruited by Ace Records to create the soul, funk and jazz dance sub-label BGP Records.[10] In 1988 he and Eddie Piller founded Acid Jazz Records, a label whose roster included the Brand New Heavies, Jamiroquai, Corduroy, the James Taylor Quartet and Snowboy. After growing disillusionment with the scene that grew up around the label, he went on to run Talkin' Loud, enlisting the help of fellow DJ Norman Jay, who formed his own Global Village label. The Talkin' Loud roster included Nuyorican Soul (a side project of the producers Masters At Work), Courtney Pine, MJ Cole, Young Disciples, Incognito, Terry Callier, The Roots, Galliano and Roni Size's project Reprazent.
Peterson's most recent record label, Brownswood Recordings, was launched in 2006. The label's early releases includes the likes of British singer/songwriter Ben Westbeech, 45-piece orchestral ensemble The Heritage Orchestra, Japanese punk jazz band Soil & "Pimp" Sessions, Brooklyn-based pianist Elan Mehler and jazz vocalist José James. More recently, they've released music by Zara McFarlane, Ghostpoet's Mercury Prize-nominated debut and their long-running compilation series, compiled by Peterson, called Brownswood Bubblers.
The label is sometimes confused with a different imprint called Brownswood Records, which released music from Japanese bands like United Future Organization.
In 2011, he founded the Steve Reid Foundation in memory of the legendary jazz drummer. Having witnessed Reid’s suffering with illness and hardship, Gilles set up the charity to raise money for musicians in need. Since then, they’ve collaborated with Help Musicians UK to help musicians who are in need of support. More recently, a collaboration with the PRS Foundation has seen grants and mentoring provided to new artists. Gilles ran the 2011 London Marathon, raising just under £7,000 for Help Musicians UK, followed by the 2016 New York Marathon, where he raised over $21,000 for the Steve Reid Foundation.
Released in May 2014 via Talkin’ Loud / Virgin EMI, Sonzeira's Brasil Bam Bam Bam is a journey through the different flavours of authentic Brazilian music culture. Sonzeira is the collective name for the group of Brazilian artists who feature on the album. Peterson turned from DJ to producer for this ambitious venture, settling in Rio de Janeiro with young UK production associates Sam Shepherd (Floating Points); Dilip Harris and Rob Gallagher from 2 Banks of 4; and Kassin from Rio collective Orquestra Imperial. The album features Brazilian artists such as Seu Jorge and Elza Soares.
Along with the album, there was a documentary film celebrating the creation and release of “Sonzeira: Brasil Bam Bam Bam". Titled “Bam Bam Bam: The Story of Sonzeira”, this two-hour documentary was directed by Charlie Inman and Ben Holman and shot in 2014 by Mother London and Rio de Janeiro’s Beija Films. The film was also distributed in Tokyo, Japan by Sha-la-la Company and raised money for Fight For Peace (Luta Pela Paz), organization founded in Complexo da Maré, Rio de Janeiro, as a direct response to youth-involvement in drug-related crime and violence.
Havana Cultura
2009 saw the birth of a new collaborative project and long-term partnership between Peterson and Havana Club or "Havana Cultura". Havana Cultura is a global initiative developed by Havana Club International that gives a platform to Cuban artists from all disciplines. The website, www.havana-cultura.com, was launched in 2007.
Peterson and Brownswood's involvement began two years later, resulting in four album releases and three international tours.
Havana Cultura: New Cuba Sound was the first album to come out of the project, released in 2010. Travelling to Cuba in 2009, Peterson teamed up with the award-winning Cuban jazz pianist Roberto Fonseca to find the best up-and-coming musical talent in Havana. The double album was a celebration of Cuba’s musical forces spanning Latin, Afro jazz and fusion to hip-hop, funk, reggaeton and soul.
In support of this project, Peterson began a European tour in June/July 2010, accompanied by Fonseca, his band and vocalists Danay Suarez, Ogguere and Obsesión. This was the first of three tours organised in close collaboration with Havana Club. The Gilles Peterson Havana Cultura band has now travelled through Europe and beyond with shows in London (Barbican), Paris, Amsterdam, Istanbul, Berlin and Madrid, as well as many festivals.
Travelling with the rest of the 2011 crew, Mala (Digital Mystikz) was also invited to Cuba with Peterson to record and collaborate with local musicians as part of the ongoing Havana Cultura project. The results are found on the album Mala in Cuba, which was released on Brownswood Recordings in partnership with Havana Cultura on 10 September 2012.
A new global music-radio platform launched by Gilles Peterson in September 2016. Following the success of the Grand Theft Auto V in-game radio station of the same name, WorldWide FM has expanded into the real world with Peterson and Thris Tian hosting shows alongside a hand-picked roster of the finest DJs and selectors from five continents. Since the launch, the station has gone out on the road broadcasting across Europe, the US and Asia, with pop-ups in Amsterdam (ADE), Los Angeles (How We Do LA), Marseille (Le Gallette), Milan (Jazzmi Festival), Paris (Le Mellotron), Tokyo (HMV Shibuya), and closer to home, at the 1:54 Contemporary African Art Fair (Somerset House). The station is Powered by WeTransfer and broadcasting from The Pyramid radio studios in north London.
xxxxx xxxxx xxxxx xxxxx xxxxx
Just who does Gilles Peterson think he is? First he "discovers" Brazil on ... In Brazil; now he‘s going to teach us about the Dark Continent, despite the trend toward all sounds Afrique? Well, damn if he doesn‘t do just that. In Peterson‘s curatorial hands, Fela and Miriam Makeba sound as fresh as current faves like Antibalas on disc one ("The Soul" disc). Likewise, on disc two ("The Spirit" disc), deep and Afro house producers (MAW, Dennis Ferrer) and techy and broken beat remixers (Carl Craig, IG Culture) all sound as spiritually ancient as their forefathers.
The world’s number one dancefloor jazz/world aficionado returns with a similar jaunt through the groovier side of African music. Given the global popularity of Afrobeat and Afrofunk, it’s no surprise to find a few classic of the genre here: Peter King’s "Ajo", Manu Dibango’s "New Bell" and Fela Kuti’s "Ye Ye De Smell" are evergreens but are sandwiched between lesser known (but equally funky) tracks from the likes of Ethiopian jazz maestro Mulatu Astatqé, Feqadu Amae-Mesqel and Letta Mbulu. The second disc leans more towards modern African sounds and remixes. Kicking off with Masters At Work’s anthemic reworking of Fela’s "Expensive Shit", the CD shifts mercurially through Carl Craig’s take on Cesaria Evora’s "Angola" and IG Culture’s mutated take on "Aso Kere", Thievery Corporation’s "The Heart’s A Lonely Hunter" and Osborne’s "Afrika". All in all, there's plenty here to sate the most ardent African-groove enthusiast.
Gilles Peterson In Africa 1 - The Soul (flac 394mb)
The Soul
01 Gilles Peterson - Intro 0:32
02 Oscar Sulley - Bukom Mashie 5:03
03 Peter King - Ajo 3:53
04 Manu Dibango - New Bell 6:30
05 Fela Ransome Kuti and Africa 70 - Ye Ye De Smell 12:27
06 Antibalas - Indictment 5:39
07 Feqadu Amdé-Mesqel - Asmarina 4:52
08 Mulatu Astatke - Mulatu 5:02
09 Miriam Makeba - Samba 4:58
10 Letta Mbulu - Mahlalela 4:45
11 Abdullah Ibrahim - Did You Hear That Sound (Toshio Matsuura Remix) 6:47
Gilles Peterson In Africa 1 - The Soul (ogg 155mb)
xxxxx
Gilles Peterson In Africa 2 - The Spirit (flac 430mb)
The Spirit
01 Masters At Work Feat. Wunmi - MAW Expensive (A Tribute To Fela) 11:12
02 Osborne - Afrika 4:55
03 Konono No. 1 - Lufuala NDonga (Edit) 6:21
04 Lekan Babalola - Aso Kere (IG Culture Mix) 6:58
05 Cesaria Evora - Angola (Carl Craig Remix) 8:28
06 Thievery Corporation Feat. David Byrne - The Heart's A Lonely Hunter 9:04
07 Dennis Ferrer - Funu (Hi-Life Mix) 7:49
08 Blaze With Palmer Brown - Jump 4 Luv (Shelter Main Mix) 9:59
Gilles Peterson In Africa 2 - The Spirit (ogg 164mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
2010 compilation from DJ Gilles Peterson's Brownswood Recordings label. Standing up for a new wave of artists struggling to elbow their way into the limelight, Brownswood Electric weaves a path through the electronic landscape in 2010, representing the rainbow spectrum of Electronic goodness. The boundaries between so-called Hip Hop, House, Techno, Dubstep and Drum 'n' Bass have never been so blurred, often rendering these signifiers practically obsolete, and indeed it's at these crossings, junctions and awkward intersections where the most inspiring and stirring sound clashes occur. Features tracks from KiEnRa, Hypno, Clueless, devonwho, B. Bravo, Pearson Sound, Mosca, George Fitzgerald, 16bit and others. Brownswood.
Gilles Peterson - Brownswood Electric (flac 430mb)
01 Computa Love by B. Bravo 4:11
02 Whispers by Devonwho 2:21
03 Let Me Love You Forever by Eliphino 5:27
04 Wad by Pearson Sound 5:43
05 Square One by Mosca 6:33
06 Antigravity (Low Limit Remix) by Shlohmo 3:40
07 Blad by Letherette 3:08
08 Bb Thing by KiEnRa 3:44
09 Adsl by 16BIT 6:14
10 Over the Top by Hypno 4:58
11 Painted Jezebel by George Fitzgerald 6:20
12 Lady in Red (Club Edit) by Clueless 6:16
13 Berlin Call (Alps Edit) by Von D 6:27
14 Underpass by Rockwell 6:12
15 Serged by Mount Kimbie 3:32
Gilles Peterson - Brownswood Electric (ogg 188mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
1 comment:
Thank you for this.
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