Nov 16, 2007

Into the Groove (05)

Hello, time for some seventies groove and one of the grooviest in that decade was War a name they got from the man who sort of put them on the map, Eric Burdon, only to disappear into relative obscurity shortly afterwards. Their first get together is represented here as he(Burdon) declares War a driving and trippy Aside followed by a bluesy B side connected by their first hit Spill The Wine, i took the liberty of adding a live recording (aug 69) that initially cemented their partnership "Paint it Black"
After Burdon left s War set out on their own and produced ( well Jerry Goldstein did) a string of hit albums that ended as the decade ended in 78 when disco took over. Afterwards they carried on like the real musicians they are and you can still find them on the road today.

***** ***** ***** ***** *****
Eric Burdon Declares "War" ( 69 ^ 97mb)

Eric Burdon was a founding member and vocalist of the Animals, a band originally formed in Newcastle in the early 1960s. The Animals were one of the leading bands of the "British Invasion", and the band had quite a following around the world. Along with The Beatles, The Rolling Stones, The Dave Clark Five, and Gerry and The Pacemakers, they introduced British music and fashion to an entire generation in an explosion of great tunes and outspoken attitude on, and off the stage. Burdon sang on such Animal classics as "The House of the Rising Sun", "Good Times", "Don't Let Me Be Misunderstood", "Bring It On Home to Me", and "We Gotta Get Out of this Place". The Animals combined the traditional blues with rock to create a unique sound. By 1966 the original members had left, except for Barry Jenkins, and the band was reformed as Eric Burdon and the Animals later going through several line-up changes, the New Animals .This lasted until 1969.

When the New Animals disbanded, Burdon joined forces with funky California jam band War. The resulting album, Eric Burdon Declares "War" yielded the classics "Spill the Wine" and "Tobacco Road". A second Burdon and War album, a two-disc set, The Black-Man's Burdon, was released later in 1970.

In 1971 Burdon began a solo career. Around this time, he also recorded the album Guilty! He has led a number of groups named Eric Burdon Band or some variation thereof, with constantly changing personnel. Burdon rejoined briefly with the other original Animals in 1976 and 1983, but neither union lasted. His popularity has remained stronger in continental Europe than in the UK or U.S. Today he continues to record and tour either on his own, or in front of yet another version of "Eric Burdon and the Animals" as Black & White Blues



01 - The Vision Of Rassan (7:37)
------ Dedication
------ Roll On Kirk
02 - Tobacco Road (13:04)
------ Tobacco Road
------ I Have A Dream
-------Tobacco Road
03 - Spill The Wine (4:51)
04 - Blues for Memphis Slim (13:15)
------ Birth
------ Mother Earth
------ Mr. Charlie
------ Danish Pastry
------ Mother Earth
Xs
05 - Paint It Black (live) (10:26)

***** ***** ***** ***** *****

War Greatest Hits ( 76 ^ 98mb)

WAR is one the unsung greatest bands of the 70's, their blend of soul, jazz, funk and latin was unique. They formed out of the ashes of an earlier R&B covers group, The Creators. In 1968, the band was reconfigured and dubbed Nightshift; Peter Rosen was the new bassist, and percussionist Thomas Sylvester "Papa Dee" Allen, who'd previously played with Dizzy Gillespie, came onboard, along with two more horn players. In 1969 they were discovered by producer Jerry Goldstein, he suggested the band as possible collaborators to former Animals lead singer Eric Burdon, who along with Danish-born harmonica player Lee Oskar had been searching L.A. clubs for a new act.

After witnessing Nightshift in concert, Burdon took charge of the group. He gave them a provocative new name, War, and replaced the two extra horn players with Oskar. To develop material, War began playing marathon concert jams over which Burdon would free-associate lyrics. In August 1969, Burdon and War entered the studio for the first time, and after some more touring, they recorded their first album, 1970's Eric Burdon Declares War. The spaced-out daydream of "Spill the Wine" was a smash hit, climbing to number three and establishing the group in the public eye. A second album, The Black Man's Burdon, was released before the year's end, and over the course of two records it documented the group's increasingly long improvisations.

Burdon's contract allowed War to be signed separately, and they soon inked a deal with United Artists, intending to record on their own as well as maintaining their partnership with Burdon. Burdon -- citing exhaustion -- suddenly quit during the middle of the group's European tour in 1971, spelling the beginning of the end; he rejoined War for a final U.S. tour and then left for good.

War had already issued their self-titled, Burdon-less debut at the beginning of 1971, but it flopped. Before the year was out, they recorded another effort, All Day Music, which spawned their first Top 40 hits in "All Day Music" and "Slippin' Into Darkness". The follow-up album, 1972's The World Is a Ghetto; boosted by a sense of multicultural harmony, topped the charts and sold over three million copies, making it the best-selling album of 1973. Deliver the Word was another million-selling hit, though it had less of the urban grit that War prided themselves on. War consolidated their success with the double concert LP War Live, recorded over four nights in Chicago during 1974.

Released in 1975, Why Can't We Be Friends returned to the sound of The World Is a Ghetto with considerable success. The bright, anthemic title track hit the Top Ten, as did "Low Rider," an irresistible slice of Latin funk that became the group's first (and only) R&B chart-topper, and still stands as their best-known tune. 1976 brought the release of a greatest-hits package featuring the new song "Summer," which actually turned out to be War's final Top Ten pop hit. A double-LP compilation of jams and instrumentals appeared on the Blue Note jazz label in 1977, under the title Platinum Jazz; it quickly became one of the best-selling albums in Blue Note history.

In 1977, the band switched labels, moving to MCA for Galaxy; though it sold respectably, and the title track was a hit on the R&B charts, disco was beginning to threaten the gritty, socially aware funk War specialized in, and it proved to be the last time War would hit the Top 40. After completing the Youngblood soundtrack album in 1978, the original War lineup began to disintegrate.

Things started to go downhill for the group in the late 70s when bassist B.B. Dickerson left and another member, Charles Miller, was murdered. Various line-up changes followed but the original magic was lost and the group were not as successful, eventually becoming just a touring act. Papa Dee Allen collapsed and died on-stage of a brain aneurysm in 1988, leaving Jordan, Hammon, Oskar, and Scott as the core membership. Interest in War's classic material remained steady, as they have been heavily sampled by hip-hop artists creating a new generation that discovered the music of War. The band continues to tour, although with only one of the original members.



01 - All Day Music (3:59)
02 - Slippin' Into Darkness (3:41)
03 - The World Is A Ghetto (3:59)
04 - The Cisco Kid (3:43)
05 - Gypsy Man (5:14)
06 - Me And Baby Brother (3:24)
07 - Southern Part Of Texas (3:51)
08 - Why Can't We Be Friends ? (3:48)
09 - Low Rider (3:07)
10 - Summer (6:23)

***** ***** ***** ***** *****
War - Youngblood (OST) (78

What you have here is War getting back to basics. Even if most of what you're hearing is manufactured blatant improv.
Flying Machine (the chase) is mere confirmation of that. Charles Miller's nostalgic flute flashes back to his brilliance of the early days, making you forget any weak moment on this soundtrack. War would never again sound this fresh or relevant.
A pity that the movie didn't do the soundtrack any justice, there are some great tracks here that deserved more exposure.



01 - Youngblood (Livin' In The Streets) (10:30)
02 - Sing A Happy Song (4:01)
03 - Keep On Doin' (3:44)
04 - The Kingsmen Sign (2:28)
05 - Walking To War (2:40)
06 - This Funky Music Makes You Feel Good (6:18)
07 - Junk Yard (2:30)
08 - Superdude (2:34)
09 - Youngblood & Sybil (1:41)
10 - Flyin' Machine ( The Chase) (7:32)
11 - Searching For Youngblood & Rommel (1:42)
12 - Youngblood (Livin' In The Streets) Reprise (1:27)

***** ***** ***** ***** *****

War , Bambaata mixes (48mb)

A Late addition to War's Into the groove post, the link between War and previous Into the groove post ft Africa Bambaata, but here it is

01 - Low Rider (Arthur Baker remix) (7:53)
02 - Galaxy (5:39)
03 - Low Rider (Arthur Baker house party mix) (6:25)

***** ***** ***** ***** *****
All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

4 comments:

Anonymous said...

THANKS FOR THIS....HOWEVER CAN YOU PLEASE ADVISE WHAT THE PASSWORD IS?

THANKS

Rho said...

Hello Anon, Passwords ? I never use those.

Best of luck,
Rho

Anonymous said...

Thanks for the reply Rho.

I am using WinRar and when I try to unpack the file it asks me for a password.

It didn't for a couple of other albums on your site....just Eric Burden Declares War.

Any ideas?

Rho said...

Hello again Anon , well i use 7-zip here's aa google http://www.google.com/search?client=opera&rls=en&q=7zip&sourceid=opera&ie=utf-8&oe=utf-8 its opensource freeware good quality and in this case should do the trick, though i have no idea why you shuld have trouble with this file at all.

Best of luck,
Rho